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Water's Edge
Songs like
Water's Edge
by
Seven Mary Three
Based on a tempo of (+/- 10%) and a similar genre
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Local H
Bound For The Floor
119 bpm • F# Maj • 03:42 • -7.41db
62% Popularity • 65% Danceability • 53% Energy • 5% Liveness
2% Instrumentalness • 58% Positiveness
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Thornley
Easy Comes
119 bpm • A min • 03:31 • -3.83db
30% Popularity • 56% Danceability • 98% Energy • 11% Liveness
41% Instrumentalness • 33% Positiveness
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Seven Mary Three
Water's Edge
119 bpm • E min • 03:50 • -7.24db
49% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Tragically Hip
Poets
119 bpm • C min • 03:59 • -6.74db
47% Popularity • 60% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Caroline's Spine
Trio' Pain
119 bpm • D Maj • 02:50 • -6.78db
12% Popularity • 55% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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U.P.O.
Shut Up
118 bpm • C Maj • 04:48 • -3.6db
11% Popularity • 30% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Saving Abel
The Sex Is Good
120 bpm • F min • 03:31 • -7.99db
56% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Matchbox Twenty
Real World
118 bpm • A# Maj • 03:51 • -5.45db
63% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Seven Mary Three
Margarette
119 bpm • A Maj • 05:00 • -11.36db
14% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmie's Chicken Shack
High
120 bpm • A min • 03:48 • -5.7db
43% Popularity • 50% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Rob Zombie
We’re An American Band
120 bpm • C# min • 03:29 • -3.27db
46% Popularity • 51% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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The Tragically Hip
Nautical Disaster
117 bpm • G Maj • 04:42 • -7.94db
45% Popularity • 44% Danceability • 91% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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The Nixons
Fellowship
121 bpm • G# Maj • 04:12 • -6.38db
8% Popularity • 38% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Sponge
Neenah Menasha
117 bpm • F# Maj • 06:02 • -9.77db
21% Popularity • 40% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Seven Mary Three
Punch in Punch Out
120 bpm • G# min • 02:45 • -10.65db
23% Popularity • 71% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Doubledrive
Imprint
117 bpm • D min • 04:13 • -5.85db
29% Popularity • 57% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jackyl
Down On Me
121 bpm • C Maj • 04:03 • -7.59db
48% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Floater
Mexican Bus
122 bpm • C# min • 02:44 • -10.03db
20% Popularity • 43% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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The Tragically Hip
Blow At High Dough
122 bpm • E Maj • 04:37 • -11.55db
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Pop Evil
Torn to Pieces
122 bpm • C Maj • 03:16 • -5.66db
58% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Seven Mary Three
Oceans of Envy
121 bpm • A# Maj • 03:31 • -6.81db
12% Popularity • 58% Danceability • 75% Energy • 66% Liveness
2% Instrumentalness • 56% Positiveness
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Sponge
Rainin'
122 bpm • F# Maj • 05:03 • -12.06db
25% Popularity • 30% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Moist
Ophelia
116 bpm • E min • 03:51 • -7.25db
26% Popularity • 48% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Nixons
Happy Song
115 bpm • G# Maj • 06:18 • -5.98db
12% Popularity • 43% Danceability • 89% Energy • 31% Liveness
1% Instrumentalness • 32% Positiveness
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The Tragically Hip
So Hard Done By
123 bpm • C Maj • 03:28 • -11.54db
42% Popularity • 67% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Soul Asylum
Black Gold (2022 Remaster)
115 bpm • D Maj • 03:57 • -7.08db
42% Popularity • 58% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Seven Mary Three
Margaret
115 bpm • A Maj • 03:38 • -6.98db
24% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Doubledrive
1000 Yard Stare
115 bpm • F# min • 04:42 • -6.38db
18% Popularity • 42% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Brother Cane
I Lie In The Bed I Make
114 bpm • B min • 04:26 • -8.69db
25% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Live
Selling The Drama
124 bpm • F# Maj • 03:28 • -6.74db
57% Popularity • 45% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Trapt
Still Frame
114 bpm • E Maj • 04:31 • -5db
48% Popularity • 44% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Chevelle
I Get It
124 bpm • D# Maj • 03:54 • -4db
54% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Seven Mary Three
Over Your Shoulder
124 bpm • G Maj • 04:18 • -7.21db
23% Popularity • 56% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Sponge
Miles
114 bpm • D Maj • 04:10 • -10.15db
19% Popularity • 52% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Brother Cane
And Fools Shine On
