Songs like What Else Can I Do? by Diane Guerrero
Based on a tempo of (+/- 10%) and a similar genre
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Poppy
Hair In The Air (Trolls: The Beat Goes O...
120 bpm • G# Maj • 02:14 • -5.52db
51% Popularity • 59% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 59% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Lizz Robinett
Hide and Seek
120 bpm • C# Maj • 02:18 • -2.14db
60% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 62% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Kristen Anderson-Lopez
Life's Too Short - Outtake
120 bpm • F min • 03:52 • -7.54db
38% Popularity • 83% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 83% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Diane Guerrero
What Else Can I Do?
120 bpm • E Maj • 02:59 • -5.57db
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 72% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Dillon Francis
Catchy Song
120 bpm • D Maj • 02:48 • -5.85db
55% Popularity • 80% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 80% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Jorge Rivera-Herrans
Warrior of the Mind
120 bpm • C# min • 03:28 • -5.87db
67% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Mandy Moore
The View from Up Here
120 bpm • F Maj • 02:45 • -4.44db
35% Popularity • 65% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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4*TOWN (From Disney and Pixar’s Turning Red)
1 True Love
120 bpm • C min • 03:19 • -10.55db
55% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Gregory Brothers
Chrissy, Wake Up
120 bpm • D Maj • 01:05 • -6db
51% Popularity • 84% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 84% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Rannells
Watch Me Work
120 bpm • C# Maj • 02:30 • -4.42db
73% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
73% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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2 Guys n the Parque
S.I.M.P. (Squirrels in My Pants)
120 bpm • B min • 01:33 • -5.42db
50% Popularity • 81% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 81% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Amy Adams
Fairytale Life (The Wish)
120 bpm • A# Maj • 02:54 • -9.83db
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 35% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Mandy Moore
With You by My Side
120 bpm • D# Maj • 02:18 • -5.47db
35% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Rapunzel
Set Yourself Free
120 bpm • A# Maj • 02:15 • -5db
37% Popularity • 50% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 50% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Mena Massoud
One Jump Ahead
119 bpm • C# Maj • 02:55 • -6.17db
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Kimiko Glenn
The Next Thing
119 bpm • G Maj • 03:14 • -7.34db
30% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 45% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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The Cast of Wonka
Scrub Scrub
119 bpm • C# Maj • 01:49 • -10.59db
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 72% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Phil Collins
Strangers Like Me
121 bpm • G# Maj • 02:59 • -6.28db
62% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Mena Massoud
A Whole New World
121 bpm • C Maj • 02:55 • -7.95db
63% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Anna Kendrick
Move Your Feet / D.A.N.C.E. / It's A Sun...
119 bpm • G Maj • 02:36 • -4.47db
65% Popularity • 71% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 71% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Susan Egan
I Won't Say (I'm In Love)
121 bpm • C Maj • 02:20 • -10.31db
68% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 68% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Timothée Chalamet
You've Never Had Chocolate Like This (Ho...
121 bpm • D Maj • 01:13 • -11.07db
64% Popularity • 59% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 59% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Julie Fowlis
Touch The Sky
119 bpm • D Maj • 02:30 • -8.03db
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 38% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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KT Tunstall
Float
119 bpm • D Maj • 03:14 • -9.84db
40% Popularity • 34% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 34% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Ruthless Ruth
Listen Up
118 bpm • C min • 02:49 • -6.92db
19% Popularity • 52% Danceability • 51% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 52% Danceability • 51% Energy • 59% Liveness
0% Instrumentalness • 66% Positiveness
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Jonathan Groff
I Know Him
122 bpm • C Maj • 01:37 • -8.64db
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 67% Danceability • 44% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Blunt
A Cover Is Not the Book
122 bpm • C# Maj • 04:25 • -10.37db
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Crystal
If I Didn't Have You
122 bpm • G# Maj • 03:37 • -10db
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 64% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Irons
Be Prepared
122 bpm • A min • 03:39 • -9.12db
47% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Jonathan Groff
You'll Be Back
122 bpm • C Maj • 03:28 • -7.56db
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Hugh Jackman
Come Alive
118 bpm • G Maj • 03:45 • -9.41db
68% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Christopher Jackson
Where You Are
118 bpm • E Maj • 03:30 • -9.28db
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 70% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Taron Egerton
There's Nothing Holdin' Me Back
122 bpm • F# min • 03:23 • -4.96db
62% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Diane Guerrero
Holy Holy Holy
118 bpm • D# Maj • 08:32 • -8.15db
1% Popularity • 44% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 44% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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Steven Universe
Other Friends
118 bpm • B min • 02:47 • -11.45db
60% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Blunt
Can You Imagine That?
118 bpm • G# Maj • 04:22 • -10.93db
43% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 58% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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The Pirate Ensemble
The Frigate That Flies
117 bpm • G# Maj • 02:45 • -8.51db
38% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Beau Black
Here Comes the Lion Guard
123 bpm • F# min • 02:28 • -5.54db
42% Popularity • 79% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 79% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Rivers Cuomo
Backflip
123 bpm • C# min • 02:37 • -3.9db
44% Popularity • 72% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 72% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Queen Latifah
Walk the Dinosaur
117 bpm • B min • 02:59 • -6.69db
52% Popularity • 81% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
52% Popularity • 81% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Zac Efron
Ladies' Choice
117 bpm • D Maj • 02:28 • -4.88db
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 68% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Cathy Ang
On the Moon Above
117 bpm • G Maj • 01:31 • -9db
37% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Gad
When I Am Older
117 bpm • G# Maj • 01:51 • -7db
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Emma Watson
Something There
123 bpm • C Maj • 02:54 • -12.86db
55% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Odom Jr.
