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Way Home
Songs like
Way Home
by
Tyler Hubbard
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Hubbard
Way Home
113 bpm • D Maj • 03:09 • -6db
43% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
55% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -4.77db
40% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
54% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
51% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
56% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
44% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Logan Mize
If You Get Lucky
114 bpm • C Maj • 02:52 • -4.54db
37% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Kent
Boys Growing Up
114 bpm • F# Maj • 03:38 • -6db
48% Popularity • 58% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
66% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
56% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
43% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
66% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Tenille Arts
Last Time Last
111 bpm • A Maj • 03:03 • -3.54db
44% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
56% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kameron Marlowe
Take You Up On It
111 bpm • D Maj • 03:32 • -3.14db
45% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Hubbard
Dancin' In The Country (Demo - Keith Urb...
115 bpm • G Maj • 02:46 • -6db
44% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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HARDY
ALL SHE LEFT WAS ME
116 bpm • D Maj • 02:41 • -4.57db
55% Popularity • 61% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
44% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
48% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
64% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Tyler Hubbard
Leave Me Alone
110 bpm • G# min • 03:38 • -5db
35% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Kent
Gone as You
116 bpm • D Maj • 03:03 • -5.42db
48% Popularity • 62% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
41% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Marlowe
That Truck
110 bpm • C# Maj • 03:25 • -7.23db
43% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
68% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Lane
Stop Coming Over
110 bpm • B Maj • 02:18 • -5.81db
43% Popularity • 64% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Nate Smith
Whiskey On You - Acoustic
110 bpm • G# Maj • 02:59 • -4.36db
48% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
61% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Megan Moroney
Traitor Joe
117 bpm • F# Maj • 02:33 • -5.7db
55% Popularity • 52% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Thompson
One Day Tonight
109 bpm • C# Maj • 02:45 • -7.61db
59% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
47% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Dierks Bentley
Something Real
118 bpm • B Maj • 03:57 • -4.68db
53% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tucker Beathard
Prayin' For You
118 bpm • D Maj • 03:49 • -7.81db
30% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
57% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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BRELAND
Praise the Lord
107 bpm • B min • 02:39 • -7.61db
44% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Eli Young Band
Love Talking
108 bpm • D# Maj • 02:53 • -5db
41% Popularity • 56% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
44% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
70% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Marlowe
Empty Shotgun - Mr. Mechanic
107 bpm • C# Maj • 02:33 • -4.18db
45% Popularity • 52% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Still
107 bpm • F# Maj • 03:23 • -5.13db
60% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Brian Kelley
Whatever Floats Your Boat
107 bpm • G# min • 02:35 • -4.93db
39% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Randy Houser
Country Round Here Tonight
119 bpm • F min • 03:36 • -6db
52% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Florida Georgia Line
Long Time Comin'
120 bpm • A# Maj • 03:14 • -6.1db
44% Popularity • 40% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Tomlin
Sing
120 bpm • A# Maj • 02:46 • -4db
49% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jordan Davis
Church In A Chevy
120 bpm • G# Maj • 03:43 • -7.37db
51% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Brantley Gilbert
Rubber Meets The Road
120 bpm • G# min • 02:31 • -3.68db
45% Popularity • 57% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
44% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
37% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Lauren Alaina
Thicc As Thieves
120 bpm • G Maj • 02:59 • -2.41db
49% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
46% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Jordan Davis
Damn Good Time
120 bpm • G# Maj • 02:41 • -6db
60% Popularity • 73% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
51% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Alana Springsteen
Me Myself and Why
106 bpm • E Maj • 03:34 • -5.25db
48% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
62% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
63% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
72% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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ERNEST
Tennessee Queen
106 bpm • G Maj • 03:11 • -7db
52% Popularity • 35% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Scotty McCreery
Small Town Girl
106 bpm • G# Maj • 03:04 • -6.11db
40% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ian Munsick
Solo
106 bpm • F# Maj • 02:48 • -4.77db
52% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
52% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Waters Band
Chevrolet You Down
105 bpm • E Maj • 02:38 • -8db
54% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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ERNEST
Sucker For Small Towns
121 bpm • E Maj • 03:22 • -5.4db
45% Popularity • 59% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Nate Smith
The Way She Rolls
105 bpm • F Maj • 03:05 • -4.57db
48% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Brian Kelley
See You Next Summer
121 bpm • G# Maj • 02:37 • -4.35db
59% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
65% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Troy Cartwright
Prettiest Girl I Don't Know
105 bpm • E Maj • 03:23 • -6.57db
47% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
60% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
38% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
38% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
50% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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ERNEST
Hard Way
104 bpm • F Maj • 02:49 • -5db
43% Popularity • 52% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Matthew
Come Get Your Memory
122 bpm • F Maj • 02:51 • -4.59db
51% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
51% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
Ruin My Weekend
104 bpm • E Maj • 02:41 • -4.25db
56% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Joe Nichols
Home Run
104 bpm • C# min • 03:05 • -5.92db
40% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Kameron Marlowe
Fool Me Again
123 bpm • G Maj • 03:32 • -6.67db
46% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
49% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
45% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
51% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Munsick
White Buffalo
124 bpm • C# Maj • 03:53 • -7.2db
54% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
55% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
62% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Morgan Wallen
Outlook
103 bpm • D Maj • 03:13 • -6.04db
65% Popularity • 53% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
73% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
59% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Megan Moroney
Lucky
124 bpm • F# min • 02:41 • -4.29db
56% Popularity • 44% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
44% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Block
Me Pt. 2
125 bpm • F Maj • 03:40 • -6.36db
39% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
77% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
56% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Troy Cartwright
Just Kids
102 bpm • A# Maj • 02:48 • -4.71db
48% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Way Home