Songs like Welsch tanze [1560s]: No. 2. Sprung by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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The Broadside Band
Cuckolds All a Row
121 bpm • C Maj • 01:46 • -19.1db
13% Popularity • 57% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 57% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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![Welsch tanze [1560s]: No. 2. Sprung cover art](https://i.scdn.co/image/ab67616d00001e028661eff029ebe383cfe16d51)
Anonymous
Welsch tanze [1560s]: No. 2. Sprung
121 bpm • D min • 00:52 • -24.75db
12% Popularity • 68% Danceability • 14% Energy • 16% Liveness
98% Instrumentalness • 67% Positiveness
12% Popularity • 68% Danceability • 14% Energy • 16% Liveness
98% Instrumentalness • 67% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Rolf Lislevand
Folias Españolas
120 bpm • B Maj • 02:12 • -25db
15% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
15% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Robert Johnson
The first Witches Dance
120 bpm • D Maj • 01:57 • -17.56db
8% Popularity • 36% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
8% Popularity • 36% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
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Domenico da Piacenza
Ballo 'La Giloxia'
122 bpm • G Maj • 02:08 • -24db
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
28% Popularity • 39% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Anonymous
Io no tango
120 bpm • G Maj • 02:33 • -29.72db
10% Popularity • 48% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
10% Popularity • 48% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Gaspar Sanz
Clarinas y Trompetas
120 bpm • D Maj • 07:06 • -24.78db
8% Popularity • 41% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 45% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 45% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
17% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
17% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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Rolf Lislevand
El Paloteado
122 bpm • G# Maj • 01:45 • -29db
9% Popularity • 46% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 78% Positiveness
9% Popularity • 46% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 78% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Francis Pilkington
Eccho or Allmane
119 bpm • G Maj • 02:06 • -19db
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
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John Playford
Dances From the English Dancing Master: ...
119 bpm • G Maj • 01:40 • -22.76db
11% Popularity • 68% Danceability • 15% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
11% Popularity • 68% Danceability • 15% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Guillaume de Machaut
Douce dame jolie
123 bpm • A min • 03:31 • -21db
32% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
32% Popularity • 62% Danceability • 12% Energy • 11% Liveness
83% Instrumentalness • 49% Positiveness
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Ensemble Project Ars Nova
Regina gloriosa
119 bpm • D min • 02:19 • -33db
15% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
15% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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Ronn McFarlane
The Monaghan Jig
123 bpm • C# min • 02:30 • -30db
12% Popularity • 48% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 84% Positiveness
12% Popularity • 48% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 84% Positiveness
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Anonymous
The Dancing Master: Drive the Cold Winte...
119 bpm • D min • 01:45 • -38.05db
32% Popularity • 18% Danceability • 0% Energy • 8% Liveness
49% Instrumentalness • 41% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 8% Liveness
49% Instrumentalness • 41% Positiveness
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László Czidra
Danserye: Basse danse: No. 5. La morisqu...
119 bpm • F Maj • 00:55 • -17db
11% Popularity • 62% Danceability • 43% Energy • 28% Liveness
99% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 43% Energy • 28% Liveness
99% Instrumentalness • 97% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
22% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
22% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Moniot d'Arras
Ce fut en mai
118 bpm • E Maj • 01:25 • -30.47db
9% Popularity • 55% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 55% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
19% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
19% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Anthony Holborne
Holborne: The Fairy Round (Galliard No. ...
118 bpm • C Maj • 01:22 • -19.48db
9% Popularity • 63% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 90% Positiveness
9% Popularity • 63% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 90% Positiveness
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Andres Mustonen
Konzert fuer Viola und Kammerorchester -...
117 bpm • D min • 08:21 • -21.32db
0% Popularity • 25% Danceability • 10% Energy • 35% Liveness
77% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 10% Energy • 35% Liveness
77% Instrumentalness • 11% Positiveness
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Adrian Le Roy
Passemeze
117 bpm • A# Maj • 03:35 • -28db
22% Popularity • 42% Danceability • 9% Energy • 15% Liveness
79% Instrumentalness • 76% Positiveness
22% Popularity • 42% Danceability • 9% Energy • 15% Liveness
79% Instrumentalness • 76% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Oswald von Wolkenstein
Skak - Frolich geschrai so well wir mach...
117 bpm • D min • 01:13 • -18.24db
18% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ronn McFarlane
Carolan's Welcome
117 bpm • G# min • 01:49 • -21db
24% Popularity • 48% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
24% Popularity • 48% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 69% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
19% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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Erasmus Widmann
Sibylla and Agatha
125 bpm • D min • 03:16 • -13.25db
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Antonio de Cabezón
Tres 'Sobre El Canto Ilano De La Alta'
117 bpm • F Maj • 02:32 • -21db
12% Popularity • 42% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
12% Popularity • 42% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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John Playford
The Dancing Master: Jog On
117 bpm • C Maj • 01:12 • -25.89db
16% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
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Andrea Falconieri
L’Eroica
117 bpm • G Maj • 04:19 • -15.63db
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
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Traditional - French
Bassa Dance
125 bpm • A Maj • 03:42 • -15.87db
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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anon arr Alan Crumpler
Sellenger's round
116 bpm • C Maj • 02:12 • -24.18db
9% Popularity • 64% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
9% Popularity • 64% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
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The Broadside Band
Mad Robin
116 bpm • G min • 02:57 • -18.65db
7% Popularity • 66% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 66% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Gaspar Sanz
Chaconne
116 bpm • A Maj • 01:56 • -32.55db
18% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Anonymous
Ductia
126 bpm • D min • 04:29 • -12.71db
9% Popularity • 59% Danceability • 34% Energy • 5% Liveness
89% Instrumentalness • 89% Positiveness
9% Popularity • 59% Danceability • 34% Energy • 5% Liveness
89% Instrumentalness • 89% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Diego Oritz
Recercada primera, quarta, ottava
116 bpm • C# min • 04:33 • -25db
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
36% Popularity • 42% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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Claude Gervaise
Branle de Champagne
116 bpm • C Maj • 00:52 • -15.54db
8% Popularity • 78% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
8% Popularity • 78% Danceability • 53% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
13% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
13% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Anonymous
Grimstock
126 bpm • G# Maj • 01:29 • -18.15db
8% Popularity • 48% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 48% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Unicorn Ensemble
Bellicha
115 bpm • F Maj • 02:14 • -15db
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
19% Popularity • 40% Danceability • 59% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
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Anonymous
Saltarello
116 bpm • C Maj • 02:02 • -23.14db
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Ronn McFarlane
Tune Without Title No. 172
115 bpm • C# min • 02:35 • -20.05db
9% Popularity • 46% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 27% Positiveness
9% Popularity • 46% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 27% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Johann Daniel Mylius
Courante II
115 bpm • B min • 01:43 • -27db
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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The Broadside Band
White-Hall Minuett
127 bpm • D min • 02:25 • -20.53db
11% Popularity • 50% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 50% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Anonymous
Danse real
127 bpm • C Maj • 01:05 • -20.32db
9% Popularity • 17% Danceability • 14% Energy • 39% Liveness
89% Instrumentalness • 19% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 39% Liveness
89% Instrumentalness • 19% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Sarabande
115 bpm • C# Maj • 01:46 • -27.52db
14% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
14% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Piva
115 bpm • C Maj • 02:32 • -16db
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
28% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
28% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
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Unicorn Ensemble
Isabella
114 bpm • G Maj • 08:48 • -25db
8% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Anonymous
L'autrier m'en aloie
115 bpm • A# min • 01:53 • -24db
9% Popularity • 60% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 60% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Pierre Francisque Carroubel
Passepieds de Bretaigne
128 bpm • A min • 02:42 • -19db
13% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
22% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
22% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
14% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Henry VIII
Pastime with Good Company
128 bpm • A# Maj • 01:25 • -37db
18% Popularity • 53% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 43% Positiveness
18% Popularity • 53% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 43% Positiveness
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Tylman Susato
Ronde
129 bpm • F Maj • 01:22 • -21.31db
9% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
9% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
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Anonymous
Quan je voy le duç
114 bpm • E min • 02:22 • -23.8db
27% Popularity • 46% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
27% Popularity • 46% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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John Playford
The Dancing Master: Newcastle
114 bpm • G Maj • 01:54 • -24.8db
9% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Adam de la Halle
Le jeu de robin et marion: Scène 1 - ma...
114 bpm • G# Maj • 06:51 • -21db
11% Popularity • 60% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 60% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Paolo Foscarini
Aria di Firenze per la C
114 bpm • D Maj • 01:07 • -25.9db
27% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
27% Popularity • 60% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
17% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
17% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Tylman Susato
Dansereye (1551): Rondes I & VII
129 bpm • D min • 04:32 • -32.13db
15% Popularity • 55% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 73% Positiveness
15% Popularity • 55% Danceability • 6% Energy • 15% Liveness
16% Instrumentalness • 73% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Anonymous
Bellamira / Greensleeves - After Solomon...
114 bpm • F# min • 03:30 • -15.32db
10% Popularity • 39% Danceability • 30% Energy • 16% Liveness
10% Instrumentalness • 76% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 16% Liveness
10% Instrumentalness • 76% Positiveness
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Oswald von Wolkenstein
Wolauff, Gesell!
114 bpm • C Maj • 02:12 • -30db
8% Popularity • 59% Danceability • 22% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
8% Popularity • 59% Danceability • 22% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
19% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
19% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Trefoil
Baude Cordier: Tout par compas: Tout par...
113 bpm • C Maj • 01:31 • -32.38db
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
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anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
11% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
11% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
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Anonymous
Welsch tanze [1560s]: No. 1. Lamentanza
129 bpm • C Maj • 01:31 • -24.99db
10% Popularity • 34% Danceability • 5% Energy • 20% Liveness
99% Instrumentalness • 39% Positiveness
10% Popularity • 34% Danceability • 5% Energy • 20% Liveness
99% Instrumentalness • 39% Positiveness
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Andrei Krylov
Spanish Renaissance Lute Gagliarde
130 bpm • D# Maj • 01:34 • -19.82db
21% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
21% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness