Songs like Watch Me Survive by Neal Casal
Based on a tempo of (+/- 10%) and a similar genre
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Neal Casal
The Losing End Again
127 bpm • D Maj • 03:12 • -7.34db
12% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Teddy Thompson
Heartbreaker Please
127 bpm • C Maj • 03:01 • -8db
19% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Delines
Cool Your Jets
127 bpm • F Maj • 04:19 • -13.14db
14% Popularity • 65% Danceability • 31% Energy • 13% Liveness
24% Instrumentalness • 45% Positiveness
14% Popularity • 65% Danceability • 31% Energy • 13% Liveness
24% Instrumentalness • 45% Positiveness
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Charlie Ainley
Just Give Me the Money
127 bpm • B min • 03:44 • -10.02db
9% Popularity • 67% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 67% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Lee Tasjan
Where The Road Begins And Ends
128 bpm • G Maj • 04:40 • -7.34db
6% Popularity • 49% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 49% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Charlie Senger
Devil
126 bpm • A Maj • 04:09 • -6.84db
30% Popularity • 43% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 43% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Neal Casal
Dandelion Wine
127 bpm • G Maj • 03:28 • -8.61db
1% Popularity • 62% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 62% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Israel Nash
Bricks
128 bpm • C Maj • 04:37 • -6.76db
19% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Son Volt
Devil May Care
126 bpm • E Maj • 02:58 • -7.27db
24% Popularity • 59% Danceability • 69% Energy • 9% Liveness
63% Instrumentalness • 66% Positiveness
24% Popularity • 59% Danceability • 69% Energy • 9% Liveness
63% Instrumentalness • 66% Positiveness
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Jesse Malin
When You're Young
126 bpm • D# min • 02:56 • -6.18db
12% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Bob Weir
Only a River
128 bpm • D Maj • 05:28 • -9db
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Peter Wolf
It Was Always So Easy (To Find An Unhapp...
128 bpm • E Maj • 02:40 • -7.08db
15% Popularity • 56% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 56% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Robinson Brotherhood
California Hymn
126 bpm • A Maj • 04:34 • -5.88db
16% Popularity • 62% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
34% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Tupelo
New Madrid
125 bpm • A Maj • 03:31 • -11.16db
41% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Ryan Adams & The Cardinals
Cold Roses
125 bpm • E Maj • 04:36 • -5.63db
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 43% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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T Bone Burnett
Kill Switch
125 bpm • G Maj • 02:55 • -14db
12% Popularity • 63% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 68% Positiveness
12% Popularity • 63% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 68% Positiveness
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Marc Ford
Blue Sky
125 bpm • A Maj • 03:17 • -10db
9% Popularity • 57% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 14% Liveness
5% Instrumentalness • 70% Positiveness
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Steve Forbert
Good Planets Are Hard to Find
129 bpm • E Maj • 03:14 • -8.56db
11% Popularity • 68% Danceability • 78% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
11% Popularity • 68% Danceability • 78% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
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Chris Robinson Brotherhood
About a Stranger
125 bpm • A Maj • 05:07 • -6.64db
23% Popularity • 50% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 50% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Neal Casal
Detroit Or Buffalo
129 bpm • A Maj • 05:07 • -8db
13% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 55% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Golden Smog
Won't Be Coming Home
129 bpm • C Maj • 03:36 • -7.08db
18% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
18% Popularity • 48% Danceability • 87% Energy • 22% Liveness
2% Instrumentalness • 86% Positiveness
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Jesse Malin
Lost Forever
125 bpm • C Maj • 03:24 • -7.28db
12% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Jeremy Ivey
Diamonds Back To Coal
129 bpm • G Maj • 04:03 • -8.1db
21% Popularity • 54% Danceability • 84% Energy • 18% Liveness
17% Instrumentalness • 51% Positiveness
21% Popularity • 54% Danceability • 84% Energy • 18% Liveness
17% Instrumentalness • 51% Positiveness
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Greg Brown
Whatever It Was
129 bpm • B min • 04:49 • -13.62db
10% Popularity • 78% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 78% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jay Farrar
Fly High
129 bpm • F# min • 03:45 • -13db
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Neal Casal
Leaving Traces
129 bpm • E Maj • 04:26 • -9.07db
8% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 66% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Golden Smog
V
129 bpm • C Maj • 03:12 • -6db
24% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 62% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Nat Grace
Heart
130 bpm • D Maj • 03:17 • -14.33db
15% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Richmond Fontaine
Always On The Ride
130 bpm • C Maj • 03:36 • -9.58db
8% Popularity • 63% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 53% Positiveness
8% Popularity • 63% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 53% Positiveness
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Helge Ø. Nilssen
Hey Girl
124 bpm • A Maj • 02:48 • -8.66db
13% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Greg Wallace
Don't Know Why
130 bpm • B Maj • 03:08 • -9.37db
13% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 60% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Neal Casal
On the Mend
129 bpm • E Maj • 03:07 • -12.7db
2% Popularity • 60% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 55% Positiveness
2% Popularity • 60% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 55% Positiveness
