Songs like What Do You Say? by Holly Throsby
Based on a tempo of (+/- 10%) and a similar genre
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John Joseph Brill
I'm Not Alright
100 bpm • F# Maj • 03:34 • -10.89db
10% Popularity • 59% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
10% Popularity • 59% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
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Ben Howard
Someone In The Doorway
100 bpm • G Maj • 04:56 • -10.46db
35% Popularity • 62% Danceability • 52% Energy • 25% Liveness
71% Instrumentalness • 80% Positiveness
35% Popularity • 62% Danceability • 52% Energy • 25% Liveness
71% Instrumentalness • 80% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
47% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
47% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Lisa Mitchell
Where You Are
100 bpm • D Maj • 03:38 • -10.63db
11% Popularity • 59% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 59% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Steinbrink
Brand New Manic Brain Holder
100 bpm • A Maj • 02:59 • -14.48db
10% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Luis Trindade
Old Town
100 bpm • A# Maj • 03:07 • -15.74db
43% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Holly Throsby
What Do You Say?
100 bpm • A Maj • 03:36 • -10.94db
16% Popularity • 56% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
16% Popularity • 56% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Fionn Regan
Cormorant Bird
100 bpm • F# min • 03:27 • -18.42db
35% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
35% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Black Oak
The Clearmountain Pause
101 bpm • F# min • 03:36 • -14.19db
11% Popularity • 46% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
11% Popularity • 46% Danceability • 32% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
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Cape Sleep
Bottle Rockets
99 bpm • C Maj • 02:53 • -12.15db
14% Popularity • 41% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 41% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jens Kuross
Nobody's Problem
101 bpm • C Maj • 04:31 • -15.7db
11% Popularity • 32% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Nick Mulvey
Venus
98 bpm • A# Maj • 05:25 • -11.39db
31% Popularity • 63% Danceability • 55% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
31% Popularity • 63% Danceability • 55% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
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Holly Throsby
Evening Stroll
101 bpm • D Maj • 03:35 • -11.29db
3% Popularity • 35% Danceability • 36% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
3% Popularity • 35% Danceability • 36% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
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Villagers
So Naïve
99 bpm • D Maj • 04:58 • -16.7db
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
52% Instrumentalness • 36% Positiveness
21% Popularity • 48% Danceability • 12% Energy • 9% Liveness
52% Instrumentalness • 36% Positiveness
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Flip Grater
Marry Me
102 bpm • G Maj • 02:47 • -12.56db
11% Popularity • 49% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
11% Popularity • 49% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Mammals
Carried
102 bpm • D Maj • 02:10 • -14db
29% Popularity • 54% Danceability • 25% Energy • 8% Liveness
55% Instrumentalness • 27% Positiveness
29% Popularity • 54% Danceability • 25% Energy • 8% Liveness
55% Instrumentalness • 27% Positiveness
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Júníus Meyvant
Floating Harmonies
98 bpm • A min • 04:04 • -12.61db
20% Popularity • 75% Danceability • 18% Energy • 7% Liveness
80% Instrumentalness • 43% Positiveness
20% Popularity • 75% Danceability • 18% Energy • 7% Liveness
80% Instrumentalness • 43% Positiveness
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Jen Cloher
Hold My Hand
98 bpm • B Maj • 06:11 • -9db
13% Popularity • 50% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 50% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Holly Throsby
Up With The Birds
101 bpm • G Maj • 03:14 • -6.98db
10% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 54% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Darren Hanlon
Halley's Comet, 1986
102 bpm • A Maj • 07:36 • -14.68db
12% Popularity • 56% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Conner Youngblood
