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Warped - Remixed
Songs like
Warped - Remixed
by
Population One
Based on a tempo of (+/- 10%) and a similar genre
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Population One
Out Of Control
124 bpm • C# Maj • 06:03 • -11.66db
4% Popularity • 79% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Function
Binaural
124 bpm • F# Maj • 09:10 • -16db
13% Popularity • 57% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Mike Huckaby
Basement Trax
124 bpm • C Maj • 05:36 • -9.24db
12% Popularity • 78% Danceability • 99% Energy • 10% Liveness
92% Instrumentalness • 84% Positiveness
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Artefakt
Lichtspiel
124 bpm • A# min • 06:36 • -10.3db
10% Popularity • 80% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Ben Klock
Gloaming - Original Mix
124 bpm • A# min • 05:07 • -14.27db
16% Popularity • 63% Danceability • 67% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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efdemin
Night Train
124 bpm • G# Maj • 09:50 • -15db
18% Popularity • 80% Danceability • 54% Energy • 67% Liveness
87% Instrumentalness • 28% Positiveness
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Population One
Code Urgent
124 bpm • B min • 07:17 • -14.14db
1% Popularity • 56% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Abdulla Rashim
Red Uprise
124 bpm • G Maj • 05:29 • -10.97db
10% Popularity • 70% Danceability • 91% Energy • 38% Liveness
90% Instrumentalness • 3% Positiveness
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Answer Code Request
Dust 0.2
124 bpm • E min • 04:59 • -14.05db
14% Popularity • 80% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Terrence Dixon
Multiple Choice
124 bpm • C min • 05:51 • -13.38db
0% Popularity • 44% Danceability • 57% Energy • 9% Liveness
85% Instrumentalness • 33% Positiveness
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Ben Klock
Init Two - Original Mix
124 bpm • C# Maj • 05:07 • -11.99db
8% Popularity • 52% Danceability • 78% Energy • 11% Liveness
87% Instrumentalness • 45% Positiveness
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nthng
Turn to Gaia
124 bpm • B min • 09:34 • -12.06db
17% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Population One
Article Retrieved
124 bpm • A# min • 04:16 • -15.15db
0% Popularity • 54% Danceability • 73% Energy • 12% Liveness
94% Instrumentalness • 35% Positiveness
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Tama Sumo
Rarified
124 bpm • B min • 08:38 • -12.47db
14% Popularity • 81% Danceability • 84% Energy • 6% Liveness
90% Instrumentalness • 35% Positiveness
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Dino Sabatini
Celeno
124 bpm • F# min • 06:52 • -12.56db
15% Popularity • 65% Danceability • 55% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gesloten Cirkel
Yamagic
124 bpm • G Maj • 06:19 • -10.19db
11% Popularity • 77% Danceability • 57% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Ben Klock
Napoleon Hill - Original Mix
124 bpm • F# min • 05:58 • -10.71db
22% Popularity • 87% Danceability • 84% Energy • 9% Liveness
72% Instrumentalness • 41% Positiveness
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Etapp Kyle
Void
124 bpm • A Maj • 07:24 • -17.84db
23% Popularity • 68% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Population One
Encircle
124 bpm • A# min • 04:24 • -15.31db
0% Popularity • 68% Danceability • 48% Energy • 14% Liveness
51% Instrumentalness • 76% Positiveness
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Maurizio
M07a - Edit
124 bpm • C Maj • 08:16 • -16.83db
25% Popularity • 85% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Terrence Dixon
Halftime - Population One Remix 2
124 bpm • G# Maj • 07:20 • -13.83db
0% Popularity • 68% Danceability • 72% Energy • 35% Liveness
95% Instrumentalness • 29% Positiveness
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Jeff Mills
Devices
124 bpm • A# min • 05:05 • -10.25db
9% Popularity • 53% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
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FJAAK
Spnd Ballett
124 bpm • F# min • 03:23 • -8.94db
17% Popularity • 72% Danceability • 57% Energy • 15% Liveness
59% Instrumentalness • 10% Positiveness
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ç”°ä¸ãƒ•ãƒŸãƒ¤
UFO Test 1
124 bpm • G Maj • 07:02 • -16.18db
12% Popularity • 81% Danceability • 55% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Population One
We Live In Outer Space
124 bpm • F# Maj • 04:46 • -16.35db
0% Popularity • 40% Danceability • 81% Energy • 19% Liveness
89% Instrumentalness • 83% Positiveness
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Fantastic Man
Trance Sexual
124 bpm • G Maj • 06:47 • -10.25db
17% Popularity • 80% Danceability • 97% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Vril
Vortekz
123 bpm • A min • 05:20 • -6.45db
11% Popularity • 82% Danceability • 95% Energy • 7% Liveness
75% Instrumentalness • 46% Positiveness
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micronism
constructing space
124 bpm • B min • 07:30 • -12.09db
11% Popularity • 64% Danceability • 90% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
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Jeff Mills
Dagma
125 bpm • A# min • 05:30 • -17.21db
13% Popularity • 68% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
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Goldie
Truth - mixed
125 bpm • F# Maj • 04:02 • -13.72db
10% Popularity • 63% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 21% Positiveness
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Population One
Warped - Remixed
124 bpm • C Maj • 06:28 • -9.7db
0% Popularity • 77% Danceability • 80% Energy • 6% Liveness
93% Instrumentalness • 96% Positiveness
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Roman Lindau
Simplicity
125 bpm • B min • 05:40 • -11.95db
8% Popularity • 79% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Shed
Day After
123 bpm • A min • 05:20 • -10.14db
22% Popularity • 71% Danceability • 65% Energy • 34% Liveness
72% Instrumentalness • 14% Positiveness
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Acronym
Realisation
125 bpm • G# Maj • 07:32 • -12.97db
12% Popularity • 52% Danceability • 72% Energy • 22% Liveness
86% Instrumentalness • 25% Positiveness
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Mike Dehnert
Fachwerk 25
125 bpm • C# Maj • 05:01 • -8.85db
13% Popularity • 81% Danceability • 71% Energy • 17% Liveness
15% Instrumentalness • 51% Positiveness
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Juan Atkins
2600
125 bpm • A# min • 06:44 • -19.98db
16% Popularity • 74% Danceability • 44% Energy • 16% Liveness
91% Instrumentalness • 20% Positiveness
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Population One
Musical Promises
124 bpm • G# min • 06:51 • -23.18db
1% Popularity • 39% Danceability • 42% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Van Hoesen
Talis
125 bpm • B Maj • 08:20 • -9.36db
18% Popularity • 79% Danceability • 83% Energy • 8% Liveness
67% Instrumentalness • 78% Positiveness
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Ben Klock
Czeslawa
125 bpm • F# min • 07:34 • -14.4db
10% Popularity • 81% Danceability • 68% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Norman Nodge
Embodiment
125 bpm • B min • 05:24 • -9.96db
16% Popularity • 74% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Mike Dehnert
Losange
125 bpm • A min • 04:54 • -12.65db
19% Popularity • 81% Danceability • 64% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Vainqueur
Ranges - Expanded
125 bpm • F# min • 09:20 • -20.83db
20% Popularity • 49% Danceability • 24% Energy • 30% Liveness
95% Instrumentalness • 15% Positiveness
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Population One
The Jazz Student
124 bpm • F# Maj • 06:38 • -16.23db
0% Popularity • 57% Danceability • 49% Energy • 10% Liveness
77% Instrumentalness • 27% Positiveness
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Terrence Dixon
8th Chance
125 bpm • G Maj • 03:04 • -18.39db
12% Popularity • 63% Danceability • 39% Energy • 11% Liveness
93% Instrumentalness • 66% Positiveness
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Ryan James Ford
Arthure Iccon
125 bpm • G Maj • 06:16 • -14.39db
14% Popularity • 68% Danceability • 92% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Shed
I Come by Night
125 bpm • E min • 06:00 • -11.79db
17% Popularity • 70% Danceability • 89% Energy • 29% Liveness
70% Instrumentalness • 7% Positiveness
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Junq
From Below
125 bpm • G# Maj • 07:25 • -9.59db
9% Popularity • 80% Danceability • 76% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Ben Klock
Grip - Original Mix
125 bpm • F# min • 04:55 • -12.14db
12% Popularity • 80% Danceability • 53% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Population One
For Only You
124 bpm • G Maj • 06:42 • -10.95db
1% Popularity • 81% Danceability • 48% Energy • 3% Liveness
96% Instrumentalness • 55% Positiveness
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Paranoid London
Paris Dub 3
125 bpm • C min • 07:12 • -13.51db
14% Popularity • 81% Danceability • 85% Energy • 12% Liveness
88% Instrumentalness • 83% Positiveness
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Gunnar Haslam
Scale No Flam - Servito and Cudmore Bass...