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Golden Smog
Looking Forward to Seeing You
130 bpm • F Maj • 02:47 • -6db
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 59% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Leo Barnes
Like An Old Freight Train
130 bpm • G Maj • 03:00 • -8.72db
15% Popularity • 60% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 60% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Mary Saunders
It Is For You
124 bpm • F Maj • 04:03 • -13.63db
21% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jay Farrar
These Roads Don't Move
130 bpm • E Maj • 03:05 • -7.99db
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
27% Popularity • 58% Danceability • 78% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
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Duane Betts
When We Get Home
124 bpm • C Maj • 03:15 • -8.58db
19% Popularity • 58% Danceability • 52% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
19% Popularity • 58% Danceability • 52% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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Neal Casal
One Last Time
124 bpm • G Maj • 04:14 • -8.3db
6% Popularity • 62% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 62% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The Bottle Rockets
Monday (Everytime I Turn Around)
130 bpm • E Maj • 03:45 • -5.73db
19% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Smile
Nº 1
130 bpm • G Maj • 04:28 • -8.18db
2% Popularity • 63% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 63% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Woodmountain
Suddenly
124 bpm • G Maj • 04:02 • -13.83db
16% Popularity • 57% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 12% Positiveness
16% Popularity • 57% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 12% Positiveness
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Blackie & The Rodeo Kings
Down By The Henry Moore
124 bpm • D Maj • 04:02 • -7.34db
10% Popularity • 54% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 54% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Hard Working Americans
I Don't Have a Gun
124 bpm • C Maj • 04:11 • -17.02db
10% Popularity • 72% Danceability • 26% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
10% Popularity • 72% Danceability • 26% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
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Neal Casal
Bird In Hand
130 bpm • F# min • 04:55 • -9.83db
9% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 60% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Case
Entella Hotel
124 bpm • A# Maj • 04:58 • -9db
15% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Osbaldo Herzhty
What Is Flying
130 bpm • D Maj • 03:00 • -10.16db
27% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Legros
Old Day
124 bpm • D Maj • 06:19 • -6.13db
30% Popularity • 47% Danceability • 67% Energy • 68% Liveness
66% Instrumentalness • 41% Positiveness
30% Popularity • 47% Danceability • 67% Energy • 68% Liveness
66% Instrumentalness • 41% Positiveness
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Jeff Lang
The Road Leads Down
131 bpm • G min • 02:51 • -8.09db
16% Popularity • 65% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 72% Energy • 8% Liveness
8% Instrumentalness • 66% Positiveness
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Aspens Pyramid
pity
130 bpm • C Maj • 01:45 • -11.15db
26% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Neal Casal
Free To Go
130 bpm • A Maj • 06:03 • -8.6db
16% Popularity • 53% Danceability • 42% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
16% Popularity • 53% Danceability • 42% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Chuck Prophet
Tell Me Anything (Turn to Gold)
123 bpm • G min • 03:22 • -2.45db
27% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Shannon McNally
It Makes No Difference
123 bpm • C Maj • 05:27 • -10db
18% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
32% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Richmond Fontaine
Barely Losing
123 bpm • E min • 02:47 • -9.47db
17% Popularity • 69% Danceability • 64% Energy • 13% Liveness
51% Instrumentalness • 86% Positiveness
17% Popularity • 69% Danceability • 64% Energy • 13% Liveness
51% Instrumentalness • 86% Positiveness
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Israel Nash
You Were Right
131 bpm • E Maj • 04:33 • -8.58db
15% Popularity • 65% Danceability • 47% Energy • 15% Liveness
3% Instrumentalness • 20% Positiveness
15% Popularity • 65% Danceability • 47% Energy • 15% Liveness
3% Instrumentalness • 20% Positiveness
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Ryan Adams & The Cardinals
Magnolia Mountain
123 bpm • A Maj • 05:51 • -6.13db
36% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 42% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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![Any Other Day (Radio Edit) [feat. David Lindley] cover art](https://i.scdn.co/image/ab67616d00001e028891ca9d11b2c1285b2b5d29)
Jerry Joseph
Any Other Day (Radio Edit)
123 bpm • D Maj • 03:52 • -11.32db
10% Popularity • 66% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 66% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Justin Townes Earle
Rogers Park
123 bpm • D Maj • 04:27 • -10.29db
35% Popularity • 51% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
35% Popularity • 51% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 25% Positiveness
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Neal Casal
Superhighway
131 bpm • C Maj • 03:12 • -8.05db
3% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Horace Stephen
The Montreal
123 bpm • G Maj • 04:11 • -14.4db
21% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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John Prine
Angel from Montgomery
123 bpm • B Maj • 05:07 • -14db
29% Popularity • 58% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 58% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Little Village
Big Love
131 bpm • D Maj • 06:25 • -12db
28% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Feet down Below
Now Is the Time
132 bpm • G Maj • 04:31 • -4.93db
8% Popularity • 41% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 41% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Son Volt
