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Whaddya Do
Songs like
Whaddya Do
by
Santino Fontana
Based on a tempo of (+/- 10%) and a similar genre
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Andy Grotelueschen
Whaddya Do - Reprise
138 bpm • C# Maj • 00:50 • -10.22db
14% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
24% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
27% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
43% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
18% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
21% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Company - Freaky Friday: A New Musical
Just One Day (Reprise)
139 bpm • C Maj • 02:44 • -5.45db
25% Popularity • 52% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
20% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Debbie Gravitte
We Are Gonna Save The World
137 bpm • E Maj • 05:39 • -9.06db
2% Popularity • 57% Danceability • 39% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
20% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
29% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
32% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Santino Fontana
New York Day
137 bpm • C Maj • 02:26 • -11.48db
1% Popularity • 33% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Diane Phelan
How We Gonna Save The World?
140 bpm • A Maj • 01:04 • -6db
8% Popularity • 56% Danceability • 61% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
25% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
20% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
13% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
19% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Carlos López
Daddy Knows Best
140 bpm • G Maj • 02:52 • -5db
39% Popularity • 51% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Rick Lyon
The Money Song
135 bpm • G Maj • 05:01 • -9db
8% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
30% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
33% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
24% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
28% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Ilana Levine
Little Known Facts
141 bpm • D# min • 02:22 • -11.94db
27% Popularity • 68% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
28% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
32% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Dysentery World
135 bpm • C min • 02:10 • -6.77db
29% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
26% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
26% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Corey Brunish
Danza
142 bpm • D Maj • 03:27 • -6.72db
0% Popularity • 32% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Roger Bart
Join The Family Business
134 bpm • D Maj • 04:17 • -6db
25% Popularity • 59% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
43% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
24% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
23% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Soundtrack/Cast Album
Closed For Renovation
142 bpm • A# Maj • 01:41 • -10.27db
35% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Raymond Jaramillo McLeod
Two of a Kind
133 bpm • A min • 02:31 • -6.24db
18% Popularity • 67% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
27% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Michael McCormick
Eye To Eye
133 bpm • G Maj • 03:35 • -9.28db
2% Popularity • 70% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
29% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
38% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Corey Brunish
That Ship Has Sailed
143 bpm • C# Maj • 03:17 • -7.79db
1% Popularity • 41% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
25% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Santino Fontana
A Guy Without A Girl
144 bpm • C# Maj • 05:21 • -11.63db
2% Popularity • 58% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
32% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
20% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
40% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
21% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
16% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Mulheren
Please, Don't Take Him
132 bpm • E min • 02:27 • -8.08db
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
33% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Santino Fontana
Arrivederci!
132 bpm • B Maj • 00:55 • -8.21db
14% Popularity • 73% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Fred Applegate
Please Send Me Someone
145 bpm • C Maj • 02:50 • -8.89db
18% Popularity • 33% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
11% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
16% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
29% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
43% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
30% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
29% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
32% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
34% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
28% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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David Aaron Baker
Song of Love
131 bpm • A# min • 04:03 • -13db
21% Popularity • 69% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Will Reynolds
Great Interest (Reprise)
130 bpm • D Maj • 02:35 • -9.84db
14% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
30% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Corey Brunish
Marcello's Prayer
146 bpm • A min • 01:53 • -6.43db
2% Popularity • 51% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
36% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Original Broadway Cast Of 'Curtains'
Coffee Shop Nights
129 bpm • A Maj • 03:08 • -21.09db
22% Popularity • 60% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
44% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jerry Orbach
We Both Reached for the Gun
129 bpm • C# min • 03:44 • -7.65db
21% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Venetia Belcon
You Can Be as Loud as the Hell You Want ...
148 bpm • F min • 02:41 • -6.79db
8% Popularity • 57% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
23% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
24% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kate Shindle
A Nice Little Walk
128 bpm • G# Maj • 02:26 • -11.96db
23% Popularity • 55% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Santino Fontana
I Ain't Gonna Give Nobody None O' My Jel...
129 bpm • F Maj • 01:22 • -15.82db
2% Popularity • 59% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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John Behlmann
This Thing
149 bpm • C Maj • 03:15 • -7.26db
16% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Terrence Mann
Let's Not Talk About Anything Else But L...
149 bpm • F Maj • 03:19 • -10.74db
37% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
John Dossett
The Bottom Line (Reprise)
128 bpm • G Maj • 00:57 • -13.46db
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Wartella
You Can't Trust a Man
128 bpm • C Maj • 03:26 • -10.79db
27% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Alexander Nolan
She Thinks I'm Old
149 bpm • F min • 02:25 • -10.52db
21% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
32% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
29% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
27% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
32% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
23% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Whaddya Do