125 bpm • B min • 07:44 • -11.41db
13% Popularity • 80% Danceability • 94% Energy • 4% Liveness
86% Instrumentalness • 7% Positiveness
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Inigo Kennedy
Cathedral
125 bpm • C# Maj • 07:29 • -10db
10% Popularity • 61% Danceability • 93% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Dorisburg
Gloson
125 bpm • G Maj • 07:35 • -13.99db
16% Popularity • 80% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Rrose
Waterfall
125 bpm • D Maj • 07:14 • -11.64db
23% Popularity • 75% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Population One
Concrete Playground
125 bpm • B min • 04:33 • -15.85db
0% Popularity • 62% Danceability • 55% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Paranoid London
Making Enemies
123 bpm • F# min • 07:16 • -9.01db
9% Popularity • 80% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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efdemin
Subatomic
125 bpm • A# min • 04:44 • -19.12db
11% Popularity • 58% Danceability • 54% Energy • 50% Liveness
83% Instrumentalness • 20% Positiveness
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Juan Atkins
Digital Forest
125 bpm • A# min • 08:11 • -17.61db
16% Popularity • 40% Danceability • 30% Energy • 14% Liveness
74% Instrumentalness • 34% Positiveness
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Abdulla Rashim
Moral Blinds
125 bpm • G Maj • 07:06 • -12db
14% Popularity • 50% Danceability • 67% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Atomâ„¢
Physik E7532
125 bpm • F# min • 05:42 • -12db
26% Popularity • 64% Danceability • 55% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Cassegrain
CN01
125 bpm • C# Maj • 06:26 • -9.11db
15% Popularity • 77% Danceability • 95% Energy • 16% Liveness
86% Instrumentalness • 11% Positiveness
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Wata Igarashi
Riff
125 bpm • F# Maj • 06:02 • -13.25db
14% Popularity • 79% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Terrence Dixon
Unconditional Love
125 bpm • E min • 05:47 • -18.17db
8% Popularity • 64% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Population One
5.26.2012 @ 5:59PM
123 bpm • F# min • 05:45 • -19.2db
1% Popularity • 49% Danceability • 73% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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Delta Funktionen
Black Endlessness
123 bpm • F Maj • 08:31 • -9.31db
12% Popularity • 66% Danceability • 64% Energy • 9% Liveness
48% Instrumentalness • 46% Positiveness
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Ben Klock
Thirteen Rounds - Original Mix
123 bpm • G Maj • 04:15 • -13.38db
7% Popularity • 97% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Octo Octa
Repping
125 bpm • F# min • 01:47 • -11.14db
21% Popularity • 66% Danceability • 95% Energy • 7% Liveness
82% Instrumentalness • 74% Positiveness
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Abdulla Rashim
Semien Terara 1
123 bpm • C# min • 07:56 • -17db
12% Popularity • 80% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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Answer Code Request
By The Bay
125 bpm • G min • 04:36 • -9.55db
25% Popularity • 73% Danceability • 85% Energy • 8% Liveness
82% Instrumentalness • 11% Positiveness
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Hodge
Beneath Two Moons
123 bpm • C# Maj • 05:49 • -13.79db
21% Popularity • 68% Danceability • 65% Energy • 15% Liveness
84% Instrumentalness • 44% Positiveness
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Claro Intelecto
When the Time Is Right
125 bpm • C# Maj • 08:49 • -10.73db
13% Popularity • 77% Danceability • 72% Energy • 9% Liveness
90% Instrumentalness • 37% Positiveness
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efdemin
Transducer
125 bpm • G Maj • 06:08 • -20.42db
13% Popularity • 77% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Rrose
Waterfall (Birth)
125 bpm • A Maj • 08:51 • -10.03db
9% Popularity • 70% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Acronym
River Red Gum
125 bpm • A# min • 08:25 • -15.24db
21% Popularity • 65% Danceability • 62% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
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Reedale Rise
Eternal Return
125 bpm • F min • 06:12 • -14db
10% Popularity • 71% Danceability • 58% Energy • 31% Liveness
30% Instrumentalness • 40% Positiveness
