Songs like We're Home by Benny Walker
Based on a tempo of (+/- 10%) and a similar genre
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Sunday Sundown
We Are Home
105 bpm • E Maj • 04:16 • -7.23db
17% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Benny Walker
We're Home
105 bpm • A Maj • 03:38 • -9.76db
14% Popularity • 55% Danceability • 61% Energy • 44% Liveness
7% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 61% Energy • 44% Liveness
7% Instrumentalness • 20% Positiveness
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Pat Devlin
To Stay
105 bpm • A Maj • 03:25 • -10.79db
17% Popularity • 73% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 73% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jordie Lane
The Walls
105 bpm • D min • 03:07 • -6.83db
16% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Lior
Apple Tree
105 bpm • D# Maj • 04:11 • -16.93db
23% Popularity • 52% Danceability • 21% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
23% Popularity • 52% Danceability • 21% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
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Fraser A. Gorman
Walking To Oman's
105 bpm • D Maj • 03:53 • -6db
17% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Jack the Fox
Exit Plan
105 bpm • C# Maj • 03:38 • -7.41db
8% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Benny Walker
I Don't Blame You
106 bpm • B min • 03:05 • -3.97db
4% Popularity • 66% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
4% Popularity • 66% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Miles Calder
Lake Geneva
104 bpm • F# min • 04:02 • -10.05db
11% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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ThornBird
Bullets And Heartache
106 bpm • C Maj • 04:37 • -6.03db
13% Popularity • 66% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 66% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Fly My Pretties
Quiet Girl
106 bpm • F Maj • 04:03 • -12.91db
31% Popularity • 73% Danceability • 42% Energy • 12% Liveness
16% Instrumentalness • 76% Positiveness
31% Popularity • 73% Danceability • 42% Energy • 12% Liveness
16% Instrumentalness • 76% Positiveness
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Emily Wurramara
Carry Me Home
107 bpm • G Maj • 04:51 • -13.45db
28% Popularity • 58% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 58% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Cool Sounds
Alive
107 bpm • F# Maj • 04:12 • -11db
32% Popularity • 85% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 77% Positiveness
32% Popularity • 85% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 77% Positiveness
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Benny Walker
Your Place
106 bpm • E min • 04:06 • -13.45db
2% Popularity • 47% Danceability • 38% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
2% Popularity • 47% Danceability • 38% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Mama Kin
Sweet Eddie
103 bpm • C Maj • 03:16 • -12.35db
10% Popularity • 66% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 66% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Didirri
Blue Mood Rising
103 bpm • E Maj • 02:53 • -10db
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 81% Positiveness
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Fly My Pretties
Champion
103 bpm • C Maj • 04:58 • -11.65db
11% Popularity • 52% Danceability • 59% Energy • 19% Liveness
36% Instrumentalness • 50% Positiveness
11% Popularity • 52% Danceability • 59% Energy • 19% Liveness
36% Instrumentalness • 50% Positiveness
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Harmony Byrne
Kings & Queens
102 bpm • D Maj • 04:38 • -15.35db
29% Popularity • 43% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 17% Positiveness
29% Popularity • 43% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 17% Positiveness
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Augie March
When I Am Old
108 bpm • C Maj • 04:42 • -12db
11% Popularity • 63% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 63% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Benny Walker
The Fool
107 bpm • F Maj • 04:08 • -6.81db
0% Popularity • 64% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 64% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Mama Kin
Bird in Your Tree
108 bpm • C# min • 03:38 • -11.23db
11% Popularity • 66% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 66% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Lawson Hull
Bad Habit
108 bpm • D Maj • 03:21 • -8.34db
18% Popularity • 66% Danceability • 63% Energy • 20% Liveness
15% Instrumentalness • 61% Positiveness
18% Popularity • 66% Danceability • 63% Energy • 20% Liveness
15% Instrumentalness • 61% Positiveness
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Carla Geneve
Brisbane
102 bpm • D# Maj • 03:17 • -10.78db
12% Popularity • 70% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 70% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Jimblah
What's Going On - triple j Like A Versio...
102 bpm • D Maj • 04:24 • -11.11db
24% Popularity • 66% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 66% Danceability • 37% Energy • 90% Liveness
0% Instrumentalness • 40% Positiveness
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The Slingers
Different Oceans
102 bpm • C Maj • 04:50 • -8.23db
23% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 80% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Claire Anne Taylor
Drunken Choir
108 bpm • G Maj • 03:42 • -14.6db
16% Popularity • 75% Danceability • 33% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
16% Popularity • 75% Danceability • 33% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
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Greta Stanley
Kick
102 bpm • D Maj • 03:27 • -10db
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
38% Popularity • 77% Danceability • 52% Energy • 38% Liveness
4% Instrumentalness • 74% Positiveness
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Emily Wurramara
Hey Love
108 bpm • C# min • 03:36 • -9.01db
23% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Pat Tierney
My Sweet Love
108 bpm • A Maj • 04:56 • -8db
18% Popularity • 56% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 56% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jack Davies and The Bush Chooks
Rusty Blue Car
109 bpm • A Maj • 02:08 • -13.71db
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Morris
Lay Everything on Me
109 bpm • D# Maj • 05:04 • -12db
16% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Aspy Jones
So They Say
101 bpm • F Maj • 02:54 • -7.24db
8% Popularity • 46% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 46% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Benny Walker
Where Did You Sleep Last Night?
