Songs like What Becomes of the Brokenhearted by Bruce Springsteen
Based on a tempo of (+/- 10%) and a similar genre
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Beverley Craven
Humankind
98 bpm • C Maj • 04:07 • -7.49db
19% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Dion
I've Been Watching
98 bpm • E min • 04:32 • -3.07db
18% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Heaton
Sunny Side Up
98 bpm • F Maj • 02:53 • -5.35db
15% Popularity • 62% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 62% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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John Mellencamp
A Life Full Of Rain
98 bpm • A min • 05:37 • -10.29db
19% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 62% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Mark Knopfler
Home Boy
98 bpm • F# Maj • 03:15 • -11.87db
28% Popularity • 65% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
28% Popularity • 65% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Bruce Springsteen
What Becomes of the Brokenhearted
98 bpm • G min • 03:31 • -2.07db
36% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Elvis Costello & The Attractions
Good Year For The Roses
97 bpm • A Maj • 03:08 • -10.96db
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Weeping Willows
Ready to Dream
99 bpm • E Maj • 03:27 • -10db
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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a-ha
I'm In
99 bpm • B Maj • 05:05 • -8db
34% Popularity • 49% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 49% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -10db
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Mark Knopfler
Sailing To Philadelphia
99 bpm • F# min • 05:28 • -11.06db
49% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
49% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Gilbert O'Sullivan
A Minute of Your Time
99 bpm • C Maj • 03:35 • -8.58db
14% Popularity • 52% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 52% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Robert Palmer
Can We Still Be Friends?
96 bpm • E min • 03:38 • -11db
41% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 78% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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First Aid Kit
Wild Horses II
100 bpm • A Maj • 03:47 • -10.69db
36% Popularity • 62% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 62% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Don Henley
The Cost of Living
100 bpm • F# Maj • 03:40 • -11.3db
35% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Joe Walsh
Lucky That Way
96 bpm • G Maj • 04:14 • -4db
34% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Weeping Willows
Grow Old With Me
96 bpm • G Maj • 03:28 • -11db
23% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Heaton
Loving Arms
100 bpm • G# Maj • 03:42 • -18.9db
27% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kim Carnes
If I Was an Angel (Radio Edit)
96 bpm • C Maj • 03:18 • -7.9db
16% Popularity • 51% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 51% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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John Mellencamp
Wasted Days
96 bpm • E Maj • 04:31 • -6.96db
36% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Creedence Clearwater Revival
Bad Moon Rising - At The Royal Albert Ha...
95 bpm • D Maj • 02:19 • -8db
45% Popularity • 59% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 59% Danceability • 95% Energy • 73% Liveness
0% Instrumentalness • 85% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Paul McCartney
Too Many People - Mono / 2022 Remaster
95 bpm • G Maj • 04:18 • -9.48db
11% Popularity • 45% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
11% Popularity • 45% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Blackbird
Built And Broken
101 bpm • A Maj • 04:28 • -6.57db
19% Popularity • 22% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 22% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Pretenders
Hymn to Her - 2007 Remaster
95 bpm • C Maj • 04:58 • -9.35db
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Mellencamp
Understated Reverence
95 bpm • C Maj • 03:36 • -13.21db
23% Popularity • 40% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 22% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Bruce Springsteen
When She Was My Girl
101 bpm • E Maj • 03:17 • -4.03db
37% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Kooymans & Carillo
Mirage
101 bpm • C Maj • 04:59 • -9.47db
17% Popularity • 49% Danceability • 56% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
17% Popularity • 49% Danceability • 56% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
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Boz Scaggs
Dry Spell - Demo
101 bpm • D Maj • 04:10 • -7.21db
10% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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a-ha
As If
94 bpm • G Maj • 04:56 • -6.79db
33% Popularity • 54% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 54% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Barry Hay
Unconditionally
94 bpm • A min • 04:26 • -5.76db
9% Popularity • 50% Danceability • 86% Energy • 57% Liveness
4% Instrumentalness • 50% Positiveness
9% Popularity • 50% Danceability • 86% Energy • 57% Liveness
4% Instrumentalness • 50% Positiveness
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John Mellencamp
The Eyes of Portland
94 bpm • D Maj • 04:29 • -6.4db
28% Popularity • 50% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 73% Positiveness
28% Popularity • 50% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 73% Positiveness
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Bruce Springsteen
Streets of Philadelphia - Live at the To...
94 bpm • F Maj • 03:06 • -17.04db
23% Popularity • 40% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 40% Danceability • 9% Energy • 67% Liveness
0% Instrumentalness • 21% Positiveness
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Traveling Wilburys
You Took My Breath Away
94 bpm • C Maj • 03:18 • -6db
46% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Bonnie Raitt
Something's Got a Hold of My Heart
93 bpm • F Maj • 04:52 • -5.98db
25% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Beth Nielsen Chapman
With Time
103 bpm • D Maj • 03:28 • -10.12db
10% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Linda Ronstadt
Tracks of My Tears
93 bpm • A Maj • 03:13 • -7.24db
47% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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John Mellencamp
Small Town - Acoustic / 2022 Mix
103 bpm • A Maj • 04:10 • -6.78db
18% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bruce Springsteen
Book of Dreams
104 bpm • A Maj • 04:20 • -24.61db
29% Popularity • 68% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 68% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Shakin' Stevens
George
93 bpm • A Maj • 03:17 • -10.93db
16% Popularity • 74% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 74% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Queen
I Want It All - Original Take
92 bpm • B min • 06:15 • -7.15db
36% Popularity • 27% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 27% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Andy Fairweather Low
Hymn 4 My Soul
92 bpm • C Maj • 03:19 • -7db
30% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Gilbert O'Sullivan
Take Love
104 bpm • G# Maj • 03:10 • -6.54db
19% Popularity • 68% Danceability • 79% Energy • 9% Liveness
14% Instrumentalness • 73% Positiveness
19% Popularity • 68% Danceability • 79% Energy • 9% Liveness
14% Instrumentalness • 73% Positiveness
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John Mellencamp
Driving In The Rain
103 bpm • C# Maj • 03:25 • -8.6db
21% Popularity • 60% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 61% Positiveness
21% Popularity • 60% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 61% Positiveness
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Gordon Lightfoot
Did She Mention My Name
104 bpm • D Maj • 02:33 • -13.06db
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The Hollies
4th of July, Asbury Park (Sandy) - 2008 ...
104 bpm • C min • 04:11 • -7.26db
31% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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John Sebastian
Good Time Charlie's Got The Blues
92 bpm • F Maj • 03:01 • -8.64db
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
23% Popularity • 65% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Chicago
Safer Harbours
92 bpm • F Maj • 04:53 • -8.68db
14% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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David Bowie
Modern Love - Moonage Daydream Mix
92 bpm • C Maj • 02:59 • -5.18db
32% Popularity • 37% Danceability • 97% Energy • 68% Liveness
7% Instrumentalness • 17% Positiveness
32% Popularity • 37% Danceability • 97% Energy • 68% Liveness
7% Instrumentalness • 17% Positiveness
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Crosby, Stills, Nash & Young
Clear Blue Skies
105 bpm • G Maj • 03:07 • -15.9db
37% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 57% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Paul McCartney
Uncle Albert / Admiral Halsey - Mono / 2...
92 bpm • G Maj • 04:50 • -11.05db
16% Popularity • 34% Danceability • 53% Energy • 13% Liveness
28% Instrumentalness • 43% Positiveness
16% Popularity • 34% Danceability • 53% Energy • 13% Liveness
28% Instrumentalness • 43% Positiveness
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Gordon Lightfoot
The Circle Is Small
92 bpm • D# Maj • 04:01 • -9.99db
41% Popularity • 50% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 50% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Guy
Follow The Money
105 bpm • E min • 03:42 • -8.12db
39% Popularity • 82% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 82% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Traveling Wilburys
Rattled
105 bpm • E Maj • 02:59 • -6db
49% Popularity • 72% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 72% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Andy Fairweather Low
At the End of All the Roads
105 bpm • D# Maj • 03:48 • -14.2db
13% Popularity • 85% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 85% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Paul Heaton
Who Built The Pyramids?
105 bpm • G Maj • 04:26 • -6.69db
15% Popularity • 34% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 34% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Bruce Springsteen
Nightshift
105 bpm • G# Maj • 04:56 • -6.42db
50% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Dylan
Mississippi - Version 2
105 bpm • E Maj • 05:12 • -6.24db
37% Popularity • 54% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 54% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Linda Ronstadt
Long Long Time
91 bpm • A Maj • 04:23 • -14.61db
60% Popularity • 43% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 43% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Gordon Lightfoot
Early Morning Rain
105 bpm • F Maj • 03:18 • -16db
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Clarence Clemons
Savin' Up
106 bpm • D Maj • 04:21 • -8.17db
31% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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U2
Pride (In The Name Of Love) - Songs Of S...
106 bpm • E Maj • 03:57 • -8.39db
41% Popularity • 56% Danceability • 39% Energy • 18% Liveness
4% Instrumentalness • 31% Positiveness
41% Popularity • 56% Danceability • 39% Energy • 18% Liveness
4% Instrumentalness • 31% Positiveness
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Wings
Mull Of Kintyre - Remastered 1993
91 bpm • D Maj • 04:42 • -14db
51% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bruce Springsteen
Love Me Tender - Live at Joe Louis Arena...
106 bpm • F# Maj • 04:19 • -7.44db
15% Popularity • 30% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 30% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Buffy Sainte-Marie
The Big Ones Get Away
106 bpm • C Maj • 03:48 • -14db
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Shakin' Stevens
Not in Real Life
106 bpm • C# Maj • 03:07 • -6.96db
13% Popularity • 73% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 73% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Gibbons Band
Big J.C.
90 bpm • F Maj • 04:09 • -11.39db
9% Popularity • 59% Danceability • 52% Energy • 20% Liveness
84% Instrumentalness • 60% Positiveness
9% Popularity • 59% Danceability • 52% Energy • 20% Liveness
84% Instrumentalness • 60% Positiveness
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Queen
Was It All Worth It - Original Take
90 bpm • A min • 05:02 • -6.38db
35% Popularity • 39% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 39% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Lisa Morales
Flyin' and Cryin'
106 bpm • A Maj • 03:04 • -14.07db
22% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Katie Melua
Those Sweet Days
106 bpm • B Maj • 03:25 • -9.62db
26% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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John Hiatt
I'll Never Get Over You
90 bpm • A Maj • 03:38 • -8.69db
23% Popularity • 49% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 50% Positiveness
23% Popularity • 49% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 50% Positiveness
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Michael McDonald
Tears To Come
90 bpm • G Maj • 05:18 • -12.58db
13% Popularity • 59% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Keb' Mo'
Good To Be (Home Again)
90 bpm • A Maj • 03:30 • -8db
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Shakin' Stevens
All You Need Is Greed
107 bpm • E Maj • 03:07 • -5.84db
24% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Neil Young
Four Strong Winds - Live at Live 8, Mols...
107 bpm • C Maj • 05:23 • -8.52db
45% Popularity • 45% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 45% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 27% Positiveness
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Graham Nash
It Feels Like Home
107 bpm • D Maj • 03:45 • -6.38db
15% Popularity • 72% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Bruce Springsteen
I Wish I Were Blind
107 bpm • G Maj • 04:45 • -12.3db
38% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Simple Minds
Human Traffic
107 bpm • E min • 04:17 • -3.86db
35% Popularity • 56% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 56% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Don Henley
You Can't Make Love
107 bpm • A Maj • 03:33 • -13.36db
39% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 70% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Beach Boys
All This Is That - A Cappella
107 bpm • D Maj • 03:11 • -18.64db
18% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 56% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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John Mellencamp
Sweet Honey Brown
108 bpm • A min • 05:18 • -7.88db
19% Popularity • 73% Danceability • 68% Energy • 10% Liveness
27% Instrumentalness • 70% Positiveness
19% Popularity • 73% Danceability • 68% Energy • 10% Liveness
27% Instrumentalness • 70% Positiveness
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Gordon Lightfoot
Daylight Katy
108 bpm • B Maj • 04:20 • -12.9db
41% Popularity • 50% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 37% Positiveness
41% Popularity • 50% Danceability • 40% Energy • 7% Liveness
8% Instrumentalness • 37% Positiveness
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Bruce Springsteen
New York City Serenade - Live at Brisban...
89 bpm • A Maj • 10:12 • -10.01db
19% Popularity • 25% Danceability • 46% Energy • 86% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 25% Danceability • 46% Energy • 86% Liveness
0% Instrumentalness • 13% Positiveness
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Don McLean
It's Just the Sun
108 bpm • C Maj • 02:31 • -12db
46% Popularity • 59% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 59% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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John Illsley
Wondering
89 bpm • B min • 04:25 • -16.88db
17% Popularity • 62% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 53% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 53% Positiveness
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Dire Straits
Iron Hand
89 bpm • E min • 03:08 • -15.49db
60% Popularity • 65% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
60% Popularity • 65% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Bleachers
Chinatown
89 bpm • E Maj • 04:04 • -5.23db
50% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Joe Cocker
She Came In Through The Bathroom Window
89 bpm • D Maj • 02:36 • -9.42db
52% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Rosanne Cash
Sea Of Heartbreak
89 bpm • B Maj • 03:06 • -7.58db
49% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sophie Zelmani
One Man's Kiss
108 bpm • C min • 03:38 • -10.97db
21% Popularity • 61% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
21% Popularity • 61% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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Eagles
It's Your World Now
108 bpm • C Maj • 04:22 • -8.89db
30% Popularity • 67% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 67% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Norah Jones
Set Me Down On A Cloud
108 bpm • F# Maj • 04:13 • -11.15db
27% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Springsteen
Someday We'll Be Together
109 bpm • C Maj • 03:33 • -3.6db
34% Popularity • 55% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 55% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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John Illsley
I'm Only Sleeping
109 bpm • B min • 03:58 • -15.87db
10% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Don Henley
The Heart Of The Matter
88 bpm • D Maj • 05:22 • -12db
55% Popularity • 58% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 58% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Roxy Music
In The Midnight Hour
109 bpm • C Maj • 03:12 • -5.9db
40% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
