Songs like We Got The Fire by FREAK ON
Based on a tempo of (+/- 10%) and a similar genre
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Max Low
Girls Around The World
125 bpm • G Maj • 03:13 • -4db
18% Popularity • 76% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 80% Positiveness
18% Popularity • 76% Danceability • 98% Energy • 7% Liveness
83% Instrumentalness • 80% Positiveness
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FREAK ON
We Got The Fire
125 bpm • D min • 03:21 • -4db
26% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 84% Energy • 19% Liveness
72% Instrumentalness • 90% Positiveness
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Will Clarke
Move Your Body
125 bpm • A Maj • 03:10 • -8.12db
37% Popularity • 76% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 76% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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KOCHAM
Stop
125 bpm • E min • 03:19 • -10.9db
18% Popularity • 62% Danceability • 89% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
18% Popularity • 62% Danceability • 89% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
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SIDEPIECE
Fallin for You
125 bpm • G# Maj • 04:11 • -5.54db
37% Popularity • 80% Danceability • 88% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
37% Popularity • 80% Danceability • 88% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Matroda
Temperature
125 bpm • G Maj • 03:27 • -6db
37% Popularity • 81% Danceability • 85% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
37% Popularity • 81% Danceability • 85% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Roze Wild
B-O-D-Y
125 bpm • G Maj • 02:14 • -6.74db
26% Popularity • 63% Danceability • 85% Energy • 17% Liveness
49% Instrumentalness • 86% Positiveness
26% Popularity • 63% Danceability • 85% Energy • 17% Liveness
49% Instrumentalness • 86% Positiveness
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Chris Lorenzo
California Dreamin' (Cages Remix)
125 bpm • C# min • 03:46 • -5db
45% Popularity • 72% Danceability • 82% Energy • 35% Liveness
18% Instrumentalness • 58% Positiveness
45% Popularity • 72% Danceability • 82% Energy • 35% Liveness
18% Instrumentalness • 58% Positiveness
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Truth x Lies
Preach
125 bpm • F min • 04:11 • -8db
20% Popularity • 76% Danceability • 87% Energy • 49% Liveness
72% Instrumentalness • 68% Positiveness
20% Popularity • 76% Danceability • 87% Energy • 49% Liveness
72% Instrumentalness • 68% Positiveness
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Heider
Oceans
125 bpm • A Maj • 03:37 • -6db
9% Popularity • 68% Danceability • 84% Energy • 32% Liveness
42% Instrumentalness • 52% Positiveness
9% Popularity • 68% Danceability • 84% Energy • 32% Liveness
42% Instrumentalness • 52% Positiveness
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Très Mortimer
SLOW MOTION
125 bpm • C# Maj • 04:21 • -9.58db
31% Popularity • 89% Danceability • 81% Energy • 8% Liveness
49% Instrumentalness • 77% Positiveness
31% Popularity • 89% Danceability • 81% Energy • 8% Liveness
49% Instrumentalness • 77% Positiveness
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Disco Lines
Is This Love
125 bpm • G min • 04:23 • -7db
41% Popularity • 89% Danceability • 64% Energy • 15% Liveness
8% Instrumentalness • 93% Positiveness
41% Popularity • 89% Danceability • 64% Energy • 15% Liveness
8% Instrumentalness • 93% Positiveness
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Gene Farris
Mesmerised
125 bpm • C# Maj • 03:50 • -6db
25% Popularity • 80% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
25% Popularity • 80% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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FREAK ON
See You
125 bpm • D Maj • 03:12 • -6db
24% Popularity • 83% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
24% Popularity • 83% Danceability • 93% Energy • 8% Liveness
75% Instrumentalness • 77% Positiveness
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Disaia
Lets Dance
125 bpm • A Maj • 02:37 • -5.9db
34% Popularity • 84% Danceability • 96% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
34% Popularity • 84% Danceability • 96% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Return Of The Jaded
Trouble So Hard
125 bpm • B Maj • 03:20 • -7.19db
18% Popularity • 76% Danceability • 71% Energy • 19% Liveness
23% Instrumentalness • 48% Positiveness
18% Popularity • 76% Danceability • 71% Energy • 19% Liveness
23% Instrumentalness • 48% Positiveness
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Jesse Jonez
The End
125 bpm • D# min • 02:42 • -3.67db
21% Popularity • 72% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 85% Positiveness
21% Popularity • 72% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 85% Positiveness
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DJ S.K.T
All Good
125 bpm • G# Maj • 02:36 • -5.92db
24% Popularity • 88% Danceability • 86% Energy • 10% Liveness
74% Instrumentalness • 72% Positiveness
24% Popularity • 88% Danceability • 86% Energy • 10% Liveness
74% Instrumentalness • 72% Positiveness
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Gene Farris
On A Bender
125 bpm • F Maj • 03:42 • -6.44db
14% Popularity • 72% Danceability • 89% Energy • 31% Liveness
71% Instrumentalness • 39% Positiveness
14% Popularity • 72% Danceability • 89% Energy • 31% Liveness
71% Instrumentalness • 39% Positiveness
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FREAK ON
To The Floor
125 bpm • C Maj • 04:28 • -3.32db
2% Popularity • 80% Danceability • 98% Energy • 5% Liveness
88% Instrumentalness • 74% Positiveness
2% Popularity • 80% Danceability • 98% Energy • 5% Liveness
88% Instrumentalness • 74% Positiveness
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J. Worra
Check Out - LP Giobbi Remix
125 bpm • G min • 02:46 • -5db
21% Popularity • 68% Danceability • 79% Energy • 30% Liveness
91% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 30% Liveness
91% Instrumentalness • 96% Positiveness
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Dillon Nathaniel
Do It Again
125 bpm • C# Maj • 02:52 • -7.78db
23% Popularity • 75% Danceability • 92% Energy • 36% Liveness
3% Instrumentalness • 47% Positiveness
23% Popularity • 75% Danceability • 92% Energy • 36% Liveness
3% Instrumentalness • 47% Positiveness
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Ferreck Dawn
Vibe With It
125 bpm • D# Maj • 02:55 • -6.87db
36% Popularity • 79% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
36% Popularity • 79% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Trace
Me & U
125 bpm • G Maj • 02:36 • -6.56db
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
35% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
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Matroda
Gimme Some Keys - Tom & Collins Remix
125 bpm • E min • 03:12 • -6.57db
28% Popularity • 64% Danceability • 88% Energy • 62% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 64% Danceability • 88% Energy • 62% Liveness
93% Instrumentalness • 13% Positiveness
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FREAK ON
Ay Chica
125 bpm • G# Maj • 03:10 • -5.46db
16% Popularity • 76% Danceability • 90% Energy • 26% Liveness
90% Instrumentalness • 57% Positiveness
16% Popularity • 76% Danceability • 90% Energy • 26% Liveness
90% Instrumentalness • 57% Positiveness
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DJ Susan
SHiNE
125 bpm • C# Maj • 03:35 • -6.72db
9% Popularity • 66% Danceability • 83% Energy • 7% Liveness
22% Instrumentalness • 66% Positiveness
9% Popularity • 66% Danceability • 83% Energy • 7% Liveness
22% Instrumentalness • 66% Positiveness
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Reblok
Got The Fire
125 bpm • F min • 03:10 • -7.3db
18% Popularity • 80% Danceability • 61% Energy • 7% Liveness
63% Instrumentalness • 76% Positiveness
18% Popularity • 80% Danceability • 61% Energy • 7% Liveness
63% Instrumentalness • 76% Positiveness
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Mosimann
