Songs like What Are You Doing New Year's Eve by Johnny Mathis
Based on a tempo of (+/- 10%) and a similar genre
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Ray Peterson
Be My Girl
67 bpm • F Maj • 02:13 • -12.19db
28% Popularity • 37% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 37% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jeri Southern
Don't Look At Me That Way
67 bpm • F Maj • 02:59 • -10db
39% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Everly Brothers
Walk Right Back - 2022 Remaster
67 bpm • C# Maj • 02:19 • -12.69db
46% Popularity • 58% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 58% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Mathis
You Don't Know Me
68 bpm • C# Maj • 03:30 • -11.01db
27% Popularity • 24% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ricky Nelson
A Teenager's Romance
68 bpm • A# Maj • 02:16 • -14.98db
38% Popularity • 59% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 59% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Frankie Valli
We're All Alone
66 bpm • F Maj • 04:08 • -11.21db
26% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Jo Stafford
You Belong To Me
69 bpm • F Maj • 03:12 • -14.59db
53% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Johnnie Ray
Hey There - from The "Pajama Game"
65 bpm • F min • 02:52 • -15.77db
32% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 41% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Jackie Wilson
To Be Loved
69 bpm • F Maj • 02:34 • -7.53db
49% Popularity • 24% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 24% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Mathis
Someone - Remastered
66 bpm • A Maj • 02:54 • -9.54db
11% Popularity • 30% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 30% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Billie Holiday
As Time Goes By
69 bpm • E min • 03:14 • -15.21db
56% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Edwards
It's All In The Game
70 bpm • D# Maj • 02:38 • -12db
55% Popularity • 47% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 47% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Buddy Greco
My Kind Of Girl
70 bpm • F Maj • 02:40 • -12.67db
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 65% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Johnnie Ray
Cry
70 bpm • C Maj • 03:01 • -15.5db
47% Popularity • 48% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 48% Danceability • 10% Energy • 66% Liveness
0% Instrumentalness • 35% Positiveness
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The Skyliners
Since I Don't Have You (Alternative Take...
71 bpm • F# Maj • 02:38 • -4.23db
53% Popularity • 26% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 26% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Mathis
Warm
69 bpm • E min • 03:28 • -11db
20% Popularity • 20% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 20% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ray Charles
You Don't Know Me
71 bpm • D# Maj • 03:16 • -12.18db
53% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Mills Brothers
Till Then - 1958 version
71 bpm • D# Maj • 02:58 • -20.7db
34% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Cascades
My First Day Alone
71 bpm • D Maj • 02:39 • -11.46db
34% Popularity • 48% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 48% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Bert Kaempfert
Wonderland By Night (Wunderland bei Nach...
71 bpm • E Maj • 03:15 • -10.21db
39% Popularity • 21% Danceability • 23% Energy • 28% Liveness
92% Instrumentalness • 24% Positiveness
39% Popularity • 21% Danceability • 23% Energy • 28% Liveness
92% Instrumentalness • 24% Positiveness
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The Fleetwoods
Goodnight My Love (Pleasant Dreams)
63 bpm • G Maj • 02:23 • -24db
27% Popularity • 38% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 38% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Vaughan
Eternally
72 bpm • F Maj • 02:26 • -12.54db
30% Popularity • 23% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 23% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Margaret Whiting
Moonlight In Vermont - 1945 Version
72 bpm • D# Maj • 03:12 • -10.67db
26% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Malcolm Vaughan
More Than Ever
72 bpm • C# min • 02:18 • -9.69db
32% Popularity • 40% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 40% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Dion & The Belmonts
I'm Through With Love
72 bpm • G Maj • 02:17 • -9.23db
34% Popularity • 30% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ruby Murray
I'll Come When You Call
72 bpm • A# Maj • 02:36 • -14db
23% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Everly Brothers
Let It Be Me
73 bpm • G Maj • 02:26 • -16.05db
57% Popularity • 47% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 47% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Tommy Edwards
I Looked At Heaven
62 bpm • D Maj • 02:24 • -11.04db
30% Popularity • 57% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
30% Popularity • 57% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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The Spaniels
Goodnight, Sweetheart, Goodnight
73 bpm • G Maj • 02:40 • -13.42db
51% Popularity • 56% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 56% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Mathis
What I Did for Love
73 bpm • C Maj • 02:44 • -9.05db
21% Popularity • 38% Danceability • 47% Energy • 12% Liveness
8% Instrumentalness • 32% Positiveness
21% Popularity • 38% Danceability • 47% Energy • 12% Liveness
8% Instrumentalness • 32% Positiveness
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Acker Bilk
Stranger on the Shore
73 bpm • A# Maj • 03:18 • -11.02db
45% Popularity • 26% Danceability • 38% Energy • 21% Liveness
81% Instrumentalness • 32% Positiveness
45% Popularity • 26% Danceability • 38% Energy • 21% Liveness
81% Instrumentalness • 32% Positiveness
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Ray Peterson
The Wonder of You
73 bpm • F Maj • 02:37 • -8db
48% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 16% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Glenn Miller Orchestra
Moonlight Serenade
73 bpm • C# min • 03:39 • -15db
38% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
38% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
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Mitch Miller & The Gang
By the Light of the Silvery Moon
61 bpm • E min • 02:16 • -15.53db
26% Popularity • 34% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 34% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Four Freshmen
Graduation Day
74 bpm • G# Maj • 03:09 • -11db
7% Popularity • 43% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 43% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Mathis
Once In a While
75 bpm • D# Maj • 03:28 • -10.89db
28% Popularity • 46% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 46% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Nat King Cole Trio
I Miss You So
76 bpm • F Maj • 03:04 • -16.84db
51% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ray Peterson
Till Then
74 bpm • F Maj • 02:09 • -8db
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 14% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Tymes
So Much In Love
76 bpm • E Maj • 02:20 • -10db
42% Popularity • 55% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 55% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Jim Reeves
Welcome to My World
76 bpm • F Maj • 02:22 • -19.13db
54% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Eddie Fisher
I'm Yours
76 bpm • D Maj • 02:48 • -4.99db
34% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 17% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Mathis
That's All
60 bpm • G# Maj • 03:51 • -13.11db
24% Popularity • 15% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 15% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Herb Alpert & The Tijuana Brass
To Wait For Love
77 bpm • G Maj • 02:59 • -11.53db
10% Popularity • 53% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 53% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Jimmie Rodgers
Secretly
76 bpm • A# min • 02:37 • -9.44db
31% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Michel Legrand
How Do You Keep the Music Playing?
77 bpm • C Maj • 04:42 • -15.23db
7% Popularity • 39% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 39% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Al Stillman
Chances Are
77 bpm • G# Maj • 03:15 • -11.98db
12% Popularity • 28% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Bobby Rydell
Forget Him - Bonus Track
78 bpm • D# Maj • 02:08 • -5db
41% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Mathis
What'll I Do
77 bpm • D Maj • 02:56 • -13db
23% Popularity • 14% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
23% Popularity • 14% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Teresa Brewer
Let Me Go, Lover!
78 bpm • A Maj • 02:31 • -10.2db
32% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Perry Como
Feelings
78 bpm • E min • 03:33 • -14.6db
40% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 28% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Debbie Reynolds
Am I That Easy To Forget?
79 bpm • D# Maj • 02:21 • -14.41db
42% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 33% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Helen Reddy
You And Me Against The World
79 bpm • A Maj • 03:12 • -16db
37% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 39% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Mathis
Chances Are - Single Version
78 bpm • A# Maj • 03:01 • -12db
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Dion & The Belmonts
A Teenager In Love
79 bpm • C# Maj • 02:38 • -9.12db
62% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Penguins
Earth Angel
79 bpm • G# Maj • 02:51 • -11.12db
60% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Percy Faith & His Orchestra & Chorus
Tell Her (Every Girl Likes to Be Told)
79 bpm • C Maj • 03:04 • -14.98db
23% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 30% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Edwards
The Morning Side Of The Mountain
79 bpm • C Maj • 02:38 • -9db
40% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 32% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Ray Charles
I Can't Stop Loving You
79 bpm • F Maj • 04:16 • -13.55db
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Mathis
On a Clear Day (You Can See Forever)
78 bpm • G# Maj • 02:46 • -12.7db
13% Popularity • 18% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 18% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Mills Brothers
Nevertheless (I'm In Love With You) - 19...
