Songs like We Need a Little Christmas by Angela Lansbury
Based on a tempo of (+/- 10%) and a similar genre
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Richard M. Sherman
The Best Time of Your Life
129 bpm • D# Maj • 03:00 • -9.89db
31% Popularity • 61% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 61% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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Sarah Silverman
A Place Called Slaughter Race
129 bpm • G# Maj • 03:28 • -9.52db
37% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Benjamin Bratt
Remember Me (Ernesto de la Cruz)
129 bpm • D Maj • 01:49 • -6.66db
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 51% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Brad Kane
A Whole New World - Remastered 2022
129 bpm • C Maj • 02:40 • -15.74db
55% Popularity • 27% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 27% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
39% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Renée Elise Goldsberry
It's Quiet Uptown
130 bpm • F Maj • 04:30 • -14.08db
62% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 48% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Anthony Gonzalez
Un Poco Loco
128 bpm • D Maj • 01:52 • -7.45db
52% Popularity • 58% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 58% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Angela Lansbury
A Parade In Town - Live
130 bpm • A# Maj • 03:08 • -14.45db
0% Popularity • 55% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 55% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
130 bpm • E min • 02:16 • -9.84db
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Brittany Snow
The New Girl In Town
130 bpm • C# Maj • 02:15 • -6.45db
51% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 77% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Bruce Healey
Fantasmic! Exit Music - Disneyland Park
128 bpm • G Maj • 02:58 • -8.16db
38% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
38% Popularity • 53% Danceability • 52% Energy • 8% Liveness
45% Instrumentalness • 55% Positiveness
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Chad Stuart
That's What Friends are For (The Vulture...
128 bpm • A min • 02:06 • -16db
44% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Cast of Peter Pan
Main Title (The Second Star to the Right...
130 bpm • F# Maj • 02:18 • -14.99db
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 27% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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The Cast of Alice in Wonderland
Painting The Roses Red/March Of The Card...
128 bpm • F Maj • 02:48 • -12.43db
16% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 67% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
128 bpm • E min • 07:02 • -13.22db
38% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Debbie Reynolds
Good Morning
130 bpm • D Maj • 04:14 • -10db
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 46% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Huttlestone
Giants in the Sky
128 bpm • D Maj • 02:26 • -13.14db
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Meryl Streep
Turning Turtle
131 bpm • A# min • 04:20 • -9.9db
36% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Jacobs
A Whole New World
127 bpm • C# Maj • 04:07 • -10.42db
38% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Cathy Cavadini
Dreams To Dream (Tanya's Version) - Fiev...
127 bpm • C Maj • 02:34 • -26.46db
28% Popularity • 17% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ned Washington
Look out for Mister Stork
131 bpm • C min • 02:17 • -6.39db
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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The Mouseketeers
Mickey Mouse March
131 bpm • D# Maj • 02:41 • -13.79db
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 70% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Helen Reddy
I Saw A Dragon
131 bpm • A Maj • 02:33 • -12db
29% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Ilene Woods
A Dream Is a Wish Your Heart Makes
131 bpm • D# Maj • 03:18 • -19.14db
34% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Amy Adams
Fairytale Life (After the Spell)
131 bpm • E Maj • 04:02 • -7.95db
28% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Julie Dawn Cole
I Want It Now/Oompa-Loompa
131 bpm • A# Maj • 02:50 • -14.1db
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Cliff Edwards
When You Wish Upon a Star
127 bpm • D Maj • 03:15 • -11.96db
47% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
47% Popularity • 26% Danceability • 23% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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Mark Keali'i Ho'omalu
He Mele No Lilo
127 bpm • D Maj • 02:28 • -8db
57% Popularity • 66% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 66% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Jordan Fisher
Happily Ever After - Full Version
132 bpm • D Maj • 03:58 • -4.86db
52% Popularity • 48% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 48% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 22% Positiveness
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Ensemble - The Lion King
Be Prepared
126 bpm • A min • 03:26 • -11.5db
41% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Lorax Singers
Thneedville
132 bpm • G Maj • 02:44 • -6.8db
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Robby Benson
Something There
126 bpm • C# Maj • 02:19 • -13db
54% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Cast - James And The Giant Peach
That's The Life
126 bpm • C Maj • 01:59 • -10db
28% Popularity • 48% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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The Mouse Chorus
The Work Song - Edit
132 bpm • D Maj • 02:04 • -11.12db
29% Popularity • 65% Danceability • 35% Energy • 8% Liveness
10% Instrumentalness • 59% Positiveness
29% Popularity • 65% Danceability • 35% Energy • 8% Liveness
10% Instrumentalness • 59% Positiveness
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Martin Short
Be Our Guest
125 bpm • C Maj • 03:52 • -10db
39% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Red Buttons
Every Little Piece
132 bpm • G Maj • 04:25 • -17db
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jim Cummings
Goodbye, Farewell
125 bpm • C Maj • 01:19 • -13.61db
40% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 57% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Truly Scrumptio...
133 bpm • A min • 03:08 • -18.32db
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Nikki Blonsky
Good Morning Baltimore
133 bpm • E Maj • 03:54 • -4.37db
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Cast of Mary Poppins
Sister Suffragette
125 bpm • C Maj • 01:45 • -16db
15% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 61% Danceability • 19% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
36% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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Hayley Mills
Pollyanna Song
124 bpm • D# Maj • 02:00 • -12db
23% Popularity • 88% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 88% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Randy Newman
The Time Of Your Life
124 bpm • G Maj • 03:16 • -9.15db
41% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
47% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Muppets
Life's A Happy Song Finale
134 bpm • G Maj • 02:22 • -6.33db
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Angela Lansbury
Eglantine, Don't Let Me Down (Reprise: E...
124 bpm • G# Maj • 03:41 • -11db
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 53% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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The Cast of Mary Poppins
The Life I Lead
124 bpm • A# Maj • 02:02 • -17db
12% Popularity • 77% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 77% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Mandy Moore
I've Got a Dream
134 bpm • E Maj • 03:11 • -6.12db
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 60% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Brad Kane
One Jump Ahead - Remastered 2022
124 bpm • G Maj • 02:23 • -16.36db
47% Popularity • 56% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 34% Energy • 75% Liveness
0% Instrumentalness • 66% Positiveness
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Emma Watson
Belle
124 bpm • G Maj • 05:33 • -7.64db
61% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Mickey Rooney
Life's A Happy Song
135 bpm • E min • 04:29 • -7.18db
50% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Emily Blunt
The Place Where Lost Things Go
123 bpm • A Maj • 03:43 • -19.18db
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Angela Lansbury
Me and My Town
123 bpm • A# Maj • 04:24 • -9db
9% Popularity • 55% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Dwayne Johnson
You're Welcome
135 bpm • F Maj • 02:44 • -7.09db
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
67% Popularity • 78% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Emma Watson
Something There
123 bpm • C Maj • 02:54 • -12.86db
55% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Randy Newman
Strange Things
136 bpm • C# Maj • 03:18 • -11.08db
53% Popularity • 54% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 54% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Paige O'Hara
Belle Reprise
123 bpm • C# min • 01:05 • -15.63db
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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John Bolton
A Rumor in St. Petersburg
123 bpm • C Maj • 05:39 • -10db
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Judy Garland
Follow The Yellow Brick Road / You're Of...
136 bpm • G Maj • 00:49 • -17.5db
39% Popularity • 64% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
39% Popularity • 64% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Steve Martin
Playing With The Big Boys
123 bpm • E Maj • 02:52 • -16.58db
47% Popularity • 43% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 43% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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John Williams
If I Were A Rich Man
136 bpm • C Maj • 05:24 • -14.58db
46% Popularity • 57% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 57% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Liz Callaway
Once Upon a December
136 bpm • B min • 02:48 • -12.61db
57% Popularity • 27% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 27% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: The Roses of Su...
122 bpm • C Maj • 04:27 • -15.02db
22% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 55% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Angela Lansbury
Hapgood's Arrival
122 bpm • C Maj • 01:43 • -20.38db
2% Popularity • 67% Danceability • 33% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 67% Danceability • 33% Energy • 73% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy Irons
Be Prepared
122 bpm • A min • 03:39 • -9.12db
47% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Max Casella
Tip And Dash
122 bpm • C Maj • 01:59 • -7.86db
33% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 49% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Anthony Gonzalez
Remember Me (Reunion)
137 bpm • C# Maj • 01:13 • -18.5db
53% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Walt Disney
Walt Disney and the Sherman Brothers Sin...
122 bpm • C Maj • 01:10 • -9.99db
31% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Emily Blunt
A Cover Is Not the Book
122 bpm • C# Maj • 04:25 • -10.37db
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Judy Kuhn
What a Day in London
122 bpm • G Maj • 04:01 • -10.91db
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Walter Catlett
Hi-Diddle-Dee-Dee (An Actor's Life for M...
122 bpm • D# Maj • 01:40 • -14.3db
38% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Idina Menzel
Let It Go
137 bpm • G# Maj • 03:43 • -6.85db
76% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Caissie Levy
Let It Go
137 bpm • G Maj • 03:46 • -5.36db
43% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Susan Egan
I Won't Say (I'm In Love)
121 bpm • C Maj • 02:20 • -10.31db
69% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Mena Massoud
A Whole New World
121 bpm • C Maj • 02:55 • -7.95db
64% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
64% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Angela Lansbury
A Step In The Right Direction
121 bpm • F Maj • 02:25 • -11db
25% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Chuck McCann
One Little Spark
121 bpm • F Maj • 03:35 • -9.03db
33% Popularity • 48% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 48% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Phil Collins
Strangers Like Me
121 bpm • G# Maj • 02:59 • -6.28db
62% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Anika Noni Rose
Down In New Orleans
138 bpm • C Maj • 02:26 • -5.66db
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
49% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Sandy Duncan, Howard McGillin, Liz Callaway, Dakin Matthews, Adam Wylie, J.D. Daniels, Lex de Azevedo, David Zippel
This Is My Idea
138 bpm • A# Maj • 06:09 • -18.42db
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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David Tomlinson
With A Flair
121 bpm • A min • 02:34 • -8.89db
26% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Olivia Foa'i
Logo Te Pate
138 bpm • B Maj • 02:10 • -7.18db
62% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
62% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Isabelle Allen
Castle On A Cloud
121 bpm • A min • 01:11 • -22.72db
43% Popularity • 40% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 40% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Richard M. Sherman
One Little Spark
120 bpm • G Maj • 02:09 • -8.22db
36% Popularity • 56% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 56% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Angela Lansbury
I've Got You to Lean On
121 bpm • F Maj • 01:55 • -8.5db
8% Popularity • 60% Danceability • 53% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
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Amy Adams
Fairytale Life (The Wish)
120 bpm • A# Maj • 02:54 • -9.83db
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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The Melomen
Grim Grinning Ghosts
120 bpm • F Maj • 05:33 • -9.49db
37% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Diane Guerrero
What Else Can I Do?
120 bpm • E Maj • 02:59 • -5.57db
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness