Songs like We'll Build A Bungalow by Johnny Long
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Long
We'll Build a Bungalow
179 bpm • A# Maj • 02:17 • -8.82db
4% Popularity • 71% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 71% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Allan Gray
Swing Doors
179 bpm • G min • 03:02 • -8.94db
47% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
47% Popularity • 55% Danceability • 52% Energy • 35% Liveness
85% Instrumentalness • 89% Positiveness
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Margaret Whiting
Pass That Peace Pipe
179 bpm • C min • 02:59 • -12.47db
30% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 62% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
22% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Isham Jones
It Had to Be You
178 bpm • G Maj • 03:04 • -6db
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
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Gerhard Trede
Sports Boogie
180 bpm • C Maj • 00:35 • -13.27db
37% Popularity • 30% Danceability • 35% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 30% Danceability • 35% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Eddy Christiani
Rhythm for You
179 bpm • G min • 02:59 • -8.39db
46% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Elton Britt
There's a Star Spangled Banner Waving So...
178 bpm • G# Maj • 02:47 • -7.9db
22% Popularity • 51% Danceability • 30% Energy • 5% Liveness
16% Instrumentalness • 80% Positiveness
22% Popularity • 51% Danceability • 30% Energy • 5% Liveness
16% Instrumentalness • 80% Positiveness
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Louis Prima
Closer To The Bone
178 bpm • C min • 04:13 • -12.27db
29% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Wynona Carr
Nursery Rhyme Rock
181 bpm • C Maj • 01:56 • -9.03db
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Gerhard Trede
Fox Boogie
180 bpm • C Maj • 03:18 • -10.69db
47% Popularity • 34% Danceability • 48% Energy • 26% Liveness
4% Instrumentalness • 79% Positiveness
47% Popularity • 34% Danceability • 48% Energy • 26% Liveness
4% Instrumentalness • 79% Positiveness
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Johnny Long
Dewey Square
177 bpm • F Maj • 02:22 • -7.75db
1% Popularity • 55% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 55% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 93% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
27% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
27% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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The BBC Dance Orchestra
I Get A Kick Out Of You
181 bpm • F min • 02:59 • -24db
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 33% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
31% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
31% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Ruth Etting
It All Depends on You
181 bpm • G Maj • 03:00 • -15.14db
29% Popularity • 62% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 62% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Long
Adam in a Garden Stood
182 bpm • G# Maj • 02:08 • -9.59db
0% Popularity • 52% Danceability • 54% Energy • 26% Liveness
4% Instrumentalness • 85% Positiveness
0% Popularity • 52% Danceability • 54% Energy • 26% Liveness
4% Instrumentalness • 85% Positiveness
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Johnny Bond
Headin' Down the Wrong Highway
176 bpm • D# Maj • 01:38 • -11.82db
39% Popularity • 63% Danceability • 26% Energy • 20% Liveness
3% Instrumentalness • 72% Positiveness
39% Popularity • 63% Danceability • 26% Energy • 20% Liveness
3% Instrumentalness • 72% Positiveness
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Rudy Vallee
You Oughta Be in Pictures
176 bpm • C Maj • 03:23 • -10.6db
17% Popularity • 43% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 43% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Skip Stanley
Satellite Baby - Version 1
176 bpm • G# Maj • 02:33 • -9.15db
7% Popularity • 54% Danceability • 60% Energy • 13% Liveness
5% Instrumentalness • 88% Positiveness
7% Popularity • 54% Danceability • 60% Energy • 13% Liveness
5% Instrumentalness • 88% Positiveness
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Clarence Williams
Everybody Loves My Baby
182 bpm • C Maj • 02:34 • -10db
23% Popularity • 56% Danceability • 29% Energy • 28% Liveness
8% Instrumentalness • 80% Positiveness
23% Popularity • 56% Danceability • 29% Energy • 28% Liveness
8% Instrumentalness • 80% Positiveness
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Sammy Davis Jr.
Smile, Darn Ya, Smile - Remastered
176 bpm • G# Maj • 02:35 • -15.33db
31% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
19% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Louis Prima
The Pump Song
175 bpm • F Maj • 01:51 • -9.54db
24% Popularity • 57% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 57% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
34% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
34% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Gerhard Trede
Gentle Guys
183 bpm • D# Maj • 01:32 • -3.2db
40% Popularity • 34% Danceability • 71% Energy • 22% Liveness
96% Instrumentalness • 92% Positiveness
40% Popularity • 34% Danceability • 71% Energy • 22% Liveness
96% Instrumentalness • 92% Positiveness
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Hank Penny
Flamin' Mamie
183 bpm • A min • 02:47 • -11.79db
37% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Long & His Orchestra
In a shanty in old shanty town
175 bpm • D Maj • 02:54 • -10.1db
3% Popularity • 51% Danceability • 32% Energy • 24% Liveness
6% Instrumentalness • 68% Positiveness
3% Popularity • 51% Danceability • 32% Energy • 24% Liveness
6% Instrumentalness • 68% Positiveness
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Tennessee Ernie Ford
The Shot Gun Boogie
175 bpm • C Maj • 02:38 • -12.89db
19% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Long
Undress Me
174 bpm • A min • 03:34 • -8.9db
0% Popularity • 72% Danceability • 77% Energy • 7% Liveness
77% Instrumentalness • 96% Positiveness
0% Popularity • 72% Danceability • 77% Energy • 7% Liveness
77% Instrumentalness • 96% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Sid Phillips
Boogie Man
184 bpm • F Maj • 02:26 • -11db
40% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
40% Popularity • 47% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 91% Positiveness
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Ruth Etting
Ten Cents a Dance
174 bpm • C Maj • 03:15 • -13.6db
24% Popularity • 54% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 54% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Bob Crosby
Dear Hearts and Gentle People
185 bpm • D# Maj • 02:13 • -10.11db
45% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 43% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Johnny Long
Convalescing with Katie
173 bpm • G Maj • 01:54 • -10.12db
0% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Kitty Kallen
They're Either Too Young or Too Old
173 bpm • A# Maj • 03:06 • -13.23db
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Guy Mitchell
Heartaches by the Number
172 bpm • F Maj • 02:31 • -12.27db
46% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Bunny Berigan
Sweet Madness
172 bpm • F min • 02:54 • -12db
20% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
20% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
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Bob Wills & His Texas Playboys
Bubbles In My Beer
171 bpm • C Maj • 02:19 • -9.75db
37% Popularity • 35% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 77% Positiveness
37% Popularity • 35% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 77% Positiveness
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Henry Hall
Hummin' to Myself
187 bpm • G Maj • 02:57 • -9.63db
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
21% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Cab Calloway & His Orchestra
Fifteen Minutes Intermission
171 bpm • C# Maj • 02:50 • -12.05db
4% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Long
Shantytown
170 bpm • A# Maj • 02:42 • -10.37db
3% Popularity • 65% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 65% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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H-Bomb Ferguson
Rock H-Bomb Rock
170 bpm • G# Maj • 02:07 • -3.84db
17% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 42% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Bunny Berigan
It Ain't Right
186 bpm • C min • 02:38 • -11.68db
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
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Amos Milburn
Wolf On the River (12-18-47)
169 bpm • C Maj • 02:40 • -10.06db
10% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
10% Popularity • 47% Danceability • 38% Energy • 16% Liveness
8% Instrumentalness • 94% Positiveness
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Elton Britt
Why Didn't You Take That, Too
170 bpm • C Maj • 02:30 • -9.64db
14% Popularity • 48% Danceability • 20% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
14% Popularity • 48% Danceability • 20% Energy • 24% Liveness
1% Instrumentalness • 59% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Jack Shaindlin
I'm Tickled Pink
169 bpm • F min • 01:53 • -15.4db
51% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Tommy Dorsey
Opus #1
169 bpm • C min • 02:55 • -9.29db
27% Popularity • 38% Danceability • 50% Energy • 32% Liveness
95% Instrumentalness • 66% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 32% Liveness
95% Instrumentalness • 66% Positiveness
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Bunny Berigan
On the Beach With You
169 bpm • D# Maj • 03:05 • -9.42db
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Sid Phillips
Mr Charles
190 bpm • F Maj • 02:26 • -8.78db
36% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
36% Popularity • 49% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 96% Positiveness
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Johnny Long
In A Shanty In Old Shanty Town
168 bpm • F Maj • 03:04 • -11.23db
43% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 61% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Baltimore Bell-Hops
Button up Your Overcoat
191 bpm • G Maj • 02:44 • -11.07db
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Slim Gaillard
Tutti Frutti 2
167 bpm • C Maj • 02:39 • -20.38db
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
28% Popularity • 77% Danceability • 15% Energy • 11% Liveness
38% Instrumentalness • 85% Positiveness
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Cab Calloway & His Orchestra
Abi Gezunt
167 bpm • G min • 02:51 • -13.53db
1% Popularity • 69% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 69% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Noble & His Orchestra
Freckle Face, You're Beautiful
165 bpm • G min • 02:38 • -19db
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
16% Popularity • 65% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 80% Positiveness
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The Roues Brothers
(You Let the Blues Move In) Now I'm Movi...
165 bpm • C Maj • 02:54 • -6db
44% Popularity • 58% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 58% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Long
Boogie Man
166 bpm • A# Maj • 02:45 • -9.66db
0% Popularity • 38% Danceability • 52% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
0% Popularity • 38% Danceability • 52% Energy • 20% Liveness
16% Instrumentalness • 74% Positiveness
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César Muela
World's on Fire
165 bpm • C min • 02:36 • -9.68db
39% Popularity • 67% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 67% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bunny Berigan
Peg O'my Heart
195 bpm • F min • 03:15 • -10.38db
18% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
18% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
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Lawrence Welk
Don't Sweetheart Me
164 bpm • G Maj • 02:43 • -12.63db
10% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
10% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
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Ray Noble & His Orchestra
Freckle Face, You're Beautiful
164 bpm • A# Maj • 02:41 • -12.58db
18% Popularity • 71% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
18% Popularity • 71% Danceability • 26% Energy • 9% Liveness
91% Instrumentalness • 71% Positiveness
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Tennessee Ernie Ford
Smokey Mountain Boogie
163 bpm • C Maj • 02:41 • -12.26db
18% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Emmett Miller
That's The Good Old Sunny South
163 bpm • D Maj • 02:54 • -13.78db
26% Popularity • 64% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 64% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Hal David
Where Have You Been All My Life?
198 bpm • G# Maj • 02:56 • -11db
43% Popularity • 16% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 16% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Glenn Miller
Juke Box Saturday Night - Remastered 200...
162 bpm • B min • 03:03 • -10.61db
25% Popularity • 50% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 50% Danceability • 18% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Ella Fitzgerald
When I Get Low I Get High
199 bpm • C min • 02:27 • -11.4db
39% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Frankie Carle
Tomorrow
161 bpm • D# Maj • 02:37 • -7.59db
21% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 57% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Long
Pi-Eyed Piper
160 bpm • G# Maj • 02:33 • -10db
0% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 55% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Red McKenzie
The Trouble with Me Is You
200 bpm • G min • 02:31 • -11.61db
15% Popularity • 60% Danceability • 56% Energy • 9% Liveness
75% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 56% Energy • 9% Liveness
75% Instrumentalness • 82% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
19% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Evelyn Knight
Powder Your Face With Sunshine
200 bpm • F Maj • 02:14 • -13.48db
17% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Chick Webb
I Can't Dance
201 bpm • C# Maj • 03:02 • -11.44db
18% Popularity • 60% Danceability • 36% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
18% Popularity • 60% Danceability • 36% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
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Richard Himber and his Orchestra
Doin' The Uptown Lowdown
201 bpm • C min • 02:44 • -9db
34% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Long
Hawaiian Hoopla
201 bpm • F min • 02:41 • -11.62db
0% Popularity • 38% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
0% Popularity • 38% Danceability • 58% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Bing Crosby
Pistol Packin' Mama - Single Version
201 bpm • D Maj • 03:03 • -12db
52% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Wynonie Harris
Grandma Plays The Numbers
159 bpm • G# Maj • 02:35 • -11.02db
52% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Henry Hall
Let's Have Another Cup o' Coffee
201 bpm • D# Maj • 02:37 • -15db
19% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
19% Popularity • 62% Danceability • 37% Energy • 12% Liveness
10% Instrumentalness • 88% Positiveness
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Don Redman
Swingin' With The Fat man (05-28-37)
202 bpm • G# Maj • 02:55 • -12.01db
12% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
12% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
35% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
16% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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The Pearly Shells
Uranium
159 bpm • C Maj • 02:18 • -6.46db
41% Popularity • 57% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 88% Positiveness
41% Popularity • 57% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 88% Positiveness
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Chick Webb
I Can't Dance I Got Ants in My Pants
203 bpm • C# Maj • 03:00 • -10.74db
42% Popularity • 60% Danceability • 37% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
42% Popularity • 60% Danceability • 37% Energy • 9% Liveness
14% Instrumentalness • 77% Positiveness
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Louis Jordan
Salt Pork West Virginia
158 bpm • F Maj • 02:46 • -8.06db
29% Popularity • 48% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 48% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Gene Krupa
Massachusetts
157 bpm • A# Maj • 03:15 • -9.85db
34% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 23% Liveness
28% Instrumentalness • 82% Positiveness
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Keith Nichols
Nightclub Swing
204 bpm • G min • 03:11 • -12db
13% Popularity • 59% Danceability • 40% Energy • 7% Liveness
49% Instrumentalness • 91% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 7% Liveness
49% Instrumentalness • 91% Positiveness
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Bob Crosby
Charley, My Boy
206 bpm • D# Maj • 02:31 • -9.84db
29% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
29% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
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Jerry Irby
Nall in My Coffin
206 bpm • C# Maj • 02:41 • -12.17db
24% Popularity • 48% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 48% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Louis Prima
The Dummy Song
206 bpm • C Maj • 02:38 • -11.16db
10% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Louis Jordan
Keep a Knockin' but You Can't Come in (A...
155 bpm • F# Maj • 02:31 • -9.05db
19% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
19% Popularity • 74% Danceability • 28% Energy • 3% Liveness
8% Instrumentalness • 71% Positiveness
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Lynda Carter
Train Train
155 bpm • C# Maj • 02:14 • -9.25db
50% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Carlos & The Bandidos
Atom Bomb Baby
155 bpm • E min • 02:31 • -4.44db
42% Popularity • 53% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 53% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