The World Was Wide Enough
117 bpm • F Maj • 05:02 • -12.78db
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lin-Manuel Miranda
Trip a Little Light Fantastic
116 bpm • G Maj • 07:02 • -9.03db
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Carlos Vives
Colombia, Mi Encanto
124 bpm • C Maj • 02:55 • -7.57db
62% Popularity • 72% Danceability • 88% Energy • 91% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 72% Danceability • 88% Energy • 91% Liveness
0% Instrumentalness • 81% Positiveness
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Mary Lambert
Beautiful Together
124 bpm • C# Maj • 02:41 • -6db
24% Popularity • 74% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 74% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Idina Menzel
Show Yourself
123 bpm • F# Maj • 04:20 • -7.07db
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
69% Popularity • 32% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Emma Watson
Belle
124 bpm • G Maj • 05:33 • -7.64db
60% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Renée Elise Goldsberry
Satisfied
124 bpm • F min • 05:29 • -8.58db
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 71% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Philip Lawrence
You Are the Magic
124 bpm • F# Maj • 03:34 • -8db
42% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hannah Montana
The Best of Both Worlds
124 bpm • C# Maj • 02:54 • -3.65db
63% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Maisy Stella
Riding Free (Spirit: Riding Free)
116 bpm • D Maj • 03:07 • -4.41db
54% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Panic! At The Disco
Into the Unknown - Panic! At The Disco V...
117 bpm • C# Maj • 03:09 • -6.23db
64% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 46% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Hodson-Prior
Revolting Children
116 bpm • G Maj • 02:54 • -6db
52% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 63% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Newman
You've Got a Friend in Me
116 bpm • C min • 02:04 • -12.13db
71% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
71% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
59% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Taron Egerton
A Sky Full of Stars
125 bpm • F# Maj • 03:26 • -7.57db
68% Popularity • 44% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
68% Popularity • 44% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Alisha Weir
Quiet
125 bpm • A# Maj • 03:58 • -10.78db
43% Popularity • 44% Danceability • 26% Energy • 48% Liveness
1% Instrumentalness • 15% Positiveness
43% Popularity • 44% Danceability • 26% Energy • 48% Liveness
1% Instrumentalness • 15% Positiveness
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Bring It On: The Musical - Original Broadway Cast
What I Was Born To Do
125 bpm • B min • 04:53 • -4.48db
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Oh, Hush!
Found My Place
115 bpm • F# min • 03:16 • -8.75db
48% Popularity • 70% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 70% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Jonathan Groff
What Comes Next?
115 bpm • G Maj • 01:39 • -10.88db
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Jojo Siwa (Kids)
Boomerang
115 bpm • B Maj • 03:27 • -4.8db
59% Popularity • 83% Danceability • 79% Energy • 41% Liveness
14% Instrumentalness • 85% Positiveness
59% Popularity • 83% Danceability • 79% Energy • 41% Liveness
14% Instrumentalness • 85% Positiveness
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Daniel Pemberton
Good Tonight
115 bpm • G Maj • 03:41 • -3.98db
48% Popularity • 73% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 73% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Catherine Zeta-Jones
Cell Block Tango
125 bpm • C# Maj • 07:22 • -12.09db
47% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Martin Short
Be Our Guest
125 bpm • C Maj • 03:52 • -10db
39% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Stephanie Beatriz
All Of You
115 bpm • B Maj • 04:38 • -11db
61% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mark Keali'i Ho'omalu
Hawaiian Roller Coaster Ride
115 bpm • F Maj • 03:27 • -7.47db
55% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
55% Popularity • 70% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 95% Positiveness
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Naomi Scott
Speechless (Part 2)
126 bpm • G min • 02:24 • -7.18db
50% Popularity • 49% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 49% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Julie Andrews
My Favorite Things
114 bpm • C# Maj • 02:20 • -12.47db
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Tori Kelly
Where the Streets Have No Name
126 bpm • D Maj • 02:36 • -6.69db
57% Popularity • 42% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 42% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Maia Mitchell
Like Me
126 bpm • D Maj • 03:18 • -5.28db
56% Popularity • 74% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 74% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
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Ewan McGregor
Be Our Guest
114 bpm • D Maj • 04:48 • -8db
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Chorus - Mulan
Lesson Number One
126 bpm • G Maj • 02:26 • -9db
46% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 38% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Justin Timberlake
Perfect
114 bpm • B min • 02:32 • -5.43db
69% Popularity • 79% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
69% Popularity • 79% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Kimiko Glenn
Hello Rainbow Road
126 bpm • C Maj • 02:27 • -7.62db
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Cameron Diaz
Little Girls
114 bpm • B min • 02:17 • -4.4db
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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will.i.am
I Like To Move It
127 bpm • G min • 03:41 • -5.28db
70% Popularity • 84% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
70% Popularity • 84% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Tori Kelly
Don't You Worry 'Bout A Thing
127 bpm • C# Maj • 04:01 • -4.19db
59% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Mark Keali'i Ho'omalu
He Mele No Lilo
127 bpm • D Maj • 02:28 • -8db
56% Popularity • 66% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 66% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Zooey Deschanel
I'm Coming Out / Mo' Money Mo' Problems
113 bpm • F# min • 01:01 • -5.45db
59% Popularity • 88% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 88% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 65% Positiveness
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Rapunzel
I've Got This
113 bpm • C Maj • 02:33 • -6.31db
24% Popularity • 77% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 77% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Julie Andrews
Do-Re-Mi
128 bpm • A# Maj • 05:35 • -12.15db
55% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 51% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Cathy Ang
Wonderful
128 bpm • D Maj • 02:37 • -11db
38% Popularity • 46% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Justin Timberlake
BroZone's Back
113 bpm • A# min • 01:21 • -5.07db
69% Popularity • 78% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
69% Popularity • 78% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