Driving the View
132 bpm • C Maj • 02:59 • -6.75db
25% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Cracker
Something You Ain't Got
122 bpm • C Maj • 05:17 • -7.15db
18% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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John Fullbright
Jericho
122 bpm • G Maj • 06:34 • -10.07db
26% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Richmond Fontaine
Winner's Casino
132 bpm • G Maj • 04:06 • -9.94db
7% Popularity • 50% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
7% Popularity • 50% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
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Jordan Zevon
Studebaker
132 bpm • G Maj • 04:02 • -6.84db
17% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Fred Eaglesmith
What It Takes
122 bpm • A min • 03:57 • -7.91db
25% Popularity • 64% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 64% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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James McMurtry
Levelland
132 bpm • C Maj • 05:23 • -7.93db
30% Popularity • 52% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 52% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Greg Brown
Just By Myself
122 bpm • G Maj • 04:45 • -21db
25% Popularity • 72% Danceability • 20% Energy • 6% Liveness
5% Instrumentalness • 32% Positiveness
25% Popularity • 72% Danceability • 20% Energy • 6% Liveness
5% Instrumentalness • 32% Positiveness
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Golden Smog
Until You Came Along
122 bpm • D Maj • 04:59 • -5db
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Chuck Prophet
Just to See Your Smile
122 bpm • A Maj • 04:23 • -6.69db
23% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Richmond Fontaine
Capsized
122 bpm • C Maj • 03:17 • -7.53db
12% Popularity • 68% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 68% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 89% Positiveness
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Buck Valentine
A Person With Nowhere To Go
122 bpm • G Maj • 04:35 • -9.86db
28% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 55% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Erik Koskinen
Gun
122 bpm • E Maj • 05:44 • -13.74db
16% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
16% Popularity • 57% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Blue Mountain
Lakeside
133 bpm • G Maj • 03:11 • -6.5db
12% Popularity • 48% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Monica Wyant
A Time Of Regret
122 bpm • D min • 04:45 • -7.58db
18% Popularity • 52% Danceability • 80% Energy • 25% Liveness
80% Instrumentalness • 24% Positiveness
18% Popularity • 52% Danceability • 80% Energy • 25% Liveness
80% Instrumentalness • 24% Positiveness
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Papaulo Rosa
Nostalgia Guitarristica
133 bpm • E min • 03:09 • -5.97db
12% Popularity • 40% Danceability • 73% Energy • 10% Liveness
32% Instrumentalness • 52% Positiveness
12% Popularity • 40% Danceability • 73% Energy • 10% Liveness
32% Instrumentalness • 52% Positiveness
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Pete Droge
Straylin Street
121 bpm • F Maj • 04:39 • -11.66db
13% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Gurf Morlix
Madalyn's Bones
121 bpm • F min • 03:32 • -9.89db
18% Popularity • 84% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 84% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Jesse Sykes & The Sweet Hereafter
The Dreaming Dead
121 bpm • E Maj • 06:03 • -5.9db
21% Popularity • 46% Danceability • 69% Energy • 24% Liveness
4% Instrumentalness • 31% Positiveness
21% Popularity • 46% Danceability • 69% Energy • 24% Liveness
4% Instrumentalness • 31% Positiveness
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Diane Leiser
Bridge Not Wall
121 bpm • E min • 04:20 • -10.29db
20% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Bruce Cockburn
Celestial Horses
121 bpm • A Maj • 05:59 • -17.74db
8% Popularity • 42% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Justin Townes Earle
Talking To Myself
121 bpm • F Maj • 02:54 • -8.84db
27% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Alvin
King Of California
133 bpm • D# Maj • 04:50 • -12db
37% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Steve Forbert
Dignity
121 bpm • C# Maj • 05:17 • -9.61db
9% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Neal Casal
The Cold & the Darkness
133 bpm • G Maj • 03:49 • -9.02db
3% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Yoyo xno
Make That Ride
121 bpm • C Maj • 03:01 • -8.91db
11% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 70% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Malcolm Holcombe
Shaky Ground
121 bpm • G# Maj • 03:35 • -9.62db
18% Popularity • 64% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 62% Positiveness
18% Popularity • 64% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 62% Positiveness
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The Mother Hips
Mother Hips
134 bpm • F Maj • 03:24 • -9.04db
16% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Edson Warner
St Peter Gate
121 bpm • D# Maj • 02:16 • -5.96db
10% Popularity • 64% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 64% Danceability • 78% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Robinson Brotherhood
Reflections on a Broken Mirror
134 bpm • G Maj • 07:37 • -9.53db
1% Popularity • 47% Danceability • 40% Energy • 5% Liveness
7% Instrumentalness • 19% Positiveness
1% Popularity • 47% Danceability • 40% Energy • 5% Liveness
7% Instrumentalness • 19% Positiveness
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Kathleen Edwards
Six O'Clock News
121 bpm • C Maj • 04:36 • -5db
33% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Lauderdale & Donna The Buffalo
That's Not the Way It Works
121 bpm • D min • 03:25 • -7.64db
16% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Frankie Lee
East Side Blues
134 bpm • E Maj • 05:30 • -10.5db
12% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Lawrence Luke
Put Our Hearts Together
120 bpm • E Maj • 03:39 • -15.05db
0% Popularity • 70% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 49% Positiveness
0% Popularity • 70% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 49% Positiveness