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Donato Dozzy
Aquatica
125 bpm • C# min • 05:46 • -13.41db
14% Popularity • 78% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Population One
A Cosmic Display of Beauty
123 bpm • C# Maj • 03:13 • -21.7db
2% Popularity • 67% Danceability • 28% Energy • 36% Liveness
84% Instrumentalness • 60% Positiveness
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SØS Gunver Ryberg
DR2-3
123 bpm • G# Maj • 06:31 • -11.31db
9% Popularity • 57% Danceability • 88% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Untold
Motion the Dance
125 bpm • B min • 06:59 • -9.99db
8% Popularity • 69% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Minilogue
Clouds and Water - Rrose Remix
123 bpm • C Maj • 06:38 • -10.01db
11% Popularity • 67% Danceability • 72% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Luke Hess
Son Beams
125 bpm • B min • 05:57 • -12.94db
19% Popularity • 80% Danceability • 75% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
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Paranoid London
Sync 24
123 bpm • F# min • 05:24 • -8.07db
9% Popularity • 80% Danceability • 97% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Basic Channel
Q1.1/I
125 bpm • C# Maj • 07:53 • -10.17db
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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Claro Intelecto
Patience
125 bpm • G# Maj • 07:06 • -12.59db
12% Popularity • 81% Danceability • 63% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Paperclip People
Parking Garage Politics
125 bpm • G# Maj • 05:39 • -8.75db
13% Popularity • 80% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 36% Positiveness
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Kenny Larkin
Colony
125 bpm • C# Maj • 04:25 • -8.79db
8% Popularity • 79% Danceability • 97% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Vainqueur
Elevation, Pt. 2 (Reduced)
123 bpm • G Maj • 10:17 • -16.11db
10% Popularity • 97% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Paranoid London
300 Hangovers a Year
123 bpm • E min • 06:05 • -12.09db
13% Popularity • 81% Danceability • 72% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Wolfgang Voigt
Klang
125 bpm • C Maj • 06:25 • -14.89db
8% Popularity • 70% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Avalon Emerson
The Frontier
125 bpm • A# min • 07:34 • -8.78db
16% Popularity • 63% Danceability • 95% Energy • 16% Liveness
90% Instrumentalness • 34% Positiveness
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Thomas Brinkmann
Loplop
123 bpm • F min • 09:08 • -17.29db
9% Popularity • 81% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
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Maurizio
M06a
123 bpm • C# Maj • 09:16 • -22.87db
9% Popularity • 83% Danceability • 40% Energy • 13% Liveness
92% Instrumentalness • 55% Positiveness
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Population One
The Test
126 bpm • G Maj • 05:08 • -16.92db
0% Popularity • 75% Danceability • 32% Energy • 24% Liveness
93% Instrumentalness • 36% Positiveness
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Terrence Dixon
Halftime - Population One Remix 3
126 bpm • C# min • 07:13 • -16.34db
0% Popularity • 79% Danceability • 67% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Orlando Voorn
At Last - mixed
126 bpm • B min • 04:50 • -12.35db
9% Popularity • 67% Danceability • 57% Energy • 39% Liveness
76% Instrumentalness • 40% Positiveness
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L.B. Dub Corp
No Trouble In Paradise
126 bpm • F min • 07:08 • -12.63db
17% Popularity • 46% Danceability • 85% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Wax
700007A
126 bpm • F# Maj • 07:18 • -11db
15% Popularity • 79% Danceability • 69% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Maurizio
Mø6b - Edit
122 bpm • C# Maj • 06:42 • -14.45db
26% Popularity • 84% Danceability • 52% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Population One
My Own Shadow
126 bpm • E min • 05:30 • -14.71db
0% Popularity • 64% Danceability • 58% Energy • 11% Liveness
38% Instrumentalness • 23% Positiveness
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Terrence Dixon
Multiple Choice - Pangaea Phase Dub Mix
126 bpm • F# Maj • 04:54 • -10.77db
0% Popularity • 91% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Warped - Remixed