Songs like Wave by Luke Lalonde
Based on a tempo of (+/- 10%) and a similar genre
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Trace Mountains
Lost in the Country
132 bpm • C# Maj • 05:22 • -7.43db
28% Popularity • 68% Danceability • 63% Energy • 22% Liveness
44% Instrumentalness • 66% Positiveness
28% Popularity • 68% Danceability • 63% Energy • 22% Liveness
44% Instrumentalness • 66% Positiveness
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River Whyless
Kalangala
132 bpm • A# Maj • 04:05 • -7.43db
23% Popularity • 78% Danceability • 71% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
23% Popularity • 78% Danceability • 71% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
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Saintseneca
Good Hand
132 bpm • A Maj • 04:14 • -6.17db
18% Popularity • 37% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 37% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Heidecker
Dark Days
132 bpm • C Maj • 03:15 • -5.52db
12% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
12% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
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Ona
Summer Candy
132 bpm • E Maj • 04:45 • -6.83db
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 54% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 69% Positiveness
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She Returns From War
Swamp Witch
132 bpm • G Maj • 03:42 • -11db
20% Popularity • 56% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 56% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Mikal Cronin
Blue Eyed Girl
132 bpm • A Maj • 02:39 • -15.59db
29% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 70% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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River Whyless
Failing Farm
133 bpm • F# min • 02:59 • -6.6db
37% Popularity • 80% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
37% Popularity • 80% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Saintseneca
Ladder to the Sun
133 bpm • G# Maj • 03:16 • -3.98db
28% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jeremy Ivey
Story Of A Fish
133 bpm • E min • 03:22 • -8.82db
23% Popularity • 60% Danceability • 50% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 11% Liveness
23% Instrumentalness • 40% Positiveness
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Atta Boy
Shade
131 bpm • E Maj • 02:57 • -9.41db
40% Popularity • 69% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 69% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Bad Bad Hats
Super America (Remastered 2023)
131 bpm • C# Maj • 03:49 • -5.6db
25% Popularity • 73% Danceability • 82% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 73% Danceability • 82% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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The Shins
New Slang (When You Notice The Stripes)
130 bpm • B Maj • 03:49 • -12db
31% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fell Runner
Dog Inside a Car
130 bpm • B Maj • 04:16 • -6.14db
29% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Ruen Brothers
San Diego Nights
134 bpm • E min • 03:54 • -5.89db
18% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 72% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Lucius
Ghosting
130 bpm • A# Maj • 03:22 • -11.79db
23% Popularity • 67% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 67% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Delaware
Primitive Style
134 bpm • D# Maj • 03:48 • -5.8db
8% Popularity • 48% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 48% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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jeremy messersmith
All the Cool Girls
130 bpm • A Maj • 03:00 • -7.73db
9% Popularity • 43% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 54% Positiveness
9% Popularity • 43% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 54% Positiveness
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Tugboat Captain
Be Strong, Smoke Less
134 bpm • D Maj • 03:15 • -5.8db
11% Popularity • 52% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 52% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Ha Ha Tonka
Lonely Fortunes
130 bpm • G Maj • 03:20 • -6.98db
31% Popularity • 69% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
31% Popularity • 69% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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Daniel Romano
Ugly Human Heart Pt. 1
134 bpm • G# Maj • 01:59 • -8.04db
16% Popularity • 66% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 66% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Stelth Ulvang
Song for Jack
134 bpm • F Maj • 04:37 • -13.33db
7% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Frog
Judy Garland
130 bpm • F# Maj • 03:37 • -7.5db
38% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Nixon Mask
Defection
129 bpm • G Maj • 04:44 • -7.62db
20% Popularity • 37% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 37% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Shoos Off
A Place to Live
129 bpm • C# Maj • 03:13 • -8.19db
15% Popularity • 70% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 42% Positiveness
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Matt Duncan
Rube Goldberg Machine
135 bpm • A Maj • 02:18 • -8.43db
37% Popularity • 77% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 82% Positiveness
37% Popularity • 77% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 82% Positiveness
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Daniel Romano
When I Learned Your Name
130 bpm • A# Maj • 02:23 • -7.48db
26% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 62% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Whitney
Dave's Song - Demo
135 bpm • C# Maj • 03:11 • -11.59db
28% Popularity • 64% Danceability • 46% Energy • 20% Liveness
17% Instrumentalness • 32% Positiveness
