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We Will Run
Songs like
We Will Run
by
Jens Kuross
Based on a tempo of (+/- 10%) and a similar genre
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Saint Sister
Corpses
89 bpm • G Maj • 04:30 • -14db
27% Popularity • 54% Danceability • 16% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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The Barr Brothers
You Would Have to Lose Your Mind
89 bpm • F# min • 06:21 • -8db
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Jens Kuross
We Will Run
89 bpm • G Maj • 03:43 • -11.94db
31% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Staves
No Me, No You, No More - Ariza Remix
88 bpm • D Maj • 03:32 • -10.01db
19% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Malena Zavala
Moon Song - Acoustic
90 bpm • D# Maj • 02:47 • -14.51db
18% Popularity • 54% Danceability • 29% Energy • 8% Liveness
77% Instrumentalness • 20% Positiveness
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LUWTEN
Difference
87 bpm • A Maj • 04:34 • -20.24db
15% Popularity • 26% Danceability • 6% Energy • 37% Liveness
1% Instrumentalness • 4% Positiveness
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Wilsen
Centipede
91 bpm • G min • 05:02 • -10.15db
24% Popularity • 50% Danceability • 57% Energy • 7% Liveness
61% Instrumentalness • 15% Positiveness
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Nathan Ball
So Long
87 bpm • B min • 04:04 • -14.16db
15% Popularity • 19% Danceability • 39% Energy • 20% Liveness
24% Instrumentalness • 22% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
48% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Scott Orr
Seasons
91 bpm • G# Maj • 03:28 • -13.31db
27% Popularity • 71% Danceability • 36% Energy • 7% Liveness
86% Instrumentalness • 77% Positiveness
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S. Carey
Meadow Song
86 bpm • D# Maj • 03:56 • -16db
29% Popularity • 12% Danceability • 17% Energy • 6% Liveness
62% Instrumentalness • 11% Positiveness
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Brother Music
Blink of an Eye
92 bpm • D Maj • 02:57 • -9.85db
0% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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August and After
Stream
86 bpm • E Maj • 04:11 • -10.64db
19% Popularity • 56% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Mark Harding
Thorn in Your Side
91 bpm • D min • 03:37 • -8.61db
16% Popularity • 56% Danceability • 56% Energy • 19% Liveness
11% Instrumentalness • 19% Positiveness
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Mt. Wolf
Tayrona - Wilsen
86 bpm • A# Maj • 03:19 • -7.08db
28% Popularity • 43% Danceability • 60% Energy • 10% Liveness
5% Instrumentalness • 11% Positiveness
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Big Red Machine
Forest Green
93 bpm • B Maj • 05:49 • -11db
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
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Shey Baba
I Want It All
86 bpm • G Maj • 04:13 • -5.76db
27% Popularity • 41% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Telekinesis
Ad Infinitum Pt. 2
93 bpm • C Maj • 04:05 • -11.93db
21% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tamu Massif
Iron Lights
93 bpm • E Maj • 04:22 • -11.2db
18% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mt. Wolf
Anacrusis
86 bpm • A Maj • 05:11 • -9.4db
13% Popularity • 24% Danceability • 51% Energy • 32% Liveness
1% Instrumentalness • 11% Positiveness
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Jens Kuross
Coldness Kills
85 bpm • E Maj • 05:35 • -11.87db
3% Popularity • 30% Danceability • 53% Energy • 15% Liveness
82% Instrumentalness • 28% Positiveness
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Bjéar
Little Darling
93 bpm • A min • 03:08 • -14.79db
16% Popularity • 24% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ross Garren
Idle Hour
85 bpm • E Maj • 04:24 • -15.71db
0% Popularity • 57% Danceability • 29% Energy • 24% Liveness
93% Instrumentalness • 36% Positiveness
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Folly and the Hunter
Mask
93 bpm • G Maj • 06:23 • -10.01db
16% Popularity • 43% Danceability • 49% Energy • 17% Liveness
26% Instrumentalness • 34% Positiveness
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Mooryc
You Will Go
85 bpm • G min • 03:33 • -10.09db
20% Popularity • 66% Danceability • 33% Energy • 34% Liveness
6% Instrumentalness • 65% Positiveness
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Conner Youngblood
My Brother's Brother
93 bpm • B min • 04:35 • -17.1db
10% Popularity • 44% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Geographer
Ocean Eyes
93 bpm • A# min • 03:11 • -15.43db
25% Popularity • 29% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Josin
Evaporation - New York Recordings
84 bpm • C# Maj • 04:14 • -12.55db
1% Popularity • 37% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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George Ogilvie
IIWII
94 bpm • C# Maj • 04:48 • -15.84db
28% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
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Opus Orange
The Next World
94 bpm • G Maj • 05:40 • -12.24db
31% Popularity • 63% Danceability • 39% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Many Voices Speak
Bony Shelter
84 bpm • A# min • 06:09 • -10.66db
30% Popularity • 53% Danceability • 65% Energy • 11% Liveness
28% Instrumentalness • 33% Positiveness
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Conner Youngblood