The Birds of Finland
102 bpm • C# Maj • 04:48 • -14db
21% Popularity • 47% Danceability • 36% Energy • 34% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 47% Danceability • 36% Energy • 34% Liveness
3% Instrumentalness • 4% Positiveness
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Ainslie Wills
Running Second - Single Version
98 bpm • G# Maj • 03:54 • -12db
25% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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#1 Dads
Blood pt. 2
102 bpm • G# min • 04:06 • -15db
22% Popularity • 51% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
22% Popularity • 51% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Villagers
Darling Arithmetic
98 bpm • C Maj • 03:42 • -13.33db
28% Popularity • 49% Danceability • 21% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
28% Popularity • 49% Danceability • 21% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
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Holly Throsby
To Begin With
101 bpm • C Maj • 03:55 • -16.66db
2% Popularity • 53% Danceability • 10% Energy • 12% Liveness
10% Instrumentalness • 24% Positiveness
2% Popularity • 53% Danceability • 10% Energy • 12% Liveness
10% Instrumentalness • 24% Positiveness
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Nick Mulvey
Remembering
102 bpm • D Maj • 04:17 • -9.43db
22% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Julie Byrne
Morning Dove
98 bpm • C Maj • 02:59 • -13.32db
38% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
38% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Gang of Youths
Both Sides Now
102 bpm • A# Maj • 05:43 • -12.87db
38% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 36% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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The Audreys
Long Ride
98 bpm • E Maj • 04:34 • -11.19db
18% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Damien Jurado
Over Rainbows and Rainier
98 bpm • E Maj • 04:10 • -17.87db
27% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jake Houlsby
Yannina
103 bpm • F Maj • 03:07 • -16.17db
11% Popularity • 69% Danceability • 6% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 69% Danceability • 6% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Dylan LeBlanc
Beyond The Veil
97 bpm • B min • 06:59 • -11.16db
25% Popularity • 32% Danceability • 27% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 27% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Juanita Stein
I'll Cry
97 bpm • G Maj • 03:46 • -13.67db
9% Popularity • 51% Danceability • 31% Energy • 17% Liveness
5% Instrumentalness • 19% Positiveness
9% Popularity • 51% Danceability • 31% Energy • 17% Liveness
5% Instrumentalness • 19% Positiveness
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Scott Matthews
Cinnamon
97 bpm • A Maj • 04:37 • -14.45db
11% Popularity • 23% Danceability • 30% Energy • 7% Liveness
31% Instrumentalness • 8% Positiveness
11% Popularity • 23% Danceability • 30% Energy • 7% Liveness
31% Instrumentalness • 8% Positiveness
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Mia Dyson
In My Secret Life
97 bpm • A# Maj • 04:23 • -5.86db
19% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Holly Throsby
To See You Out
103 bpm • F Maj • 03:04 • -17.62db
2% Popularity • 43% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
2% Popularity • 43% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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Adam Torres
Daydream
97 bpm • D min • 03:26 • -8.69db
14% Popularity • 47% Danceability • 46% Energy • 11% Liveness
18% Instrumentalness • 17% Positiveness
14% Popularity • 47% Danceability • 46% Energy • 11% Liveness
18% Instrumentalness • 17% Positiveness
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Siv Jakobsen
Berry & Whythe
97 bpm • E Maj • 02:44 • -10.12db
2% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Brookes
This Is the Place
97 bpm • B Maj • 03:45 • -10.49db
8% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Jack in Water
My Favourite Story
104 bpm • E Maj • 03:42 • -10.37db
35% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Feist
Cicadas And Gulls
96 bpm • C# Maj • 03:16 • -15.23db
35% Popularity • 58% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
35% Popularity • 58% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
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Holly Throsby
We’re Good People But Why Don’t We S...
97 bpm • G Maj • 03:44 • -14db
14% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Great Lake Swimmers
Expecting You
104 bpm • C Maj • 03:52 • -11.4db
24% Popularity • 71% Danceability • 57% Energy • 11% Liveness
43% Instrumentalness • 88% Positiveness
24% Popularity • 71% Danceability • 57% Energy • 11% Liveness
43% Instrumentalness • 88% Positiveness
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Lanterns on the Lake
Ships in the Rain
104 bpm • G Maj • 02:04 • -18db
34% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Downey
Those Eyes That Answer
96 bpm • D Maj • 04:02 • -14.15db
7% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
7% Popularity • 71% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Clare Bowditch
Amazing Life
96 bpm • G Maj • 03:16 • -12.2db
19% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Holly Throsby
Always Be Young
96 bpm • D Maj • 02:25 • -15.97db
17% Popularity • 47% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
17% Popularity • 47% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 20% Positiveness
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Sylvan Esso
Slack Jaw - Echo Mountain Sessions
104 bpm • D# Maj • 03:30 • -16.91db
32% Popularity • 42% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
32% Popularity • 42% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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The Staves
Outlaw
96 bpm • D min • 02:40 • -11db
35% Popularity • 52% Danceability • 29% Energy • 31% Liveness
16% Instrumentalness • 24% Positiveness
35% Popularity • 52% Danceability • 29% Energy • 31% Liveness
16% Instrumentalness • 24% Positiveness
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Paper Aeroplanes
Race You Home
96 bpm • D min • 02:42 • -13.05db
16% Popularity • 49% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 49% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Hip Hatchet
Small Demons
104 bpm • A Maj • 04:24 • -13.91db
9% Popularity • 54% Danceability • 34% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
9% Popularity • 54% Danceability • 34% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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Nick Mulvey
I Don't Want To Go Home
105 bpm • C Maj • 03:29 • -11.72db
41% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Holly Throsby
Aeroplane
96 bpm • D Maj • 03:51 • -11.92db
24% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
24% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Elbow
Head for Supplies
105 bpm • D Maj • 03:56 • -13db
29% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Itasca
Buddy
95 bpm • B Maj • 02:54 • -8.45db
27% Popularity • 46% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Fionn Regan
The Meetings of the Waters
105 bpm • B Maj • 05:00 • -16db
48% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 64% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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I Am Oak
Volcano
105 bpm • D Maj • 02:29 • -14.25db
19% Popularity • 83% Danceability • 37% Energy • 11% Liveness
13% Instrumentalness • 47% Positiveness
19% Popularity • 83% Danceability • 37% Energy • 11% Liveness
13% Instrumentalness • 47% Positiveness
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Nick Mulvey
Ailsa Craig
95 bpm • E Maj • 04:57 • -9.95db
33% Popularity • 48% Danceability • 51% Energy • 11% Liveness
23% Instrumentalness • 37% Positiveness
33% Popularity • 48% Danceability • 51% Energy • 11% Liveness
23% Instrumentalness • 37% Positiveness
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Holly Throsby
Don’t Be Howling
96 bpm • G Maj • 04:26 • -13.62db
3% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Aisha Burns
Midwater
106 bpm • G Maj • 04:05 • -12.78db
12% Popularity • 47% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lisa Mitchell
What Is Love
94 bpm • D# Maj • 05:10 • -13.39db
9% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 51% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Nadia Reid
Ain't Got You
106 bpm • G# Maj • 03:41 • -13.15db
18% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Siv Jakobsen
Like I Used To
94 bpm • C Maj • 02:46 • -11.76db
6% Popularity • 44% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 44% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Findlay Brown
Mountain Falls for the Sea
94 bpm • D# Maj • 03:07 • -17.7db
35% Popularity • 46% Danceability • 11% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 11% Energy • 13% Liveness
14% Instrumentalness • 48% Positiveness
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Tinpan Orange
Love is a Dog
94 bpm • D Maj • 03:18 • -13.49db
9% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gavin Clark
Spinning Round the Sun
106 bpm • F# Maj • 03:12 • -14.3db
20% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Júníus Meyvant
Gold Laces
94 bpm • A Maj • 03:40 • -7.68db
40% Popularity • 61% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
40% Popularity • 61% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Pascal Pinon
53
106 bpm • E min • 03:55 • -17.28db
18% Popularity • 53% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
18% Popularity • 53% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Rachel Sermanni
Run
94 bpm • A Maj • 04:44 • -8.91db
10% Popularity • 52% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 52% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Tobias Jesso Jr.
