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We Made It
Songs like
We Made It
by
Louis Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Louis Tomlinson
Common People
155 bpm • D Maj • 02:58 • -6.7db
54% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Academic
Different - Remastered
156 bpm • D Maj • 03:12 • -3.42db
40% Popularity • 51% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Bridgit Mendler
More Than a Band
156 bpm • D Maj • 02:40 • -6.32db
54% Popularity • 46% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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One Direction
Midnight Memories
156 bpm • F# min • 02:56 • -2.01db
67% Popularity • 43% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Niall Horan
Everywhere
153 bpm • D Maj • 02:48 • -4.6db
60% Popularity • 45% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Zolita
Single In September
153 bpm • G Maj • 03:15 • -5.77db
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Tomlinson
We Made It
155 bpm • A# Maj • 03:21 • -5.07db
53% Popularity • 53% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Lewis Capaldi
How This Ends
153 bpm • C min • 03:46 • -3.9db
47% Popularity • 35% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
long story short
158 bpm • C Maj • 03:35 • -7.72db
63% Popularity • 55% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 57% Positiveness
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One Direction
End of the Day
154 bpm • B Maj • 03:14 • -5.03db
62% Popularity • 50% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Orlando
Wait For You
152 bpm • G# Maj • 02:55 • -5.62db
45% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Michaels
Into You
158 bpm • A Maj • 03:12 • -7.12db
42% Popularity • 69% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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ZAYN
Alienated
152 bpm • G Maj • 04:07 • -6.47db
61% Popularity • 49% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Mark Ambor
Waves
158 bpm • C Maj • 02:46 • -4.9db
49% Popularity • 67% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Taylor Swift
London Boy
158 bpm • C# Maj • 03:10 • -6.64db
77% Popularity • 70% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Liam Payne
Teardrops
152 bpm • C Maj • 02:54 • -3.81db
65% Popularity • 50% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Conan Gray
Checkmate
151 bpm • C# Maj • 02:28 • -4.13db
61% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Isaac Anderson
Moving Mountains
159 bpm • A# Maj • 03:47 • -3db
25% Popularity • 64% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Ruel
SET YOURSELF ON FIRE
160 bpm • B Maj • 02:51 • -6db
32% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Swift
Would've, Could've, Should've
158 bpm • C Maj • 04:20 • -6.51db
67% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Ashton Irwin
Have U Found What Ur Looking For?
160 bpm • G Maj • 03:58 • -5db
37% Popularity • 36% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Tomlinson
Silver Tongues
160 bpm • D Maj • 03:25 • -4.89db
59% Popularity • 49% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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New Hope Club
Can't Lose This Fight
150 bpm • B min • 03:14 • -6db
32% Popularity • 56% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Baby Queen
Colours Of You
150 bpm • F min • 04:15 • -7.88db
40% Popularity • 49% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
Dancing With Our Hands Tied
160 bpm • C min • 03:31 • -6.69db
75% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Luke Hemmings
Diamonds
150 bpm • C# Maj • 03:58 • -4db
49% Popularity • 24% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Louis Tomlinson
Saturdays
150 bpm • A Maj • 04:24 • -7db
55% Popularity • 38% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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IV DANTE
By Herself
150 bpm • G# Maj • 03:17 • -6.4db
31% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Baby Queen
Colours Of You - Nick And Charlie Versio...
150 bpm • G# Maj • 02:43 • -11.82db
35% Popularity • 57% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
Miss Americana & The Heartbreak Prince
150 bpm • B min • 03:54 • -6.93db
81% Popularity • 66% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Isaac Anderson
Mess Me Up
149 bpm • A# Maj • 03:21 • -7.08db
27% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
48% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Cast of High School Musical: The Musical: The Series
You Never Know
162 bpm • C# min • 03:16 • -7db
41% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Daniel Seavey
Fall into You
162 bpm • C# min • 02:38 • -5.92db
45% Popularity • 52% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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THE DRIVER ERA
Like a King
162 bpm • G Maj • 02:13 • -4.45db
44% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Louis Tomlinson
Out Of My System
162 bpm • G# min • 02:17 • -4.48db
61% Popularity • 57% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Isaac Anderson
Don't Go
148 bpm • D# Maj • 03:06 • -4.65db
34% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Liam Payne
Teardrops - Acoustic
148 bpm • G# Maj • 03:06 • -7.94db
45% Popularity • 46% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mckenna Grace
Post Party Trauma
148 bpm • F Maj • 03:11 • -4.13db
36% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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One Direction
Clouds
148 bpm • C Maj • 03:51 • -4.68db
59% Popularity • 40% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Louis Tomlinson
Fearless
148 bpm • A min • 03:04 • -6.48db
52% Popularity • 56% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan
The Greatest Thing
163 bpm • F Maj • 03:17 • -5.6db
36% Popularity • 49% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Harry Styles
Kiwi
147 bpm • D Maj • 02:56 • -2.63db
72% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Liam Payne
Slow
147 bpm • C Maj • 03:29 • -5db
41% Popularity • 64% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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THE DRIVER ERA
#1 Fan
147 bpm • D Maj • 03:06 • -4.97db
42% Popularity • 70% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Niall Horan
If You Leave Me
164 bpm • C# Maj • 02:59 • -4.24db
63% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Ashton Irwin
Sunshine
164 bpm • D Maj • 03:49 • -8.61db
32% Popularity • 36% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
Call It What You Want
164 bpm • A Maj • 03:23 • -9.87db
78% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Bridgit Mendler
Somebody
165 bpm • F# Maj • 03:28 • -4.59db
57% Popularity • 46% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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One Direction
Temporary Fix
146 bpm • E Maj • 02:55 • -5.14db
63% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Ashton Irwin
I'm to Blame - LIVE
146 bpm • E Maj • 04:18 • -10db
15% Popularity • 54% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 47% Positiveness
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Harry Styles
Keep Driving
165 bpm • A Maj • 02:20 • -9.67db
74% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Nights In Stereo
Open Door
165 bpm • A Maj • 04:40 • -5.93db
30% Popularity • 46% Danceability • 92% Energy • 22% Liveness
48% Instrumentalness • 33% Positiveness
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Dylan
You're Not Harry Styles
165 bpm • F# Maj • 02:56 • -4.56db
52% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Louis Tomlinson
Face The Music
145 bpm • D Maj • 02:48 • -3.01db
55% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tate McRae
boy x
145 bpm • D# Maj • 03:46 • -8.55db
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Isaac Anderson
Yesterday's Clothes
145 bpm • A Maj • 03:44 • -8.9db
17% Popularity • 33% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Gavin Leatherwood
Just For Tonight
145 bpm • G Maj • 04:10 • -5db
28% Popularity • 41% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan
Girl Of Your Dreams
165 bpm • B min • 02:43 • -5.33db
52% Popularity • 58% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Louis Tomlinson
Bigger Than Me (Live from Milan)
145 bpm • D# Maj • 03:43 • -6.29db
34% Popularity • 46% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Felton
If You Could Be Anywhere
166 bpm • C# min • 02:23 • -4.98db
44% Popularity • 66% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Isaac Anderson
This Could Be Paradise
166 bpm • B Maj • 03:26 • -5.51db
30% Popularity • 57% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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BOBI ANDONOV
War Is Love
144 bpm • D# Maj • 04:00 • -9.81db
29% Popularity • 30% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Hannah Montana
I'll Always Remember You
144 bpm • G# Maj • 03:53 • -2.74db
62% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Dylan
Lovestruck
165 bpm • G Maj • 03:01 • -5.02db
38% Popularity • 54% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Louis Tomlinson
Bigger Than Me
145 bpm • E Maj • 03:41 • -3.8db
59% Popularity • 47% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Luke Hemmings
Mum
144 bpm • D# Maj • 03:50 • -6.67db
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Headon
i loved a boy
144 bpm • A Maj • 02:25 • -6db
42% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alesso
Midnight
144 bpm • B min • 03:40 • -6.93db
57% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Nessa Barrett
grave
144 bpm • C Maj • 02:27 • -7.87db
51% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Conan Gray
Forever With Me
144 bpm • B Maj • 03:35 • -4.3db
66% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Louis Tomlinson
Don't Let It Break Your Heart - Single E...
166 bpm • A# Maj • 03:16 • -4.05db
43% Popularity • 36% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dylan Conrique
Gatekeeper
144 bpm • D Maj • 03:26 • -6.8db
36% Popularity • 54% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Swim Deep
Happy as Larrie
144 bpm • G# Maj • 04:56 • -9db
19% Popularity • 38% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Isaac Anderson
Hanging Up
143 bpm • E Maj • 03:30 • -4.93db
32% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Logan Henderson
Sleepwalker
143 bpm • A min • 04:11 • -7.03db
32% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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One Direction
No Control
143 bpm • C# min • 03:19 • -3.15db
70% Popularity • 56% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Gracie Abrams
Two people
144 bpm • C Maj • 04:13 • -12.93db
55% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Mckenna Grace
Ugly Crier
168 bpm • G Maj • 02:32 • -5db
41% Popularity • 36% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Conan Gray
Jigsaw
168 bpm • A Maj • 03:28 • -5.85db
59% Popularity • 27% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hayley Kiyoko
Girls Like Girls
142 bpm • F# Maj • 03:49 • -5.24db
59% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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THE DRIVER ERA
Take Me Away
142 bpm • C# Maj • 03:23 • -7.2db
48% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Puth
Marks On My Neck
142 bpm • C# Maj • 02:18 • -8.59db
35% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Naomi Scott
She's So Gone
142 bpm • B Maj • 03:06 • -4db
66% Popularity • 52% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Louis Tomlinson
Face The Music (Acoustic Demo)
142 bpm • G Maj • 02:37 • -9.21db
46% Popularity • 63% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
76% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gracie Abrams
The blue
142 bpm • C Maj • 05:00 • -7.73db
56% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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One Direction
A.M.
142 bpm • D# Maj • 03:29 • -4.91db
63% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Liam Payne
Tell Your Friends
170 bpm • A# min • 03:15 • -5.18db
38% Popularity • 64% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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YUNGBLUD
Don't Go
170 bpm • C min • 02:29 • -2.83db
46% Popularity • 52% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Conan Gray
Best Friend
142 bpm • C Maj • 02:28 • -7.8db
58% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Serafini
take it slow
170 bpm • F Maj • 03:00 • -9.44db
24% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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We Made It