28% Popularity • 64% Danceability • 46% Energy • 20% Liveness
17% Instrumentalness • 32% Positiveness
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Typhoon
Empire Builder
135 bpm • G# Maj • 04:14 • -5.98db
31% Popularity • 58% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
31% Popularity • 58% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 62% Positiveness
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Shovels & Rope
The Wire
135 bpm • B min • 02:56 • -6.51db
20% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tarkio
Keeping Me Awake
135 bpm • E Maj • 05:42 • -9.43db
30% Popularity • 51% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
30% Popularity • 51% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 91% Positiveness
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Murder By Death
Foxglove
129 bpm • D# Maj • 03:06 • -11.45db
37% Popularity • 65% Danceability • 64% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
37% Popularity • 65% Danceability • 64% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
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The Go Rounds
Make It Sweeter
129 bpm • C# min • 02:47 • -10.13db
17% Popularity • 76% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
17% Popularity • 76% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Fruition
Dawn
136 bpm • D Maj • 03:16 • -8.55db
27% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Quiet Hollers
Medicine
136 bpm • C min • 04:08 • -12.28db
24% Popularity • 75% Danceability • 41% Energy • 10% Liveness
6% Instrumentalness • 65% Positiveness
24% Popularity • 75% Danceability • 41% Energy • 10% Liveness
6% Instrumentalness • 65% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
39% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
39% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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Blitzen Trapper
Don't Let Me Run
128 bpm • F Maj • 03:11 • -10.31db
37% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
37% Popularity • 75% Danceability • 56% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Tarkio
Neapolitan Bridesmaid
128 bpm • G Maj • 02:37 • -6.85db
31% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 51% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Liz Cooper
Hey Man
137 bpm • B min • 03:56 • -7.06db
15% Popularity • 42% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
15% Popularity • 42% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
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Celeste Krishna
Go I'll Go
128 bpm • D Maj • 03:03 • -8.33db
19% Popularity • 54% Danceability • 43% Energy • 25% Liveness
72% Instrumentalness • 49% Positiveness
19% Popularity • 54% Danceability • 43% Energy • 25% Liveness
72% Instrumentalness • 49% Positiveness
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Izaak Opatz
Limited Liability
137 bpm • A# Maj • 03:42 • -10.43db
16% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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River Whyless
Darkness in Mind
127 bpm • G# Maj • 04:47 • -5.88db
23% Popularity • 69% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 69% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Ages and Ages
Just My Luck
137 bpm • E min • 03:35 • -7.4db
18% Popularity • 51% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 45% Positiveness
18% Popularity • 51% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 45% Positiveness
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Brazos
My Buddy
137 bpm • D Maj • 03:56 • -9.86db
18% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Ona
Ides of July
127 bpm • D Maj • 05:05 • -6.52db
24% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Night Shop
Hello Take Me Anywhere
127 bpm • A Maj • 04:19 • -6.73db
22% Popularity • 61% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
22% Popularity • 61% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
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Esmé Patterson
Light In Your Window
127 bpm • G Maj • 02:52 • -5.32db
24% Popularity • 66% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 66% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Liz Cooper
Sleepyhead
137 bpm • F# Maj • 03:11 • -9.61db
9% Popularity • 42% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 42% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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Calvin Love
Warm Blindness & A Cool Breeze
127 bpm • A Maj • 04:58 • -8.83db
38% Popularity • 64% Danceability • 53% Energy • 21% Liveness
3% Instrumentalness • 67% Positiveness
38% Popularity • 64% Danceability • 53% Energy • 21% Liveness
3% Instrumentalness • 67% Positiveness
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Langhorne Slim
Mighty Soul
127 bpm • D# Maj • 01:57 • -9.58db
36% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 48% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Stelth Ulvang
Mornings
138 bpm • F Maj • 03:37 • -12.89db
27% Popularity • 30% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 30% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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The Dodos
Trades And Tariffs
138 bpm • D Maj • 05:00 • -10.01db
27% Popularity • 59% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 59% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Houndmouth
Las Vegas
138 bpm • B Maj • 03:42 • -5.7db
36% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Bird
Don The Struggle
126 bpm • G Maj • 04:31 • -7.28db
32% Popularity • 58% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
32% Popularity • 58% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
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Liz Cooper
Mountain Man - Audiotree Live Version
126 bpm • D# Maj • 04:38 • -12.05db
27% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 40% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Caribou
Melody Day (Four Tet Remix Luke Lalonde,...
138 bpm • C# Maj • 04:49 • -19.95db
30% Popularity • 45% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
30% Popularity • 45% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Wilderado
CFS
138 bpm • F Maj • 02:06 • -3.48db
23% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 49% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Ona
Pipestem
126 bpm • G min • 05:15 • -7.55db
15% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ezra Bell
We Came By Canoe
126 bpm • B min • 02:15 • -10.7db
23% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Rayland Baxter
Amelia Baker
138 bpm • A min • 05:39 • -6.22db
19% Popularity • 43% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 43% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Fruit Bats
Shane
126 bpm • D Maj • 03:41 • -10.24db
37% Popularity • 68% Danceability • 79% Energy • 32% Liveness
57% Instrumentalness • 73% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 32% Liveness
57% Instrumentalness • 73% Positiveness
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Caribou
Melody Day - Four Tet Remix
138 bpm • C# min • 04:47 • -13.95db
43% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
43% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
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Benji Hughes
Vibe so Hot
126 bpm • D Maj • 02:07 • -10.45db
28% Popularity • 76% Danceability • 40% Energy • 7% Liveness
39% Instrumentalness • 62% Positiveness
28% Popularity • 76% Danceability • 40% Energy • 7% Liveness
39% Instrumentalness • 62% Positiveness
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Esmé Patterson
Out The Door
126 bpm • D Maj • 02:14 • -6.07db
24% Popularity • 65% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
24% Popularity • 65% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Serengeti
Cracks and Creases
139 bpm • C Maj • 03:23 • -6.98db
21% Popularity • 74% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 74% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Night Shop
Road to Carolina
125 bpm • F Maj • 03:24 • -7.85db
7% Popularity • 65% Danceability • 61% Energy • 12% Liveness
23% Instrumentalness • 75% Positiveness
7% Popularity • 65% Danceability • 61% Energy • 12% Liveness
23% Instrumentalness • 75% Positiveness
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Fruit Bats
Good Will Come to You
126 bpm • F Maj • 03:30 • -6.22db
30% Popularity • 65% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 65% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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W. B. Wooten
Pain Shifter
139 bpm • E min • 03:44 • -11.74db
12% Popularity • 70% Danceability • 45% Energy • 12% Liveness
68% Instrumentalness • 60% Positiveness
12% Popularity • 70% Danceability • 45% Energy • 12% Liveness
68% Instrumentalness • 60% Positiveness
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No-No Boy
The Best God Damn Band in Wyoming
125 bpm • B Maj • 03:54 • -7db
18% Popularity • 67% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 67% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Harriet
I Slept With All Your Mothers
140 bpm • C Maj • 02:24 • -6.56db
30% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 59% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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King Tuff
I'm Free
125 bpm • E Maj • 02:44 • -10.16db
18% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Magic Bronson
Evil Plans
125 bpm • G# Maj • 03:40 • -7.26db
22% Popularity • 73% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
22% Popularity • 73% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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The Heligoats
Goodness Gracious
125 bpm • G Maj • 02:56 • -9.72db
19% Popularity • 73% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 73% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Jonny Fritz
Are You Thirsty
125 bpm • C Maj • 03:22 • -5.91db
17% Popularity • 64% Danceability • 62% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 64% Danceability • 62% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Rayland Baxter
Freakin Me Out
140 bpm • C Maj • 05:33 • -7.24db
18% Popularity • 49% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 49% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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OJR
My Generation
140 bpm • G Maj • 03:46 • -6.32db
28% Popularity • 57% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 57% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Shakey Graves
Look Alive
140 bpm • E Maj • 06:06 • -7.73db
23% Popularity • 41% Danceability • 78% Energy • 39% Liveness
30% Instrumentalness • 36% Positiveness
23% Popularity • 41% Danceability • 78% Energy • 39% Liveness
30% Instrumentalness • 36% Positiveness
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Frog
Knocking on the Door
124 bpm • G# Maj • 03:02 • -8.9db
24% Popularity • 29% Danceability • 59% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 29% Danceability • 59% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
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Romany Rye
(Untitled) Love Song
140 bpm • B Maj • 05:23 • -12.71db
29% Popularity • 61% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 61% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 50% Positiveness
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Langhorne Slim
Ocean City (For May, Jack & Brother Jon)
140 bpm • D# Maj • 02:30 • -11.01db
20% Popularity • 50% Danceability • 57% Energy • 11% Liveness
17% Instrumentalness • 79% Positiveness
20% Popularity • 50% Danceability • 57% Energy • 11% Liveness
17% Instrumentalness • 79% Positiveness
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Rayland Baxter
Hey Larocco
140 bpm • A# Maj • 04:29 • -5.92db
37% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 47% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ezra Bell
Stipulations Don't Suit You
140 bpm • G Maj • 03:48 • -7.99db
17% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sjowgren
Love Has Gone
124 bpm • E Maj • 02:24 • -9.66db
34% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ages and Ages
How It Feels
124 bpm • C Maj • 03:30 • -6.49db
30% Popularity • 69% Danceability • 72% Energy • 18% Liveness
79% Instrumentalness • 46% Positiveness
30% Popularity • 69% Danceability • 72% Energy • 18% Liveness
79% Instrumentalness • 46% Positiveness
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Shakey Graves
Back Seat Driver
124 bpm • E Maj • 04:30 • -11.76db
25% Popularity • 33% Danceability • 60% Energy • 67% Liveness
1% Instrumentalness • 40% Positiveness
25% Popularity • 33% Danceability • 60% Energy • 67% Liveness
1% Instrumentalness • 40% Positiveness
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The Snails
Big Boy
141 bpm • C# Maj • 02:52 • -6.64db
29% Popularity • 61% Danceability • 57% Energy • 7% Liveness
16% Instrumentalness • 82% Positiveness
29% Popularity • 61% Danceability • 57% Energy • 7% Liveness
16% Instrumentalness • 82% Positiveness
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Matt Duncan
Meanstreak
124 bpm • C Maj • 02:46 • -8.66db
31% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Shackletons
Minnesota Girls
124 bpm • C# Maj • 04:31 • -7.5db
30% Popularity • 43% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 43% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Wilderado
Dogs
141 bpm • B Maj • 03:01 • -6.37db
30% Popularity • 62% Danceability • 59% Energy • 18% Liveness
15% Instrumentalness • 42% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 18% Liveness
15% Instrumentalness • 42% Positiveness
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Eric Slick
Closer to Heaven
141 bpm • C# min • 05:26 • -7.38db
12% Popularity • 56% Danceability • 63% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
12% Popularity • 56% Danceability • 63% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
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Esmé Patterson
All Mine
123 bpm • D Maj • 02:23 • -8.87db
10% Popularity • 41% Danceability • 33% Energy • 8% Liveness
57% Instrumentalness • 9% Positiveness
10% Popularity • 41% Danceability • 33% Energy • 8% Liveness
57% Instrumentalness • 9% Positiveness
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Andy Shauf
The Greatest Moments
123 bpm • D Maj • 03:02 • -9.71db
18% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 62% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Alex Ebert
Whatever We Did Last Night
123 bpm • E Maj • 02:23 • -6.99db
21% Popularity • 88% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 88% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Tré Burt
Real You
123 bpm • D# Maj • 02:49 • -4db
28% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Fruition
Baby Let's Go
142 bpm • G Maj • 03:13 • -7.41db
30% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 61% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Fruit Bats
Rainbow Sign
122 bpm • D Maj • 03:24 • -8.66db
31% Popularity • 74% Danceability • 51% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
31% Popularity • 74% Danceability • 51% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
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Liz Cooper
Mountain Man
123 bpm • D# Maj • 03:58 • -10db
31% Popularity • 42% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 42% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Dent May
Hello Cruel World
122 bpm • C Maj • 03:39 • -4.2db
24% Popularity • 63% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 63% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