The Wait
94 bpm • A Maj • 02:14 • -11.95db
30% Popularity • 40% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 20% Positiveness
30% Popularity • 40% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 20% Positiveness
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The Pines
There in Spirit
107 bpm • B min • 04:01 • -13.58db
13% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Nadia Reid
Some Are Lucky
107 bpm • F Maj • 05:31 • -15.49db
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sera Cahoone
Deer Creek Canyon
93 bpm • A# Maj • 03:18 • -12db
35% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
35% Popularity • 64% Danceability • 45% Energy • 15% Liveness
5% Instrumentalness • 33% Positiveness
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Gordi
Taken Blame
94 bpm • D Maj • 03:42 • -8.93db
12% Popularity • 47% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 47% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
51% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Adam Torres
Outlands
93 bpm • F# Maj • 06:03 • -12.09db
16% Popularity • 46% Danceability • 33% Energy • 16% Liveness
17% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 33% Energy • 16% Liveness
17% Instrumentalness • 10% Positiveness
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I Am Oak
Omen
108 bpm • C# min • 02:42 • -12.49db
19% Popularity • 75% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
19% Popularity • 75% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Nadia Reid
Reach My Destination
108 bpm • D# Maj • 03:04 • -15.17db
30% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Rod Ladgrove
Home Is Just a State of Mind
93 bpm • C Maj • 04:10 • -12.12db
43% Popularity • 50% Danceability • 43% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
43% Popularity • 50% Danceability • 43% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
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Matthew And The Atlas
Modern World
108 bpm • D Maj • 04:10 • -8.88db
17% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Orbweavers
Confessions
108 bpm • D min • 03:29 • -16.99db
14% Popularity • 56% Danceability • 13% Energy • 10% Liveness
27% Instrumentalness • 12% Positiveness
14% Popularity • 56% Danceability • 13% Energy • 10% Liveness
27% Instrumentalness • 12% Positiveness
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Holly Throsby
Seeing You Now
108 bpm • C# Maj • 03:10 • -11.55db
5% Popularity • 63% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 63% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Watts
Many a Friend Too Kind
108 bpm • C Maj • 04:06 • -13.01db
10% Popularity • 58% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 13% Positiveness
10% Popularity • 58% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 13% Positiveness
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Nadia Reid
Holy Low
93 bpm • A min • 03:39 • -12.49db
31% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Joan Shelley
Wild Indifference
108 bpm • F Maj • 03:02 • -15.94db
25% Popularity • 53% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
25% Popularity • 53% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 15% Positiveness
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Jesse Daniel Smith
You Are Made Of Stars
92 bpm • F# Maj • 03:18 • -13.73db
14% Popularity • 57% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 57% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Beam
Love Is a Stranger
108 bpm • C# min • 03:14 • -10.85db
10% Popularity • 39% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 39% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Holly Throsby
Come Visit
108 bpm • G Maj • 03:04 • -17.27db
3% Popularity • 74% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 74% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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James Kenyon
Out on the Wire
109 bpm • E Maj • 05:25 • -12.01db
26% Popularity • 58% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 27% Positiveness
26% Popularity • 58% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 27% Positiveness
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Nadia Reid
Just to Feel Alive
108 bpm • G# min • 03:53 • -10.98db
32% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Tivel
Blue World
109 bpm • D Maj • 04:34 • -12.86db
21% Popularity • 49% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 49% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Astral Swans
You Are a Runner and I Am My Father's So...
109 bpm • G# Maj • 02:06 • -15.29db
17% Popularity • 44% Danceability • 15% Energy • 32% Liveness
32% Instrumentalness • 40% Positiveness
17% Popularity • 44% Danceability • 15% Energy • 32% Liveness
32% Instrumentalness • 40% Positiveness
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Lior
I'll Forget You
92 bpm • C# Maj • 03:20 • -8.03db
32% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Turin Brakes
Martini
92 bpm • G Maj • 02:56 • -13.51db
16% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tullara
Six Months
91 bpm • D Maj • 05:07 • -18.41db
14% Popularity • 44% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 44% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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John Smith
There Is A Stone
110 bpm • F min • 03:50 • -12db
32% Popularity • 43% Danceability • 55% Energy • 17% Liveness
1% Instrumentalness • 34% Positiveness
32% Popularity • 43% Danceability • 55% Energy • 17% Liveness
1% Instrumentalness • 34% Positiveness
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Holly Throsby
Making A Fire
109 bpm • A# Maj • 03:39 • -9.62db
16% Popularity • 70% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 70% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
