Songs like We Need To Talk About It by Ben Harper
Based on a tempo of (+/- 10%) and a similar genre
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Forest Sun
So Nice - Joy Voeth
85 bpm • E Maj • 03:20 • -10db
49% Popularity • 82% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 82% Danceability • 46% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
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Colin Hay
Waiting For My Real Life To Begin
85 bpm • B Maj • 05:46 • -13db
48% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
48% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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The Helio Sequence
Mr. Tambourine Man
85 bpm • D Maj • 05:43 • -12db
36% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 39% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Taj Mahal
Lovin' in My Baby's Eyes
85 bpm • A# Maj • 02:40 • -8.87db
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Harper
Welcome To The Cruel World
85 bpm • B Maj • 05:37 • -17.12db
28% Popularity • 55% Danceability • 16% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
28% Popularity • 55% Danceability • 16% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
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Angus Stone
River Love
84 bpm • G Maj • 04:55 • -9.54db
27% Popularity • 38% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Joe Purdy
Wash Away
84 bpm • C Maj • 02:09 • -12db
34% Popularity • 61% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 61% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Harper And Relentless7
Eldorado
84 bpm • E Maj • 03:35 • -13.05db
10% Popularity • 35% Danceability • 33% Energy • 9% Liveness
80% Instrumentalness • 24% Positiveness
10% Popularity • 35% Danceability • 33% Energy • 9% Liveness
80% Instrumentalness • 24% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Ben Harper
Everything
85 bpm • E Maj • 03:03 • -6.37db
31% Popularity • 62% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 62% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Colin Hay
Me And My Imaginary Friend
86 bpm • G Maj • 03:02 • -8.88db
22% Popularity • 78% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 78% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Purdy
Wash Away (Reprise)
86 bpm • F Maj • 03:00 • -13.94db
44% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 56% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Piers Faccini
Each Wave That Breaks
84 bpm • D# Maj • 02:46 • -15.34db
10% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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EmilÃana Torrini
Sunny Road
84 bpm • D min • 03:04 • -15.9db
53% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 60% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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John Mayer
Queen of California
83 bpm • E Maj • 04:10 • -11.02db
60% Popularity • 54% Danceability • 74% Energy • 7% Liveness
45% Instrumentalness • 71% Positiveness
60% Popularity • 54% Danceability • 74% Energy • 7% Liveness
45% Instrumentalness • 71% Positiveness
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Mishka
Lonely
86 bpm • G Maj • 04:29 • -8db
31% Popularity • 80% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 80% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Mulvey
Better Way To Go
87 bpm • F# min • 03:42 • -10.06db
12% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Harper And Relentless7
Number With No Name
83 bpm • C# min • 03:05 • -5.36db
22% Popularity • 64% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 64% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Jakob Dylan
I Told You I Couldn't Stop
87 bpm • F min • 04:13 • -11.83db
12% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 71% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Kelly
Four Seasons In One Day
83 bpm • D# min • 04:18 • -9.83db
41% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 48% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Alu
The Day
83 bpm • F Maj • 03:16 • -10.89db
45% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ondara
Heart Of Gold
82 bpm • C Maj • 02:39 • -7.72db
33% Popularity • 55% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 55% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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The Be Good Tanyas
House Of The Rising Sun
88 bpm • G Maj • 03:49 • -13.58db
34% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
34% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Eric Lindell
See Me Through
88 bpm • C Maj • 03:24 • -9.04db
39% Popularity • 78% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 78% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Gill
Alright Soon...
88 bpm • C Maj • 04:19 • -12.42db
17% Popularity • 81% Danceability • 53% Energy • 10% Liveness
13% Instrumentalness • 92% Positiveness
17% Popularity • 81% Danceability • 53% Energy • 10% Liveness
13% Instrumentalness • 92% Positiveness
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Ben Harper
Gather 'Round The Stone
88 bpm • E min • 03:08 • -9.79db
26% Popularity • 62% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
26% Popularity • 62% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Frazey Ford
Lovers In A Dangerous Time - Bonus Track
82 bpm • B min • 04:37 • -13.81db
41% Popularity • 77% Danceability • 22% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
41% Popularity • 77% Danceability • 22% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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Michael Franti
Sometimes
88 bpm • D Maj • 03:46 • -8.2db
27% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ray LaMontagne
Empty
82 bpm • D Maj • 05:17 • -13.93db
46% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Purdy
Mary May & Bobby
89 bpm • F# Maj • 06:20 • -10.94db
32% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Zach Gill
Back In The Day
81 bpm • C Maj • 03:57 • -9.26db
40% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Tracy Chapman
Our Bright Future
89 bpm • F# min • 04:11 • -12.91db
39% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mishka
Another Like You
81 bpm • G Maj • 03:08 • -10.67db
19% Popularity • 71% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 71% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Ray LaMontagne
Barfly
81 bpm • C Maj • 03:55 • -14.31db
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
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Leif Vollebekk
Vancouver Time
81 bpm • A Maj • 04:37 • -13db
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Kings of Convenience
Misread - Acoustic Session
81 bpm • C Maj • 03:05 • -13.97db
34% Popularity • 72% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 88% Positiveness
34% Popularity • 72% Danceability • 37% Energy • 14% Liveness
58% Instrumentalness • 88% Positiveness
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Joe Purdy
Why Do I
81 bpm • E Maj • 04:04 • -8.86db
22% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Frankie Chavez
D Variations
81 bpm • D Maj • 03:41 • -17.47db
21% Popularity • 30% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
21% Popularity • 30% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Princes of Babylon
Meaningless Conversation
89 bpm • G# Maj • 04:46 • -11.22db
22% Popularity • 62% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
22% Popularity • 62% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Fat Freddy's Drop
Clean the House
81 bpm • A min • 04:14 • -6.66db
43% Popularity • 79% Danceability • 62% Energy • 13% Liveness
36% Instrumentalness • 26% Positiveness
43% Popularity • 79% Danceability • 62% Energy • 13% Liveness
36% Instrumentalness • 26% Positiveness
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Willie Nelson
Midnight Rider - Live (2004/Wiltern Thea...
89 bpm • C Maj • 03:41 • -4db
7% Popularity • 39% Danceability • 89% Energy • 97% Liveness
1% Instrumentalness • 44% Positiveness
7% Popularity • 39% Danceability • 89% Energy • 97% Liveness
1% Instrumentalness • 44% Positiveness
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Frazey Ford
I Like You Better
81 bpm • E Maj • 04:36 • -14db
32% Popularity • 77% Danceability • 34% Energy • 12% Liveness
6% Instrumentalness • 42% Positiveness
32% Popularity • 77% Danceability • 34% Energy • 12% Liveness
6% Instrumentalness • 42% Positiveness
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DISPATCH
Out Loud (Live)
81 bpm • E min • 03:32 • -7.93db
43% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Forest Sun
Loveseat - Animal Liberation Orchestra
90 bpm • D Maj • 03:20 • -7.84db
49% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Harper
With My Own Two Hands
81 bpm • E min • 04:34 • -6.75db
45% Popularity • 76% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 76% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Eagle-Eye Cherry
Desireless
80 bpm • D# min • 06:15 • -8db
29% Popularity • 55% Danceability • 75% Energy • 37% Liveness
48% Instrumentalness • 28% Positiveness
29% Popularity • 55% Danceability • 75% Energy • 37% Liveness
48% Instrumentalness • 28% Positiveness
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Blitzen Trapper
Black River Killer
80 bpm • G# min • 03:28 • -10.55db
57% Popularity • 62% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
57% Popularity • 62% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 67% Positiveness
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Braddigan
Fist in the Ocean
90 bpm • A Maj • 04:48 • -10.92db
30% Popularity • 80% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 80% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ryan Adams
When The Stars Go Blue
90 bpm • A# Maj • 03:31 • -13.25db
54% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Elephant Revival
Ring around the Moon
80 bpm • F Maj • 04:20 • -9.38db
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
37% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Natalie Merchant
Saint Judas
80 bpm • F# min • 05:42 • -7.94db
27% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Frazey Ford
Runnin'
80 bpm • C Maj • 04:27 • -11.12db
49% Popularity • 68% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 50% Positiveness
49% Popularity • 68% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 50% Positiveness
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Buddy Guy
Ain't No Sunshine
80 bpm • E min • 03:24 • -8.55db
50% Popularity • 67% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
50% Popularity • 67% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Loudon Wainwright III
Daughter
91 bpm • A Maj • 03:32 • -8.16db
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 43% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Harper
Pleasure And Pain
91 bpm • A min • 03:47 • -17.6db
29% Popularity • 41% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 41% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Howard
She Treats Me Well
80 bpm • C min • 05:17 • -12.6db
55% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
55% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
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The Barr Brothers
Beggar in the Morning
79 bpm • C Maj • 05:55 • -10.2db
32% Popularity • 30% Danceability • 49% Energy • 16% Liveness
15% Instrumentalness • 18% Positiveness
32% Popularity • 30% Danceability • 49% Energy • 16% Liveness
15% Instrumentalness • 18% Positiveness
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Stu Larsen
San Francisco
79 bpm • D Maj • 05:32 • -12db
19% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Carla Bruni
Those Dancing Days Are Gone
79 bpm • C# Maj • 03:41 • -10db
35% Popularity • 79% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 79% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Colin Hay
I Just Don't Think I'll Ever Get Over Yo...
79 bpm • C Maj • 05:28 • -19.38db
47% Popularity • 54% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
47% Popularity • 54% Danceability • 12% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Ben Harper
Born To Love You
91 bpm • G Maj • 03:30 • -11.93db
23% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Robinella
Down the Mountain
91 bpm • C Maj • 03:09 • -7.31db
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Piers Faccini
Save a Place for Me
79 bpm • F Maj • 03:40 • -14.46db
25% Popularity • 63% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 65% Positiveness
25% Popularity • 63% Danceability • 53% Energy • 11% Liveness
6% Instrumentalness • 65% Positiveness
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Damien Rice
Lonelily
79 bpm • C Maj • 03:13 • -8.56db
42% Popularity • 30% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 30% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Current Swell
Get What's Mine
79 bpm • C# min • 04:08 • -8db
46% Popularity • 72% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 72% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Swift
Looking In The Mirror
79 bpm • C Maj • 02:14 • -7.86db
38% Popularity • 64% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
38% Popularity • 64% Danceability • 66% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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Ben Harper
Love And Trust
92 bpm • D Maj • 03:06 • -10.98db
27% Popularity • 69% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
27% Popularity • 69% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Eagle-Eye Cherry
Comatose (In The Arms Of Slumber)
92 bpm • G Maj • 04:37 • -9.7db
26% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Natalie Merchant
Carnival
92 bpm • F# min • 04:57 • -13.06db
21% Popularity • 77% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 77% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Gill
Solstice 2016
92 bpm • F Maj • 04:54 • -8.67db
32% Popularity • 82% Danceability • 68% Energy • 10% Liveness
48% Instrumentalness • 90% Positiveness
32% Popularity • 82% Danceability • 68% Energy • 10% Liveness
48% Instrumentalness • 90% Positiveness
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U2
In A Little While
92 bpm • D Maj • 03:40 • -7.04db
55% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Finley Quaye
Your Love Gets Sweeter
92 bpm • G Maj • 03:12 • -10.49db
48% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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The Beautiful Girls
La Mar (The Ocean)
92 bpm • G# Maj • 03:57 • -9.64db
52% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
52% Popularity • 84% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Michael Kiwanuka
Always Waiting
92 bpm • A# min • 04:30 • -10.6db
42% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Piers Faccini
Sharpening Bone
78 bpm • C Maj • 04:25 • -13.3db
10% Popularity • 75% Danceability • 29% Energy • 11% Liveness
13% Instrumentalness • 41% Positiveness
10% Popularity • 75% Danceability • 29% Energy • 11% Liveness
13% Instrumentalness • 41% Positiveness
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Cocoon
On My Way
78 bpm • A# Maj • 02:51 • -9db
57% Popularity • 60% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 60% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Harper And The Innocent Criminals
Two Hands Of A Prayer
78 bpm • E min • 07:50 • -15.52db
26% Popularity • 60% Danceability • 32% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
26% Popularity • 60% Danceability • 32% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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Ben Harper
Diamonds On The Inside
78 bpm • A# min • 04:26 • -6.48db
60% Popularity • 53% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 53% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Alexi Murdoch
Some Day Soon
93 bpm • E Maj • 04:47 • -12db
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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Innocent Criminals
In The Colors - AOL Interface
78 bpm • D Maj • 02:59 • -13.71db
21% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Kiwanuka
Rest
78 bpm • G min • 03:50 • -12db
55% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
55% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Blind Melon
Change
78 bpm • D Maj • 03:41 • -10.44db
60% Popularity • 43% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 43% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Glen Hansard
You Ain't Goin' Nowhere
77 bpm • G Maj • 03:05 • -6.47db
33% Popularity • 47% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Montbleau
Dead Set
93 bpm • G Maj • 04:26 • -10.14db
20% Popularity • 74% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 74% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Alexi Murdoch
Towards The Sun
93 bpm • C# Maj • 04:42 • -17.59db
33% Popularity • 40% Danceability • 19% Energy • 19% Liveness
80% Instrumentalness • 18% Positiveness
33% Popularity • 40% Danceability • 19% Energy • 19% Liveness
80% Instrumentalness • 18% Positiveness
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Trevor Hall
The World Keeps Turnin'
77 bpm • F Maj • 03:09 • -8.43db
52% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Be Good Tanyas
Human Thing
77 bpm • A Maj • 04:08 • -11.12db
43% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Griffin House
The Guy That Says Goodbye To You Is Out ...
93 bpm • D Maj • 03:16 • -13.24db
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Kelly Joe Phelps
Window Grin
77 bpm • C min • 03:53 • -13.54db
15% Popularity • 58% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
15% Popularity • 58% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Ben Harper And Relentless7
Why Must You Always Dress In Black
94 bpm • B min • 04:41 • -3.46db
11% Popularity • 40% Danceability • 96% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
11% Popularity • 40% Danceability • 96% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Pete Yorn
Relator
94 bpm • B Maj • 02:33 • -6db
48% Popularity • 64% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 64% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Eels
Fresh Feeling
94 bpm • C# min • 03:37 • -7.8db
48% Popularity • 76% Danceability • 72% Energy • 14% Liveness
36% Instrumentalness • 53% Positiveness
48% Popularity • 76% Danceability • 72% Energy • 14% Liveness
36% Instrumentalness • 53% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Po' Girl
Take The Long Way
76 bpm • A Maj • 05:32 • -9.3db
31% Popularity • 45% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 45% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
