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We Sure Got Hard Times
Songs like
We Sure Got Hard Times
by
Barbecue Bob
Based on a tempo of (+/- 10%) and a similar genre
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
13% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Skip James
How Long Blues
119 bpm • A# Maj • 02:56 • -16.11db
16% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
29% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Johnny Shines
Standing At The Crossroads
119 bpm • D# min • 02:54 • -16db
10% Popularity • 69% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Barbecue Bob
We Sure Got Hard Times
119 bpm • A Maj • 03:27 • -13db
3% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
16% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Wilkins
Old Jim Canan's
118 bpm • A Maj • 02:58 • -12db
10% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Blind Willie Johnson
Jesus Make Up My Dying Bed
120 bpm • D# Maj • 03:10 • -14db
23% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Barbecue Bob
She Looks so Good
118 bpm • D min • 03:00 • -10db
0% Popularity • 64% Danceability • 36% Energy • 22% Liveness
1% Instrumentalness • 90% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Robert Pete Williams
Graveyard Blues
120 bpm • A# min • 02:46 • -11db
20% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
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Johnny Shines
Nobody's Fault But Mine
117 bpm • A Maj • 04:45 • -17db
22% Popularity • 65% Danceability • 6% Energy • 19% Liveness
6% Instrumentalness • 17% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Barbecue Bob
We Sure Got Hard Times
120 bpm • E Maj • 03:23 • -13db
0% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
13% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
14% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Papa Charlie Jackson
Ash Tray Blues
121 bpm • G Maj • 02:58 • -11.61db
19% Popularity • 85% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 75% Positiveness
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Charley Patton
Down The Dirt Road Blues
118 bpm • C# Maj • 02:56 • -9.68db
10% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Charlie Poole
White House Blues
121 bpm • G Maj • 03:31 • -8.64db
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
118 bpm • E min • 03:09 • -13.2db
11% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Jesse Fuller
Stackolee
117 bpm • B Maj • 03:46 • -6db
15% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
8% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1
117 bpm • B Maj • 03:08 • -11db
18% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
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Bukka White
Bukka's Jitterbug Swing
117 bpm • F# Maj • 02:39 • -13db
23% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
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Barbecue Bob
Diddle-Da-Diddle
121 bpm • F Maj • 02:58 • -16.93db
1% Popularity • 82% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Pink Anderson
Greasy Greens
122 bpm • A# Maj • 04:38 • -15.42db
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Son House
Mississippi County Farm Blues
116 bpm • B Maj • 02:50 • -12.91db
10% Popularity • 61% Danceability • 27% Energy • 10% Liveness
77% Instrumentalness • 50% Positiveness
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Dink Roberts
Georgia Buck (Georgie Buck)(Never Let a ...
116 bpm • C# Maj • 01:03 • -17.33db
17% Popularity • 67% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
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Blind Boy Fuller
My Brownskin Sugar Plum
122 bpm • C Maj • 02:58 • -14.95db
8% Popularity • 66% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Charley Patton
Screamin' and Hollerin' the Blues
116 bpm • G# Maj • 03:05 • -13db
10% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
121 bpm • E Maj • 03:02 • -13.71db
2% Popularity • 74% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Bukka White
Poor Boy Long Ways From Home
116 bpm • F# Maj • 02:20 • -15db
30% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Cripple Clarence Lofton
Strut That Thing
116 bpm • B Maj • 02:59 • -12.52db
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Big Joe Williams
Stool Pigeon Blues
116 bpm • A# min • 03:14 • -18.76db
14% Popularity • 60% Danceability • 14% Energy • 80% Liveness
0% Instrumentalness • 43% Positiveness
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Sonny Boy Nelson
Street Walkin'
122 bpm • F Maj • 02:33 • -13.43db
24% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Memphis Minnie
Hoodoo Lady
122 bpm • C# Maj • 03:02 • -12.88db
18% Popularity • 82% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Barbecue Bob
Darktown Gamblin' (The Crap Game), Pt. 1
121 bpm • F# Maj • 03:04 • -14.91db
0% Popularity • 69% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Blind Willie Johnson
Mother's Children Have a Hard Time
123 bpm • A Maj • 03:21 • -14db
16% Popularity • 64% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Skip James
22-20 Blues
123 bpm • A# Maj • 03:53 • -18.37db
6% Popularity • 58% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Big Joe Williams
Rollin' And Tumblin'
123 bpm • G# Maj • 02:36 • -14.85db
30% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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J.D. Short
By The Spoonful
115 bpm • G Maj • 03:49 • -10.86db
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Furry Lewis
White Lightinin'
123 bpm • F Maj • 03:26 • -20.71db
11% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Barbecue Bob
It Won't Be Long Now, Pt. 1
122 bpm • A Maj • 03:32 • -12.54db
0% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Blind Blake
Blind Arthur's Breakdown
115 bpm • G# Maj • 03:00 • -11db
18% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
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Blind Boy Fuller
Homesick and Lonesome Blues
114 bpm • G# Maj • 03:09 • -12.02db
15% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Big Joe Williams
Little Annie Mae
123 bpm • F min • 02:00 • -15.84db
24% Popularity • 64% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 54% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
12% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Furry Lewis
Billy Lyons and Stack O'lee
124 bpm • F# min • 02:31 • -11db
19% Popularity • 54% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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Barbecue Bob
New Mojo Blues
116 bpm • C# Maj • 03:28 • -12.14db
0% Popularity • 65% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Charley Lincoln
I'm On My Way Down Home
114 bpm • F Maj • 03:15 • -10.61db
0% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bo Carter
My Pencil Won't Write No More
124 bpm • A min • 02:57 • -9db
10% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sleepy John Estes
Little Laura Blues
125 bpm • G# Maj • 02:31 • -10.02db
23% Popularity • 82% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Furry Lewis
Old Blue
114 bpm • B Maj • 03:00 • -19.42db
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ishmon Bracey
Brown Mama Blues
113 bpm • A Maj • 03:07 • -16db
21% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Barbecue Bob
Mamma You Don't Suit Me!
