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What Goes Around Comes Around
Songs like
What Goes Around Comes Around
by
Arthur Monday
Based on a tempo of (+/- 10%) and a similar genre
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Holland-Dozier
Don’t Leave Me
106 bpm • A min • 03:16 • -11db
10% Popularity • 86% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Chefs
Mr. Machine
106 bpm • A Maj • 04:08 • -7.54db
10% Popularity • 66% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Dean Parrish
Skate
106 bpm • C Maj • 05:08 • -3.94db
11% Popularity • 61% Danceability • 86% Energy • 25% Liveness
2% Instrumentalness • 78% Positiveness
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Gwen McCrae
Move Me Baby
106 bpm • A Maj • 04:45 • -15.62db
16% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Rosetta Hightower
Big Bird
106 bpm • F min • 03:11 • -4.17db
16% Popularity • 41% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Carolyn Franklin
Deal with It
106 bpm • E min • 03:18 • -12.16db
9% Popularity • 64% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Black Heat
You Should've Listened
106 bpm • F# min • 05:39 • -13db
9% Popularity • 58% Danceability • 89% Energy • 23% Liveness
16% Instrumentalness • 80% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The J.B.'s
The Grunt
106 bpm • A Maj • 02:47 • -6.3db
30% Popularity • 72% Danceability • 77% Energy • 19% Liveness
72% Instrumentalness • 83% Positiveness
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Loleatta Holloway
Bring It On Up
106 bpm • A Maj • 02:39 • -5.64db
14% Popularity • 65% Danceability • 75% Energy • 17% Liveness
39% Instrumentalness • 88% Positiveness
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Arthur Monday
What Goes Around Comes Around
106 bpm • F# Maj • 02:51 • -5.62db
10% Popularity • 47% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Patterson
T.C.B. or T.Y.A.
106 bpm • F min • 02:50 • -6.2db
23% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Mike James Kirkland
The Prophet
106 bpm • A Maj • 04:17 • -8.49db
8% Popularity • 58% Danceability • 80% Energy • 4% Liveness
7% Instrumentalness • 86% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Betty Harris
Mean Man
107 bpm • B Maj • 02:34 • -11.56db
17% Popularity • 76% Danceability • 50% Energy • 3% Liveness
14% Instrumentalness • 78% Positiveness
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Union
Strike
105 bpm • F Maj • 02:27 • -7.05db
13% Popularity • 57% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Annette Pointdexter & Pieces of Peace
Mama
107 bpm • F Maj • 02:29 • -9.11db
13% Popularity • 63% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 83% Positiveness
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The J.B.'s
Hot Pants Road
105 bpm • A min • 02:45 • -12db
38% Popularity • 83% Danceability • 54% Energy • 5% Liveness
5% Instrumentalness • 95% Positiveness
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The Sweet Inspirations
Why Marry
105 bpm • G Maj • 06:30 • -14.74db
19% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Nat Turner Rebellion
Fat Back
105 bpm • A Maj • 03:27 • -11.67db
8% Popularity • 47% Danceability • 65% Energy • 30% Liveness
67% Instrumentalness • 79% Positiveness
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Al Green
You Say It
105 bpm • C# Maj • 02:52 • -10.37db
24% Popularity • 77% Danceability • 72% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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The Beginning Of The End
Pretty Girl
107 bpm • G Maj • 04:59 • -7.14db
26% Popularity • 71% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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The Parliaments
(I Wanna) Testify (Mono Single Version)
105 bpm • A# Maj • 03:03 • -5.75db
23% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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The J.B.'s
The Grunt - Pts. 1 & 2
105 bpm • F# min • 03:32 • -10.82db
29% Popularity • 59% Danceability • 64% Energy • 15% Liveness
82% Instrumentalness • 76% Positiveness
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Freedom Now Brothers
It's Our Thing
107 bpm • A# Maj • 02:35 • -9.18db
16% Popularity • 69% Danceability • 71% Energy • 34% Liveness
63% Instrumentalness • 86% Positiveness
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Eugene Blacknell
Gettin' Down
107 bpm • B min • 02:39 • -6.03db
14% Popularity • 60% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Sandi & Matues
The World - Pt. 1
105 bpm • C# min • 02:22 • -5.76db
10% Popularity • 57% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Soul Toronados
Boot's Groove
105 bpm • A Maj • 01:52 • -6.43db
9% Popularity • 57% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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James Whitney
With Fun in My Life
105 bpm • D# Maj • 03:14 • -8.8db
11% Popularity • 83% Danceability • 55% Energy • 10% Liveness
63% Instrumentalness • 78% Positiveness
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Marie "Queenie" Lyons
Your Thing Ain't Good Without My Thing
107 bpm • A# Maj • 02:27 • -11.5db
17% Popularity • 75% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
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Eugene Blacknell
We Know We Have to Live Together
105 bpm • C# Maj • 05:50 • -9.1db
12% Popularity • 83% Danceability • 53% Energy • 14% Liveness
6% Instrumentalness • 64% Positiveness
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5 Spiritual Tones
Bad Situation
105 bpm • A Maj • 02:03 • -7.59db
13% Popularity • 61% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Mighty Hannibal
The Truth Shall Make You Free
107 bpm • D Maj • 03:19 • -8.46db
18% Popularity • 78% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Bo Diddley
Hey, Jerome
107 bpm • C min • 03:11 • -4.68db
11% Popularity • 84% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Alvon & The Belairs
Sexy Coffee Pot - Single Version;Remaste...
105 bpm • F Maj • 02:27 • -8.37db
16% Popularity • 76% Danceability • 80% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
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Ballin' Jack
Never Let Em Say
107 bpm • A# min • 02:43 • -7.84db
13% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Bobby Williams
Funky Super Fly - Pts. 1 & 2
107 bpm • C# Maj • 05:39 • -6.56db
13% Popularity • 71% Danceability • 84% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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87th Off Broadway
Moving Woman
107 bpm • F Maj • 02:56 • -9.26db
8% Popularity • 60% Danceability • 94% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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The Mighty Hannibal
Somebody in the World for You
107 bpm • D Maj • 02:52 • -8.06db
18% Popularity • 63% Danceability • 61% Energy • 9% Liveness
12% Instrumentalness • 66% Positiveness
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Black Ivory
I Keep Asking You Questions
108 bpm • D Maj • 03:08 • -5db
12% Popularity • 56% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Africa
Widow
108 bpm • C min • 04:04 • -12.11db
11% Popularity • 72% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Rufus Thomas
Jump Back '75 - Pt. 1
107 bpm • A# min • 03:34 • -9.91db
9% Popularity • 84% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Clarence Reid
It's Good Enough for Daddy
108 bpm • B Maj • 02:57 • -15.58db
15% Popularity • 83% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 81% Positiveness
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Gene Anderson
The Loneliest One
108 bpm • G# min • 02:03 • -8.72db
8% Popularity • 77% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lee Harris
I'm Gonna Get Your Thing
108 bpm • C Maj • 02:49 • -9.31db
8% Popularity • 55% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Mad Lads
No Strings Attached
104 bpm • G Maj • 02:33 • -17db
13% Popularity • 80% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Vicki Anderson
Answer To Mother Popcorn (I Got A Mother...
104 bpm • D Maj • 03:11 • -10db
13% Popularity • 64% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Inell Young
The Next Ball Game
108 bpm • A# Maj • 02:10 • -9.3db
10% Popularity • 61% Danceability • 88% Energy • 36% Liveness
81% Instrumentalness • 81% Positiveness
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Clarence Reid
Living Together is Keeping Us Apart
108 bpm • A# min • 03:00 • -14.94db
15% Popularity • 66% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Aretha Franklin
Rock Steady - Alternate Mix - Young, Gif...
104 bpm • G Maj • 04:30 • -6.85db
21% Popularity • 68% Danceability • 81% Energy • 33% Liveness
7% Instrumentalness • 80% Positiveness
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Betty Davis
Hangin' Out
108 bpm • A# Maj • 04:55 • -12.63db
24% Popularity • 69% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 84% Positiveness
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The Mad Lads
Make This Young Lady Mine
108 bpm • G# Maj • 02:21 • -16db
29% Popularity • 66% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Parker
Everybody's Hip Huggin
108 bpm • D Maj • 02:46 • -14.1db
13% Popularity • 88% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Chocolate
Ain't That A Groove
104 bpm • A# Maj • 06:04 • -9.33db
10% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Shades Of Black
Mystery Of Black - Pt. 1
104 bpm • A# Maj • 02:51 • -4.74db
14% Popularity • 88% Danceability • 86% Energy • 14% Liveness
2% Instrumentalness • 94% Positiveness
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Commodores
The Assembly Line
108 bpm • F min • 05:08 • -7.67db
22% Popularity • 46% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Black Heat
Wanaoh
104 bpm • F Maj • 03:52 • -13db
18% Popularity • 59% Danceability • 88% Energy • 18% Liveness
92% Instrumentalness • 92% Positiveness
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Chicago Gangsters
Gangster Boogie
108 bpm • A# Maj • 05:14 • -1.44db
27% Popularity • 56% Danceability • 100% Energy • 33% Liveness
36% Instrumentalness • 71% Positiveness
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Everyday People
Get Next to You
108 bpm • E min • 02:33 • -8.29db
9% Popularity • 61% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Betty Harris
Mean Man - 2024 Remastered
104 bpm • F# Maj • 02:41 • -7.62db
12% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
What Can You Bring Me
103 bpm • F min • 02:49 • -8.17db
28% Popularity • 84% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Mighty Hannibal
Get in the Groove
109 bpm • D Maj • 02:25 • -7.09db
16% Popularity • 64% Danceability • 89% Energy • 26% Liveness
60% Instrumentalness • 78% Positiveness
