Songs like What Are You Fighting For by Phil Ochs
Based on a tempo of (+/- 10%) and a similar genre
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Blind Boy Grunt (Bob Dylan)
Train A-Travelin'
113 bpm • C Maj • 02:04 • -17.81db
10% Popularity • 56% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
10% Popularity • 56% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Wade Hemsworth
The Shining Birch Tree
113 bpm • B Maj • 02:43 • -17.73db
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Hurley
Hog of the Foresaken
113 bpm • G Maj • 04:35 • -9db
27% Popularity • 54% Danceability • 41% Energy • 26% Liveness
25% Instrumentalness • 43% Positiveness
27% Popularity • 54% Danceability • 41% Energy • 26% Liveness
25% Instrumentalness • 43% Positiveness
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Warren Zevon
Life'll Kill Ya
113 bpm • G Maj • 02:47 • -7.48db
28% Popularity • 72% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 72% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Mimi And Richard Farina
Celebrations For A Grey Day
113 bpm • C Maj • 03:48 • -13.37db
12% Popularity • 33% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
12% Popularity • 33% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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Townes Van Zandt
Don't Take It Too Bad
113 bpm • C Maj • 02:54 • -18.03db
38% Popularity • 62% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 62% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Phil Ochs
What Are You Fighting For
113 bpm • C Maj • 02:47 • -15.15db
28% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Blind Boy Grunt (Bob Dylan)
The Ballad of Emmett Till
114 bpm • C min • 04:40 • -20.88db
9% Popularity • 51% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Dean Stanton
She Thinks I Still Care
112 bpm • G Maj • 03:12 • -19.05db
13% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Glazer
Mr. Block
114 bpm • A Maj • 02:41 • -17.96db
9% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Blaze Foley
Faded Loves and Memories
111 bpm • F# Maj • 02:13 • -12.8db
27% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
27% Popularity • 54% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Townes Van Zandt
(Quicksilver Daydreams Of) Maria
114 bpm • C Maj • 04:45 • -17.46db
38% Popularity • 56% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 56% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Phil Ochs
In the Heat of the Summer
114 bpm • F# Maj • 03:08 • -15.34db
17% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Elizabeth Cotten
Oh babe it ain't no lie
114 bpm • E min • 04:43 • -18db
27% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
27% Popularity • 48% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 38% Positiveness
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Ray Campi
All of You Fascists
115 bpm • G Maj • 01:34 • -4.98db
11% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 68% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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The Carter Family
Bury Me Under the Weeping Willow
111 bpm • B Maj • 02:59 • -14.88db
25% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Bobbie McGee
Solidarity Forever
115 bpm • G Maj • 01:55 • -15.6db
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Hazel Dickens
The Rebel Girl
111 bpm • C Maj • 03:00 • -15.38db
18% Popularity • 74% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 74% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Doc Watson
Born About Six Thousand Years Ago
115 bpm • G Maj • 03:01 • -15.61db
21% Popularity • 60% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 60% Danceability • 26% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Barbara Dane
Nine Hundred Miles
111 bpm • C min • 02:21 • -16db
32% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Fred Neil
Blues on the Ceiling
115 bpm • G Maj • 02:24 • -10.6db
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Mimi And Richard Farina
House Un-American Blues Activity Dream
115 bpm • G Maj • 03:12 • -8.86db
13% Popularity • 73% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 73% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Limeliters
Zhankoyl
115 bpm • E min • 02:36 • -6.72db
13% Popularity • 83% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 83% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Phil Ochs
There but for Fortune
111 bpm • F# Maj • 02:46 • -19.03db
24% Popularity • 41% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 41% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 32% Positiveness
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Cisco Houston
Chisholm Trail
111 bpm • C# Maj • 01:59 • -18.26db
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Harry Nilsson
The Beehive State
111 bpm • F min • 02:07 • -12.6db
30% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Blaze Foley
Wouldn't That Be Nice
111 bpm • E Maj • 01:30 • -11.51db
33% Popularity • 59% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 59% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Sammy Walker
Bound for Glory
111 bpm • E Maj • 04:04 • -10.3db
2% Popularity • 47% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 47% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Jim Croce
Hard Hearted Hannah (The Vamp from Savan...
110 bpm • C# min • 01:58 • -6.17db
17% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Woody Guthrie
I'm Gonna Join That One Big Union (You G...
110 bpm • E Maj • 02:32 • -13.03db
25% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Aunt Molly Jackson
I Am A Union Woman
116 bpm • F min • 02:41 • -22db
2% Popularity • 58% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 58% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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The Weavers
Wimoweh
116 bpm • F# Maj • 01:49 • -16.39db
21% Popularity • 46% Danceability • 36% Energy • 99% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 46% Danceability • 36% Energy • 99% Liveness
0% Instrumentalness • 76% Positiveness
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Blaze Foley
New Wave Blues
116 bpm • C# Maj • 02:11 • -12.25db
25% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Almanac Singers
Talking Union
110 bpm • G# Maj • 02:59 • -11.22db
18% Popularity • 68% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 68% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Utah Phillips
All Used Up
110 bpm • E Maj • 02:19 • -13.68db
24% Popularity • 56% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 56% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Rush
No Regrets - 2008 Remaster
110 bpm • B Maj • 03:51 • -16.07db
31% Popularity • 68% Danceability • 32% Energy • 14% Liveness
9% Instrumentalness • 33% Positiveness
31% Popularity • 68% Danceability • 32% Energy • 14% Liveness
9% Instrumentalness • 33% Positiveness
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Phil Ochs
Remember Me
116 bpm • C min • 02:27 • -14.6db
18% Popularity • 65% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 65% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Hamish Imlach
Black Is the Colour
117 bpm • B min • 02:33 • -13.96db
26% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Doc Watson
Little Sadie
110 bpm • D min • 02:01 • -18.13db
39% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 57% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Pete Seeger
John Brown's Body
117 bpm • G# Maj • 02:59 • -9.36db
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Wizz Jones
When I Leave Berlin
110 bpm • D Maj • 03:18 • -14.1db
15% Popularity • 59% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 59% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Cisco Houston
The John B. Sails (Sloop John B.)
109 bpm • D Maj • 01:52 • -17.21db
17% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Phil Ochs
Bound for Glory
110 bpm • E Maj • 03:20 • -19db
14% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 57% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Connie Converse
Man in the Sky
109 bpm • C# Maj • 04:02 • -17.34db
27% Popularity • 51% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 51% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kate Wolf
Telluride
109 bpm • A Maj • 04:25 • -18.54db
16% Popularity • 49% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 49% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Barbara Dane
Don't Sing Love Songs
117 bpm • A min • 04:00 • -16.75db
10% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 56% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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The Almanac Singers
Union Maid
109 bpm • C Maj • 02:12 • -12db
17% Popularity • 76% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 76% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Phil Ochs
Is There Anybody Here
110 bpm • C# Maj • 03:23 • -8.71db
16% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Richman
Just Because I'm Irish
117 bpm • C Maj • 01:53 • -17.45db
11% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 68% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Lomax
All the Pretty Little Horses
109 bpm • A min • 01:49 • -18.04db
28% Popularity • 47% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Patrick Sky
Everytime
109 bpm • F Maj • 04:29 • -25db
11% Popularity • 34% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
11% Popularity • 34% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 14% Positiveness
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Don McLean
Magdalene Lane
109 bpm • G Maj • 04:34 • -19.1db
23% Popularity • 49% Danceability • 37% Energy • 26% Liveness
1% Instrumentalness • 43% Positiveness
23% Popularity • 49% Danceability • 37% Energy • 26% Liveness
1% Instrumentalness • 43% Positiveness
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Sandy Denny
Geordie - Home Recording 1966
109 bpm • F# Maj • 03:25 • -20.73db
14% Popularity • 51% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Ochs
Automation Song
118 bpm • D Maj • 02:10 • -13.39db
22% Popularity • 58% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 58% Danceability • 32% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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The Incredible String Band
The First Girl I Loved - 2010 Remaster
118 bpm • A# Maj • 04:51 • -12db
24% Popularity • 57% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 57% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Peter La Farge
Hey, Mr. President
118 bpm • D# Maj • 01:35 • -16.39db
11% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 73% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Kossoy Sisters
I Never Will Marry
108 bpm • C Maj • 02:48 • -12db
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 61% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Stan Rogers
The Mary Ellen Carter
108 bpm • G Maj • 05:24 • -12db
21% Popularity • 55% Danceability • 62% Energy • 95% Liveness
1% Instrumentalness • 71% Positiveness
21% Popularity • 55% Danceability • 62% Energy • 95% Liveness
1% Instrumentalness • 71% Positiveness
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Doc Watson
Matty Groves
118 bpm • F Maj • 06:07 • -15.25db
33% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Phil Ochs
Spanish Civil War Song
118 bpm • A min • 02:16 • -16.99db
17% Popularity • 57% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 57% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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The Incredible String Band
Dandelion Blues - 2010 Remaster
108 bpm • E Maj • 02:58 • -15.53db
16% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Frank Proffitt
Going Across the Mountain
108 bpm • E Maj • 02:16 • -22db
24% Popularity • 58% Danceability • 21% Energy • 14% Liveness
33% Instrumentalness • 77% Positiveness
24% Popularity • 58% Danceability • 21% Energy • 14% Liveness
33% Instrumentalness • 77% Positiveness
