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We Meet Again
Songs like
We Meet Again
by
2002
Based on a tempo of (+/- 10%) and a similar genre
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2002
We Meet Again
78 bpm • D min • 05:41 • -18.28db
43% Popularity • 22% Danceability • 17% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Gandalf
Sacred River
78 bpm • C# min • 06:15 • -18.2db
35% Popularity • 15% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Vangelis
Main Theme
78 bpm • C# Maj • 05:31 • -18.78db
32% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Mike Rowland
Come Into The Fairy Ring
78 bpm • F Maj • 10:17 • -16.57db
23% Popularity • 21% Danceability • 20% Energy • 53% Liveness
86% Instrumentalness • 24% Positiveness
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Tron Syversen
Blue Dawn
78 bpm • B min • 11:26 • -18.63db
23% Popularity • 19% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Bernward Koch
Golden October
79 bpm • D# Maj • 04:49 • -14.22db
40% Popularity • 19% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 6% Positiveness
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2002
Well of Wisdom
78 bpm • D# Maj • 05:45 • -16.86db
26% Popularity • 30% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Gandalf
In the Presence of Angels (Reprise)
78 bpm • A min • 01:38 • -15.21db
46% Popularity • 18% Danceability • 33% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Kobialka
Wild Mountain Thyme
77 bpm • D Maj • 05:41 • -17.7db
26% Popularity • 13% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Mike Rowland
Only Reflection
78 bpm • G# min • 06:35 • -26.19db
28% Popularity • 7% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Tron Syversen
Worlds Beyond
78 bpm • B min • 06:43 • -17.12db
29% Popularity • 20% Danceability • 14% Energy • 14% Liveness
99% Instrumentalness • 21% Positiveness
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Michel Pépé
Fleur de Lys
79 bpm • G min • 05:18 • -17.05db
33% Popularity • 19% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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2002
Bánchnoic Éireann Ó
78 bpm • F Maj • 06:32 • -16.15db
33% Popularity • 11% Danceability • 21% Energy • 20% Liveness
92% Instrumentalness • 5% Positiveness
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Vangelis
Songs of the Seas
77 bpm • C Maj • 06:12 • -15.81db
40% Popularity • 24% Danceability • 30% Energy • 41% Liveness
89% Instrumentalness • 7% Positiveness
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John Boswell
Skye Boat Song
79 bpm • A Maj • 05:38 • -18.75db
21% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Mike Rowland
Angel Delight
77 bpm • G Maj • 07:24 • -14.65db
26% Popularity • 18% Danceability • 20% Energy • 14% Liveness
83% Instrumentalness • 8% Positiveness
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Kevin Wood
Peace Begins with Me
77 bpm • G# Maj • 02:24 • -19.24db
37% Popularity • 24% Danceability • 12% Energy • 32% Liveness
91% Instrumentalness • 5% Positiveness
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Michel Pépé
Lueur de l'aube
77 bpm • F# Maj • 05:20 • -13.73db
33% Popularity • 13% Danceability • 29% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Back to Earth
Children of Hope
79 bpm • A# Maj • 02:21 • -17db
49% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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2002
First Daughter of the Moon
77 bpm • E Maj • 05:23 • -17.19db
15% Popularity • 18% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Terry Oldfield
Beginning
77 bpm • C Maj • 07:05 • -17.39db
23% Popularity • 30% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Deuter
Escape from Gravity
79 bpm • E min • 08:20 • -21.37db
49% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Denean
My Heart
77 bpm • F Maj • 04:39 • -26.32db
21% Popularity • 27% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Tron Syversen
You and Me Forever
79 bpm • D min • 05:50 • -15.8db
34% Popularity • 23% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Mars Lasar
Royal Lake
80 bpm • C Maj • 04:02 • -20.64db
31% Popularity • 20% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
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Herb Ernst
Romantique Fantastique
76 bpm • C min • 05:01 • -12.36db
28% Popularity • 10% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Kobialka
The Future Is Beautiful
76 bpm • G Maj • 04:39 • -27db
29% Popularity • 30% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Back to Earth
Back to Earth
80 bpm • C# Maj • 04:24 • -11.2db
33% Popularity • 63% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
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Amethystium
Hymnody
80 bpm • F# Maj • 04:20 • -11.15db
31% Popularity • 49% Danceability • 60% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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Tron Syversen
Flow of Life
80 bpm • C min • 09:08 • -16.53db
20% Popularity • 12% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 12% Positiveness
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Al Conti
Ragnarök
80 bpm • D min • 03:55 • -14.12db
33% Popularity • 34% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Oliver Shanti & Friends
Tales From the Heart of Chuang Tzu
80 bpm • D min • 05:52 • -18db
32% Popularity • 21% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 11% Positiveness
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2002
Lullaby
81 bpm • G Maj • 05:07 • -13.22db
15% Popularity • 12% Danceability • 25% Energy • 12% Liveness
62% Instrumentalness • 7% Positiveness
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Back to Earth
From Inside Yourself
80 bpm • D# Maj • 02:36 • -19.85db
47% Popularity • 24% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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David Wahler
You and Me
81 bpm • A min • 04:56 • -16.47db
19% Popularity • 25% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Vangelis
Prelude
81 bpm • F# min • 04:49 • -24.88db
28% Popularity • 19% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Frederic Delarue
Prelude to a New Life
81 bpm • A min • 02:42 • -22.03db
33% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Kevin Kern
We Should Waltz
81 bpm • E Maj • 06:07 • -23db
40% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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2002
Believe
81 bpm • D Maj • 04:41 • -10.91db
23% Popularity • 14% Danceability • 35% Energy • 9% Liveness
14% Instrumentalness • 12% Positiveness
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Tron Syversen
Silent Dream
75 bpm • F min • 05:32 • -15db
34% Popularity • 24% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Mehdi
The First Day of Spring
75 bpm • A min • 05:34 • -11db
35% Popularity • 56% Danceability • 35% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Lisa Lynne
Whisper
75 bpm • A min • 04:44 • -12.86db
28% Popularity • 43% Danceability • 11% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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Denean
Angels Calling Me (Segue)
81 bpm • D# Maj • 02:28 • -17db
44% Popularity • 12% Danceability • 22% Energy • 12% Liveness
34% Instrumentalness • 17% Positiveness
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Enya
Athair Ar Neamh - 2009 Remaster
81 bpm • G min • 03:42 • -19db
55% Popularity • 21% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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2002
Sea of Dreams
75 bpm • E Maj • 05:54 • -19.22db
31% Popularity • 13% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Tron Syversen
Stars at Night
81 bpm • D Maj • 03:36 • -15.34db
49% Popularity • 20% Danceability • 20% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
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Ann Sweeten
The Hanging Road
82 bpm • F Maj • 05:15 • -18db
23% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Origen
Dance Of The Clouds
75 bpm • C min • 03:20 • -20.22db
48% Popularity • 17% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Enam
Indefinite Flow
74 bpm • F Maj • 02:26 • -19.2db
36% Popularity • 28% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 19% Positiveness
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Enya
Drifting
75 bpm • C Maj • 04:11 • -19.34db
54% Popularity • 24% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Karen Marie Garrett
Lake EWOK Muse (Piano & Cello)
74 bpm • D Maj • 04:36 • -20.11db
29% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Lisa Kelly
Now We Are Free
74 bpm • D Maj • 03:32 • -13db
40% Popularity • 18% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Inner Voice
Embrace Your Soul
82 bpm • F# min • 04:41 • -16.13db
33% Popularity • 41% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Peter Sterling
Moon over Xanadu
82 bpm • G min • 05:38 • -8.97db
20% Popularity • 55% Danceability • 50% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
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Gandalf
Titaptawa
82 bpm • A min • 05:11 • -11.19db
27% Popularity • 50% Danceability • 42% Energy • 36% Liveness
62% Instrumentalness • 12% Positiveness
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2002
My Singing Bird
82 bpm • G Maj • 03:07 • -20.19db
35% Popularity • 19% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Oliver Shanti & Friends
Autumn in Beijing
74 bpm • F min • 05:45 • -12.2db
24% Popularity • 16% Danceability • 47% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Enya
Isobella
82 bpm • E Maj • 04:27 • -19.85db
37% Popularity • 13% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Chris Wonderful
Rain
74 bpm • A# min • 02:58 • -17.93db
43% Popularity • 28% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Al Conti
Poeta
82 bpm • C Maj • 03:44 • -12.32db
27% Popularity • 14% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Mike Rowland
Silver Wings, Part 1 - Remastered
74 bpm • F Maj • 09:41 • -13.56db
22% Popularity • 16% Danceability • 47% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
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2002
Starwalkers
74 bpm • G# Maj • 04:51 • -15.1db
20% Popularity • 24% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Medwyn Goodall
Immortality
74 bpm • C# min • 06:25 • -19.76db
29% Popularity • 63% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Thomas Otten
Greensleeves
82 bpm • D min • 02:33 • -18.86db
17% Popularity • 14% Danceability • 4% Energy • 15% Liveness
18% Instrumentalness • 14% Positiveness
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Chris Wonderful
Magic Duduk
82 bpm • D min • 03:54 • -9.87db
41% Popularity • 15% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Liquid Mind
Moment of Grace, Pt. 2
82 bpm • A Maj • 05:23 • -22.67db
41% Popularity • 8% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Herb Ernst
Celestial Descent
74 bpm • C Maj • 03:46 • -17.31db
34% Popularity • 21% Danceability • 11% Energy • 8% Liveness
99% Instrumentalness • 12% Positiveness
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2002
Suddenly Yours
82 bpm • G# Maj • 03:26 • -17.6db
21% Popularity • 15% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
34% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Michel Pépé
Pur amour
83 bpm • B Maj • 04:55 • -19.69db
34% Popularity • 22% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Karen Marie Garrett
Tally's Lullaby
74 bpm • C Maj • 06:38 • -23db
29% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Tron Syversen
Safe Journey
83 bpm • D min • 04:32 • -15.98db
43% Popularity • 20% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Australis
Barren Lands
83 bpm • B min • 04:33 • -14.51db
26% Popularity • 21% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Aine Minogue
Spirits of the World
83 bpm • B min • 03:45 • -19.91db
34% Popularity • 31% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Marshall Styler
The House On Shubert Street
83 bpm • G# Maj • 04:44 • -15.11db
16% Popularity • 17% Danceability • 16% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
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Vangelis
West Across the Ocean Sea
73 bpm • E min • 02:53 • -22.47db
44% Popularity • 20% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Frank Steiner Jr.
Ajala
83 bpm • F Maj • 05:48 • -16.87db
32% Popularity • 39% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
33% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Niall & Juliana
Guardian Angels
73 bpm • F# Maj • 05:10 • -20.26db
34% Popularity • 7% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Ann Sweeten
A Place in the Sun
83 bpm • C Maj • 03:52 • -19.25db
24% Popularity • 21% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 19% Positiveness
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2002
The Calling
83 bpm • G Maj • 04:34 • -14.57db
25% Popularity • 9% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Enya
No Holly for Miss Quinn - 2009 Remaster
83 bpm • C Maj • 02:43 • -20.89db
46% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Isgaard
Anima
83 bpm • G Maj • 03:23 • -9db
44% Popularity • 33% Danceability • 72% Energy • 67% Liveness
2% Instrumentalness • 22% Positiveness
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Gnomusy
Dolmen Ridge
84 bpm • C min • 05:38 • -9db
18% Popularity • 52% Danceability • 58% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Liquid Mind
The Joy of Quiet, Pt. 2
73 bpm • B Maj • 03:53 • -22.85db
41% Popularity • 11% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Dr. Arnd Stein
Gelassenheit
73 bpm • F Maj • 07:03 • -18.73db
26% Popularity • 17% Danceability • 14% Energy • 18% Liveness
96% Instrumentalness • 9% Positiveness
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2002
SeoithÃn Seo Hó / Gartan Mother’s Lu...
84 bpm • E Maj • 06:27 • -15.93db
37% Popularity • 16% Danceability • 19% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
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Enya
The Sun in the Stream - 2009 Remaster
84 bpm • E min • 02:55 • -13.03db
50% Popularity • 8% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Mars Lasar
The Blessing
84 bpm • C Maj • 04:41 • -19.8db
28% Popularity • 29% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Bernward Koch
Touched by Love
72 bpm • F# min • 03:25 • -18.7db
44% Popularity • 14% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Mike Rowland
Discover The Light And See
84 bpm • F Maj • 06:56 • -16.65db
25% Popularity • 19% Danceability • 16% Energy • 38% Liveness
72% Instrumentalness • 10% Positiveness
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Kevin Kern
The Enchanted Garden
84 bpm • C# Maj • 06:54 • -17.51db
42% Popularity • 42% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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2002
City of Peace
84 bpm • A Maj • 04:28 • -12.26db
33% Popularity • 19% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
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Daniel Kobialka
Braveheart
72 bpm • A min • 04:21 • -20.42db
25% Popularity • 13% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Enya
From Where I Am - Instumental; 2009 Rema...
84 bpm • C# Maj • 02:22 • -25.24db
41% Popularity • 34% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Deuter
Koyasan
85 bpm • G# min • 08:34 • -22.25db
43% Popularity • 11% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Mike Rowland
From The Light
84 bpm • C# Maj • 02:39 • -25.58db
37% Popularity • 9% Danceability • 3% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Kern
Say You Love Me
84 bpm • G# Maj • 04:25 • -20.88db
36% Popularity • 46% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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2002
Oceans of Life
85 bpm • G Maj • 05:08 • -19.49db
27% Popularity • 12% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Gandalf
Morning at the River Bench
85 bpm • D Maj • 03:43 • -14.77db
35% Popularity • 37% Danceability • 22% Energy • 39% Liveness
45% Instrumentalness • 12% Positiveness
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We Meet Again