109 bpm • E min • 03:41 • -11.13db
4% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Darren Hanlon
We All Cope in Different Ways
109 bpm • C Maj • 04:21 • -16.41db
14% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Julia Deans
Clandestine
101 bpm • A min • 04:04 • -11.34db
13% Popularity • 34% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
13% Popularity • 34% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Alice Skye
Poetry By Text
110 bpm • E Maj • 04:31 • -16db
16% Popularity • 61% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 61% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Dyson Stringer Cloher
Falling Clouds
110 bpm • A Maj • 03:11 • -9db
17% Popularity • 33% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 33% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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#1 Dads
Another Day
110 bpm • C Maj • 03:38 • -8db
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
28% Popularity • 79% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Benny Walker
He's Been Waiting
109 bpm • C# min • 03:40 • -12.8db
2% Popularity • 73% Danceability • 39% Energy • 14% Liveness
24% Instrumentalness • 65% Positiveness
2% Popularity • 73% Danceability • 39% Energy • 14% Liveness
24% Instrumentalness • 65% Positiveness
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WANDERERS
Loco
110 bpm • F min • 04:51 • -5.93db
11% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Pyke
Your Heart Won't Always Weigh a Tonne
110 bpm • F# Maj • 03:43 • -7.09db
8% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alice Skye
For Every Year
100 bpm • G Maj • 04:49 • -16.97db
9% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Greta Stanley
Soak into This
100 bpm • E Maj • 03:25 • -5.61db
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 63% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Husky Gawenda
Going Sane
110 bpm • G# Maj • 03:23 • -9db
31% Popularity • 78% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 78% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Jessica Wishart
Colours
100 bpm • B min • 03:34 • -9.94db
24% Popularity • 68% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Miiesha
Neon Moon
100 bpm • B Maj • 03:20 • -11.3db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Mia Dyson
Parking Lots
111 bpm • D Maj • 05:21 • -7db
18% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Soaked Oats
Houdini
99 bpm • C Maj • 03:43 • -9db
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Emma Louise
Into My Arms - triple j Like A Version
99 bpm • C Maj • 04:32 • -15.56db
27% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Bumpy
Falling
99 bpm • G Maj • 04:48 • -10.64db
16% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Merrick
You Gotta Go
99 bpm • F Maj • 03:06 • -7.49db
14% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Vanns
Jules Said - Alternate Version
112 bpm • B Maj • 03:13 • -9.08db
13% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Alice Skye
1966
112 bpm • G Maj • 04:00 • -14.69db
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Hannah Blackburn
Tiny Car
112 bpm • D Maj • 03:20 • -9.5db
7% Popularity • 79% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 66% Positiveness
7% Popularity • 79% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 66% Positiveness
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Josh Pyke
The Hummingbird
112 bpm • D min • 03:30 • -8.02db
14% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Mama Kin
Eye Of The Storm
112 bpm • E Maj • 03:34 • -11db
15% Popularity • 79% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 79% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Alana Wilkinson
Good For You
112 bpm • D Maj • 03:36 • -8.56db
15% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 73% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Solomon Henry
Lost in the Crowd
112 bpm • A# min • 03:56 • -7.16db
10% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 61% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Walker
Enough Is Enough
112 bpm • C Maj • 03:24 • -7.94db
1% Popularity • 41% Danceability • 42% Energy • 12% Liveness
24% Instrumentalness • 16% Positiveness
1% Popularity • 41% Danceability • 42% Energy • 12% Liveness
24% Instrumentalness • 16% Positiveness
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Angie McMahon
Soon
98 bpm • E Maj • 03:43 • -12.23db
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 41% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Vlossom
Fast Car - triple j Like A Version
98 bpm • A Maj • 04:12 • -12.12db
31% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Mama Kin
The Road
112 bpm • C Maj • 04:04 • -10db
31% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
12% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
12% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Mimi Gilbert
Taught to Build Walls
98 bpm • G Maj • 03:41 • -8.39db
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Luke Daniel Peacock
Older Then
98 bpm • G Maj • 03:50 • -6.86db
13% Popularity • 51% Danceability • 58% Energy • 33% Liveness
21% Instrumentalness • 16% Positiveness
13% Popularity • 51% Danceability • 58% Energy • 33% Liveness
21% Instrumentalness • 16% Positiveness
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Emily Wurramara
Lullaby
113 bpm • A min • 05:39 • -13.35db
22% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
11% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Mia Dyson
No Other
113 bpm • D# Maj • 05:06 • -11.35db
