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Way Less Sad
Songs like
Way Less Sad
by
AJR
Based on a tempo of (+/- 10%) and a similar genre
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Ricky Montgomery
This December
140 bpm • A Maj • 03:01 • -4.87db
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Little Hurt
Alaska
140 bpm • G Maj • 03:08 • -3.32db
46% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Derivakat
Turn Back Time
140 bpm • E Maj • 02:05 • -6.98db
47% Popularity • 73% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jax
Cinderella Snapped
140 bpm • C# Maj • 02:53 • -6db
60% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cavetown
Lemon Boy
140 bpm • E Maj • 04:32 • -10.05db
65% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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American Authors
We Happy Don’t Worry
141 bpm • C Maj • 02:30 • -6db
51% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Panic! At The Disco
Death of a Bachelor
139 bpm • C Maj • 03:23 • -5.53db
68% Popularity • 46% Danceability • 54% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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5 Seconds of Summer
Teeth
139 bpm • D# min • 03:25 • -2.99db
78% Popularity • 74% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Bellion
Conversations with my Wife
138 bpm • F# Maj • 03:26 • -7db
49% Popularity • 50% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 32% Positiveness
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Ian McConnell
EP. 5: Hating Stuff
141 bpm • G Maj • 02:32 • -5db
48% Popularity • 76% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Fall Out Boy
The Phoenix
138 bpm • E min • 04:04 • -2.99db
72% Popularity • 56% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Confetti
Boring
142 bpm • A# Maj • 02:26 • -4db
41% Popularity • 78% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Dream
Until I End Up Dead
138 bpm • E Maj • 02:15 • -6.89db
53% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Robert Grace
Hate Me
138 bpm • E Maj • 02:51 • -4.54db
51% Popularity • 78% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Em Beihold
12345
138 bpm • A Maj • 02:44 • -6.35db
47% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Orion Experience
The Cult of Dionysus
138 bpm • C# min • 03:07 • -4.08db
68% Popularity • 66% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Truslow
Words of the Wise
137 bpm • C Maj • 03:05 • -6.04db
42% Popularity • 54% Danceability • 74% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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Jon Bellion
Stupid Deep
138 bpm • D Maj • 02:58 • -9.71db
54% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Stellar
Mistake
137 bpm • G min • 02:31 • -4db
59% Popularity • 58% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Penelope Scott
Rät
144 bpm • F min • 03:14 • -13db
72% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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ILLENIUM
Good Things Fall Apart
144 bpm • D Maj • 03:36 • -5.42db
63% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alec Benjamin
Boy In The Bubble
144 bpm • B min • 03:01 • -7.58db
69% Popularity • 82% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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The Astronomers
Bad Type
144 bpm • G# Maj • 03:10 • -8.7db
51% Popularity • 75% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Tessa Violet
Crush
136 bpm • C# Maj • 03:36 • -9.55db
61% Popularity • 91% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Score
Bad Days
136 bpm • B min • 02:22 • -4.16db
49% Popularity • 68% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
59% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Rector
Brand New
145 bpm • A Maj • 04:03 • -5.04db
64% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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AJR
Maybe Man
145 bpm • E Maj • 03:40 • -6.06db
63% Popularity • 46% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Panic! At The Disco
Girls / Girls / Boys
145 bpm • B min • 03:26 • -4.53db
62% Popularity • 61% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Friday Pilots Club
For The Wicked
135 bpm • F Maj • 02:53 • -4db
60% Popularity • 59% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Bastille
Icarus
135 bpm • E min • 03:45 • -6.58db
60% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
75% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Score
Money Run Low
134 bpm • G min • 03:05 • -3.98db
55% Popularity • 65% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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AJR
The DJ is Crying for Help
145 bpm • D Maj • 03:39 • -6.12db
57% Popularity • 53% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Claire Rosinkranz
Hotel
134 bpm • F Maj • 02:14 • -6.48db
58% Popularity • 86% Danceability • 66% Energy • 56% Liveness
0% Instrumentalness • 95% Positiveness
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Roe Kapara
Employment Cost
133 bpm • E Maj • 01:37 • -7db
52% Popularity • 77% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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AViVA
BLAME IT ON THE KIDS
133 bpm • F# min • 03:16 • -6.27db
63% Popularity • 72% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The Happy Fits
Achey Bones
132 bpm • C min • 03:21 • -4.52db
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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BoyWithUke
Out Of Reach
148 bpm • B Maj • 02:44 • -7.38db
63% Popularity • 67% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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AJR
God is Really Real
135 bpm • F Maj • 02:59 • -10.07db
54% Popularity • 68% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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kroh
Hush
132 bpm • G min • 02:56 • -12.81db
46% Popularity • 67% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jon Bellion
Blu
132 bpm • C Maj • 03:03 • -8.55db
54% Popularity • 38% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
83% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Naethan Apollo
To You, From Me
150 bpm • F# Maj • 03:19 • -5db
51% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bohnes
Raging on a Sunday
150 bpm • D# min • 03:28 • -7db
65% Popularity • 48% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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AJR
2085
132 bpm • A Maj • 05:31 • -6.66db
58% Popularity • 40% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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kroh
Typical Me
132 bpm • G min • 03:06 • -8.16db
51% Popularity • 50% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Surfaces
Sheesh!