Dancing On My Own - Matt Sassari Remix
125 bpm • C Maj • 05:11 • -6.3db
25% Popularity • 81% Danceability • 78% Energy • 4% Liveness
79% Instrumentalness • 52% Positiveness
25% Popularity • 81% Danceability • 78% Energy • 4% Liveness
79% Instrumentalness • 52% Positiveness
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Leftwing : Kody
Your Love
125 bpm • F# Maj • 03:42 • -5.45db
22% Popularity • 75% Danceability • 97% Energy • 57% Liveness
65% Instrumentalness • 91% Positiveness
22% Popularity • 75% Danceability • 97% Energy • 57% Liveness
65% Instrumentalness • 91% Positiveness
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Neon Steve
Drug Test
125 bpm • B min • 02:51 • -5.21db
23% Popularity • 72% Danceability • 92% Energy • 7% Liveness
9% Instrumentalness • 53% Positiveness
23% Popularity • 72% Danceability • 92% Energy • 7% Liveness
9% Instrumentalness • 53% Positiveness
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Return Of The Jaded
I'm in Love with You
125 bpm • C# Maj • 03:20 • -6.19db
49% Popularity • 70% Danceability • 83% Energy • 29% Liveness
46% Instrumentalness • 34% Positiveness
49% Popularity • 70% Danceability • 83% Energy • 29% Liveness
46% Instrumentalness • 34% Positiveness
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Landis
Like Honey
125 bpm • A min • 02:18 • -4.13db
26% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
26% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
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SIDEPIECE
Acrobatic - Biscits Remix
125 bpm • E Maj • 03:24 • -6.84db
29% Popularity • 84% Danceability • 70% Energy • 20% Liveness
68% Instrumentalness • 49% Positiveness
29% Popularity • 84% Danceability • 70% Energy • 20% Liveness
68% Instrumentalness • 49% Positiveness
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Sandor
Who's The Master - Radio Edit
125 bpm • C# min • 03:25 • -7.67db
21% Popularity • 81% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 81% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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JSTJR
I Wanna
125 bpm • G Maj • 02:35 • -6.01db
41% Popularity • 90% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
41% Popularity • 90% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Juan Galvis
Like U
125 bpm • F min • 02:27 • -5db
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
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Kyle Walker
Háblame
125 bpm • C Maj • 03:27 • -5.1db
23% Popularity • 80% Danceability • 84% Energy • 62% Liveness
10% Instrumentalness • 34% Positiveness
23% Popularity • 80% Danceability • 84% Energy • 62% Liveness
10% Instrumentalness • 34% Positiveness
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DJ Hanzel
Be the Light
125 bpm • D Maj • 03:23 • -6.18db
20% Popularity • 81% Danceability • 75% Energy • 2% Liveness
51% Instrumentalness • 89% Positiveness
20% Popularity • 81% Danceability • 75% Energy • 2% Liveness
51% Instrumentalness • 89% Positiveness
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Kyle Watson
Late Night Phone Call
125 bpm • C# Maj • 03:20 • -6.37db
25% Popularity • 80% Danceability • 84% Energy • 29% Liveness
85% Instrumentalness • 74% Positiveness
25% Popularity • 80% Danceability • 84% Energy • 29% Liveness
85% Instrumentalness • 74% Positiveness
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Sandor
Wish For
125 bpm • C# Maj • 03:09 • -7.05db
10% Popularity • 82% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Blake Webber
So LA
125 bpm • C# Maj • 02:12 • -5.5db
29% Popularity • 73% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 73% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 95% Positiveness
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KEFFI
Toledo
125 bpm • G Maj • 03:23 • -5.94db
26% Popularity • 60% Danceability • 100% Energy • 48% Liveness
87% Instrumentalness • 45% Positiveness
26% Popularity • 60% Danceability • 100% Energy • 48% Liveness
87% Instrumentalness • 45% Positiveness
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Biscits
U Don't Have To Go
125 bpm • D# min • 03:23 • -7.16db
22% Popularity • 77% Danceability • 80% Energy • 16% Liveness
71% Instrumentalness • 28% Positiveness
22% Popularity • 77% Danceability • 80% Energy • 16% Liveness
71% Instrumentalness • 28% Positiveness
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Devault
HEAVEN'S GATES - Manila Killa Remix
125 bpm • D Maj • 04:00 • -7db
42% Popularity • 70% Danceability • 89% Energy • 6% Liveness
46% Instrumentalness • 39% Positiveness
42% Popularity • 70% Danceability • 89% Energy • 6% Liveness
46% Instrumentalness • 39% Positiveness
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Wenzday
Move
125 bpm • D Maj • 02:23 • -5.44db
18% Popularity • 61% Danceability • 86% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
18% Popularity • 61% Danceability • 86% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
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Sandor
Heartbeat
125 bpm • G# min • 03:04 • -10.33db
43% Popularity • 81% Danceability • 64% Energy • 8% Liveness
66% Instrumentalness • 38% Positiveness
43% Popularity • 81% Danceability • 64% Energy • 8% Liveness
66% Instrumentalness • 38% Positiveness
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FREAK ON
Don't Stop
125 bpm • G Maj • 03:08 • -6.99db
3% Popularity • 78% Danceability • 95% Energy • 5% Liveness
53% Instrumentalness • 60% Positiveness
3% Popularity • 78% Danceability • 95% Energy • 5% Liveness
53% Instrumentalness • 60% Positiveness
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Kyle Walker
Fantasy
125 bpm • B min • 03:25 • -7.62db
36% Popularity • 79% Danceability • 98% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
36% Popularity • 79% Danceability • 98% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
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Elternhouse
LOST IN YOU
125 bpm • A Maj • 02:33 • -5.64db
31% Popularity • 72% Danceability • 96% Energy • 8% Liveness
67% Instrumentalness • 73% Positiveness
31% Popularity • 72% Danceability • 96% Energy • 8% Liveness
67% Instrumentalness • 73% Positiveness
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SUBSHIFT
Breakout
125 bpm • D Maj • 03:35 • -8.06db
11% Popularity • 81% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
11% Popularity • 81% Danceability • 84% Energy • 5% Liveness
77% Instrumentalness • 58% Positiveness
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Ciszak
No Self Control
125 bpm • C Maj • 02:52 • -5.9db
37% Popularity • 84% Danceability • 91% Energy • 7% Liveness
44% Instrumentalness • 58% Positiveness
37% Popularity • 84% Danceability • 91% Energy • 7% Liveness
44% Instrumentalness • 58% Positiveness
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Ferreck Dawn
Aphrodisiac
125 bpm • B Maj • 02:36 • -7.27db
23% Popularity • 71% Danceability • 90% Energy • 23% Liveness
7% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 90% Energy • 23% Liveness
7% Instrumentalness • 73% Positiveness
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FREAK ON
Blind
125 bpm • D Maj • 03:25 • -4.17db
11% Popularity • 72% Danceability • 91% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
11% Popularity • 72% Danceability • 91% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
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Arnold & Lane
Buck
125 bpm • A Maj • 03:29 • -6.78db
12% Popularity • 86% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
12% Popularity • 86% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
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Matroda
Gimme Some Keys - Thykier Remix
125 bpm • C# Maj • 03:08 • -4.14db
18% Popularity • 76% Danceability • 95% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
18% Popularity • 76% Danceability • 95% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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WILL K
Panorama
125 bpm • C# min • 03:35 • -4.91db
22% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
22% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
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Tim Baresko
Another - Mercer Remix
125 bpm • F Maj • 02:51 • -4.14db
24% Popularity • 82% Danceability • 86% Energy • 9% Liveness
71% Instrumentalness • 17% Positiveness
24% Popularity • 82% Danceability • 86% Energy • 9% Liveness
71% Instrumentalness • 17% Positiveness
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Sandor
Shut Up
125 bpm • C# Maj • 03:08 • -7.46db
27% Popularity • 86% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 86% Positiveness
27% Popularity • 86% Danceability • 92% Energy • 14% Liveness
58% Instrumentalness • 86% Positiveness
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FREAK ON
Like This
125 bpm • F Maj • 04:47 • -5.37db
2% Popularity • 74% Danceability • 92% Energy • 3% Liveness
76% Instrumentalness • 47% Positiveness
2% Popularity • 74% Danceability • 92% Energy • 3% Liveness
76% Instrumentalness • 47% Positiveness
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Trace
Gas Pedal
125 bpm • G Maj • 03:42 • -6.77db
32% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
32% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
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Matroda
Lifting
125 bpm • C# min • 02:51 • -4.36db
35% Popularity • 91% Danceability • 93% Energy • 5% Liveness
7% Instrumentalness • 90% Positiveness
35% Popularity • 91% Danceability • 93% Energy • 5% Liveness
7% Instrumentalness • 90% Positiveness
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Heider
New School Jack
125 bpm • B Maj • 03:00 • -6.32db
23% Popularity • 81% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 83% Positiveness
23% Popularity • 81% Danceability • 95% Energy • 9% Liveness
88% Instrumentalness • 83% Positiveness
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J. Worra
Fade
125 bpm • F# min • 02:58 • -6.22db
33% Popularity • 69% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 69% Positiveness
33% Popularity • 69% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 69% Positiveness
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AYYBO
MOVE LIKE THIS
125 bpm • C# Maj • 02:34 • -5.94db
40% Popularity • 81% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
40% Popularity • 81% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
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Sage Armstrong
Party Started
125 bpm • A Maj • 02:51 • -4.66db
9% Popularity • 80% Danceability • 97% Energy • 30% Liveness
61% Instrumentalness • 67% Positiveness
9% Popularity • 80% Danceability • 97% Energy • 30% Liveness
61% Instrumentalness • 67% Positiveness
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PEACE MAKER!
Accelerate
125 bpm • F# min • 02:50 • -3.88db
26% Popularity • 77% Danceability • 97% Energy • 12% Liveness
40% Instrumentalness • 84% Positiveness
26% Popularity • 77% Danceability • 97% Energy • 12% Liveness
40% Instrumentalness • 84% Positiveness
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Plastic Robots
The Faith
125 bpm • C Maj • 03:09 • -6.97db
33% Popularity • 81% Danceability • 83% Energy • 7% Liveness
87% Instrumentalness • 43% Positiveness
33% Popularity • 81% Danceability • 83% Energy • 7% Liveness
87% Instrumentalness • 43% Positiveness
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LO'99
Records U Play
125 bpm • D Maj • 03:06 • -5.47db
36% Popularity • 84% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
36% Popularity • 84% Danceability • 63% Energy • 22% Liveness
1% Instrumentalness • 26% Positiveness
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Wax Motif
Traga
125 bpm • C# Maj • 03:59 • -5.79db
32% Popularity • 80% Danceability • 91% Energy • 45% Liveness
5% Instrumentalness • 27% Positiveness
32% Popularity • 80% Danceability • 91% Energy • 45% Liveness
5% Instrumentalness • 27% Positiveness
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Honey & Badger
Wallifornia
125 bpm • A Maj • 02:35 • -2.83db
33% Popularity • 91% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 91% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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SUBSHIFT
Club 95
125 bpm • C Maj • 03:09 • -5.28db
13% Popularity • 77% Danceability • 79% Energy • 21% Liveness
9% Instrumentalness • 77% Positiveness
13% Popularity • 77% Danceability • 79% Energy • 21% Liveness
9% Instrumentalness • 77% Positiveness
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Fran Valdivieso
Like
125 bpm • F# min • 02:54 • -5.08db
22% Popularity • 75% Danceability • 81% Energy • 34% Liveness
85% Instrumentalness • 55% Positiveness
22% Popularity • 75% Danceability • 81% Energy • 34% Liveness
85% Instrumentalness • 55% Positiveness
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No Thanks
Hold On
125 bpm • G Maj • 03:23 • -4.14db
19% Popularity • 82% Danceability • 66% Energy • 23% Liveness
36% Instrumentalness • 50% Positiveness
19% Popularity • 82% Danceability • 66% Energy • 23% Liveness
36% Instrumentalness • 50% Positiveness
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Jay Robinson
The Drip
125 bpm • F# Maj • 03:14 • -6.28db
23% Popularity • 73% Danceability • 89% Energy • 18% Liveness
12% Instrumentalness • 63% Positiveness
23% Popularity • 73% Danceability • 89% Energy • 18% Liveness
12% Instrumentalness • 63% Positiveness
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AYYBO
GDB
125 bpm • C# min • 03:04 • -6.28db
35% Popularity • 81% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
35% Popularity • 81% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 60% Positiveness
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MistaJam
Defibrillator
125 bpm • A# min • 02:22 • -5.1db
18% Popularity • 68% Danceability • 95% Energy • 6% Liveness
56% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 95% Energy • 6% Liveness
56% Instrumentalness • 91% Positiveness
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Matroda
Wasting Time
125 bpm • F# min • 03:43 • -7.68db
33% Popularity • 80% Danceability • 94% Energy • 4% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 80% Danceability • 94% Energy • 4% Liveness
89% Instrumentalness • 4% Positiveness
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Wenzday
Like That
125 bpm • G Maj • 02:48 • -16.75db
28% Popularity • 74% Danceability • 68% Energy • 24% Liveness
4% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 24% Liveness
4% Instrumentalness • 76% Positiveness
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AKIAL
Open Eyes
125 bpm • A Maj • 02:18 • -6.15db
9% Popularity • 78% Danceability • 94% Energy • 31% Liveness
55% Instrumentalness • 83% Positiveness
9% Popularity • 78% Danceability • 94% Energy • 31% Liveness
55% Instrumentalness • 83% Positiveness
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OFFAIAH
Something In Your Eyes
125 bpm • D Maj • 02:08 • -5.4db
29% Popularity • 89% Danceability • 71% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
29% Popularity • 89% Danceability • 71% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
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Gianni Blu
Una Canción
125 bpm • B min • 02:31 • -4.8db
17% Popularity • 80% Danceability • 85% Energy • 13% Liveness
77% Instrumentalness • 50% Positiveness
17% Popularity • 80% Danceability • 85% Energy • 13% Liveness
77% Instrumentalness • 50% Positiveness
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KALVYN
Hit The Club
125 bpm • D Maj • 02:09 • -5.22db
33% Popularity • 64% Danceability • 87% Energy • 16% Liveness
78% Instrumentalness • 79% Positiveness
33% Popularity • 64% Danceability • 87% Energy • 16% Liveness
78% Instrumentalness • 79% Positiveness
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Matroda
Hazy
125 bpm • G min • 03:08 • -6.08db
42% Popularity • 71% Danceability • 95% Energy • 13% Liveness
27% Instrumentalness • 26% Positiveness
42% Popularity • 71% Danceability • 95% Energy • 13% Liveness
27% Instrumentalness • 26% Positiveness
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CASHEW
Believe In Music
125 bpm • A min • 03:08 • -6.69db
19% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
19% Popularity • 84% Danceability • 85% Energy • 32% Liveness
