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Way Too Pretty for Prison
Songs like
Way Too Pretty for Prison (with Maren Morris)
by
Miranda Lambert
Based on a tempo of (+/- 10%) and a similar genre
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Lainey Wilson
Neon Diamonds
166 bpm • D Maj • 03:06 • -4.14db
41% Popularity • 52% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Dierks Bentley
Am I The Only One
166 bpm • D Maj • 03:11 • -5.4db
56% Popularity • 58% Danceability • 88% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
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Brandy Clark
Stripes
166 bpm • A# min • 03:16 • -5.75db
43% Popularity • 65% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Eric Church
Bad Mother Trucker
166 bpm • C Maj • 03:23 • -6.48db
36% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Mindy McCready
Guys Do It All the Time
166 bpm • C Maj • 03:11 • -6db
51% Popularity • 55% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Miranda Lambert
Dry Town
166 bpm • G Maj • 02:42 • -3.36db
33% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sugarland
Baby Girl - 3rd Version/Remix/Single Ver...
167 bpm • C# Maj • 03:59 • -3db
44% Popularity • 44% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jade Eagleson
Count The Ways
165 bpm • F# Maj • 03:15 • -5db
43% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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MacKenzie Porter
If It Ain't Broke
165 bpm • F# Maj • 03:16 • -3db
16% Popularity • 45% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Hot Country Knights
Pick Her Up
165 bpm • G Maj • 04:10 • -3db
35% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Pistol Annies
When I Was His Wife
164 bpm • A# Maj • 03:29 • -6.73db
24% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Miranda Lambert
Way Too Pretty for Prison
166 bpm • C Maj • 03:14 • -3.9db
41% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Jamie O'Neal
There Is No Arizona
168 bpm • G# min • 03:56 • -6db
45% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ashley McBryde
American Scandal
168 bpm • E Maj • 04:02 • -4db
39% Popularity • 49% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Cam
Forgetting You
164 bpm • G# Maj • 03:04 • -8.17db
39% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Miranda Lambert
Only Prettier
168 bpm • G# Maj • 03:09 • -2.4db
52% Popularity • 39% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
37% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Kacey Musgraves
Good Ol' Boys Club
170 bpm • C Maj • 03:16 • -6.84db
34% Popularity • 60% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Harper Grae
Monster
170 bpm • G min • 03:40 • -5.95db
16% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Emily Reid
Good Time Being A Woman
162 bpm • D Maj • 03:13 • -4db
18% Popularity • 30% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Miranda Lambert
It All Comes Out in the Wash
164 bpm • C Maj • 03:34 • -4.93db
47% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Reba McEntire
The Night The Lights Went Out In Georgia
170 bpm • G min • 04:17 • -11.7db
65% Popularity • 43% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kira Isabella
Danger Danger
170 bpm • E min • 03:14 • -3.92db
10% Popularity • 36% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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The Reklaws
Feels Like That
170 bpm • F Maj • 03:30 • -6db
40% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Kaitlin Butts
Don't Push It
162 bpm • A# Maj • 02:42 • -3.59db
29% Popularity • 53% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Chicks
Long Time Gone
170 bpm • D Maj • 04:09 • -5.57db
52% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Miranda Lambert
Pretty Bitchin'
164 bpm • G Maj • 03:31 • -5.35db
36% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sugarland
Down In Mississippi (Up To No Good)
161 bpm • D Maj • 02:51 • -4db
38% Popularity • 48% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Lainey Wilson
Sunday Best
172 bpm • F min • 03:13 • -6.81db
39% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Kip Moore
Red White Blue Jean American Dream
160 bpm • C Maj • 03:00 • -5.97db
45% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Kaitlin Butts
Wild Rose
160 bpm • C Maj • 03:00 • -5db
35% Popularity • 52% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Miranda Lambert
Another Sunday in the South
170 bpm • C Maj • 03:50 • -6.13db
32% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Lainey Wilson
Straight Up Sideways
160 bpm • A Maj • 02:56 • -4.41db
51% Popularity • 54% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Mae Estes
Hell You Raised
160 bpm • G Maj • 03:04 • -6.53db
34% Popularity • 54% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
43% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Caylee Hammack
Just Friends
174 bpm • A Maj • 02:50 • -4db
27% Popularity • 40% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Miranda Lambert
We Should Be Friends
161 bpm • C Maj • 02:50 • -6.21db
43% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tenille Townes
Somebody's Daughter
174 bpm • C Maj • 03:46 • -5.22db
46% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Lainey Wilson
Sayin’ What I’m Thinkin’
160 bpm • B Maj • 03:21 • -9.15db
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Mae Estes
Best Side
158 bpm • A# Maj • 03:00 • -5.88db
18% Popularity • 58% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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The Cadillac Three
Long After Last Call
174 bpm • D Maj • 03:22 • -7.15db
36% Popularity • 58% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
37% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Miranda Lambert
Highway Vagabond
173 bpm • B min • 03:53 • -7.17db
39% Popularity • 45% Danceability • 82% Energy • 6% Liveness
3% Instrumentalness • 91% Positiveness
