Songs like We Don’t Talk Enough (with Alexander 23) by Quinn XCII

186 bpm • F Maj • 02:28 • -14.34db

45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness

190 bpm • G# Maj • 02:57 • -4.56db

29% Popularity • 65% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness

185 bpm • E Maj • 03:14 • -5.25db

41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness

180 bpm • G# Maj • 03:19 • -5.21db

42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness

179 bpm • C Maj • 03:42 • -8.59db

19% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness

193 bpm • D Maj • 03:01 • -8.62db

24% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness

180 bpm • B min • 03:13 • -5.8db

32% Popularity • 61% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness

194 bpm • C Maj • 03:24 • -8.5db

45% Popularity • 53% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness

178 bpm • F Maj • 03:06 • -7.49db

67% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness

176 bpm • F Maj • 02:44 • -7.91db

50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness

174 bpm • D Maj • 03:55 • -9.76db

52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness

174 bpm • C# Maj • 02:43 • -11db

60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness

180 bpm • D Maj • 03:26 • -4.93db

57% Popularity • 58% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness

178 bpm • G# Maj • 03:33 • -8.92db

62% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness

200 bpm • E Maj • 03:59 • -17.04db

49% Popularity • 48% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness

173 bpm • G min • 03:29 • -5.82db

35% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness

173 bpm • G Maj • 03:43 • -12.71db

54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness

172 bpm • A# Maj • 03:05 • -4.51db

35% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness

180 bpm • C# min • 03:03 • -6.63db

45% Popularity • 79% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness

199 bpm • B Maj • 02:35 • -11.28db

39% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness

202 bpm • A min • 02:42 • -7.86db

28% Popularity • 54% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness

202 bpm • A Maj • 03:16 • -7.54db

41% Popularity • 64% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness

170 bpm • F# Maj • 03:05 • -10.8db

15% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness

170 bpm • E Maj • 02:41 • -9db

28% Popularity • 56% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness

176 bpm • G# Maj • 02:57 • -6.18db

42% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness

172 bpm • G# Maj • 03:34 • -7.16db

50% Popularity • 24% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness

170 bpm • C# min • 02:33 • -5.46db

41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness

170 bpm • C# Maj • 02:43 • -4.44db

49% Popularity • 57% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness

170 bpm • E Maj • 02:20 • -5db

36% Popularity • 59% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness

204 bpm • C Maj • 03:30 • -7.58db

33% Popularity • 49% Danceability • 48% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness

173 bpm • G# Maj • 02:14 • -6.08db

48% Popularity • 63% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness

169 bpm • B Maj • 03:57 • -11.92db

62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness

168 bpm • G Maj • 03:41 • -12.52db

47% Popularity • 55% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness

167 bpm • G Maj • 02:23 • -13db

30% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness

167 bpm • D Maj • 02:39 • -7.81db

40% Popularity • 25% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness

166 bpm • F Maj • 02:59 • -9.76db

46% Popularity • 46% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness

170 bpm • E Maj • 02:40 • -8.36db

36% Popularity • 62% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness

165 bpm • G Maj • 03:28 • -8.6db

38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness

164 bpm • A# Maj • 03:14 • -12.81db

21% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness

167 bpm • D# Maj • 03:20 • -16.82db

58% Popularity • 45% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness

164 bpm • G Maj • 03:26 • -6.18db

39% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness

162 bpm • E Maj • 02:34 • -4.01db

42% Popularity • 64% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness

168 bpm • A Maj • 02:37 • -6.99db

45% Popularity • 69% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness

163 bpm • G Maj • 02:36 • -8db

41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness

162 bpm • C# min • 03:07 • -5db

41% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness

162 bpm • D Maj • 03:16 • -8.84db

45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness

162 bpm • G Maj • 02:55 • -6.96db

35% Popularity • 54% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness

162 bpm • F min • 03:22 • -8.62db

22% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness

162 bpm • G# Maj • 03:11 • -7db

41% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness

160 bpm • D Maj • 03:03 • -8.98db

39% Popularity • 72% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness

159 bpm • A# Maj • 02:27 • -7db

35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness

162 bpm • G# Maj • 03:23 • -9db

46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness

159 bpm • C# Maj • 03:58 • -8.15db

45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness

160 bpm • D min • 02:11 • -6db

40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness

159 bpm • D# Maj • 02:49 • -10db

41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness

159 bpm • C Maj • 03:23 • -5db

31% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness