Songs like Western Rebellion by Eric Reed
Based on a tempo of (+/- 10%) and a similar genre
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Kenny Barron & Dave Holland
In Your Arms
104 bpm • A# min • 06:42 • -28.43db
9% Popularity • 43% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
9% Popularity • 43% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Thomas Sejthen Trio
This Is Our Year
104 bpm • C min • 06:11 • -21.26db
18% Popularity • 38% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
18% Popularity • 38% Danceability • 11% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Eric Reed
This Day
104 bpm • D# Maj • 04:24 • -24.66db
5% Popularity • 50% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
5% Popularity • 50% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Eve
Countryside
104 bpm • G Maj • 03:52 • -14.35db
37% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Marc Copland
And I Love Her
104 bpm • F min • 06:43 • -23.22db
31% Popularity • 46% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 33% Positiveness
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Gathering in Jazz
Blue Sunday
104 bpm • D min • 04:27 • -19.51db
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
39% Popularity • 62% Danceability • 9% Energy • 11% Liveness
61% Instrumentalness • 23% Positiveness
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Portraits in Jazz
Largo
104 bpm • G min • 04:22 • -16.72db
46% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
46% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
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Eric Reed
Western Rebellion
104 bpm • G# Maj • 04:19 • -9.11db
3% Popularity • 50% Danceability • 57% Energy • 18% Liveness
23% Instrumentalness • 63% Positiveness
3% Popularity • 50% Danceability • 57% Energy • 18% Liveness
23% Instrumentalness • 63% Positiveness
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Dado Moroni
My Foolish Heart
104 bpm • C min • 08:51 • -16.8db
7% Popularity • 41% Danceability • 22% Energy • 70% Liveness
88% Instrumentalness • 16% Positiveness
7% Popularity • 41% Danceability • 22% Energy • 70% Liveness
88% Instrumentalness • 16% Positiveness
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Roy Hargrove Quintet
When We Were One
105 bpm • F min • 05:54 • -21.52db
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
15% Popularity • 48% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 14% Positiveness
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Ray Bryant Trio
Misty
105 bpm • E min • 04:04 • -16.29db
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Trio X of Sweden
Sound the Trumpet, Beat the Drum - Welco...
105 bpm • C Maj • 06:23 • -15.05db
24% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Joshua Redman
The Surrey with the Fringe on Top
103 bpm • C# Maj • 05:12 • -10.75db
28% Popularity • 58% Danceability • 39% Energy • 12% Liveness
70% Instrumentalness • 55% Positiveness
28% Popularity • 58% Danceability • 39% Energy • 12% Liveness
70% Instrumentalness • 55% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
43% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
43% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Karl-Martin Almqvist
OD
105 bpm • C# Maj • 06:58 • -11.51db
41% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Mareike Wiening
Future Memories
103 bpm • F Maj • 06:04 • -12.29db
46% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
46% Popularity • 54% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Eric Reed
Stablemates
105 bpm • F# Maj • 07:44 • -14.27db
1% Popularity • 43% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
1% Popularity • 43% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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Enrico Pieranunzi
Night After Night
103 bpm • A# min • 05:58 • -14.02db
10% Popularity • 44% Danceability • 20% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
10% Popularity • 44% Danceability • 20% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Johnny Griffin
These Foolish Things - Remastered 2006/R...
105 bpm • D# Maj • 05:09 • -9.39db
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
33% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
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Henrik Gunde
Blame It on My Youth
106 bpm • F min • 08:06 • -22db
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 14% Positiveness
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Gathering in Jazz
Special One
102 bpm • A# min • 03:48 • -16.76db
34% Popularity • 44% Danceability • 17% Energy • 25% Liveness
90% Instrumentalness • 26% Positiveness
34% Popularity • 44% Danceability • 17% Energy • 25% Liveness
90% Instrumentalness • 26% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Eric Reed
Hello Young Lovers
105 bpm • F min • 05:15 • -12.97db
2% Popularity • 42% Danceability • 48% Energy • 8% Liveness
96% Instrumentalness • 72% Positiveness
2% Popularity • 42% Danceability • 48% Energy • 8% Liveness
96% Instrumentalness • 72% Positiveness
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Gabriel Latchin Trio
Arthur Go
106 bpm • F min • 04:27 • -13.75db
33% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 27% Liveness
55% Instrumentalness • 66% Positiveness
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Hank Mobley
I Should Care
106 bpm • F min • 07:42 • -12.89db
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
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Branford Marsalis Quartet
Dinner for One Please, James
102 bpm • G# Maj • 08:02 • -16.99db
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
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Thomas Sejthen Trio
Monkish
102 bpm • G Maj • 03:46 • -12.21db
26% Popularity • 56% Danceability • 34% Energy • 28% Liveness
26% Instrumentalness • 40% Positiveness
26% Popularity • 56% Danceability • 34% Energy • 28% Liveness
26% Instrumentalness • 40% Positiveness
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Rachel Silver
Shiny Stockings
102 bpm • G Maj • 04:17 • -13.75db
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
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Eric Reed
Make Me Better
102 bpm • F Maj • 05:26 • -10.61db
1% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jimmy Heath
Ballad From Upper Neighbors Suite
106 bpm • F Maj • 04:16 • -9.15db
12% Popularity • 48% Danceability • 35% Energy • 16% Liveness
83% Instrumentalness • 11% Positiveness
12% Popularity • 48% Danceability • 35% Energy • 16% Liveness
83% Instrumentalness • 11% Positiveness
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Lynne Arriale Trio
Lady Liberty
102 bpm • D# Maj • 05:18 • -14.64db
27% Popularity • 47% Danceability • 27% Energy • 23% Liveness
71% Instrumentalness • 13% Positiveness
27% Popularity • 47% Danceability • 27% Energy • 23% Liveness
71% Instrumentalness • 13% Positiveness
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Ola W Jansson
Secret Love
102 bpm • F min • 03:22 • -21.28db
34% Popularity • 40% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
34% Popularity • 40% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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New York Trio
How High The Moon
102 bpm • G Maj • 07:50 • -12.9db
12% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Enj Society
Lakeside
106 bpm • A# Maj • 06:08 • -18db
47% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
47% Popularity • 52% Danceability • 6% Energy • 28% Liveness
81% Instrumentalness • 16% Positiveness
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Marcin Wasilewski Trio
January
102 bpm • B min • 08:38 • -24.26db
39% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
39% Popularity • 32% Danceability • 9% Energy • 16% Liveness
76% Instrumentalness • 5% Positiveness
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Marek Konarski
Soultrane
107 bpm • F min • 06:29 • -14db
41% Popularity • 59% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
41% Popularity • 59% Danceability • 11% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Cedar Walton
Autumn Leaves
102 bpm • F min • 06:03 • -14.02db
17% Popularity • 48% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
17% Popularity • 48% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
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Benny Green
Summer Nights
107 bpm • A min • 05:00 • -32.69db
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Walt Weiskopf
Other Jewels
107 bpm • C# Maj • 05:47 • -10.49db
43% Popularity • 46% Danceability • 22% Energy • 22% Liveness
6% Instrumentalness • 18% Positiveness
43% Popularity • 46% Danceability • 22% Energy • 22% Liveness
6% Instrumentalness • 18% Positiveness
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ARTEMIS
Song For Abdullah - Bonus
101 bpm • C# Maj • 06:11 • -17.35db
14% Popularity • 43% Danceability • 19% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
14% Popularity • 43% Danceability • 19% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
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Shelly Berg Trio
Blame It On The Sun
107 bpm • F min • 06:46 • -19.96db
30% Popularity • 43% Danceability • 14% Energy • 7% Liveness
77% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 14% Energy • 7% Liveness
77% Instrumentalness • 14% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
31% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Walt Weiskopf
My Old Flame
107 bpm • F Maj • 06:18 • -8.19db
35% Popularity • 54% Danceability • 34% Energy • 31% Liveness
18% Instrumentalness • 28% Positiveness
35% Popularity • 54% Danceability • 34% Energy • 31% Liveness
18% Instrumentalness • 28% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Eyolf Dale
A Blacksmith's Tale
107 bpm • B Maj • 03:27 • -18.12db
35% Popularity • 46% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
35% Popularity • 46% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Armel Dupas Trio
Follow the Light
107 bpm • D Maj • 05:03 • -20.25db
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Gabriel Latchin Trio
It Had to Be You
107 bpm • F Maj • 04:34 • -11.8db
15% Popularity • 55% Danceability • 43% Energy • 7% Liveness
2% Instrumentalness • 58% Positiveness
15% Popularity • 55% Danceability • 43% Energy • 7% Liveness
2% Instrumentalness • 58% Positiveness
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Dave Ellis (featuring Jeff Chimenti
Pillars
101 bpm • A# min • 06:41 • -11.73db
1% Popularity • 48% Danceability • 46% Energy • 12% Liveness
19% Instrumentalness • 34% Positiveness
1% Popularity • 48% Danceability • 46% Energy • 12% Liveness
19% Instrumentalness • 34% Positiveness
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Carl Bagge
Love Theme From Chinatown
107 bpm • A min • 05:40 • -18.11db
51% Popularity • 51% Danceability • 14% Energy • 8% Liveness
24% Instrumentalness • 16% Positiveness
51% Popularity • 51% Danceability • 14% Energy • 8% Liveness
24% Instrumentalness • 16% Positiveness
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Vincent Herring
Tenderly
107 bpm • G# Maj • 10:18 • -14.19db
34% Popularity • 50% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 18% Positiveness
34% Popularity • 50% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 18% Positiveness
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Peter Beets
Nigerian Marketplace
107 bpm • G min • 07:31 • -12db
11% Popularity • 58% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
11% Popularity • 58% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Peter Nordahl Trio
I Love You, Porgy
108 bpm • A min • 02:30 • -14.87db
37% Popularity • 54% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
37% Popularity • 54% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Donald Harrison
Strange Day
100 bpm • F min • 07:46 • -12.3db
0% Popularity • 56% Danceability • 34% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
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Copenhagen Jazzexperience
Never Let Me Go
100 bpm • F min • 05:23 • -18.82db
52% Popularity • 45% Danceability • 8% Energy • 22% Liveness
61% Instrumentalness • 19% Positiveness
52% Popularity • 45% Danceability • 8% Energy • 22% Liveness
61% Instrumentalness • 19% Positiveness
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Kenny Barron Trio
Cook's Bay
100 bpm • G Maj • 06:00 • -12.87db
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Jerry Bergonzi
I Will Never Stop Loving You
100 bpm • A# Maj • 02:53 • -12.19db
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 24% Energy • 20% Liveness
52% Instrumentalness • 34% Positiveness
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Cedar Walton
Off Minor
100 bpm • D Maj • 09:01 • -19.33db
26% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
26% Popularity • 44% Danceability • 38% Energy • 34% Liveness
64% Instrumentalness • 61% Positiveness
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Eric Reed
Martha's Prize
108 bpm • F min • 07:49 • -11.96db
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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Søren Bebe Trio
On and On
108 bpm • C# Maj • 03:51 • -22.9db
41% Popularity • 71% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
41% Popularity • 71% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Connie Han
Captain’s Song
108 bpm • G# min • 05:22 • -15.77db
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
42% Popularity • 50% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Marcus Bartelt
In The End
108 bpm • B Maj • 07:34 • -19.2db
36% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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John Lee
Fabienne
100 bpm • D# Maj • 06:03 • -14.51db
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Branford Marsalis Quartet
Cianna
100 bpm • D# Maj • 07:32 • -9.44db
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
25% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
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Eric Reed
Finale (Last Trip)
108 bpm • F min • 03:39 • -14.65db
0% Popularity • 48% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 83% Positiveness
0% Popularity • 48% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 83% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Fredrik Kronkvist
Theme For Leon
108 bpm • F min • 06:08 • -13.44db
27% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
27% Popularity • 45% Danceability • 28% Energy • 5% Liveness
3% Instrumentalness • 19% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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Donald Harrison
Playa Haters
109 bpm • B min • 05:22 • -11.14db
0% Popularity • 53% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
0% Popularity • 53% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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Matthias Bublath
What Are You Doing for the Rest of Your ...
109 bpm • A min • 06:09 • -20.84db
38% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Eric Reed
Maria
109 bpm • F min • 06:34 • -18.25db
3% Popularity • 62% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
3% Popularity • 62% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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CMC 3
Star Eyes
109 bpm • C Maj • 05:18 • -15db
22% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
22% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
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Dave Stryker
As We Were
99 bpm • E min • 05:25 • -17.85db
32% Popularity • 42% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
32% Popularity • 42% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Kenny Barron Trio
Beautiful Love
99 bpm • G min • 06:57 • -9.39db
23% Popularity • 57% Danceability • 55% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
23% Popularity • 57% Danceability • 55% Energy • 17% Liveness
8% Instrumentalness • 50% Positiveness
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Enrico Pieranunzi
Romance / Hommage à Milhaud
109 bpm • A# Maj • 04:45 • -21db
37% Popularity • 43% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
37% Popularity • 43% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Marc Copland
Rainy Night House
99 bpm • A min • 06:30 • -25.26db
30% Popularity • 44% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Eric Reed
Search for Peace
99 bpm • D Maj • 06:36 • -16.71db
14% Popularity • 40% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 9% Positiveness
14% Popularity • 40% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 9% Positiveness
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Shelly Berg Trio
All The Things You Are
109 bpm • C# Maj • 07:05 • -17.21db
12% Popularity • 43% Danceability • 28% Energy • 18% Liveness
89% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 28% Energy • 18% Liveness
89% Instrumentalness • 32% Positiveness
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Joonas Tuuri Quartet
November
109 bpm • C Maj • 04:29 • -16.65db
45% Popularity • 49% Danceability • 21% Energy • 29% Liveness
14% Instrumentalness • 9% Positiveness
45% Popularity • 49% Danceability • 21% Energy • 29% Liveness
14% Instrumentalness • 9% Positiveness
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Eldar Djangirov
'Round Midnight
99 bpm • C# Maj • 06:20 • -25.52db
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
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Bill Charlap
The Nearness Of You
99 bpm • G Maj • 07:27 • -17.76db
49% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
49% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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Matija Dedić
Lush Life
110 bpm • C# Maj • 07:21 • -23.12db
24% Popularity • 50% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
24% Popularity • 50% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Eric Reed
A Love Devine
99 bpm • F# Maj • 02:21 • -21.33db
15% Popularity • 38% Danceability • 8% Energy • 24% Liveness
2% Instrumentalness • 12% Positiveness
15% Popularity • 38% Danceability • 8% Energy • 24% Liveness
2% Instrumentalness • 12% Positiveness
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Benjamin Harrison
After Dark
110 bpm • C min • 03:54 • -20.19db
30% Popularity • 52% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
30% Popularity • 52% Danceability • 10% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Joachim Kühn
Love and Peace
110 bpm • G# Maj • 01:59 • -14.71db
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 22% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Mellow In Blue
In A Sentimental Mood
110 bpm • C Maj • 05:06 • -11.27db
37% Popularity • 56% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 25% Positiveness
37% Popularity • 56% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 25% Positiveness
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Carl Winther Trio
Prelude to a Kiss
110 bpm • C Maj • 05:20 • -23.43db
29% Popularity • 39% Danceability • 8% Energy • 13% Liveness
77% Instrumentalness • 16% Positiveness
29% Popularity • 39% Danceability • 8% Energy • 13% Liveness
77% Instrumentalness • 16% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Eric Reed
Light Blue
99 bpm • C Maj • 04:47 • -16.49db
30% Popularity • 50% Danceability • 28% Energy • 19% Liveness
65% Instrumentalness • 35% Positiveness
30% Popularity • 50% Danceability • 28% Energy • 19% Liveness
65% Instrumentalness • 35% Positiveness
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Alfio Origlio
Absyrations
110 bpm • C Maj • 05:44 • -21.86db
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
40% Popularity • 42% Danceability • 18% Energy • 9% Liveness
63% Instrumentalness • 16% Positiveness
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Richard Baratta
Blackberry Winter
110 bpm • F Maj • 04:51 • -16db
18% Popularity • 48% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
18% Popularity • 48% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
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Henrik Gunde
Fanølyng
98 bpm • G min • 05:18 • -19db
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
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Brad Hatfield
Fred and Ginger
110 bpm • F Maj • 02:05 • -22db
39% Popularity • 73% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
39% Popularity • 73% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 34% Positiveness
