Songs like What A Fool I've Been by Carla Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Diana Ross & The Supremes
Love Child
105 bpm • A min • 03:01 • -0.81db
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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The Undisputed Truth
Smiling Faces Sometimes
105 bpm • B Maj • 03:18 • -12db
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Chantels
Maybe
104 bpm • A# Maj • 02:56 • -8.68db
43% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Going Back To Where I Belong
104 bpm • G min • 02:28 • -6db
48% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Garnet Mimms & The Enchanters
A Quiet Place
106 bpm • G min • 02:24 • -12.22db
37% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 69% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Sly & The Family Stone
Thank You (Falettinme Be Mice Elf Agin) ...
106 bpm • A Maj • 04:51 • -12.68db
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Major Lance
Please Don't Say No More
106 bpm • C min • 02:17 • -9.17db
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Barbara Lynn
You'll Lose A Good Thing
104 bpm • D min • 02:39 • -13.22db
60% Popularity • 59% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 59% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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The Seashells
Quiet Home
104 bpm • E Maj • 02:18 • -7.74db
23% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
29% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Deanie Parker & The Valadors
My Imaginary Guy
106 bpm • F Maj • 02:38 • -9.71db
9% Popularity • 71% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 71% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Carla Thomas
Little Red Rooster
104 bpm • F min • 02:59 • -8.74db
5% Popularity • 53% Danceability • 66% Energy • 88% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 53% Danceability • 66% Energy • 88% Liveness
0% Instrumentalness • 69% Positiveness
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Bobby "Blue" Bland
Turn On Your Love Light
106 bpm • F Maj • 02:38 • -9.12db
34% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
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Irma Thomas
It's Raining
106 bpm • G Maj • 02:08 • -12db
44% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Village Callers
Hector
103 bpm • F Maj • 02:45 • -6.85db
29% Popularity • 52% Danceability • 86% Energy • 58% Liveness
81% Instrumentalness • 73% Positiveness
29% Popularity • 52% Danceability • 86% Energy • 58% Liveness
81% Instrumentalness • 73% Positiveness
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Barbara Lewis
Hello Stranger
103 bpm • C Maj • 02:46 • -23.88db
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Staple Singers
For What It's Worth
103 bpm • D Maj • 02:24 • -10db
40% Popularity • 76% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 76% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Little Willie John
No Regrets
107 bpm • G min • 02:46 • -5.72db
11% Popularity • 57% Danceability • 53% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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Otis Clay
If I Could Reach out and Help
107 bpm • D min • 06:46 • -4.96db
1% Popularity • 28% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 28% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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The Clovers
One Mint Julep - Remastered
107 bpm • G# Maj • 02:29 • -8.48db
32% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 76% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Little Willie John
Need Your Love So Bad
107 bpm • C# Maj • 02:16 • -10.66db
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Barrett Strong
Oh I Apologize - Single Version / Mono
107 bpm • A# Maj • 02:21 • -6.16db
17% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 65% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Chuck Jackson
Any Day Now
108 bpm • G Maj • 03:27 • -11.98db
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
66% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
66% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
56% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Sly & The Family Stone
If You Want Me to Stay
102 bpm • B min • 03:00 • -11.57db
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
23% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Nancy Sinatra
Sugar Town
108 bpm • G Maj • 02:26 • -11.79db
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Otis Redding
Let Me Be Good to You
107 bpm • C min • 02:53 • -19.67db
16% Popularity • 74% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 74% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Booker T. & the M.G.'s
Hip Hug-Her
109 bpm • D# Maj • 02:26 • -17db
42% Popularity • 81% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 86% Positiveness
42% Popularity • 81% Danceability • 32% Energy • 11% Liveness
23% Instrumentalness • 86% Positiveness
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Carla Thomas
A Boy Named Tom
108 bpm • A# Maj • 02:33 • -9.3db
2% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 67% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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William Bell
Any Other Way
109 bpm • D# Maj • 02:48 • -15.31db
12% Popularity • 84% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 84% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Edwin Starr
Backyard Lovin' Man
109 bpm • C Maj • 02:52 • -10.38db
16% Popularity • 72% Danceability • 60% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 72% Danceability • 60% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
43% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Staple Singers
If You're Ready (Come Go With Me)
101 bpm • E Maj • 04:27 • -14.66db
43% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Mack Rice
Mustang Sally
110 bpm • C Maj • 03:06 • -9.4db
19% Popularity • 88% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 88% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Carla Thomas
When Tomorrow Comes
101 bpm • A# Maj • 02:35 • -19.12db
3% Popularity • 70% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 70% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Brenton Wood
Great Big Bundle Of Love
109 bpm • F min • 02:18 • -5.24db
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Edwin Starr
War
109 bpm • C# Maj • 03:20 • -12.48db
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Dramatics
Get Up And Get Down - 45 Version
100 bpm • C# min • 03:11 • -16db
38% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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David Ruffin
My Whole World Ended (The Moment You Lef...
110 bpm • F Maj • 03:32 • -9db
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Carla Thomas
A Lovely Way to Spend an Evening
101 bpm • G Maj • 02:38 • -9.62db
5% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
5% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
28% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Wynona Carr
Act Right
110 bpm • F Maj • 02:41 • -9.23db
10% Popularity • 74% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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The Sweet Inspirations
Sweet Inspiration
110 bpm • F Maj • 02:55 • -8db
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Staple Singers
Respect Yourself
111 bpm • B min • 04:56 • -10.62db
37% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
37% Popularity • 80% Danceability • 48% Energy • 7% Liveness
27% Instrumentalness • 82% Positiveness
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The Robins
Since I First Met You
99 bpm • C# Maj • 02:20 • -9.6db
26% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 51% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Candi Staton
Stand by Your Man
111 bpm • A Maj • 02:58 • -12.9db
30% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Irma Thomas
Wait, Wait, Wait
111 bpm • A# Maj • 02:35 • -11db
21% Popularity • 55% Danceability • 27% Energy • 78% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 55% Danceability • 27% Energy • 78% Liveness
0% Instrumentalness • 52% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Barbara Lewis
Baby, I'm Yours
99 bpm • F# Maj • 02:30 • -12db
35% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Clyde McPhatter
Let's Forget About The Past
112 bpm • F Maj • 02:31 • -6.86db
12% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Dramatics
If You Haven't Got Love
99 bpm • A min • 03:05 • -6.44db
10% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Irma Thomas
I Haven't Got Time To Cry
99 bpm • G Maj • 02:43 • -9.11db
28% Popularity • 40% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 40% Danceability • 66% Energy • 69% Liveness
0% Instrumentalness • 52% Positiveness
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Allen Toussaint
Here Comes The Girls - Remastered
99 bpm • C# Maj • 03:10 • -7.71db
35% Popularity • 79% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 79% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Baby Washington
Congratulations Honey
99 bpm • G Maj • 02:41 • -3.78db
12% Popularity • 49% Danceability • 90% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
12% Popularity • 49% Danceability • 90% Energy • 12% Liveness
12% Instrumentalness • 70% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Rogers
You're The Cream Of The Crop
99 bpm • A Maj • 03:02 • -5.09db
8% Popularity • 60% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
8% Popularity • 60% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Tommy James & The Shondells
Crystal Blue Persuasion
99 bpm • A Maj • 04:02 • -11.45db
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Frankie Lymon
I Promise to Remember
98 bpm • F min • 02:48 • -9.18db
13% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Rawls
A Natural Man
112 bpm • G min • 03:41 • -8db
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Mar-Keys
Bo-Time
98 bpm • C Maj • 02:40 • -8.21db
11% Popularity • 78% Danceability • 60% Energy • 3% Liveness
83% Instrumentalness • 90% Positiveness
11% Popularity • 78% Danceability • 60% Energy • 3% Liveness
83% Instrumentalness • 90% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Carla Thomas
I Fall to Pieces
98 bpm • C Maj • 03:13 • -13.5db
10% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Martha Reeves & The Vandellas
A Love Like Yours (Don't Come Knocking E...
98 bpm • D# Maj • 02:29 • -7.21db
23% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Nat Hendrix Band
A Little Taste Of Soul
98 bpm • C Maj • 02:18 • -11db
15% Popularity • 55% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 55% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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The Spinners
The Rubberband Man
98 bpm • A# Maj • 03:33 • -14.61db
66% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
66% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Brenton Wood
Oogum Boogum Song
113 bpm • G Maj • 03:06 • -6db
67% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Garnet Mimms
Tell Me Baby
98 bpm • A# min • 02:44 • -14.63db
17% Popularity • 49% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 49% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Betty Wright
He's Bad, Bad, Bad
113 bpm • B min • 02:25 • -8db
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Irma Thomas
Fancy
97 bpm • C# Maj • 04:44 • -5.66db
14% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Brenton Wood
The Oogum Boogum Song
113 bpm • G Maj • 02:33 • -5.31db
52% Popularity • 88% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 88% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Atwater
Knock On Wood
113 bpm • E Maj • 03:59 • -12db
2% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
2% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Arthur Conley
Rome (Wasn't Built In a Day)
113 bpm • C# Maj • 02:08 • -8.92db
13% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Mable John
Looking For A Man - Single Version
113 bpm • F min • 02:34 • -9.58db
16% Popularity • 71% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Shirelles
Baby It's You
113 bpm • G min • 02:41 • -11.86db
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Jeanne & The Darlings
Soul Girl
97 bpm • C# Maj • 02:28 • -11.21db
26% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 74% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 94% Positiveness
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Brenton Wood
Gimme Little Sign
113 bpm • A# min • 02:21 • -5.06db
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Clyde McPhatter
You're Moving Me
113 bpm • A# Maj • 02:27 • -5.23db
37% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