114 bpm • A# Maj • 04:42 • -7.13db
37% Popularity • 77% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Local H
Team
125 bpm • C# Maj • 03:04 • -4.85db
30% Popularity • 21% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Glorious Sons
Heavy
125 bpm • A Maj • 02:50 • -4db
51% Popularity • 57% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Eve 6
Tongue Tied
125 bpm • A Maj • 03:10 • -6.43db
30% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Seven Mary Three
Water's Edge
114 bpm • E min • 05:14 • -11.65db
13% Popularity • 31% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Caroline's Spine
Psycho
125 bpm • A Maj • 03:19 • -7.24db
8% Popularity • 49% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Tragically Hip
Looking For A Place To Happen
125 bpm • G Maj • 04:18 • -11.11db
39% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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White Zombie
Thunder Kiss '65
113 bpm • A Maj • 03:54 • -9.79db
66% Popularity • 68% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 51% Positiveness
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The Urge
Brainless
113 bpm • A Maj • 02:36 • -5.1db
28% Popularity • 52% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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The Trews
Not Ready to Go
126 bpm • E Maj • 03:03 • -6db
44% Popularity • 53% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 66% Positiveness
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Seven Mary Three
Southwestern State
125 bpm • C Maj • 05:50 • -7.98db
14% Popularity • 35% Danceability • 45% Energy • 74% Liveness
1% Instrumentalness • 11% Positiveness
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Caroline's Spine
Deep In Your Wake
125 bpm • A# min • 02:48 • -3db
11% Popularity • 44% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Econoline Crush
Sparkle & Shine
126 bpm • G# min • 03:42 • -4.87db
30% Popularity • 49% Danceability • 98% Energy • 75% Liveness
0% Instrumentalness • 47% Positiveness
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I Mother Earth
Rain Will Fall
126 bpm • B Maj • 05:19 • -5.7db
31% Popularity • 53% Danceability • 96% Energy • 28% Liveness
51% Instrumentalness • 39% Positiveness
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Second Coming
Vintage Eyes
112 bpm • B min • 04:14 • -5.78db
28% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Big Sugar
Diggin A Hole
112 bpm • D Maj • 05:23 • -9.13db
37% Popularity • 59% Danceability • 74% Energy • 66% Liveness
74% Instrumentalness • 59% Positiveness
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Seven Mary Three
Devil Boy
113 bpm • D Maj • 04:23 • -8.92db
30% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Local H
Joey
126 bpm • F# Maj • 04:15 • -6.06db
29% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Meat Puppets
Backwater
112 bpm • A Maj • 03:40 • -6.61db
56% Popularity • 50% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Temple Of The Dog
All Night Thing
127 bpm • D Maj • 03:51 • -11db
42% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Nixons
Passion
112 bpm • D# min • 04:28 • -10.44db
12% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jackyl
I Stand Alone
111 bpm • C# min • 03:57 • -8.25db
48% Popularity • 73% Danceability • 71% Energy • 49% Liveness
1% Instrumentalness • 76% Positiveness
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Seven Mary Three
Dead Days in the Kitchen
112 bpm • B Maj • 03:41 • -10.83db
10% Popularity • 39% Danceability • 36% Energy • 49% Liveness
46% Instrumentalness • 20% Positiveness
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Local H
All The Kids Are Right
112 bpm • C# Maj • 03:47 • -3.24db
42% Popularity • 41% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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The Offspring
Gone Away - 1997
111 bpm • D# Maj • 04:28 • -4db
70% Popularity • 45% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Default
Taking My Life Away
111 bpm • G Maj • 04:11 • -5.08db
33% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Collective Soul
Where The River Flows
128 bpm • C Maj • 03:35 • -7db
58% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Trews
Fleeting Trust
128 bpm • C Maj • 03:15 • -5.74db
27% Popularity • 60% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Sugar Ray
RPM
128 bpm • F# min • 03:21 • -5db
35% Popularity • 71% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Local H
High-Fiving MF
128 bpm • C# min • 04:50 • -7.81db
40% Popularity • 42% Danceability • 83% Energy • 9% Liveness
19% Instrumentalness • 57% Positiveness
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Tonic
Bigot Sunshine
111 bpm • D Maj • 02:53 • -5.24db
19% Popularity • 34% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Incubus
Stellar
128 bpm • A Maj • 03:20 • -6.54db
64% Popularity • 58% Danceability • 76% Energy • 34% Liveness
5% Instrumentalness • 53% Positiveness
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Live
Shit Towne
128 bpm • A# min • 03:48 • -6db
43% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Moist
Resurrection
110 bpm • C Maj • 03:59 • -6db
38% Popularity • 60% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Sevendust
Face To Face
110 bpm • C# min • 03:54 • -3db
30% Popularity • 64% Danceability • 97% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Floater
An Apology
110 bpm • G# Maj • 04:12 • -9.18db
21% Popularity • 60% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Better Than Ezra
Good
110 bpm • G Maj • 03:05 • -6.87db
60% Popularity • 62% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 79% Positiveness
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Days Of The New
Shelf In The Room
129 bpm • F# Maj • 04:43 • -9.05db
52% Popularity • 62% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Toadies
Little Sin
129 bpm • F# Maj • 03:02 • -4db
31% Popularity • 65% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Tragically Hip
Locked In The Trunk Of A Car
129 bpm • A Maj • 04:42 • -10.74db
44% Popularity • 53% Danceability • 74% Energy • 27% Liveness
14% Instrumentalness • 51% Positiveness
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Seven Mary Three
Kater
129 bpm • C Maj • 06:00 • -12.23db
16% Popularity • 38% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Floater
Cinema
129 bpm • B Maj • 04:55 • -11.11db
24% Popularity • 48% Danceability • 86% Energy • 38% Liveness
46% Instrumentalness • 36% Positiveness
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Mother Love Bone
This Is Shangrila
110 bpm • E min • 03:40 • -11db
44% Popularity • 47% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Sponge
Rotting Piñata
130 bpm • F# Maj • 03:59 • -9.99db
25% Popularity • 39% Danceability • 84% Energy • 13% Liveness
16% Instrumentalness • 30% Positiveness
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Caroline's Spine
Attention Please
130 bpm • G# Maj • 03:06 • -3.53db
20% Popularity • 57% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Ra
Rectifier
130 bpm • D Maj • 04:31 • -5db
34% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Taproot
Calling
109 bpm • D min • 03:52 • -4.38db
45% Popularity • 61% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Saving Abel
18 Days
130 bpm • C Maj • 03:51 • -4.5db
49% Popularity • 46% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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I Mother Earth
Not Quite Sonic
109 bpm • A Maj • 05:54 • -6db
27% Popularity • 51% Danceability • 97% Energy • 7% Liveness
47% Instrumentalness • 60% Positiveness
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Seven Mary Three
Honey
130 bpm • D Maj • 03:13 • -4.22db
12% Popularity • 63% Danceability • 79% Energy • 9% Liveness
17% Instrumentalness • 82% Positiveness
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Stabbing Westward
Shame
108 bpm • A Maj • 04:54 • -7.19db
39% Popularity • 48% Danceability • 87% Energy • 30% Liveness
1% Instrumentalness • 26% Positiveness
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Rehab
Welcome Home
108 bpm • F# Maj • 03:51 • -6db
37% Popularity • 61% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Candlebox
Cover Me
131 bpm • G Maj • 04:45 • -6.96db
50% Popularity • 59% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Doubledrive
Tattooed Bruise
108 bpm • G Maj • 03:01 • -4.87db
15% Popularity • 52% Danceability • 96% Energy • 29% Liveness
4% Instrumentalness • 36% Positiveness
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Eve 6
Promise
108 bpm • A Maj • 02:56 • -4.1db
45% Popularity • 62% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Default
Deny
108 bpm • G Maj • 03:56 • -4db
24% Popularity • 56% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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10 Years
Beautiful
132 bpm • F# Maj • 03:15 • -4.68db
54% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Seven Mary Three
My My
132 bpm • B min • 02:49 • -6.4db
40% Popularity • 57% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Sponge
Fields
107 bpm • F# Maj • 04:55 • -12.36db
21% Popularity • 38% Danceability • 59% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
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Tonic
Casual Affair
107 bpm • F# min • 03:32 • -5db
34% Popularity • 43% Danceability • 98% Energy • 8% Liveness
3% Instrumentalness • 34% Positiveness
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Live
All Over You
132 bpm • C# Maj • 03:59 • -5.9db
64% Popularity • 32% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Default
Sick & Tired
107 bpm • G Maj • 03:00 • -4.3db
19% Popularity • 54% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Eve 6
Leech
107 bpm • D Maj • 03:58 • -7db
33% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Seven Mary Three
Times Like These
132 bpm • G Maj • 04:34 • -11.63db
27% Popularity • 63% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Tragically Hip
Three Pistols
132 bpm • A min • 03:48 • -6.54db
46% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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The Watchmen
Run Hide
133 bpm • D Maj • 03:41 • -7db
31% Popularity • 44% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Water's Edge