Songs like Warrior of the Mind by Jorge Rivera-Herrans
Based on a tempo of (+/- 10%) and a similar genre
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Lizz Robinett
Hide and Seek
120 bpm • C# Maj • 02:18 • -2.14db
60% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Emilie Autumn
Nothing (Dr. Stockill, Emily)
120 bpm • D# Maj • 03:20 • -15.36db
45% Popularity • 79% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 79% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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millennium parade
U - English Version
120 bpm • C Maj • 03:03 • -9.38db
55% Popularity • 67% Danceability • 73% Energy • 28% Liveness
1% Instrumentalness • 65% Positiveness
55% Popularity • 67% Danceability • 73% Energy • 28% Liveness
1% Instrumentalness • 65% Positiveness
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Sushi Soucy
I Deserve to Bleed
120 bpm • G Maj • 01:44 • -11.51db
66% Popularity • 76% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 76% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Bo Burnham
Shit
120 bpm • A# Maj • 01:18 • -5.22db
64% Popularity • 94% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
64% Popularity • 94% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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J. Maya
Library Card
120 bpm • A min • 03:26 • -7db
40% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Diane Guerrero
What Else Can I Do?
120 bpm • E Maj • 02:59 • -5.57db
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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fin
Lost
120 bpm • D# Maj • 02:59 • -8.91db
49% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Lindsay Mendez
The Ballad of Sara Berry
120 bpm • G# min • 04:49 • -7.98db
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Amazing Devil
Inkpot Gods
120 bpm • G# Maj • 04:58 • -9.49db
51% Popularity • 55% Danceability • 61% Energy • 32% Liveness
5% Instrumentalness • 33% Positiveness
51% Popularity • 55% Danceability • 61% Energy • 32% Liveness
5% Instrumentalness • 33% Positiveness
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Jorge Rivera-Herrans
Warrior of the Mind
120 bpm • C# min • 03:28 • -5.87db
67% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Underberg
Hell’s Greatest Dad
120 bpm • G Maj • 02:13 • -4.58db
81% Popularity • 68% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
81% Popularity • 68% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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The Gregory Brothers
Chrissy, Wake Up
120 bpm • D Maj • 01:05 • -6db
51% Popularity • 84% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 84% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Rannells
Watch Me Work
120 bpm • C# Maj • 02:30 • -4.42db
73% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
73% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Tom Cardy
Red Flags
120 bpm • D min • 02:45 • -6db
64% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
64% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Halsey
Control
120 bpm • E min • 03:34 • -5.64db
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
70% Popularity • 55% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Jorge Rivera-Herrans
The Horse and the Infant
120 bpm • C min • 03:53 • -7.7db
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Autoheart
Stalker's Tango - 2023 Remaster
120 bpm • B min • 02:55 • -6db
62% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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EMELINE
cinderella's dead
120 bpm • F# min • 02:00 • -6.18db
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Zach Callison
interlude IV (Showtime)
120 bpm • A Maj • 01:43 • -9.13db
58% Popularity • 79% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 79% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Erutan
Come Little Children
120 bpm • C min • 02:55 • -17.57db
55% Popularity • 55% Danceability • 14% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
55% Popularity • 55% Danceability • 14% Energy • 6% Liveness
1% Instrumentalness • 33% Positiveness
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Emily Rohm
The Ballad of Jane Doe
120 bpm • F min • 04:59 • -12.51db
61% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Jorge Rivera-Herrans
There Are Other Ways
120 bpm • C min • 03:27 • -4.78db
63% Popularity • 45% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 45% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mena Massoud
One Jump Ahead
119 bpm • C# Maj • 02:55 • -6.17db
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Cast of Wonka
Scrub Scrub
119 bpm • C# Maj • 01:49 • -10.59db
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Susan Egan
I Won't Say (I'm In Love)
121 bpm • C Maj • 02:20 • -10.31db
69% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Kaden MacKay
Don't You Dare (Make Me Fall in Love Wit...
119 bpm • C Maj • 04:03 • -15.1db
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Groff
I Know Him
122 bpm • C Maj • 01:37 • -8.64db
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain
121 bpm • D# Maj • 02:43 • -4.57db
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 45% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Devon Cole
W.I.T.C.H.
122 bpm • G Maj • 02:12 • -4db
66% Popularity • 87% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 87% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Wrabel
The Village
122 bpm • F Maj • 03:50 • -7.33db
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jonathan Groff
You'll Be Back
122 bpm • C Maj • 03:28 • -7.56db
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Steven Universe
Other Friends
118 bpm • B min • 02:47 • -11.45db
60% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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The Stupendium
A Little Theorizing
118 bpm • C Maj • 05:05 • -4.85db
54% Popularity • 75% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 75% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Oli Frost
The Dragon of Climate Change
118 bpm • A# min • 01:41 • -14.15db
41% Popularity • 74% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 74% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher Jackson
Where You Are
118 bpm • E Maj • 03:30 • -9.28db
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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MARINA
Hermit the Frog
122 bpm • C Maj • 03:35 • -4.55db
66% Popularity • 61% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 61% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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mazie
dumb dumb
122 bpm • D Maj • 02:05 • -8.39db
68% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
68% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bella Poarch
Dolls
118 bpm • E min • 02:12 • -6.59db
61% Popularity • 84% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 84% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Kyle Allen Music
Lights On
118 bpm • G Maj • 03:30 • -3.33db
54% Popularity • 81% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 81% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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The Oh Hellos
Soldier, Poet, King
118 bpm • G# Maj • 02:45 • -7.75db
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 35% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Underberg
Welcome To Heaven
122 bpm • C Maj • 01:00 • -4.62db
72% Popularity • 66% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
72% Popularity • 66% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
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Sail North
Tale of The Shadow
123 bpm • D Maj • 03:26 • -8.84db
63% Popularity • 56% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 56% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Dusty Douglas
Son of a Bee
117 bpm • A# Maj • 01:36 • -11.31db
40% Popularity • 92% Danceability • 45% Energy • 11% Liveness
5% Instrumentalness • 64% Positiveness
40% Popularity • 92% Danceability • 45% Energy • 11% Liveness
5% Instrumentalness • 64% Positiveness
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JT Music
Nightmares Never End
117 bpm • G# Maj • 04:40 • -5.06db
50% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah Cothran
Love Story
117 bpm • D min • 03:10 • -8.3db
57% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Idina Menzel
Show Yourself
123 bpm • F# Maj • 04:20 • -7.07db
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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MALINDA
Wild One
123 bpm • A# min • 02:32 • -10db
40% Popularity • 54% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 54% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 66% Positiveness
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Leslie Odom Jr.
The World Was Wide Enough
117 bpm • F Maj • 05:02 • -12.78db
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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PARANOiD DJ
Just Look My Way (Stolas' lament)
124 bpm • D# min • 04:50 • -15db
60% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 52% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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TytoCat
Deal Maker
124 bpm • A# min • 03:05 • -8.76db
56% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Haft
2 Minutes Notice
124 bpm • B min • 03:02 • -5.33db
56% Popularity • 64% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 64% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Hodson-Prior
Revolting Children
116 bpm • G Maj • 02:54 • -6db
52% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Chxrlotte
Come With Me
116 bpm • C# Maj • 02:36 • -8.74db
54% Popularity • 72% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 72% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Underberg
Out For Love
125 bpm • A min • 01:30 • -4.81db
80% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
80% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Ghost and Pals
Candle Queen
115 bpm • C# Maj • 02:33 • -12.33db
63% Popularity • 85% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 85% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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36 Questions
Our Word
115 bpm • G# min • 05:17 • -9db
52% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Original Broadway Cast Of School Of Rock
Stick It to the Man
115 bpm • C Maj • 03:12 • -3.81db
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Antonio Banderas
Fearless Hero
126 bpm • D Maj • 04:57 • -9.62db
48% Popularity • 40% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
48% Popularity • 40% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
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Melanie Martinez
Tag, You're It
115 bpm • F min • 03:09 • -5.56db
76% Popularity • 56% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 38% Positiveness
76% Popularity • 56% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 38% Positiveness
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Stephanie Beatriz
All Of You
115 bpm • B Maj • 04:38 • -11db
61% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alessandra
Queen of Kings
126 bpm • E min • 02:27 • -4.25db
72% Popularity • 56% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 56% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 17% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ashley Johnson
Your Turn to Roll (Critical Role Theme)
114 bpm • B min • 01:26 • -6.18db
55% Popularity • 63% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 63% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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J. Maya
Two Roads
126 bpm • D Maj • 02:43 • -9db
48% Popularity • 47% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 47% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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China Anne McClain
What's My Name
114 bpm • C# Maj • 03:10 • -4.93db
68% Popularity • 73% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 73% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Ralph Fiennes
The Plagues
114 bpm • C min • 02:40 • -14.07db
55% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 46% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Lin-Manuel Miranda
We Know
114 bpm • B Maj • 02:22 • -10.38db
63% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Cameron Diaz
Little Girls
114 bpm • B min • 02:17 • -4.4db
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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MARINA
Oh No!
127 bpm • C Maj • 03:02 • -3.97db
71% Popularity • 77% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 77% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dove Cameron
Ways to Be Wicked
113 bpm • F min • 03:38 • -4.22db
63% Popularity • 62% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 62% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Sub Urban
INFERNO
128 bpm • A min • 02:13 • -5.02db
67% Popularity • 82% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 82% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Stupendium
Why Did I Say Okie Doki?
113 bpm • A min • 05:03 • -9.21db
56% Popularity • 80% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 80% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Melina KB
Playing Adult
128 bpm • F min • 02:05 • -6.43db
39% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Chandler Kinney
We Own the Night
128 bpm • E min • 02:30 • -7.79db
61% Popularity • 78% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 78% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Dove Cameron
Rotten to the Core
128 bpm • E min • 02:42 • -6.23db
66% Popularity • 69% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 69% Danceability • 81% Energy • 58% Liveness
0% Instrumentalness • 55% Positiveness
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Bohnes
Middle Finger
128 bpm • C# min • 03:49 • -6.01db
66% Popularity • 69% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 69% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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NateWantsToBattle
Addict
128 bpm • C# Maj • 04:07 • -6.34db
52% Popularity • 59% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 59% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Panicland
Bad Word
128 bpm • D min • 02:59 • -4.29db
56% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Jorge Rivera-Herrans
Puppeteer
112 bpm • D Maj • 04:09 • -4.88db
62% Popularity • 67% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 67% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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Barrett Wilbert Weed
Apex Predator
112 bpm • C Maj • 03:13 • -4.39db
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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AmaLee
Isabella's Lullaby
112 bpm • A# min • 02:25 • -8.57db
49% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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MARINA
The Family Jewels
112 bpm • D min • 04:05 • -5.27db
64% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Will Smith
Arabian Nights (2019)
129 bpm • G# Maj • 03:13 • -8.02db
66% Popularity • 44% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 44% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jessie Mueller
Rider's Lullaby
129 bpm • C Maj • 01:04 • -14db
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 36% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