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Eric Church
Monsters
158 bpm • F# Maj • 03:20 • -10.2db
51% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lainey Wilson
Road Runner
160 bpm • D Maj • 03:46 • -4.36db
49% Popularity • 48% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Dierks Bentley
Travelin' Light
176 bpm • E Maj • 03:14 • -6db
30% Popularity • 49% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Pardi
Oughta Know That
176 bpm • B min • 03:49 • -5db
40% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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MacKenzie Porter
These Days
176 bpm • A Maj • 02:52 • -3db
46% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Miranda Lambert
Sin for a Sin
174 bpm • A Maj • 03:28 • -4.39db
33% Popularity • 30% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Carrie Underwood
Undo It
156 bpm • D Maj • 02:57 • -2.26db
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Lainey Wilson
Grease
176 bpm • D Maj • 03:07 • -3.81db
50% Popularity • 65% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Madeline Merlo
Dear Me
156 bpm • D# Maj • 02:40 • -4db
33% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Reklaws
Not Gonna Not
156 bpm • F Maj • 03:26 • -2.94db
34% Popularity • 52% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Canaan Smith
Colder Than You
177 bpm • D# Maj • 03:21 • -4.04db
36% Popularity • 38% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Ashley McBryde
Bible and a .44
156 bpm • A# Maj • 03:55 • -8.4db
49% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lauren Jenkins
Give Up The Ghost
156 bpm • D# min • 03:27 • -3db
16% Popularity • 48% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Lainey Wilson
Smell Like Smoke
176 bpm • C Maj • 02:48 • -4.41db
62% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Eric Church
The Snake
177 bpm • F min • 04:00 • -18db
40% Popularity • 44% Danceability • 34% Energy • 27% Liveness
13% Instrumentalness • 39% Positiveness
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Miranda Lambert
Heart Like Mine
155 bpm • G# Maj • 02:57 • -3.39db
48% Popularity • 44% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Brandy Clark
Big Day in a Small Town
154 bpm • B Maj • 03:43 • -3.59db
26% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley McBryde
El Dorado
155 bpm • D Maj • 03:58 • -3.38db
28% Popularity • 39% Danceability • 93% Energy • 23% Liveness
6% Instrumentalness • 39% Positiveness
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Ashton Shepherd
Sounds So Good
154 bpm • E Maj • 03:27 • -4db
35% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Lainey Wilson
Workin' Overtime
156 bpm • G# Maj • 03:17 • -7.36db
53% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Kassi Ashton
Taxidermy
154 bpm • A# min • 03:29 • -6db
25% Popularity • 64% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Miranda Lambert
Bad Boy
154 bpm • A Maj • 04:40 • -6.12db
25% Popularity • 48% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Sunny Sweeney
Bad Girl Phase
154 bpm • F Maj • 03:22 • -3.41db
24% Popularity • 52% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Maren Morris
Bummin' Cigarettes
153 bpm • A# Maj • 03:06 • -5.99db
44% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Chicks
Wide Open Spaces
179 bpm • E Maj • 03:43 • -6.1db
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Florida Georgia Line
Told You
180 bpm • C Maj • 03:58 • -4.56db
36% Popularity • 41% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Tenille Townes
Where You Are
180 bpm • G Maj • 04:21 • -6.06db
29% Popularity • 50% Danceability • 82% Energy • 31% Liveness
3% Instrumentalness • 77% Positiveness
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Old Dominion
Make It Sweet
180 bpm • G Maj • 03:07 • -4.45db
60% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Pistol Annies
Hush Hush
152 bpm • B Maj • 03:23 • -6db
42% Popularity • 54% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Maren Morris
Drunk Girls Don't Cry
180 bpm • D Maj • 03:31 • -5.65db
41% Popularity • 46% Danceability • 77% Energy • 86% Liveness
0% Instrumentalness • 75% Positiveness
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Midland
Make A Little
152 bpm • E Maj • 03:01 • -5.16db
53% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Ingram
Breaking a Heart
152 bpm • F Maj • 02:19 • -17.56db
27% Popularity • 40% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Eli Young Band
Crazy Girl - Acoustic
151 bpm • E Maj • 03:07 • -4.64db
35% Popularity • 27% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Owen
Catch A Cold One
150 bpm • D# Maj • 02:50 • -4.77db
44% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Thomas Rhett
Playing With Fire
150 bpm • B Maj • 03:26 • -4db
37% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lainey Wilson
Hold My Halo
150 bpm • G# Maj • 03:26 • -4.24db
58% Popularity • 57% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Midland
Mr. Lonely
150 bpm • E Maj • 03:00 • -4.49db
53% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Joey + Rory
Cheater, Cheater
150 bpm • E Maj • 02:59 • -4.77db
51% Popularity • 61% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Farr
Soundtrack to a Small Town Sundown
150 bpm • G# Maj • 03:00 • -4.7db
32% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Gone West
Confetti
184 bpm • C Maj • 03:12 • -5.59db
28% Popularity • 61% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Miranda Lambert
White Trash
184 bpm • C Maj • 03:10 • -4.64db
34% Popularity • 55% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Maddie & Tae
Bathroom Floor
184 bpm • D Maj • 02:33 • -4.3db
47% Popularity • 52% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Caylee Hammack
New Level Of Life
148 bpm • G# Maj • 03:30 • -5.3db
19% Popularity • 60% Danceability • 83% Energy • 66% Liveness
0% Instrumentalness • 59% Positiveness
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Way Too Pretty for Prison