Songs like We Don't See Ourselves by Hanne Kolstø
Based on a tempo of (+/- 10%) and a similar genre
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Hanne Kolstø
We Don't See Ourselves
172 bpm • C Maj • 03:33 • -6.17db
3% Popularity • 49% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 49% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Planet Ibiza
love is a fortress
172 bpm • G Maj • 03:11 • -9.38db
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 37% Positiveness
20% Popularity • 58% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 37% Positiveness
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Tom Snowdon
Anybody
172 bpm • D Maj • 03:49 • -9.58db
18% Popularity • 64% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Sonia Elsie
Angels Forever - Sped Up Version
171 bpm • C# Maj • 04:06 • -9.89db
10% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Sonsie
I Feel Alive
170 bpm • D Maj • 03:15 • -8.77db
9% Popularity • 42% Danceability • 75% Energy • 13% Liveness
75% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 75% Energy • 13% Liveness
75% Instrumentalness • 24% Positiveness
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speakeazie
Jamie, You're No Good For Me
170 bpm • G min • 03:12 • -8db
17% Popularity • 46% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
17% Popularity • 46% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Hanne Kolstø
Veit Ikkje, Kanskje
171 bpm • B min • 04:04 • -10.97db
1% Popularity • 55% Danceability • 69% Energy • 8% Liveness
34% Instrumentalness • 39% Positiveness
1% Popularity • 55% Danceability • 69% Energy • 8% Liveness
34% Instrumentalness • 39% Positiveness
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Virginia And The Flood
Phases
170 bpm • C Maj • 03:26 • -8.18db
8% Popularity • 22% Danceability • 57% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 57% Energy • 13% Liveness
11% Instrumentalness • 10% Positiveness
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PUSH
Sneakers
170 bpm • B min • 03:17 • -9.89db
9% Popularity • 54% Danceability • 53% Energy • 9% Liveness
6% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 53% Energy • 9% Liveness
6% Instrumentalness • 51% Positiveness
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Jo Bevan
Born Ready
170 bpm • E min • 05:35 • -13.06db
8% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
8% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Dream 2 Dream
I Have Hope
170 bpm • A min • 04:38 • -6.45db
19% Popularity • 42% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 42% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Brittany Bindrim
Atlas
169 bpm • C Maj • 03:05 • -10.46db
13% Popularity • 18% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 18% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Hanne Kolstø
For Nær
170 bpm • A Maj • 03:33 • -8.54db
2% Popularity • 74% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 65% Positiveness
2% Popularity • 74% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 65% Positiveness
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Rich Aucoin
New Nostalgia
168 bpm • A# Maj • 03:27 • -6.84db
19% Popularity • 42% Danceability • 94% Energy • 27% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 42% Danceability • 94% Energy • 27% Liveness
1% Instrumentalness • 31% Positiveness
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Monica
Vår Frelsers gravlund
168 bpm • C# Maj • 03:23 • -8.49db
8% Popularity • 66% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
8% Popularity • 66% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
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Kyss På Halsen
Vesper
176 bpm • G Maj • 04:47 • -7.1db
12% Popularity • 44% Danceability • 83% Energy • 13% Liveness
12% Instrumentalness • 35% Positiveness
12% Popularity • 44% Danceability • 83% Energy • 13% Liveness
12% Instrumentalness • 35% Positiveness
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Marie Fjeldsted
Occasionally
168 bpm • C Maj • 03:13 • -10.71db
13% Popularity • 51% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
13% Popularity • 51% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Make Mama Proud
BRASS
178 bpm • G Maj • 03:57 • -8.45db
27% Popularity • 56% Danceability • 58% Energy • 8% Liveness
79% Instrumentalness • 22% Positiveness
27% Popularity • 56% Danceability • 58% Energy • 8% Liveness
79% Instrumentalness • 22% Positiveness
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Hanne Kolstø
Carousel
168 bpm • F# min • 03:54 • -7.09db
4% Popularity • 50% Danceability • 64% Energy • 8% Liveness
31% Instrumentalness • 54% Positiveness
4% Popularity • 50% Danceability • 64% Energy • 8% Liveness
31% Instrumentalness • 54% Positiveness
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GREEÏ
Silly Castle
166 bpm • A Maj • 03:28 • -7.57db
28% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Real Jobs
Clabber
166 bpm • C Maj • 04:06 • -10.01db
7% Popularity • 58% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
7% Popularity • 58% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
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Franky
Hit Me in the Heart
165 bpm • E min • 02:29 • -8.29db
15% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Zanzi Music Composer
Icarus
165 bpm • F min • 03:23 • -8.12db
8% Popularity • 43% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
8% Popularity • 43% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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LOVE SUPREME
James Supreme
180 bpm • C# Maj • 04:28 • -8.3db
16% Popularity • 43% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
16% Popularity • 43% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Hanne Kolstø
Flashblack
165 bpm • A Maj • 04:18 • -10.15db
2% Popularity • 43% Danceability • 53% Energy • 9% Liveness
28% Instrumentalness • 13% Positiveness
2% Popularity • 43% Danceability • 53% Energy • 9% Liveness
28% Instrumentalness • 13% Positiveness
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A Certain Someone
Suburbian
180 bpm • E Maj • 04:29 • -9.22db
10% Popularity • 30% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 61% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Galine
It Plays On
180 bpm • C Maj • 03:22 • -9.51db
18% Popularity • 58% Danceability • 64% Energy • 10% Liveness
36% Instrumentalness • 82% Positiveness
18% Popularity • 58% Danceability • 64% Energy • 10% Liveness
36% Instrumentalness • 82% Positiveness
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Angela Aux
Traveler of the Mind
163 bpm • E Maj • 04:14 • -16.25db
18% Popularity • 23% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 6% Positiveness
18% Popularity • 23% Danceability • 30% Energy • 8% Liveness
21% Instrumentalness • 6% Positiveness
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About Gorillas and Vampires
A.O.T.C.
164 bpm • G Maj • 04:10 • -6.09db
20% Popularity • 54% Danceability • 81% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
20% Popularity • 54% Danceability • 81% Energy • 12% Liveness
4% Instrumentalness • 43% Positiveness
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Uhl
Opera Disco
182 bpm • G# Maj • 03:14 • -5.75db
23% Popularity • 52% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
23% Popularity • 52% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
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Noah Vonne
Overthinker
163 bpm • C Maj • 03:29 • -8.88db
22% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 81% Positiveness
22% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 81% Positiveness
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Feye
The Best
162 bpm • C Maj • 03:20 • -11.69db
11% Popularity • 55% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 24% Positiveness
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Alex Edwards
Biddy, Aboriginal
162 bpm • G Maj • 02:44 • -11.32db
7% Popularity • 47% Danceability • 64% Energy • 12% Liveness
6% Instrumentalness • 61% Positiveness
7% Popularity • 47% Danceability • 64% Energy • 12% Liveness
6% Instrumentalness • 61% Positiveness
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An Early Bird
Some Good Will Come
162 bpm • A# Maj • 02:39 • -8.97db
8% Popularity • 46% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 46% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Saint Sinner
for lily
162 bpm • G Maj • 03:33 • -15.79db
12% Popularity • 62% Danceability • 39% Energy • 7% Liveness
55% Instrumentalness • 19% Positiveness
12% Popularity • 62% Danceability • 39% Energy • 7% Liveness
55% Instrumentalness • 19% Positiveness
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New TV
Up All Night
183 bpm • F min • 02:26 • -7.37db
13% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Best Youth
Everywhen
184 bpm • F# min • 01:51 • -12.7db
16% Popularity • 35% Danceability • 30% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
16% Popularity • 35% Danceability • 30% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Laurlyn
Wait
161 bpm • A# Maj • 03:01 • -10.26db
17% Popularity • 28% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 28% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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Brittany Bindrim
The Well
184 bpm • C Maj • 04:12 • -10.05db
16% Popularity • 44% Danceability • 67% Energy • 9% Liveness
19% Instrumentalness • 28% Positiveness
16% Popularity • 44% Danceability • 67% Energy • 9% Liveness
19% Instrumentalness • 28% Positiveness
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Ida Lilja
Born Into His Arms
160 bpm • A min • 02:47 • -9.65db
13% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Liv Eli
Goodbye Innocence
160 bpm • G min • 04:12 • -8.64db
12% Popularity • 61% Danceability • 56% Energy • 8% Liveness
66% Instrumentalness • 18% Positiveness
12% Popularity • 61% Danceability • 56% Energy • 8% Liveness
66% Instrumentalness • 18% Positiveness
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Ivy Falls
Golden
160 bpm • F# min • 03:41 • -11.77db
19% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Charlotte Brandi
LASVEGAS Theme
160 bpm • D Maj • 02:45 • -14.81db
12% Popularity • 49% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 21% Positiveness
12% Popularity • 49% Danceability • 40% Energy • 10% Liveness
47% Instrumentalness • 21% Positiveness
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Pink Mario
Is This Real?
160 bpm • C# Maj • 03:00 • -9.14db
26% Popularity • 54% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
26% Popularity • 54% Danceability • 86% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
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Jenn Champion
Millionaires (more Murder Dice)
160 bpm • G# min • 03:45 • -7.53db
8% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jean Ryden
Taste Of Heaven
160 bpm • G Maj • 03:40 • -12.87db
9% Popularity • 55% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 55% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Zajah
Til Tuesday
160 bpm • E min • 04:39 • -9.07db
9% Popularity • 56% Danceability • 59% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 59% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Valerie Hopkins
Love Fight Heal
160 bpm • A# Maj • 03:13 • -8.25db
31% Popularity • 72% Danceability • 66% Energy • 10% Liveness
63% Instrumentalness • 50% Positiveness
31% Popularity • 72% Danceability • 66% Energy • 10% Liveness
63% Instrumentalness • 50% Positiveness
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ERATRA
A New Era
185 bpm • A min • 04:16 • -9.23db
9% Popularity • 22% Danceability • 56% Energy • 20% Liveness
54% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 56% Energy • 20% Liveness
54% Instrumentalness • 6% Positiveness
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Sophia Urista
& the love died
160 bpm • A min • 03:40 • -11.15db
18% Popularity • 61% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 48% Positiveness
18% Popularity • 61% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 48% Positiveness
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Sarah P.
A Movie I Haven't Seen
160 bpm • G min • 02:53 • -11.58db
12% Popularity • 40% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
12% Popularity • 40% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Glas
Nightmares
159 bpm • E min • 02:29 • -8.46db
9% Popularity • 26% Danceability • 63% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 63% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
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Cape Sleep
The Afternoons
187 bpm • C# Maj • 05:31 • -9.28db
19% Popularity • 36% Danceability • 42% Energy • 8% Liveness
57% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 42% Energy • 8% Liveness
57% Instrumentalness • 27% Positiveness
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Marte Eberson
White Birds
158 bpm • F Maj • 03:47 • -9.14db
9% Popularity • 56% Danceability • 65% Energy • 15% Liveness
27% Instrumentalness • 55% Positiveness
9% Popularity • 56% Danceability • 65% Energy • 15% Liveness
27% Instrumentalness • 55% Positiveness
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Hanne Kolstø
Heime - Ralph Myerz Remix
158 bpm • D# min • 03:57 • -9.26db
0% Popularity • 44% Danceability • 79% Energy • 36% Liveness
71% Instrumentalness • 68% Positiveness
0% Popularity • 44% Danceability • 79% Energy • 36% Liveness
71% Instrumentalness • 68% Positiveness
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Colouring
This Light
187 bpm • C# Maj • 04:11 • -13.95db
21% Popularity • 38% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 73% Positiveness
21% Popularity • 38% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 73% Positiveness
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Bill and Murray
Every Time The Sun Comes Up
188 bpm • C Maj • 04:23 • -9.91db
8% Popularity • 38% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 42% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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ERNIE
Architect
188 bpm • C Maj • 03:57 • -8.12db
16% Popularity • 49% Danceability • 84% Energy • 14% Liveness
83% Instrumentalness • 77% Positiveness
16% Popularity • 49% Danceability • 84% Energy • 14% Liveness
83% Instrumentalness • 77% Positiveness
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Ilithios
Athens
157 bpm • G# Maj • 03:44 • -5.78db
10% Popularity • 50% Danceability • 84% Energy • 17% Liveness
21% Instrumentalness • 62% Positiveness
10% Popularity • 50% Danceability • 84% Energy • 17% Liveness
21% Instrumentalness • 62% Positiveness
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Stuart
Maybe Not Today
156 bpm • E min • 04:00 • -4.91db
12% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hanne Kolstø
Heime
158 bpm • F# Maj • 03:36 • -9.12db
2% Popularity • 58% Danceability • 53% Energy • 16% Liveness
90% Instrumentalness • 29% Positiveness
2% Popularity • 58% Danceability • 53% Energy • 16% Liveness
90% Instrumentalness • 29% Positiveness
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Bendigo Fletcher
Plaster Moon (Blow Me Away)
157 bpm • G Maj • 03:29 • -10db
28% Popularity • 57% Danceability • 49% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
28% Popularity • 57% Danceability • 49% Energy • 16% Liveness
4% Instrumentalness • 27% Positiveness
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Grayson Gilmour
Our Perfect Storm
156 bpm • C# Maj • 03:47 • -11.55db
12% Popularity • 48% Danceability • 47% Energy • 61% Liveness
79% Instrumentalness • 13% Positiveness
12% Popularity • 48% Danceability • 47% Energy • 61% Liveness
79% Instrumentalness • 13% Positiveness
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Das Body
God won’t listen to bad prayers
156 bpm • A min • 02:50 • -5.26db
10% Popularity • 52% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 52% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Magenta Dusk
Close To Never
190 bpm • G min • 03:27 • -7.24db
9% Popularity • 45% Danceability • 80% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
9% Popularity • 45% Danceability • 80% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Nice World
Strangest Amber Glow
155 bpm • C Maj • 02:44 • -9.38db
7% Popularity • 54% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 19% Positiveness
7% Popularity • 54% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 19% Positiveness
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Hanne Kolstø
Prøv igjen
157 bpm • D min • 03:40 • -18.06db
1% Popularity • 57% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 90% Positiveness
1% Popularity • 57% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 90% Positiveness
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Phoebe Green
I Could Love You
156 bpm • B Maj • 02:52 • -13.14db
29% Popularity • 45% Danceability • 28% Energy • 22% Liveness
2% Instrumentalness • 8% Positiveness
29% Popularity • 45% Danceability • 28% Energy • 22% Liveness
2% Instrumentalness • 8% Positiveness
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Hannah Frances
Blue in the Black
155 bpm • A min • 02:51 • -9.8db
12% Popularity • 38% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
12% Popularity • 38% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Fred Paa Jord
KenGuru
192 bpm • F Maj • 02:37 • -9.87db
23% Popularity • 40% Danceability • 90% Energy • 8% Liveness
80% Instrumentalness • 90% Positiveness
23% Popularity • 40% Danceability • 90% Energy • 8% Liveness
80% Instrumentalness • 90% Positiveness
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Miss Anthropopscene
TREES - Betty's Remaster
192 bpm • C# Maj • 03:28 • -8.77db
9% Popularity • 35% Danceability • 55% Energy • 21% Liveness
11% Instrumentalness • 30% Positiveness
9% Popularity • 35% Danceability • 55% Energy • 21% Liveness
11% Instrumentalness • 30% Positiveness
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Electronic Visions
I'm Not Burning For You
194 bpm • G min • 05:36 • -11.66db
23% Popularity • 50% Danceability • 49% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
23% Popularity • 50% Danceability • 49% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Hanne Kolstø
I Hate You Don´t Leave Me
155 bpm • E Maj • 03:27 • -6.41db
3% Popularity • 46% Danceability • 84% Energy • 17% Liveness
15% Instrumentalness • 63% Positiveness
3% Popularity • 46% Danceability • 84% Energy • 17% Liveness
15% Instrumentalness • 63% Positiveness
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Yeah No, For Sure
Pouty
152 bpm • G Maj • 02:58 • -8.49db
8% Popularity • 63% Danceability • 73% Energy • 34% Liveness
11% Instrumentalness • 74% Positiveness
8% Popularity • 63% Danceability • 73% Energy • 34% Liveness
11% Instrumentalness • 74% Positiveness
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Shaela Miller
Mourning Tonight
152 bpm • E Maj • 03:35 • -5.15db
8% Popularity • 50% Danceability • 80% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
8% Popularity • 50% Danceability • 80% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
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EFFOHEX
MUTUAL
150 bpm • A# Maj • 03:04 • -7.32db
12% Popularity • 58% Danceability • 71% Energy • 11% Liveness
26% Instrumentalness • 44% Positiveness
12% Popularity • 58% Danceability • 71% Energy • 11% Liveness
26% Instrumentalness • 44% Positiveness
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sylvie
LET ME OUT!
150 bpm • G# Maj • 04:13 • -8.29db
10% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Absolutely Yours
Sweet Surprise
150 bpm • G Maj • 03:04 • -7.51db
10% Popularity • 39% Danceability • 60% Energy • 17% Liveness
12% Instrumentalness • 58% Positiveness
10% Popularity • 39% Danceability • 60% Energy • 17% Liveness
12% Instrumentalness • 58% Positiveness
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Hanne Kolstø
To rom - OMNIII Remix
154 bpm • A min • 04:57 • -7.77db
0% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ghost In The Arena
See You Around
150 bpm • B Maj • 04:12 • -9.19db
16% Popularity • 51% Danceability • 70% Energy • 9% Liveness
73% Instrumentalness • 41% Positiveness
16% Popularity • 51% Danceability • 70% Energy • 9% Liveness
73% Instrumentalness • 41% Positiveness
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Twinsign
Crush Depths
150 bpm • B min • 04:03 • -7.61db
7% Popularity • 60% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
7% Popularity • 60% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Zander Hawley
Falling for a Friend (They Owe Us Remix)
150 bpm • C Maj • 03:35 • -10.13db
7% Popularity • 58% Danceability • 76% Energy • 9% Liveness
12% Instrumentalness • 75% Positiveness
7% Popularity • 58% Danceability • 76% Energy • 9% Liveness
12% Instrumentalness • 75% Positiveness
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Hilma Nikolaisen
Red Flag
150 bpm • C Maj • 04:08 • -6.7db
13% Popularity • 47% Danceability • 84% Energy • 8% Liveness
30% Instrumentalness • 72% Positiveness
13% Popularity • 47% Danceability • 84% Energy • 8% Liveness
30% Instrumentalness • 72% Positiveness
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Death Hags
SUPRWØRM
149 bpm • C# Maj • 02:37 • -9.38db
20% Popularity • 57% Danceability • 74% Energy • 13% Liveness
8% Instrumentalness • 34% Positiveness
20% Popularity • 57% Danceability • 74% Energy • 13% Liveness
8% Instrumentalness • 34% Positiveness
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Hanne Kolstø
Sizzly
152 bpm • C Maj • 03:37 • -9.39db
1% Popularity • 29% Danceability • 45% Energy • 14% Liveness
76% Instrumentalness • 27% Positiveness
1% Popularity • 29% Danceability • 45% Energy • 14% Liveness
76% Instrumentalness • 27% Positiveness
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Rikke
New Beginnings
149 bpm • E min • 03:21 • -8.33db
9% Popularity • 63% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Friend of a Friend
Always on Time
148 bpm • A# Maj • 03:46 • -10.12db
21% Popularity • 30% Danceability • 52% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
21% Popularity • 30% Danceability • 52% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
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easyclear
U Drive My Car
148 bpm • D# Maj • 03:32 • -8.84db
13% Popularity • 59% Danceability • 76% Energy • 36% Liveness
19% Instrumentalness • 79% Positiveness
13% Popularity • 59% Danceability • 76% Energy • 36% Liveness
19% Instrumentalness • 79% Positiveness
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Hjerteslag
Blitzregn vol 2
148 bpm • A# Maj • 01:53 • -4.35db
25% Popularity • 29% Danceability • 87% Energy • 32% Liveness
75% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 87% Energy • 32% Liveness
75% Instrumentalness • 12% Positiveness
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bel canto
Grass Mint Crisp
148 bpm • E Maj • 04:55 • -8.56db
24% Popularity • 49% Danceability • 87% Energy • 13% Liveness
65% Instrumentalness • 32% Positiveness
24% Popularity • 49% Danceability • 87% Energy • 13% Liveness
65% Instrumentalness • 32% Positiveness
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Hanne Kolstø
Ut av dej
148 bpm • A Maj • 03:46 • -7.48db
17% Popularity • 43% Danceability • 58% Energy • 12% Liveness
3% Instrumentalness • 37% Positiveness
17% Popularity • 43% Danceability • 58% Energy • 12% Liveness
3% Instrumentalness • 37% Positiveness
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Rebecca Theodora
Malaise
148 bpm • G Maj • 05:31 • -7.93db
26% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
26% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