28% Instrumentalness • 70% Positiveness
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Elternhouse
Dance Like You
125 bpm • C# Maj • 03:06 • -7.97db
14% Popularity • 80% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 35% Positiveness
14% Popularity • 80% Danceability • 95% Energy • 7% Liveness
7% Instrumentalness • 35% Positiveness
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Rodrigo Serna
Hands Together
126 bpm • D Maj • 03:12 • -4.8db
14% Popularity • 73% Danceability • 95% Energy • 30% Liveness
65% Instrumentalness • 86% Positiveness
14% Popularity • 73% Danceability • 95% Energy • 30% Liveness
65% Instrumentalness • 86% Positiveness
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Dave Summit
Wasting My Time
126 bpm • G Maj • 03:23 • -2.94db
24% Popularity • 70% Danceability • 98% Energy • 32% Liveness
60% Instrumentalness • 51% Positiveness
24% Popularity • 70% Danceability • 98% Energy • 32% Liveness
60% Instrumentalness • 51% Positiveness
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Ciszak
Sugar
126 bpm • G# Maj • 03:08 • -9.65db
22% Popularity • 64% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 22% Positiveness
22% Popularity • 64% Danceability • 73% Energy • 10% Liveness
31% Instrumentalness • 22% Positiveness
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Matroda
PWR
126 bpm • F# Maj • 02:44 • -5.27db
44% Popularity • 80% Danceability • 93% Energy • 11% Liveness
79% Instrumentalness • 45% Positiveness
44% Popularity • 80% Danceability • 93% Energy • 11% Liveness
79% Instrumentalness • 45% Positiveness
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Volkoder
Feel Good
124 bpm • F min • 03:23 • -6.16db
24% Popularity • 69% Danceability • 92% Energy • 11% Liveness
64% Instrumentalness • 48% Positiveness
24% Popularity • 69% Danceability • 92% Energy • 11% Liveness
64% Instrumentalness • 48% Positiveness
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Space Rangers
QUE RICO
126 bpm • G Maj • 02:15 • -5.9db
18% Popularity • 72% Danceability • 98% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
18% Popularity • 72% Danceability • 98% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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J. Worra
Lose My Mind
124 bpm • A# min • 03:16 • -6.07db
44% Popularity • 75% Danceability • 89% Energy • 3% Liveness
69% Instrumentalness • 91% Positiveness
44% Popularity • 75% Danceability • 89% Energy • 3% Liveness
69% Instrumentalness • 91% Positiveness
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SIDEPIECE
Reborn - Kyle Walker Remix
124 bpm • F min • 03:40 • -5.88db
21% Popularity • 61% Danceability • 93% Energy • 14% Liveness
41% Instrumentalness • 35% Positiveness
21% Popularity • 61% Danceability • 93% Energy • 14% Liveness
41% Instrumentalness • 35% Positiveness
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OFFAIAH
Find A Way
124 bpm • G Maj • 01:53 • -5.22db
40% Popularity • 90% Danceability • 81% Energy • 15% Liveness
43% Instrumentalness • 61% Positiveness
40% Popularity • 90% Danceability • 81% Energy • 15% Liveness
43% Instrumentalness • 61% Positiveness
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Matroda
Gotta Let You Go
124 bpm • D# min • 02:55 • -4.74db
39% Popularity • 75% Danceability • 96% Energy • 30% Liveness
46% Instrumentalness • 54% Positiveness
39% Popularity • 75% Danceability • 96% Energy • 30% Liveness
46% Instrumentalness • 54% Positiveness
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PBH & JACK
Set The Tempo
126 bpm • C# Maj • 03:03 • -5.66db
38% Popularity • 78% Danceability • 96% Energy • 6% Liveness
58% Instrumentalness • 91% Positiveness
38% Popularity • 78% Danceability • 96% Energy • 6% Liveness
58% Instrumentalness • 91% Positiveness
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MADDOW
Soul
126 bpm • B Maj • 03:23 • -5.68db
12% Popularity • 76% Danceability • 91% Energy • 23% Liveness
8% Instrumentalness • 56% Positiveness
12% Popularity • 76% Danceability • 91% Energy • 23% Liveness
8% Instrumentalness • 56% Positiveness