79 bpm • C Maj • 02:47 • -21db
50% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 56% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Earl Grant
Evening Rain
80 bpm • A min • 02:41 • -16.77db
24% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 20% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Helen Reddy
I Don't Know How To Love Him
80 bpm • D# Maj • 03:18 • -11db
45% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Rydell
Blue Velvet - Stereo
80 bpm • A# Maj • 02:48 • -8.16db
28% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 42% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy Steele
Princess
80 bpm • D# Maj • 02:12 • -14db
22% Popularity • 34% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 34% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Johnny Mathis
When I Am With You
78 bpm • A# Maj • 02:58 • -9db
32% Popularity • 28% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 28% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Four Aces
A Garden in the Rain
80 bpm • C# Maj • 02:37 • -14.42db
31% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 45% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Malcolm Vaughan
Wait for Me (Ti Diro)
80 bpm • A# min • 02:33 • -10db
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 35% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Ray Peterson
Wedding Day
80 bpm • F Maj • 02:13 • -9.36db
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Nelson Riddle
Lisbon Antigua
80 bpm • C Maj • 02:36 • -11.12db
30% Popularity • 43% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 43% Positiveness
30% Popularity • 43% Danceability • 29% Energy • 15% Liveness
91% Instrumentalness • 43% Positiveness
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Helen Reddy
Ain't No Way To Treat A Lady
80 bpm • A# Maj • 03:28 • -14.08db
32% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Mathis
Stranger In Paradise
80 bpm • F min • 04:03 • -11.36db
23% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 23% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Jeri Southern
When I Fall In Love
80 bpm • A Maj • 03:07 • -16db
36% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 27% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Vic Dana
Love Is All We Need
81 bpm • A# Maj • 02:24 • -10.98db
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Fisher
I'm Walking Behind You
81 bpm • D Maj • 03:06 • -6.61db
21% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 26% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jimmie Rodgers
The Long Hot Summer
81 bpm • C Maj • 02:32 • -9.82db
12% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 23% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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The Manhattan Transfer
Candy
81 bpm • A# min • 03:30 • -15db
27% Popularity • 32% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 32% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Johnny Mathis
Feelings
80 bpm • E min • 03:29 • -11db
27% Popularity • 18% Danceability • 42% Energy • 50% Liveness
71% Instrumentalness • 19% Positiveness
27% Popularity • 18% Danceability • 42% Energy • 50% Liveness
71% Instrumentalness • 19% Positiveness
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Malcolm Vaughan
My Special Angel
81 bpm • G min • 02:46 • -11db
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Vic Dana
A Million And One
81 bpm • C Maj • 02:29 • -11.76db
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 34% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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The Four Aces
Love is a Many Splendored Thing
82 bpm • D Maj • 02:58 • -10db
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Sandpipers
Softly As I Leave You
82 bpm • C Maj • 03:01 • -19.08db
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nat King Cole
Smile - Remastered 1992
82 bpm • G# Maj • 02:59 • -19.18db
63% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Johnny Mathis
They Say It's Wonderful
80 bpm • D# Maj • 03:30 • -11.86db
17% Popularity • 15% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 15% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Don Cornell
Hold My Hand
82 bpm • D# Maj • 02:49 • -11db
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Percy Faith & His Orchestra & Chorus
Through the Eyes of a Child (Un jour, un...
82 bpm • C Maj • 03:17 • -17.63db
15% Popularity • 29% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 29% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Eddie Fisher
Thinking of You
82 bpm • D Maj • 02:40 • -11.77db
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
22% Popularity • 14% Danceability • 13% Energy • 16% Liveness
2% Instrumentalness • 29% Positiveness
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The Four Lads
Love Is A Many-Splendored
83 bpm • G# Maj • 03:32 • -10.54db
15% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 23% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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The Four Aces
A Woman in Love
83 bpm • G# Maj • 03:19 • -11.92db
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Mathis
The Best Days of My Life
80 bpm • F Maj • 03:31 • -12.13db
27% Popularity • 36% Danceability • 50% Energy • 19% Liveness
19% Instrumentalness • 28% Positiveness
27% Popularity • 36% Danceability • 50% Energy • 19% Liveness
19% Instrumentalness • 28% Positiveness
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The Righteous Brothers
The White Cliffs Of Dover - Single Versi...
83 bpm • F Maj • 02:18 • -17.14db
40% Popularity • 16% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 16% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
59% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Nat King Cole
Pretend
83 bpm • A# Maj • 02:44 • -11.25db
53% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Four Aces
Dream
83 bpm • C min • 01:45 • -23.3db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Johnny Mathis
Hello, Young Lovers
83 bpm • C Maj • 04:16 • -11.54db
18% Popularity • 18% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 18% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Bobby Vee
It Might As Well Rain Until September
83 bpm • F Maj • 02:04 • -12db
34% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 50% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
