Songs like We're All In This Together by Ben Lee
Based on a tempo of (+/- 10%) and a similar genre
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
11% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
11% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
46% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Bluejuice
Work
103 bpm • D# Maj • 02:47 • -5.59db
29% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Noise Addict
Cloudchasing
101 bpm • G Maj • 02:05 • -9.72db
2% Popularity • 43% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 43% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
17% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
17% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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Ben Lee
Ripe
102 bpm • F# Maj • 03:11 • -11.89db
6% Popularity • 76% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 76% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Clare Bowditch
One Little River
101 bpm • C Maj • 04:23 • -7db
11% Popularity • 52% Danceability • 76% Energy • 8% Liveness
20% Instrumentalness • 17% Positiveness
11% Popularity • 52% Danceability • 76% Energy • 8% Liveness
20% Instrumentalness • 17% Positiveness
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Tim Finn
Persuasion
101 bpm • D Maj • 03:53 • -11db
29% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Lee
Burn To Shine
103 bpm • E min • 03:49 • -6.18db
9% Popularity • 66% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
9% Popularity • 66% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
32% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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the feelers
As Good as It Gets
100 bpm • C Maj • 03:55 • -4.56db
24% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Merril Bainbridge
Under The Water
104 bpm • F# Maj • 04:13 • -9.24db
32% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Clare Bowditch
Between the Tea and the Toast
100 bpm • C Maj • 03:42 • -8db
16% Popularity • 44% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 44% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Lee
Tornados
103 bpm • C Maj • 03:21 • -6db
15% Popularity • 76% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 76% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Birds Of Tokyo
The Greatest Mistakes
100 bpm • G Maj • 02:34 • -4.69db
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 63% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Club Hoy
Not Like That
100 bpm • A Maj • 03:08 • -13db
8% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Darren Hanlon
Punk's Not Dead
105 bpm • F# Maj • 03:21 • -4.68db
20% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
20% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
22% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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John Butler Trio
Tahitian Blue
99 bpm • G Maj • 04:15 • -3db
41% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bodeans
Closer to Free
98 bpm • G Maj • 03:10 • -8.84db
33% Popularity • 50% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 50% Danceability • 88% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Lee
Light
98 bpm • A Maj • 09:48 • -9.18db
4% Popularity • 49% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 24% Positiveness
4% Popularity • 49% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 24% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
39% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
53% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
53% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
23% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Things Of Stone and Wood
Heidelberg
107 bpm • D Maj • 03:47 • -7db
10% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Frente!
Ordinary Angels
97 bpm • A Maj • 02:49 • -10.85db
24% Popularity • 78% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 36% Positiveness
24% Popularity • 78% Danceability • 70% Energy • 16% Liveness
2% Instrumentalness • 36% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
41% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Taxiride
How I Got This Way
98 bpm • C# Maj • 03:30 • -5.96db
22% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 44% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Ben Lee
The Debt Collectors
108 bpm • G Maj • 02:50 • -14.59db
6% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Goldenhorse
Maybe Tomorrow
96 bpm • E Maj • 02:56 • -5.6db
40% Popularity • 56% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 56% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Frente!
Ordinary Angels - 2014 Remaster
97 bpm • A Maj • 02:49 • -8db
23% Popularity • 78% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
23% Popularity • 78% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
19% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Powderfinger
Passenger
96 bpm • B min • 04:21 • -6.99db
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
36% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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John Butler Trio
Better Than
108 bpm • G Maj • 03:29 • -6db
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Clare Bowditch
Amazing Life
96 bpm • G Maj • 03:16 • -12.2db
15% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Evermore
Follow The Sun
96 bpm • C# min • 04:13 • -4.66db
22% Popularity • 50% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 50% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Faker
Hurricane
96 bpm • C# min • 03:19 • -2.07db
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
34% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
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Kate Miller-Heidke
Make It Last
96 bpm • D# Maj • 03:33 • -5.82db
17% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
14% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Lee
The Body of Love
95 bpm • D Maj • 04:29 • -9.99db
12% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
25% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
38% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Prproject
You Got The Music In You
110 bpm • F# min • 04:02 • -11db
31% Popularity • 73% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 73% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ball Park Music
It's Nice to Be Alive
94 bpm • G# Maj • 03:28 • -7db
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 45% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Lee
Liquid Courage
95 bpm • D# Maj • 03:06 • -5.88db
2% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 74% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
50% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
50% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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The Cat Empire
Hello
110 bpm • A Maj • 03:44 • -6db
50% Popularity • 72% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 72% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Finn Brothers
Nothing Wrong with You
94 bpm • A# Maj • 04:10 • -6.56db
19% Popularity • 53% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 53% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
58% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Lee
Whatever It Is
110 bpm • A Maj • 03:18 • -14.33db
12% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 48% Positiveness
12% Popularity • 68% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 48% Positiveness
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End Of Fashion
Lock Up Your Daughters
94 bpm • D Maj • 03:34 • -6.04db
14% Popularity • 43% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Miller-Heidke
The Tiger Inside Will Eat The Child
94 bpm • A# Maj • 04:03 • -7.08db
20% Popularity • 58% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Goldenhorse
I'll Never Know
94 bpm • E Maj • 03:04 • -7.23db
23% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Darren Hanlon
Falling Aeroplanes
94 bpm • D Maj • 03:32 • -10.24db
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Noise Addict
Do I Know You
94 bpm • A Maj • 02:26 • -10.63db
3% Popularity • 64% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 64% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Ben Lee
Float On
94 bpm • B Maj • 04:00 • -11.23db
25% Popularity • 64% Danceability • 38% Energy • 14% Liveness
36% Instrumentalness • 36% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 14% Liveness
36% Instrumentalness • 36% Positiveness
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Xavier Rudd
Let Me Be
94 bpm • D Maj • 04:13 • -12.84db
49% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Bob Evans
Flame
93 bpm • D# min • 03:15 • -13.69db
11% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
49% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Richard Pleasance
Seachange (Theme from the TV Series)
93 bpm • C Maj • 04:07 • -5.97db
14% Popularity • 66% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
14% Popularity • 66% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
31% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Noise Addict
That's How It Goes
93 bpm • E Maj • 02:00 • -9.84db
4% Popularity • 71% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
4% Popularity • 71% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
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Busby Marou
Paint This Land
112 bpm • D Maj • 04:34 • -7.99db
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Lee
Blush
112 bpm • G Maj • 03:56 • -6.81db
4% Popularity • 70% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 70% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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David Gray
Babylon - US Radio Mix
112 bpm • D# Maj • 03:39 • -6.63db
41% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 64% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Evans
Don't Walk Alone
93 bpm • G# Maj • 04:00 • -6.2db
9% Popularity • 58% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 58% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Noise Addict
Big Ups
112 bpm • C Maj • 02:59 • -8.3db
3% Popularity • 56% Danceability • 46% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
3% Popularity • 56% Danceability • 46% Energy • 26% Liveness
1% Instrumentalness • 67% Positiveness
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Boy & Bear
Don't You (Forget About Me) - triple j L...
113 bpm • A Maj • 05:05 • -9db
37% Popularity • 57% Danceability • 53% Energy • 36% Liveness
22% Instrumentalness • 40% Positiveness
37% Popularity • 57% Danceability • 53% Energy • 36% Liveness
22% Instrumentalness • 40% Positiveness
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Ben Lee
Mystery Song
112 bpm • D Maj • 02:14 • -5.5db
1% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
20% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
24% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Noise Addict
Let Your Heart Decide It
113 bpm • C Maj • 02:46 • -12.98db
2% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 68% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
19% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
