Songs like We Are Not the Same by Good Shoes
Based on a tempo of (+/- 10%) and a similar genre
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The Futureheads
Meantime
180 bpm • B Maj • 02:50 • -4db
34% Popularity • 47% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 47% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Rakes
We Danced Together
180 bpm • C# min • 03:53 • -6db
31% Popularity • 51% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 51% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Good Shoes
We Are Not the Same
180 bpm • C Maj • 02:50 • -6.51db
2% Popularity • 50% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 50% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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The Vaccines
Wreckin' Bar (Ra Ra Ra)
180 bpm • G# Maj • 01:21 • -3db
55% Popularity • 28% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 28% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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The Holloways
F**k Ups
179 bpm • A Maj • 03:09 • -2db
9% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Art Brut
I Hope You're Very Happy Together
179 bpm • F# Maj • 03:12 • -6.53db
13% Popularity • 53% Danceability • 66% Energy • 8% Liveness
43% Instrumentalness • 80% Positiveness
13% Popularity • 53% Danceability • 66% Energy • 8% Liveness
43% Instrumentalness • 80% Positiveness
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The Futureheads
Stupid and Shallow
180 bpm • E Maj • 01:35 • -3db
21% Popularity • 40% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness
21% Popularity • 40% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 81% Positiveness
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Spector
Reeperbahn
182 bpm • B Maj • 02:10 • -4.94db
26% Popularity • 49% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 49% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Good Shoes
We Are Not the Same
180 bpm • C Maj • 02:43 • -6db
28% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Young Knives
Counters
178 bpm • B min • 04:10 • -2.73db
10% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 53% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Shitdisco
Reactor Party
178 bpm • D Maj • 03:06 • -4db
12% Popularity • 43% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 43% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Maccabees
X-Ray
182 bpm • F# min • 03:15 • -4db
34% Popularity • 26% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 26% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Libertines
Up the Bracket
183 bpm • A Maj • 02:38 • -3db
48% Popularity • 33% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 33% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Late of the Pier
Bathroom Gurgle
177 bpm • B min • 04:39 • -5db
13% Popularity • 32% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 32% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Good Shoes
Easier, Easier
178 bpm • C Maj • 04:08 • -4.07db
6% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Paddingtons
Some Old Girl
177 bpm • B min • 03:04 • -1db
15% Popularity • 24% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 24% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Cajun Dance Party
Colourful Life
177 bpm • E Maj • 03:30 • -3.05db
25% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 21% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Maccabees
Lego
177 bpm • C Maj • 03:10 • -3.17db
27% Popularity • 34% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 34% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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The Futureheads
Trying Not to Think About Time
176 bpm • E Maj • 02:24 • -3.44db
17% Popularity • 40% Danceability • 99% Energy • 27% Liveness
40% Instrumentalness • 82% Positiveness
17% Popularity • 40% Danceability • 99% Energy • 27% Liveness
40% Instrumentalness • 82% Positiveness
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Born Ruffians
Hummingbird
185 bpm • G Maj • 03:08 • -5.6db
38% Popularity • 36% Danceability • 74% Energy • 23% Liveness
5% Instrumentalness • 85% Positiveness
38% Popularity • 36% Danceability • 74% Energy • 23% Liveness
5% Instrumentalness • 85% Positiveness
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Good Shoes
Do You Remember
183 bpm • B min • 03:00 • -5.32db
17% Popularity • 49% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 49% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Paddingtons
Sorry
175 bpm • D Maj • 04:56 • -2.05db
10% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 25% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Babyshambles
The Man Who Came to Stay
175 bpm • G Maj • 03:50 • -4.74db
27% Popularity • 45% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 45% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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The Maccabees
Pelican
184 bpm • D Maj • 03:44 • -4.41db
39% Popularity • 39% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 39% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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The Crookes
Backstreet Lovers
185 bpm • A Maj • 02:54 • -10.72db
22% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Futureheads
Man Ray
175 bpm • A# Maj • 02:18 • -4.11db
19% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 42% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Good Shoes
The Photos on My Wall
176 bpm • D Maj • 01:52 • -5.7db
34% Popularity • 50% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 50% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Tribes
Corner Of An English Field
186 bpm • A Maj • 03:41 • -4.68db
24% Popularity • 26% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 26% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Maximo Park
The Coast Is Always Changing
175 bpm • E Maj • 03:21 • -4.68db
30% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Maccabees
Tissue Shoulders
174 bpm • A Maj • 02:29 • -6.44db
26% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Libertines
Last Post on the Bugle
174 bpm • F min • 02:32 • -2.99db
44% Popularity • 27% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 27% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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The Vaccines
Norgaard
174 bpm • B Maj • 01:38 • -4.72db
59% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
59% Popularity • 32% Danceability • 85% Energy • 25% Liveness
2% Instrumentalness • 86% Positiveness
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Good Shoes
Deathfame
175 bpm • B min • 02:01 • -3.51db
8% Popularity • 55% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 55% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Klaxons
Valley Of The Calm Trees
173 bpm • A min • 03:17 • -3.86db
23% Popularity • 28% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 28% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 47% Positiveness
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Palma Violets
14
173 bpm • E Maj • 08:03 • -5.1db
13% Popularity • 21% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 21% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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The Maccabees
All In Your Rows
186 bpm • A Maj • 02:35 • -4.76db
29% Popularity • 29% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 29% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jamie T
Man Not A Monster
173 bpm • F min • 02:58 • -4.06db
13% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Paddingtons
Worse For Wear
173 bpm • A Maj • 02:32 • -1.25db
10% Popularity • 23% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 23% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Good Shoes
The Way My Heart Beats
185 bpm • G# Maj • 02:34 • -5db
33% Popularity • 44% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 44% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Futureheads
Decent Days and Nights
172 bpm • E Maj • 02:32 • -2.96db
36% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Does It Offend You, Yeah?
Pull out My Insides
190 bpm • D Maj • 04:07 • -4.57db
21% Popularity • 37% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 37% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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The Maccabees
Colour It In - Bonus Track
187 bpm • G Maj • 01:42 • -2.38db
19% Popularity • 15% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 15% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Little Man Tate
Sexy In Latin
190 bpm • C Maj • 03:22 • -4db
36% Popularity • 24% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 24% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
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The Paddingtons
Panic Attack
170 bpm • A Maj • 03:29 • -1.74db
22% Popularity • 13% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 13% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Good Shoes
Ice Age
170 bpm • C Maj • 02:53 • -6.96db
18% Popularity • 59% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 59% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Palma Violets
Rattlesnake Highway
170 bpm • C Maj • 02:36 • -3.18db
22% Popularity • 24% Danceability • 88% Energy • 19% Liveness
62% Instrumentalness • 25% Positiveness
22% Popularity • 24% Danceability • 88% Energy • 19% Liveness
62% Instrumentalness • 25% Positiveness
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The Futureheads
Le Garage
190 bpm • A Maj • 01:45 • -3db
23% Popularity • 30% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 30% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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The Maccabees
Bicycles
170 bpm • G Maj • 02:03 • -8db
26% Popularity • 31% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 31% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Maximo Park
Russian Literature
170 bpm • C min • 03:07 • -4.14db
29% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Cajun Dance Party
Buttercups
170 bpm • E Maj • 05:23 • -5.75db
9% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Good Shoes
Morden
173 bpm • F# min • 02:29 • -5.5db
33% Popularity • 38% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 38% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Palma Violets
Girl, You Couldn't Do Much Better On The...
170 bpm • G Maj • 02:03 • -2.8db
11% Popularity • 17% Danceability • 96% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
11% Popularity • 17% Danceability • 96% Energy • 5% Liveness
3% Instrumentalness • 39% Positiveness
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The Futureheads
A to B
170 bpm • E Maj • 02:27 • -4.48db
23% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 53% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
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The Maccabees
About Your Dress
173 bpm • F Maj • 02:14 • -3.49db
35% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 40% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Libertines
What Katie Did
169 bpm • A Maj • 03:49 • -6.4db
50% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
50% Popularity • 45% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Cajun Dance Party
The Next Untouchable
169 bpm • G Maj • 05:04 • -3db
20% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 31% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Good Shoes
Blue Eyes
172 bpm • A Maj • 03:33 • -7.09db
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Paddingtons
First Comes First
168 bpm • C# min • 02:55 • -0.64db
13% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 21% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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The Futureheads
Hounds of Love
168 bpm • A Maj • 03:02 • -3.8db
50% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 36% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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The Maccabees
Precious Time
169 bpm • G Maj • 04:17 • -5.45db
40% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Klaxons
Totem On The Timeline
168 bpm • E Maj • 02:41 • -3.31db
36% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
36% Popularity • 35% Danceability • 91% Energy • 48% Liveness
78% Instrumentalness • 73% Positiveness
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Jamie T
Atlantic City
193 bpm • G min • 02:09 • -5db
37% Popularity • 33% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 33% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Good Shoes
Small Town Girl
169 bpm • A Maj • 03:39 • -6.45db
19% Popularity • 53% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 53% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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The Paddingtons
What's The Point In Anything New
168 bpm • E Maj • 03:35 • -3.92db
13% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Kooks
Eddie's Gun
168 bpm • A Maj • 02:13 • -4.08db
43% Popularity • 20% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 20% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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The Maccabees
Latchmere
168 bpm • C Maj • 03:01 • -3.99db
37% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 19% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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The Rakes
1989
168 bpm • F# min • 03:00 • -1.57db
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
31% Popularity • 49% Danceability • 94% Energy • 5% Liveness
11% Instrumentalness • 84% Positiveness
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The Holloways
Dancefloor
168 bpm • E Maj • 03:57 • -2.65db
17% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Good Shoes
Never Meant to Hurt You
168 bpm • G min • 03:31 • -7.35db
24% Popularity • 55% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 55% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Maximo Park