123 bpm • E min • 03:12 • -13.76db
0% Popularity • 67% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Frank Hutchison
Stackalee (80359)
125 bpm • C Maj • 03:08 • -10.8db
5% Popularity • 68% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Bo Carter
Corrine Corrina
125 bpm • A# Maj • 03:20 • -11.34db
7% Popularity • 46% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Blind Willie Johnson
John the Revelator
126 bpm • A min • 03:16 • -13db
29% Popularity • 74% Danceability • 33% Energy • 57% Liveness
13% Instrumentalness • 53% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
18% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Blind Blake
Southern Rag
126 bpm • F# Maj • 02:50 • -7.03db
28% Popularity • 51% Danceability • 56% Energy • 16% Liveness
20% Instrumentalness • 93% Positiveness
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Barbecue Bob
Jesus' Blood Can Make Me Whole
115 bpm • D# Maj • 03:07 • -9.84db
0% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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J.B. Lenoir
Tax Payin' Blues
113 bpm • A min • 02:21 • -8.26db
22% Popularity • 84% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Pink Anderson
You Don't Know My Mind
113 bpm • C# Maj • 02:39 • -17db
20% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Blind Willie Johnson
Trouble Will Soon Be Over
126 bpm • G min • 03:06 • -16.31db
19% Popularity • 55% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
13% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
2% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Barbecue Bob
I'm on My Way Down Home
113 bpm • F Maj • 03:14 • -10.54db
0% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Ishman Bracey
Saturday Blues
112 bpm • A# Maj • 03:29 • -17db
9% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sleepy John Estes
Floating Bridge
126 bpm • B Maj • 03:12 • -8db
9% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Blind Willie Johnson
Everybody Ought to Treat a Stranger Righ...
126 bpm • A# Maj • 03:11 • -21.95db
14% Popularity • 57% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Sonny Boy Williamson II
Don't Start Me To Talking
112 bpm • G Maj • 04:30 • -10.55db
11% Popularity • 51% Danceability • 44% Energy • 32% Liveness
35% Instrumentalness • 34% Positiveness
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Josh White
Black And Evil Blues
112 bpm • G# Maj • 03:12 • -14.7db
16% Popularity • 73% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Barbecue Bob
When the Saints Go Marching In
113 bpm • A Maj • 03:09 • -10.97db
0% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Arthur "Big Boy" Crudup
So Glad You're Mine
127 bpm • C Maj • 02:48 • -14db
19% Popularity • 72% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
15% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Bukka White
Special Streamline
127 bpm • A min • 02:47 • -12db
16% Popularity • 60% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 60% Positiveness
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Barbecue Bob
Me and My Whiskey
125 bpm • D# Maj • 03:09 • -11.96db
0% Popularity • 61% Danceability • 48% Energy • 47% Liveness
0% Instrumentalness • 63% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
13% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Lonnie Johnson
Tears Don't Fall No More
127 bpm • G# Maj • 03:11 • -16db
17% Popularity • 59% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
15% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Josh White
The Lass With The Delicate Air
127 bpm • G# Maj • 03:16 • -19.61db
7% Popularity • 84% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Furry Lewis
Good Morning Judge
111 bpm • A Maj • 05:31 • -7.3db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Barbecue Bob
She's Coming Back Some Cold Rainy Day
126 bpm • G# Maj • 03:05 • -14.29db
0% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Petway
Rockin Chair Blues
111 bpm • D# Maj • 03:01 • -8db
11% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Mance Lipscomb
Captain, Captain - Version; Take 2; Rema...
128 bpm • A# Maj • 02:34 • -19.19db
11% Popularity • 67% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Lang
Hot Fingers
128 bpm • D Maj • 02:58 • -12.35db
10% Popularity • 64% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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Furry Lewis
I'm Going To Brownsville
128 bpm • B Maj • 03:32 • -20.28db
9% Popularity • 45% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Barbecue Bob
Spider And The Fly
128 bpm • F# Maj • 03:31 • -13.85db
0% Popularity • 64% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Charley Lincoln
She's Coming Back Some Rainy Day
128 bpm • F Maj • 03:04 • -10.32db
0% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Garfield Akers
Cottonfield Blues, Pt. 2
129 bpm • B Maj • 03:21 • -20.06db
8% Popularity • 71% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
10% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Skip James
I'm So Glad
110 bpm • A# Maj • 01:56 • -17db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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We Sure Got Hard Times