Songs like ...What Are We? by Lizzy McAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
65% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
65% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Olive Klug
Raining in June
92 bpm • D Maj • 02:46 • -13.84db
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Leith Ross
Understood
92 bpm • A# Maj • 05:01 • -14.87db
34% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 41% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Kevin Atwater
why did you invite me to your wedding
92 bpm • D# Maj • 02:44 • -15.21db
42% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Matilda Mann
The Day That I Met You
92 bpm • C# Maj • 02:45 • -9.87db
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call
92 bpm • E min • 04:04 • -12db
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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MUNA
Loose Garment
93 bpm • C# Maj • 03:10 • -9.2db
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Reneé Rapp
Don't Tell My Mom
93 bpm • A Maj • 03:09 • -9db
61% Popularity • 71% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 71% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jensen McRae
Starting To Get To You
91 bpm • G# Maj • 02:41 • -8.35db
43% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 84% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Katie Gregson-MacLeod
TV Show
91 bpm • D Maj • 02:39 • -6.78db
26% Popularity • 47% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 47% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lizzy McAlpine
...What Are We?
92 bpm • E Maj • 03:38 • -14.92db
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
75% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
75% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Jacob Collier
Never Gonna Be Alone
91 bpm • C Maj • 04:10 • -9.37db
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
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Liang Lawrence
Santa Cruz
94 bpm • G# min • 02:56 • -15.21db
31% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sophie Holohan
Fault Line
90 bpm • E Maj • 03:07 • -7.33db
42% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Lizzy McAlpine
I Don't Know You At All
91 bpm • A min • 04:31 • -15.38db
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Chappell Roan
Love Me Anyway
94 bpm • G# Maj • 03:53 • -7db
63% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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nic violets
head trauma
90 bpm • F# min • 02:24 • -7.76db
16% Popularity • 53% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 53% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call (Andrew)
91 bpm • C Maj • 06:10 • -14.45db
49% Popularity • 63% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 63% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Peter McPoland
I Love You Too
94 bpm • A# Maj • 03:09 • -18.59db
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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JP Saxe
Everything Ends
94 bpm • E Maj • 02:13 • -13.66db
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eloise
Friends Who Kiss
94 bpm • C Maj • 01:57 • -10db
37% Popularity • 48% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 48% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Lizzy McAlpine
erase me
93 bpm • F# min • 03:34 • -8.53db
58% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 42% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Leanna Firestone
Right Person, Right Time
95 bpm • G# Maj • 02:50 • -8.42db
36% Popularity • 54% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 54% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
61% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Delaney Bailey
when i was god
95 bpm • C Maj • 02:01 • -18.33db
34% Popularity • 43% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 43% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lilacs.
7PM
95 bpm • E Maj • 03:22 • -8.09db
51% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jacob Collier
Never Gonna Be Alone – Live at the Tr...
95 bpm • C Maj • 04:32 • -9.43db
33% Popularity • 47% Danceability • 31% Energy • 92% Liveness
1% Instrumentalness • 29% Positiveness
33% Popularity • 47% Danceability • 31% Energy • 92% Liveness
1% Instrumentalness • 29% Positiveness
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Lizzy McAlpine
Movie Star
94 bpm • A Maj • 01:32 • -12.13db
64% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Zeph
Lucky
95 bpm • C Maj • 03:12 • -17db
49% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Katie Gregson-MacLeod
complex (demo)
95 bpm • C Maj • 04:16 • -9.92db
56% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jensen McRae
With The Lights On
89 bpm • C Maj • 03:54 • -5.65db
34% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Georgia Greene
Lonely for You
95 bpm • D Maj • 03:28 • -10db
28% Popularity • 44% Danceability • 25% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 25% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
71% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Lizzy McAlpine
Same Boat
95 bpm • D Maj • 03:22 • -11.92db
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Phoebe Bridgers
Motion Sickness (Demo - Bonus Track)
95 bpm • C# Maj • 04:24 • -11.06db
50% Popularity • 36% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 36% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Peter McPoland
Let Her Remember
89 bpm • G Maj • 03:32 • -6.5db
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Olive Klug
Not Forever After
88 bpm • B Maj • 03:39 • -9.57db
28% Popularity • 53% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 53% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Genevieve Stokes
Book of Memories
96 bpm • C Maj • 02:58 • -13.22db
31% Popularity • 29% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 29% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lizzy McAlpine
Means Something
95 bpm • G# Maj • 02:24 • -15db
59% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Chappell Roan
Kaleidoscope
88 bpm • B Maj • 03:42 • -7.11db
65% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 42% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Lefroy
Dog Eat Dog
88 bpm • B Maj • 02:49 • -8.67db
48% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Delaney Bailey
we were girls together
97 bpm • G Maj • 02:17 • -15.2db
50% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
50% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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quinnie
touch tank - acoustic
97 bpm • E Maj • 03:21 • -8db
38% Popularity • 52% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 52% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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runo plum
jupiter
87 bpm • G Maj • 02:40 • -18.47db
39% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lizzy McAlpine
Older
89 bpm • D# Maj • 03:21 • -12.99db
64% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
64% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Devon Gabriella
a little hope never hurt
97 bpm • D min • 02:30 • -9.53db
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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stories
Savior Complex
97 bpm • D Maj • 03:18 • -13.81db
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
68% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
68% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Gatlin
Summer Coat
87 bpm • C Maj • 03:06 • -9.6db
32% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Lizzy McAlpine
You Forced Me To
96 bpm • C# min • 03:03 • -13.62db
63% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jensen McRae
Adam's Ribs
87 bpm • D Maj • 03:14 • -7.24db
42% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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The Greeting Committee
Sort Of Stranger
98 bpm • C# Maj • 03:30 • -8.29db
38% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 63% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sabrina Carpenter
emails i can’t send
86 bpm • G Maj • 01:44 • -10.61db
71% Popularity • 52% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 52% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
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Annika Kilkenny
Look Mom I Made It
98 bpm • F# Maj • 02:59 • -13.43db
46% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Field Guide
Yellow
86 bpm • B Maj • 03:30 • -11.88db
41% Popularity • 67% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
41% Popularity • 67% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Lizzy McAlpine
Hold On
86 bpm • C# Maj • 02:36 • -10.72db
44% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 45% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Leith Ross
Everything Ends
86 bpm • G Maj • 01:28 • -21.25db
39% Popularity • 40% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 40% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Greeting Committee
Wrapped Inside Of Your Arms
98 bpm • G Maj • 03:12 • -10.01db
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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quinnie
itch
86 bpm • G Maj • 03:45 • -6.29db
40% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Tiny Habits
pennies (voice memo)
98 bpm • E Maj • 03:02 • -8.75db
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Sanchez
Please Don't Go Home Yet
98 bpm • C Maj • 03:34 • -10.59db
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Gracie Abrams
This is what the drugs are for
99 bpm • C# Maj • 04:05 • -8.14db
60% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 51% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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ella jane
Crash Cart
99 bpm • B Maj • 03:29 • -10.8db
23% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Kessler
It Could Be Worse
99 bpm • F Maj • 01:33 • -14.29db
51% Popularity • 48% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Molly Seger
california from the backseat
99 bpm • G# Maj • 03:12 • -14.21db
24% Popularity • 34% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 34% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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boygenius
Letter To An Old Poet
85 bpm • C Maj • 03:07 • -13.99db
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lizzy McAlpine
Better Than This
85 bpm • F Maj • 03:34 • -11.49db
63% Popularity • 58% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 58% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Lefroy
Mortals
100 bpm • G# Maj • 03:08 • -11.9db
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jensen McRae
Good Legs
85 bpm • E Maj • 02:46 • -5.86db
39% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sophie May
Lover Boy
85 bpm • E Maj • 01:59 • -11db
58% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Olive Klug
Fire Alarm
100 bpm • C min • 03:07 • -11.31db
29% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tiny Habits
Small Enough
100 bpm • G Maj • 03:32 • -9.61db
48% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Leanna Firestone
Google Translate / poppies
100 bpm • C# min • 04:23 • -11.23db
37% Popularity • 45% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 45% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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ella jane
Time On
100 bpm • F Maj • 03:48 • -7.86db
30% Popularity • 81% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 81% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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Jordy Searcy
Molly
100 bpm • D# Maj • 03:02 • -12.16db
44% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
44% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Lizzy McAlpine
ceilings - Spotify Singles
85 bpm • A Maj • 02:44 • -14db
44% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
44% Popularity • 33% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Sophia James
I Wasn't Made to Be In Love
85 bpm • E Maj • 05:41 • -13.96db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Searows
Hold You
85 bpm • B Maj • 05:05 • -18db
42% Popularity • 25% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
42% Popularity • 25% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Leith Ross
To Learn
85 bpm • G# Maj • 02:17 • -17.02db
43% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 40% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Reneé Rapp
Tattoos
84 bpm • B Maj • 02:53 • -4.98db
63% Popularity • 54% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
63% Popularity • 54% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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Lexie Carroll
racing raindrops
100 bpm • C Maj • 03:36 • -13.83db
21% Popularity • 50% Danceability • 23% Energy • 17% Liveness
3% Instrumentalness • 42% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 17% Liveness
3% Instrumentalness • 42% Positiveness
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Vivienne Artur
Kept Me Alive
84 bpm • A# Maj • 03:57 • -9db
27% Popularity • 41% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 41% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Olive Klug
Sailor Song
84 bpm • D# Maj • 02:21 • -10.64db
36% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 55% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Leith Ross
5am
85 bpm • G# Maj • 03:38 • -17.52db
40% Popularity • 19% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 6% Positiveness
40% Popularity • 19% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 6% Positiveness
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Matilda Mann
Robbed
101 bpm • C Maj • 04:03 • -16.01db
28% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