Lemonade
84 bpm • D# Maj • 03:19 • -13.43db
9% Popularity • 39% Danceability • 46% Energy • 12% Liveness
8% Instrumentalness • 21% Positiveness
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Rhye
Waste
84 bpm • F min • 03:31 • -11.98db
38% Popularity • 66% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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Lilla Vargen
Downtown
94 bpm • C# Maj • 04:09 • -9.88db
35% Popularity • 43% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Lisa Hannigan
Swan
84 bpm • B Maj • 03:27 • -12db
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 37% Positiveness
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LUWTEN
We Talk
95 bpm • D Maj • 03:00 • -21.52db
11% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Colouring
Heathen
84 bpm • C Maj • 03:39 • -9.72db
36% Popularity • 34% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Conner Youngblood
Los Angeles
94 bpm • G# Maj • 03:43 • -12.25db
17% Popularity • 65% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Majik
Save Me - Skeleton Mix
95 bpm • C Maj • 04:09 • -16db
23% Popularity • 56% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jens Kuross
The Life Inside
95 bpm • G Maj • 01:28 • -19.26db
4% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Saint Sister
Is It Too Early? (Kilmainham)
83 bpm • C Maj • 03:18 • -11.71db
13% Popularity • 57% Danceability • 45% Energy • 38% Liveness
6% Instrumentalness • 8% Positiveness
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Sivu
My Moon River
83 bpm • B Maj • 03:32 • -18.86db
10% Popularity • 40% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dan Mangan
Have A Little Faith In Me
96 bpm • F Maj • 04:08 • -12.46db
15% Popularity • 26% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Cyn
I’ll Still Have Me - Aquilo Remix
83 bpm • D Maj • 04:04 • -12.54db
25% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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flora cash
And Ever
96 bpm • B Maj • 02:34 • -14.22db
31% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Jens Kuross
Forgive or Forget
96 bpm • E Maj • 03:11 • -14.25db
3% Popularity • 47% Danceability • 17% Energy • 11% Liveness
15% Instrumentalness • 27% Positiveness
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The Howl & The Hum
Godmanchester Chinese Bridge - Radio Edi...
96 bpm • B min • 03:16 • -6db
33% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Liz Lawrence
Chainsmoking
96 bpm • E Maj • 03:06 • -10db
21% Popularity • 77% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Foreign Fields
A Better Person
82 bpm • A# Maj • 04:09 • -20.85db
20% Popularity • 14% Danceability • 12% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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DYAN
Cycling Trivialities
82 bpm • B Maj • 04:30 • -16.01db
11% Popularity • 34% Danceability • 19% Energy • 11% Liveness
46% Instrumentalness • 29% Positiveness
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Oliver Riot
Hallucinate
82 bpm • G Maj • 03:26 • -14db
43% Popularity • 53% Danceability • 30% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Aquilo
Now & Here
82 bpm • F# Maj • 02:39 • -13.2db
29% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kinnship
Call My Name
82 bpm • G# Maj • 05:14 • -16.75db
30% Popularity • 58% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
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Westerman
Harvard
82 bpm • F# min • 03:32 • -10.28db
21% Popularity • 60% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Keaton Henson
Alright
97 bpm • F Maj • 04:39 • -13.59db
38% Popularity • 35% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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St. South
Safe
97 bpm • D# Maj • 04:44 • -15.07db
8% Popularity • 33% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Jimi Charles Moody
Only You
97 bpm • C Maj • 03:14 • -14.18db
27% Popularity • 68% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Nick DePinna
Laudemus I
82 bpm • C# Maj • 05:34 • -15.16db
0% Popularity • 21% Danceability • 33% Energy • 8% Liveness
49% Instrumentalness • 17% Positiveness
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Aquilo
Thin
97 bpm • C Maj • 02:58 • -9.73db
48% Popularity • 60% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Bayonne
Fallss
82 bpm • A# Maj • 04:00 • -4.82db
35% Popularity • 48% Danceability • 75% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Brooke Bentham
Nowhere Near Sense
81 bpm • A Maj • 04:25 • -9.27db
17% Popularity • 46% Danceability • 42% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Nick Mulvey
April
81 bpm • G min • 04:08 • -10.42db
44% Popularity • 30% Danceability • 42% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
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Jens Kuross
Late Nights and Violence
81 bpm • D Maj • 03:54 • -11.83db
2% Popularity • 24% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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IDER
Does She Even Know
81 bpm • C Maj • 03:57 • -14.15db
24% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jordan Klassen
Virtuous Circle
81 bpm • A# Maj • 04:51 • -11.67db
9% Popularity • 53% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 22% Positiveness
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The Woodlands
Bronze - Acoustic
98 bpm • B min • 03:38 • -9.17db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
11% Instrumentalness • 36% Positiveness
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Sivu