150 bpm • F Maj • 02:28 • -3.94db
64% Popularity • 74% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Neon Trees
Moving In The Dark
150 bpm • E Maj • 03:02 • -5.43db
35% Popularity • 52% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Naethan Apollo
Pretty Boy
150 bpm • F# Maj • 02:12 • -7.12db
57% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Robert Grace
Fake Fine
150 bpm • F Maj • 02:50 • -8.54db
49% Popularity • 82% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Fall Out Boy
Uma Thurman
150 bpm • E min • 03:31 • -2.62db
68% Popularity • 62% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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AJ Smith
We're All Gonna Die
150 bpm • C# Maj • 02:35 • -7.21db
48% Popularity • 62% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Score
Born For This
130 bpm • F min • 03:57 • -6.25db
68% Popularity • 41% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Cavetown
This Is Home
130 bpm • G Maj • 03:46 • -12.48db
69% Popularity • 81% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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half•alive
Tip Toes
130 bpm • F Maj • 03:15 • -5.59db
50% Popularity • 68% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
58% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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BoyWithUke
Long Drives
130 bpm • C# Maj • 02:39 • -7.04db
65% Popularity • 85% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Stellar
Ashes
130 bpm • F min • 02:46 • -7.86db
73% Popularity • 71% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Mad Tsai
Boy Bi
130 bpm • F Maj • 02:22 • -5.07db
54% Popularity • 71% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Sub Urban
UH OH!
151 bpm • A min • 02:13 • -7.41db
59% Popularity • 76% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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The Score
Miracle
130 bpm • B min • 03:26 • -4.12db
57% Popularity • 64% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Arrested Youth
Brightside
130 bpm • D Maj • 03:04 • -5.15db
55% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Arden Jones
mr. sunshine
130 bpm • B min • 02:57 • -3.44db
58% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Livingston
Hercules
130 bpm • G Maj • 03:28 • -3.25db
56% Popularity • 66% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Andy Grammer
85
130 bpm • F Maj • 03:21 • -6.11db
50% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Poor Man's Poison
Hell's Comin' with Me
130 bpm • E min • 03:32 • -10db
73% Popularity • 58% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Judah & the Lion
Over My Head
151 bpm • A# Maj • 03:15 • -4.38db
43% Popularity • 45% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cody Fry
Underground
130 bpm • F Maj • 02:51 • -12db
57% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fall Out Boy
We Didn’t Start The Fire (Bonus Track)
152 bpm • G Maj • 03:35 • -4.08db
61% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jax
90s Kids
152 bpm • C Maj • 02:43 • -6.44db
58% Popularity • 71% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Naethan Apollo
You're Not Welcome
129 bpm • C Maj • 02:30 • -9db
60% Popularity • 73% Danceability • 42% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Em Beihold
Nobody Else
129 bpm • F Maj • 03:13 • -8.61db
48% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Scrawny
Six Legs (tippy tappy toes)
152 bpm • C Maj • 03:06 • -6.68db
53% Popularity • 62% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Confetti
Rob A Bank
152 bpm • C# min • 02:53 • -3.87db
63% Popularity • 65% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Fall Out Boy
My Songs Know What You Did In The Dark (...
152 bpm • A min • 03:06 • -4.34db
77% Popularity • 56% Danceability • 92% Energy • 54% Liveness
0% Instrumentalness • 57% Positiveness
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Saint Motel
For Elise
153 bpm • A# Maj • 03:23 • -6.32db
58% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Naethan Apollo
Lemon Lime Lips
128 bpm • B min • 02:59 • -6db
49% Popularity • 81% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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WALK THE MOON
Shut Up and Dance
128 bpm • C# Maj • 03:19 • -3.8db
86% Popularity • 58% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Mother Mother
It's Alright
128 bpm • G# Maj • 02:55 • -10.15db
62% Popularity • 71% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Glass Animals
The Other Side Of Paradise
128 bpm • B min • 05:20 • -7.63db
69% Popularity • 69% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Bohnes
Middle Finger
128 bpm • C# min • 03:49 • -6.01db
66% Popularity • 69% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Silva Hound
Addict
128 bpm • F min • 04:05 • -4.01db
71% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Owl City
When Can I See You Again?
128 bpm • B min • 03:38 • -6.81db
66% Popularity • 64% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Tai Verdes
Let's go to Hell
128 bpm • G Maj • 02:32 • -5.13db
52% Popularity • 78% Danceability • 81% Energy • 60% Liveness
0% Instrumentalness • 92% Positiveness
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The Score
Stronger
128 bpm • D min • 03:10 • -4.72db
64% Popularity • 56% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 13% Positiveness
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Ben Platt
Share Your Address
128 bpm • B Maj • 03:02 • -5.05db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Espeseth
Falling Faster
128 bpm • B min • 01:32 • -5.89db
63% Popularity • 60% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Little Hurt
Good As It Gets
154 bpm • F Maj • 02:33 • -4.42db
45% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
79% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Hugh Jackman
The Other Side
154 bpm • C Maj • 03:34 • -8.45db
72% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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half•alive
What's Wrong
154 bpm • D Maj • 02:57 • -6.67db
50% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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grandson
Blood // Water
154 bpm • G# min • 03:36 • -5.66db
73% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Neon Trees
Everybody Talks
155 bpm • G# Maj • 02:57 • -3.91db
79% Popularity • 47% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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The Score
Enemies
155 bpm • E min • 02:41 • -5.96db
60% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Bo Burnham
Goodbye
126 bpm • G Maj • 04:09 • -9.94db
63% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Maeson
Cringe
126 bpm • F Maj • 03:36 • -7.72db
66% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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American Authors
I'm Born To Run
126 bpm • G# Maj • 03:26 • -5.62db
64% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Way Less Sad