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Pete Seeger
Solidarity Forever
108 bpm • G# Maj • 02:54 • -11.21db
39% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 72% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Ewan MacColl
The ballad of Ho Chi Min
118 bpm • A min • 03:35 • -9db
28% Popularity • 68% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 68% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
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John Prine
The Hobo Song
108 bpm • E Maj • 03:31 • -21db
26% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Phil Ochs
Lou Marsh
108 bpm • D Maj • 04:07 • -17.47db
12% Popularity • 59% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 59% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Hazel Dickens
They'll Never Keep Us Down
119 bpm • E Maj • 02:42 • -7.62db
12% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Blaze Foley
Let Me Ride in Your Big Cadillac
108 bpm • F Maj • 02:31 • -15db
29% Popularity • 55% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 55% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Joe Glazer
The Tramp
119 bpm • E min • 02:22 • -21.35db
9% Popularity • 83% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
9% Popularity • 83% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Melanie
Steppin'
119 bpm • A Maj • 03:27 • -15.3db
22% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mimi And Richard Farina
Dandelion River Run
119 bpm • B min • 01:46 • -15db
33% Popularity • 49% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
33% Popularity • 49% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 72% Positiveness
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Phil Ochs
Santo Domingo
119 bpm • E Maj • 05:56 • -17.91db
14% Popularity • 53% Danceability • 14% Energy • 94% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 53% Danceability • 14% Energy • 94% Liveness
0% Instrumentalness • 55% Positiveness
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Ted Hawkins
Stay Close To Me
107 bpm • A Maj • 03:15 • -14.26db
25% Popularity • 72% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 72% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Blaze Foley
Big Cheeseburgers & Good French Fries
107 bpm • B Maj • 02:14 • -14db
45% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Anne Feeney
Union Maid
107 bpm • G Maj • 03:30 • -8.43db
13% Popularity • 73% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 73% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 60% Positiveness
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Jim Croce
You Oughta See Pickles Now
107 bpm • A Maj • 02:09 • -14.6db
14% Popularity • 58% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 58% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Elizabeth Cotten
I'm Going Away
106 bpm • A# Maj • 03:25 • -15db
34% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Phil Ochs
Hills of West Virginia
107 bpm • D Maj • 03:21 • -16.12db
15% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Fairfield
Call Me A Dog When I'm Gone
120 bpm • C# min • 02:24 • -3.86db
14% Popularity • 72% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
14% Popularity • 72% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 65% Positiveness
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Blaze Foley
Springtime in Uganda
119 bpm • F# Maj • 04:41 • -13.94db
23% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 56% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alistair Hulett
Militant Red
120 bpm • B min • 03:45 • -7.06db
14% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Woody Guthrie
I Ain't Got No Home In This World Anymor...
120 bpm • G Maj • 02:43 • -11.81db
31% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Paxton
Lyndon Johnson Told the Nation
120 bpm • B min • 02:59 • -11.33db
35% Popularity • 71% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 71% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Phil Ochs
Too Many Martyrs
107 bpm • E min • 02:48 • -15db
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Clayton
The Twa Sisters (The Two Sisters)
106 bpm • C Maj • 06:55 • -19.61db
11% Popularity • 58% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 58% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Barbara Dane
La Le Too Dum
120 bpm • F Maj • 03:18 • -12.3db
10% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Ewan MacColl
Dirty Old Town
106 bpm • D# Maj • 02:53 • -15db
27% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 59% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Pete Seeger
Little Boxes
121 bpm • F Maj • 01:54 • -16.88db
42% Popularity • 78% Danceability • 19% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
42% Popularity • 78% Danceability • 19% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Tom Paxton
Buy a Gun for You Son
121 bpm • G Maj • 02:31 • -9.48db
23% Popularity • 78% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 78% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Phil Ochs
I'm Going to Say It Now
106 bpm • C# Maj • 02:55 • -17db
21% Popularity • 54% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 54% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Clayton
Shenandoah
106 bpm • A# Maj • 02:27 • -20.67db
11% Popularity • 46% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 46% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Woody Guthrie
This Land is Your Land
106 bpm • D# Maj • 02:19 • -15.67db
44% Popularity • 61% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 61% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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The Weavers
Rally Round The Flag
105 bpm • E Maj • 02:20 • -12.58db
15% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Cisco Houston
The Cat Came Back
105 bpm • F# Maj • 02:16 • -13.68db
14% Popularity • 71% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 71% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Bobbie McGee
Bread and Roses
121 bpm • A# Maj • 02:33 • -12.13db
9% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 54% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Phil Ochs
Going Down To Mississippi
120 bpm • C# Maj • 03:06 • -17.85db
15% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Clayton
The Maid Of Amsterdam
120 bpm • C Maj • 01:52 • -13.6db
17% Popularity • 79% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 79% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