11% Popularity • 65% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 65% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Kat Edwards
Don’t Call Me
113 bpm • B Maj • 03:34 • -5.11db
14% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Minor Premiers
Oh My My
113 bpm • C Maj • 04:29 • -6.22db
20% Popularity • 63% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
20% Popularity • 63% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Mondo Cozmo
Drown in Love
113 bpm • F Maj • 04:14 • -6.22db
12% Popularity • 55% Danceability • 82% Energy • 20% Liveness
48% Instrumentalness • 35% Positiveness
12% Popularity • 55% Danceability • 82% Energy • 20% Liveness
48% Instrumentalness • 35% Positiveness
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Emily Wurramara
Blue Moon, Black Sea
98 bpm • G min • 04:06 • -14db
23% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Something For Kate
Situation Room
97 bpm • D Maj • 04:30 • -5db
27% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Big Scary
Wake
113 bpm • A# min • 05:01 • -9db
8% Popularity • 76% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
8% Popularity • 76% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Mama Kin
Carry Me
97 bpm • C# Maj • 05:39 • -16.39db
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Maddy Jane
Perfection's a Thing and You're It
113 bpm • B min • 03:24 • -4.93db
21% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ainslie Wills
Two Strong Hearts
97 bpm • D Maj • 03:06 • -11.2db
41% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Miles Calder
Bad for Me
114 bpm • C Maj • 04:38 • -8.09db
27% Popularity • 63% Danceability • 51% Energy • 7% Liveness
20% Instrumentalness • 57% Positiveness
27% Popularity • 63% Danceability • 51% Energy • 7% Liveness
20% Instrumentalness • 57% Positiveness
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Siberian Tiger
Water The Plants
114 bpm • F min • 03:33 • -12.79db
13% Popularity • 39% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 39% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Casa Rosa
Sleeper Agent
114 bpm • F Maj • 03:50 • -8db
30% Popularity • 68% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Mama Kin
Water and Fire
97 bpm • G Maj • 03:42 • -12.39db
15% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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ThornBird
Big Girl Pants
114 bpm • A min • 04:26 • -8db
19% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Jack Davies and The Bush Chooks
Michael
97 bpm • G Maj • 06:20 • -10.04db
13% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alice Skye
Everything Is Great
96 bpm • G Maj • 02:52 • -8.24db
18% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Benny Walker
Crazy Mama
96 bpm • B Maj • 03:07 • -10.74db
2% Popularity • 65% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
2% Popularity • 65% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
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Jordie Lane
Out of State
96 bpm • G min • 02:59 • -7.69db
24% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Stella Donnelly
Love Is in the Air - triple j Like A Ver...
96 bpm • G Maj • 04:25 • -10.96db
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 57% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Darren Hanlon
The Spin
115 bpm • D Maj • 04:15 • -15.42db
12% Popularity • 61% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
12% Popularity • 61% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
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Rossa Murray & the blowin' winds
Melancholy
96 bpm • B min • 04:01 • -13.13db
7% Popularity • 45% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 46% Positiveness
7% Popularity • 45% Danceability • 30% Energy • 13% Liveness
22% Instrumentalness • 46% Positiveness
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The Settlement
She Feels Like Home
115 bpm • C Maj • 03:41 • -7.66db
19% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Benny Walker
Circles
115 bpm • F# min • 04:29 • -13.15db
2% Popularity • 52% Danceability • 24% Energy • 11% Liveness
44% Instrumentalness • 9% Positiveness
2% Popularity • 52% Danceability • 24% Energy • 11% Liveness
44% Instrumentalness • 9% Positiveness
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Carla Geneve
Brighter Than Blue
96 bpm • C Maj • 03:42 • -4.79db
14% Popularity • 53% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 53% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Skyscraper Stan
Flag Of Progress
96 bpm • D min • 03:30 • -9.59db
20% Popularity • 62% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
20% Popularity • 62% Danceability • 71% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Daniel Champagne
Trying to Hold the Setting Sun
96 bpm • C Maj • 03:08 • -12.36db
11% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Thelma Plum
Homecoming Queen Strings
96 bpm • B Maj • 04:22 • -9.57db
23% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Siberian Tiger
Call On Me
96 bpm • D Maj • 04:06 • -9db
10% Popularity • 54% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 54% Danceability • 53% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
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Benny Walker
Stay in My Arms
96 bpm • C Maj • 03:59 • -6.97db
10% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 53% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Oh Mercy
Keep A Light On
115 bpm • B min • 04:22 • -3.93db
12% Popularity • 48% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 48% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