Apply Some Pressure
168 bpm • A Maj • 03:20 • -4db
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 38% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Spector
Friday Night, Don't Ever Let It End
167 bpm • F Maj • 03:49 • -3.05db
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Howler
Back of Your Neck
167 bpm • B Maj • 03:42 • -2.93db
32% Popularity • 55% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
32% Popularity • 55% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Babyshambles
A'rebours
166 bpm • A Maj • 03:23 • -5.74db
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 36% Danceability • 79% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
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Tribes
We Were Children
166 bpm • E Maj • 03:00 • -3.72db
32% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Good Shoes
1000 Miles an Hour
168 bpm • G Maj • 01:56 • -4.58db
10% Popularity • 64% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 64% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Maximo Park
Girls Who Play Guitar
166 bpm • A Maj • 03:12 • -3db
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 52% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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The Answering Machine
Lightbulbs
165 bpm • E Maj • 03:39 • -5.77db
10% Popularity • 20% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 20% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Miles Kane
Come Closer
165 bpm • F# min • 02:59 • -5.16db
53% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 51% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Mystery Jets
Someone Purer
164 bpm • A# min • 05:18 • -5.05db
33% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Young Knives
She's Attracted To
164 bpm • D Maj • 03:06 • -5db
19% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Good Shoes
May Lannoye
167 bpm • E Maj • 03:27 • -4.11db
6% Popularity • 43% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
6% Popularity • 43% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
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Maximo Park
By The Monument
165 bpm • A min • 02:59 • -3.36db
34% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 39% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Mumm-ra
Song B
164 bpm • D Maj • 04:08 • -5.36db
14% Popularity • 30% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 30% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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The Holloways
Happiness And Penniless
164 bpm • B Maj • 02:50 • -2.93db
10% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Art Brut
Bad Weekend
164 bpm • B min • 03:03 • -13.94db
13% Popularity • 38% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 38% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Young Knives
Part Timer
164 bpm • D Maj • 02:54 • -4.35db
9% Popularity • 56% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 56% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Good Shoes
Saturday
166 bpm • D Maj • 02:06 • -4.56db
9% Popularity • 48% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 48% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Cribs
You're Gonna Lose Us
163 bpm • E Maj • 02:38 • -1.97db
29% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 40% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Mumm-ra
The Sick Deal
163 bpm • A min • 03:36 • -4.54db
11% Popularity • 27% Danceability • 89% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
11% Popularity • 27% Danceability • 89% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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The Spinto Band
Trust Vs Mistrust
163 bpm • D# Maj • 02:50 • -6.98db
8% Popularity • 29% Danceability • 82% Energy • 11% Liveness
26% Instrumentalness • 74% Positiveness
8% Popularity • 29% Danceability • 82% Energy • 11% Liveness
26% Instrumentalness • 74% Positiveness
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The Rakes
22 Grand Job
163 bpm • B min • 01:46 • -3.03db
35% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 49% Danceability • 95% Energy • 53% Liveness
0% Instrumentalness • 86% Positiveness
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Clor
Love + Pain
163 bpm • A# min • 03:49 • -4.28db
19% Popularity • 61% Danceability • 88% Energy • 17% Liveness
13% Instrumentalness • 68% Positiveness
19% Popularity • 61% Danceability • 88% Energy • 17% Liveness
13% Instrumentalness • 68% Positiveness
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Good Shoes
Everybody's Talking
165 bpm • E Maj • 01:47 • -9.16db
14% Popularity • 60% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Young Knives
Up All Night
162 bpm • A Maj • 02:57 • -3.65db
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 46% Danceability • 94% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Larrikin Love
Downing Street Kindling - New Version
162 bpm • G Maj • 02:38 • -4db
9% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 37% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The View
Wasted Little DJ's - Single Version
162 bpm • E Maj • 03:57 • -2.21db
36% Popularity • 18% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
36% Popularity • 18% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
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The Rakes
Retreat
162 bpm • F min • 02:58 • -4db
28% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
28% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
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The Rifles
Peace & Quiet
161 bpm • F# min • 02:44 • -4.19db
33% Popularity • 21% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 21% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness