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Waste of Lime
Songs like
Waste of Lime
by
Ingrid Andress
Based on a tempo of (+/- 10%) and a similar genre
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
43% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Lily Rose
Villain
107 bpm • C Maj • 02:56 • -7.95db
52% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexandra Kay
Skip This Part
107 bpm • D# Maj • 03:19 • -5.16db
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Noah Thompson
One Day Tonight
109 bpm • C# Maj • 02:45 • -7.61db
58% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
63% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Ingrid Andress
Life of the Party
110 bpm • B Maj • 02:56 • -6.28db
34% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Little Big Town
Wine, Beer, Whiskey
106 bpm • G Maj • 03:16 • -5.85db
65% Popularity • 73% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
73% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wade
Wilder Days
111 bpm • A Maj • 04:11 • -4.04db
65% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
47% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ingrid Andress
Both - The Rosebank Acoustic Sessions
111 bpm • A Maj • 03:04 • -6.2db
18% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
70% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Lauren Duski
I Would For You
112 bpm • G# Maj • 03:01 • -8db
42% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Tenille Arts
Somebody Like That (Acoustic)
105 bpm • F# Maj • 03:14 • -5.14db
35% Popularity • 73% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Mickey Guyton
Somethin' Bout You
112 bpm • E Maj • 02:36 • -3.41db
48% Popularity • 67% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Walker Hayes
AA
104 bpm • E Maj • 03:09 • -5.86db
61% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Hannah Ellis
Us
104 bpm • F Maj • 03:04 • -5.42db
32% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
49% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Old Dominion
Some People Do
113 bpm • A Maj • 03:16 • -9.46db
52% Popularity • 63% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Beautiful Crazy
103 bpm • B Maj • 03:13 • -7.43db
81% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Carter Faith
Greener Pasture
113 bpm • C Maj • 03:09 • -7db
53% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
68% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Hurd
Every Other Memory
103 bpm • C Maj • 03:39 • -7db
43% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
63% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Miranda Lambert
Tequila Does
114 bpm • C Maj • 04:01 • -6.97db
56% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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RaeLynn
Keep Up
114 bpm • F# Maj • 03:04 • -3db
49% Popularity • 66% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Thomas Rhett
Remember You Young
114 bpm • F# Maj • 03:00 • -6.27db
55% Popularity • 40% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kelsea Ballerini
homecoming queen?
114 bpm • A Maj • 02:47 • -5db
56% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Danielle Bradbery
Worth It
115 bpm • F Maj • 03:26 • -4.69db
48% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
55% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
65% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mitch Rossell
All I Need to See
116 bpm • C Maj • 04:27 • -6.78db
48% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
64% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
55% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kacey Musgraves
Space Cowboy
117 bpm • C# Maj • 03:36 • -7.36db
58% Popularity • 45% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
44% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
57% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Rice
Drinkin’ Beer. Talkin’ God. Amen.
100 bpm • D Maj • 02:40 • -4.69db
60% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
49% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Mickey Guyton
Remember Her Name
100 bpm • G Maj • 02:58 • -3.91db
27% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Kane Brown
Thank God
100 bpm • D# Maj • 02:54 • -8.74db
74% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
51% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Ingrid Andress
Don't Start Now
117 bpm • B min • 03:11 • -8.1db
44% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
63% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Lady A
What A Song Can Do
117 bpm • D# Maj • 03:41 • -5.41db
47% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Cam
The Otherside
117 bpm • G Maj • 02:55 • -4.23db
37% Popularity • 75% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
60% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Callista Clark
It’s ‘Cause I Am
99 bpm • A# min • 02:46 • -5db
37% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ingrid Andress
Blue
117 bpm • G# Maj • 03:21 • -10db
40% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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BRELAND
Cross Country
118 bpm • D Maj • 03:24 • -6.53db
30% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
52% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Ella Langley
If You Have To
118 bpm • F Maj • 03:19 • -6db
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
68% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Taylor Edwards
Not Supposed To Know Each Other
98 bpm • D Maj • 02:41 • -4db
45% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Ingrid Andress
Talk
98 bpm • E Maj • 02:49 • -6.68db
23% Popularity • 54% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
75% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
84% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
63% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lauren Alaina
Thicc As Thieves
120 bpm • G Maj • 02:59 • -2.41db
47% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Tenille Arts
Slow It Down
120 bpm • B Maj • 03:23 • -6.48db
35% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lindsay Ell
i don't lovE you
120 bpm • F# Maj • 03:34 • -5.11db
36% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
73% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
52% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
64% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Danielle Bradbery
Sway
97 bpm • D# Maj • 03:32 • -5.48db
49% Popularity • 70% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Seaforth
Talk About
97 bpm • E Maj • 02:46 • -5.07db
40% Popularity • 64% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Ingrid Andress
We're Not Friends
121 bpm • D Maj • 03:12 • -6.3db
42% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
57% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Waste of Lime