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Wellerman
Songs like
Wellerman
by
The Longest Johns
Based on a tempo of (+/- 10%) and a similar genre
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American Murder Song
Mary
97 bpm • G Maj • 03:02 • -5.89db
29% Popularity • 86% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Stormfrun
Gallows Dance
97 bpm • C Maj • 04:26 • -8db
23% Popularity • 55% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 33% Positiveness
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Ken Theriot
William Tell
98 bpm • C min • 05:19 • -8.89db
23% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Vixy & Tony
Just a Dream
98 bpm • A min • 04:08 • -7.67db
21% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Pirates Charles
The Horn
98 bpm • C Maj • 04:25 • -9.56db
19% Popularity • 55% Danceability • 47% Energy • 12% Liveness
43% Instrumentalness • 27% Positiveness
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Heather Dale
The Maiden and the Selkie
96 bpm • E Maj • 04:06 • -12db
48% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Heather Alexander
March Of Cambreadth
96 bpm • A# min • 04:47 • -12.76db
37% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Stormfrun
Drink Up Your Rum
97 bpm • D min • 02:59 • -7.08db
32% Popularity • 38% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Eben Brooks
Hey There Cthulhu
96 bpm • C Maj • 04:11 • -13.57db
33% Popularity • 66% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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James Peters
The Leviathan (A Critical Role Sea Shant...
96 bpm • C min • 02:17 • -14.92db
26% Popularity • 80% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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The Merry Wives Of Windsor
Mad Jenny
96 bpm • G Maj • 03:58 • -10.51db
16% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Heather Dale
The Greyhound
98 bpm • F# min • 03:52 • -7.53db
30% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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The Longest Johns
Don't Forget Your Old Shipmate
98 bpm • D# Maj • 02:39 • -9db
36% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Stormfrun
Once A Sailor
97 bpm • D min • 05:07 • -6db
30% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Captain's Beard
New York Girls
98 bpm • G Maj • 03:34 • -5db
20% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Bill Roper
Space Is Dark
98 bpm • G Maj • 04:22 • -9.1db
17% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Captain Loot And His Sea Shanties
Sailor's Lament Sea Shanty
96 bpm • C Maj • 01:46 • -14.46db
26% Popularity • 75% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Alpine Universe
Ruins of a Long Gone Past - Acoustic
96 bpm • A# min • 01:52 • -9db
51% Popularity • 37% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Longest Johns
Here's a Health to the Company
98 bpm • G# Maj • 04:10 • -9.01db
49% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Salt Sea Pirates
Eliza Lee
96 bpm • D# Maj • 02:55 • -16.03db
14% Popularity • 76% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Wellermen
My Mother Told Me
99 bpm • C# Maj • 02:12 • -7.21db
47% Popularity • 54% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 53% Positiveness
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The Skullduggers
Bully In the Alley
95 bpm • G Maj • 02:33 • -5.82db
36% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Captain's Beard
John Kanackanaka
99 bpm • D Maj • 03:15 • -5.75db
41% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Gothard Sisters
Meet Me at Dawn
99 bpm • E Maj • 03:56 • -7db
34% Popularity • 49% Danceability • 48% Energy • 18% Liveness
2% Instrumentalness • 59% Positiveness
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The Longest Johns
Bonny Ship the Diamond
96 bpm • D min • 04:04 • -5.34db
44% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Musical Blades
Byker Hill
95 bpm • F# min • 02:21 • -4.01db
12% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Poor Man's Poison
Give and Take
95 bpm • G Maj • 03:17 • -8db
64% Popularity • 67% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Capt'n Tor and the Naer-Do-Well Cads Pirate Invasion
The Hangman's Jig
95 bpm • E min • 05:17 • -6.64db
16% Popularity • 46% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Stan Rogers
The Maid On The Shore
99 bpm • A min • 03:44 • -19db
32% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Seadogs
Crew of Jones
95 bpm • D Maj • 04:12 • -4.77db
10% Popularity • 68% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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The Longest Johns
Off To Sea
98 bpm • C min • 04:31 • -8db
42% Popularity • 74% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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John Roberts
Oak, Ash and Thorn
99 bpm • A min • 02:43 • -23db
20% Popularity • 68% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Mcginty
Marching Inland
100 bpm • C# Maj • 02:41 • -8db
34% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Sheringham Shantymen
High Germany
94 bpm • A# Maj • 02:25 • -14.02db
21% Popularity • 64% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Ye Banished Privateers
I Dream of You
95 bpm • C Maj • 03:35 • -10.57db
37% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Teacups
Agamemnon
100 bpm • B Maj • 03:03 • -8db
27% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Longest Johns
Wellerman
95 bpm • D# Maj • 02:16 • -7.38db
58% Popularity • 80% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Silly Wizard
The Ramblin' Rover
100 bpm • C Maj • 03:17 • -9.19db
40% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
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Kimber's Men
DONKEY RIDING
100 bpm • E Maj • 03:26 • -14db
13% Popularity • 86% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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The Dreadnoughts
Spanish Ladies
100 bpm • B Maj • 03:00 • -8.17db
48% Popularity • 88% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Pyrates!
Fire Marengo
94 bpm • B Maj • 01:40 • -7.55db
22% Popularity • 81% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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American Murder Song
Pretty Lavinia
100 bpm • F min • 03:37 • -4.59db
42% Popularity • 85% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Longest Johns
Hammer And The Anvil
99 bpm • D# min • 02:48 • -9.93db
52% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Captain's Beard
The Shanty Set
94 bpm • A Maj • 05:09 • -5.55db
12% Popularity • 56% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Friends Of The Shipyard and Fisherman's Fayre
No Hopers, Jokers & Rogues
100 bpm • E Maj • 03:10 • -6.5db
24% Popularity • 55% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Sean Dagher
Dead Horse
94 bpm • B Maj • 01:07 • -7.24db
47% Popularity • 90% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Cami-Cat
Life of a Bard
100 bpm • A# Maj • 02:45 • -9db
36% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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The Poxy Boggards
Aboard the Good Ship Venus
100 bpm • D Maj • 04:34 • -12.27db
12% Popularity • 84% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Longest Johns
Hog Eye Man
95 bpm • G Maj • 03:06 • -7db
42% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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The Dreadnoughts
The Bay of Suvla
94 bpm • E Maj • 02:23 • -6.66db
39% Popularity • 73% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Silly Wizard
The Queen Of Argyll
94 bpm • F# Maj • 03:24 • -6.34db
37% Popularity • 48% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Stormfrun
Prepare Yourself To Fight
100 bpm • A min • 04:16 • -3.6db
34% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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The Skullduggers
Maui
101 bpm • E min • 02:49 • -6.05db
32% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Aldridge & Sid Goldsmith
Chemical Workers Song
101 bpm • C min • 03:42 • -7.36db
30% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Longest Johns
Ashes
100 bpm • F# Maj • 03:21 • -7.45db
53% Popularity • 48% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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David Kincaid
We’ll Fight For Uncle Sam
101 bpm • B Maj • 03:52 • -11db
38% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Jimlapbap
Iris Shanty
101 bpm • D min • 01:53 • -13.64db
37% Popularity • 68% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Stormfrun
Dividing The Plunder
101 bpm • D min • 03:09 • -5.91db
29% Popularity • 33% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
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The Exmouth Shanty Men
Pump Her Dry
102 bpm • A Maj • 03:04 • -21.15db
25% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Stan Rogers
Northwest Passage
102 bpm • D Maj • 04:49 • -17.72db
48% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Longest Johns
John Paul Jones Is a Pirate
93 bpm • D# Maj • 02:29 • -6.6db
42% Popularity • 80% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Michiel Schrey
Fish in the Sea
102 bpm • F# min • 01:29 • -6.37db
50% Popularity • 84% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 94% Positiveness
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Jimlapbap
Through the Fire and Flames Shanty
102 bpm • A# Maj • 03:13 • -12.88db
30% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Salt Sea Pirates
Waitin' For The Day
92 bpm • C# min • 02:59 • -18.3db
11% Popularity • 74% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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The Wellermen
Nancy Mulligan
102 bpm • C Maj • 02:35 • -6.6db
55% Popularity • 65% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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The Captain's Beard
Star of the County Down
92 bpm • E min • 05:02 • -6.28db
13% Popularity • 43% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Senate
Space Shanty
102 bpm • F Maj • 03:30 • -6.02db
32% Popularity • 50% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 57% Positiveness
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The Dread Crew of Oddwood
Side Quest
103 bpm • D Maj • 03:10 • -3.6db
33% Popularity • 64% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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The Longest Johns
Fire & Flame
92 bpm • F Maj • 02:28 • -8.59db
40% Popularity • 61% Danceability • 53% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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The Celtic Connection
The Last Shanty
103 bpm • A# min • 03:01 • -12.06db
51% Popularity • 66% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Noel McLoughlin
Botany Bay (arr. N. McLoughlin)
103 bpm • F Maj • 02:41 • -12.92db
36% Popularity • 75% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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The Paul McKenna Band
The Banks of Newfoundland
91 bpm • E min • 04:38 • -9.52db
26% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Leslie Fish
Wanderer
103 bpm • G min • 02:55 • -10.04db
31% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Craic
Shee an Gannon
103 bpm • G Maj • 05:04 • -2.65db
17% Popularity • 55% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
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The Longest Johns
Eliza Lee
103 bpm • D# Maj • 01:48 • -5.17db
32% Popularity • 83% Danceability • 81% Energy • 66% Liveness
0% Instrumentalness • 87% Positiveness
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Julia Ecklar
Threes: Take 3 (Julia Ecklar)
104 bpm • F min • 04:04 • -11.81db
24% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Chase Noseworthy
The Serpent's Call
91 bpm • D Maj • 03:13 • -14.03db
17% Popularity • 27% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 19% Positiveness
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Derina Harvey Band
The Mary Ellen Carter
91 bpm • G Maj • 06:05 • -3.56db
28% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Leslie Fish
The Gods Aren't Crazy
103 bpm • F Maj • 04:07 • -10.36db
19% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kimber's Men
SOUTH AUSTRALIA
104 bpm • C Maj • 02:15 • -13.7db
41% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Salty Dick
Christopher Columbo
104 bpm • A# Maj • 03:19 • -10.14db
21% Popularity • 86% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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R. Morgan Slade
The Biscotto Family Motto (A Dimension20...
104 bpm • E Maj • 01:27 • -7.4db
22% Popularity • 61% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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The Longest Johns
Banks Of Newfoundland
90 bpm • D min • 02:58 • -8.25db
35% Popularity • 73% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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J. Dalton Williams
Walk the Plank
90 bpm • D min • 03:16 • -13.03db
18% Popularity • 64% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
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Dan the Bard
The Red Dragon Inn
90 bpm • G# Maj • 04:32 • -10.57db
9% Popularity • 72% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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The Pirates Charles
Raise the Whiskey High
105 bpm • C# min • 04:41 • -5.81db
25% Popularity • 54% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Miracle Of Sound
Another Round of Gwent
90 bpm • G Maj • 01:17 • -6db
44% Popularity • 62% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Nickelback
Rockstar Sea Shanty
90 bpm • C min • 02:42 • -8.63db
58% Popularity • 69% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Ken Theriot
Band of Brothers
90 bpm • G Maj • 03:18 • -9.07db
15% Popularity • 69% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Ten Strings and a Goat Skin
The Night They Moved the House
105 bpm • G Maj • 03:38 • -9.35db
39% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Smokey Bastard
Cheer Up Love (Worse Things Happen at Se...
90 bpm • F# min • 02:31 • -5db
48% Popularity • 58% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Musical Blades
Rowdy Soul
105 bpm • F Maj • 01:53 • -6.81db
20% Popularity • 76% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
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The Dreadnoughts
The Cruel Wars
105 bpm • D# Maj • 03:07 • -9.06db
53% Popularity • 83% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Noel McLoughlin
The Hills of Connemara
105 bpm • D Maj • 01:55 • -7.03db
33% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Salt Sea Pirates
Fifteen Men On Deadman's Chest
105 bpm • E min • 03:57 • -13db
35% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Stormfrun
Avast!
105 bpm • F Maj • 03:41 • -12.06db
24% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Varend Volk
This Night We Spend Ashore
105 bpm • D min • 03:27 • -5db
36% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Home Free
Skull and Bones
105 bpm • C Maj • 03:40 • -7.65db
60% Popularity • 43% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Longest Johns
A Mighty Wave
105 bpm • F Maj • 04:03 • -7.32db
31% Popularity • 66% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Heather Dale
Come and Be Welcome
89 bpm • E Maj • 03:27 • -12db
38% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Wellerman