Kin and Chrome
98 bpm • G# Maj • 03:54 • -14.21db
9% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Charlie Cunningham
How Much
81 bpm • C# Maj • 03:12 • -16.9db
27% Popularity • 18% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
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Paul Thomas Saunders
Holding On For Love
98 bpm • F# Maj • 05:20 • -9.65db
13% Popularity • 43% Danceability • 36% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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Rhye
Please - Mahogany Sessions
81 bpm • A min • 04:45 • -13db
21% Popularity • 69% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 30% Positiveness
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Howard
Religion - Mahogany Sessions
98 bpm • A min • 03:12 • -20.04db
10% Popularity • 52% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 35% Positiveness
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JúnÃus Meyvant
Signals
98 bpm • C# min • 04:01 • -10.89db
45% Popularity • 74% Danceability • 48% Energy • 15% Liveness
83% Instrumentalness • 51% Positiveness
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Jens Kuross
Unglued
80 bpm • F min • 03:41 • -13.35db
5% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Cunningham
Don't Go Far
81 bpm • E Maj • 03:39 • -16.11db
44% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Mt. Wolf
Golden
80 bpm • D Maj • 03:19 • -12db
36% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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S. Carey
Have You Stopped to Notice
80 bpm • G# Maj • 03:57 • -12.99db
26% Popularity • 38% Danceability • 42% Energy • 8% Liveness
36% Instrumentalness • 16% Positiveness
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Shey Baba
Rescue
80 bpm • G# Maj • 04:26 • -7.66db
12% Popularity • 44% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Khushi
Freedom Falls
80 bpm • B min • 03:44 • -11.85db
13% Popularity • 60% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mary Glenn
Hours Are the New Days
80 bpm • C Maj • 04:04 • -13.33db
23% Popularity • 60% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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flora cash
You Are Healing
80 bpm • C Maj • 04:42 • -11.26db
14% Popularity • 47% Danceability • 39% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Ben Howard
A Boat To An Island Pt. 2 / Agatha's Son...
99 bpm • G# Maj • 04:53 • -14.87db
32% Popularity • 28% Danceability • 21% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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The Shivers
swear 2 g-d (Alt. Version)
99 bpm • C# Maj • 04:00 • -16.08db
31% Popularity • 45% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Brooke Bentham
Losing, Baby
99 bpm • D Maj • 04:14 • -8.67db
17% Popularity • 53% Danceability • 59% Energy • 21% Liveness
13% Instrumentalness • 42% Positiveness
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Keenan O'Meara
Mania
80 bpm • G# Maj • 04:29 • -11.79db
22% Popularity • 38% Danceability • 22% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
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Tom Young
Me and My Girl
80 bpm • E min • 03:46 • -12.61db
21% Popularity • 44% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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flora cash
Mother to Child
80 bpm • C# min • 03:10 • -12.79db
33% Popularity • 69% Danceability • 22% Energy • 10% Liveness
34% Instrumentalness • 32% Positiveness
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Saint Sister
Tin Man
80 bpm • G min • 03:15 • -13.18db
16% Popularity • 60% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Phoria
Mass
79 bpm • C Maj • 04:17 • -12.11db
20% Popularity • 12% Danceability • 37% Energy • 8% Liveness
9% Instrumentalness • 8% Positiveness
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Ian Randall Thornton
Do You Rise
100 bpm • D Maj • 03:51 • -19.5db
34% Popularity • 36% Danceability • 22% Energy • 9% Liveness
73% Instrumentalness • 5% Positiveness
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Sean Christopher
Carry On
100 bpm • A# Maj • 03:55 • -11.46db
26% Popularity • 37% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Feather Beds
Soft Yellow
100 bpm • C# Maj • 03:45 • -10.43db
17% Popularity • 52% Danceability • 48% Energy • 16% Liveness
57% Instrumentalness • 4% Positiveness
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Lo-Fang
Don't Be Cruel
79 bpm • A min • 07:06 • -22.27db
15% Popularity • 23% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Richard Walters
July Bones
100 bpm • D Maj • 03:59 • -11.49db
41% Popularity • 60% Danceability • 27% Energy • 6% Liveness
13% Instrumentalness • 16% Positiveness
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Foreign Fields
Light on Your Face
100 bpm • B min • 04:28 • -16.82db
19% Popularity • 65% Danceability • 35% Energy • 33% Liveness
47% Instrumentalness • 35% Positiveness
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Jens Kuross
Expectations
100 bpm • G Maj • 02:47 • -15.64db
4% Popularity • 50% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Sam Brookes
My Girl Drinks Coffee
100 bpm • C min • 03:58 • -11.04db
11% Popularity • 78% Danceability • 35% Energy • 9% Liveness
29% Instrumentalness • 52% Positiveness
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Fionn Regan
Cormorant Bird
100 bpm • F# min • 03:27 • -18.42db
31% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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We Will Run