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Ann Peebles
Come to Mama
103 bpm • A min • 02:58 • -8.99db
34% Popularity • 87% Danceability • 59% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
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The Beginning Of The End
Sleep On Dream On
109 bpm • G Maj • 04:04 • -6.01db
24% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Esther Marrow
Walk Tall
103 bpm • F Maj • 03:41 • -8.28db
9% Popularity • 65% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Jimmy Castor Bunch
Bad
103 bpm • F Maj • 03:37 • -12db
11% Popularity • 81% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 97% Positiveness
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Z.Z. Hill
I Think I'd Do It
109 bpm • C Maj • 02:11 • -10.3db
23% Popularity • 70% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Black Heat
No Time to Burn
103 bpm • A min • 03:55 • -14.73db
13% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Fatback Band
Put the Funk on You
109 bpm • B min • 03:12 • -12.81db
13% Popularity • 79% Danceability • 81% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
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Ann Sexton
Color My World Blue
109 bpm • D# min • 02:50 • -12.57db
14% Popularity • 67% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Byrd
Back from the Dead
109 bpm • A# Maj • 03:06 • -11.08db
32% Popularity • 75% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 70% Positiveness
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Gladys Knight & The Pips
The Nitty Gritty
109 bpm • C# Maj • 03:01 • -11db
22% Popularity • 70% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Ernie K-Doe
Back Street Lover - Remastered
109 bpm • A# Maj • 02:27 • -8db
14% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ann Robinson
You Did It
103 bpm • D Maj • 02:20 • -5.89db
22% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Emotions
If You Think It (You May As Well Do It)
109 bpm • G Maj • 03:03 • -12db
32% Popularity • 65% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Adrian Younge
Shine
110 bpm • G# Maj • 02:42 • -5.52db
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Joyce Jones
Help Me Make up My Mind
103 bpm • D Maj • 02:44 • -6.96db
7% Popularity • 84% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love
110 bpm • D min • 03:27 • -8.03db
8% Popularity • 82% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Jimmy Castor Bunch
I Promise to Remember
103 bpm • B min • 02:58 • -12.26db
9% Popularity • 66% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Harlem River Drive
Seeds of Life - 2006 Remaster
110 bpm • G# Maj • 05:09 • -6db
9% Popularity • 51% Danceability • 96% Energy • 28% Liveness
1% Instrumentalness • 65% Positiveness
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Darondo
My Momma and My Poppa
102 bpm • D Maj • 04:10 • -8.59db
26% Popularity • 79% Danceability • 61% Energy • 16% Liveness
4% Instrumentalness • 67% Positiveness
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Eddie Bo
We're Doin' It (The Thang), Pt. 1
102 bpm • F# Maj • 02:58 • -9.55db
9% Popularity • 65% Danceability • 80% Energy • 37% Liveness
26% Instrumentalness • 94% Positiveness
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Soul Toronados
Hot Pants Breakdown
110 bpm • D Maj • 02:55 • -5db
13% Popularity • 76% Danceability • 93% Energy • 3% Liveness
25% Instrumentalness • 88% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
High as Apple Pie-Slice I
110 bpm • G Maj • 07:25 • -11.47db
10% Popularity • 67% Danceability • 48% Energy • 21% Liveness
2% Instrumentalness • 55% Positiveness
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Delores Ealy & The Kenyattas
Honeydripper
102 bpm • D Maj • 02:23 • -5.7db
9% Popularity • 74% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Wilson Pickett
Bumble Bee (Sting Me)
102 bpm • C Maj • 02:19 • -8db
30% Popularity • 72% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Pearly Queen
Quit Jivin'
102 bpm • E min • 02:37 • -8.55db
10% Popularity • 79% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Ike Turner & The Kings Of Rhythm
Ghetto Funk
110 bpm • G# Maj • 02:30 • -12.12db
19% Popularity • 57% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 83% Positiveness
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The M & S Band
Egg Roll
110 bpm • F# min • 02:02 • -5db
11% Popularity • 64% Danceability • 94% Energy • 19% Liveness
38% Instrumentalness • 89% Positiveness
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Barbara Randolph
Can I Get A Witness - Single Version
102 bpm • C# Maj • 02:21 • -6db
27% Popularity • 73% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Eddie Bo
We're Doin' It (The Thang), Pt. 2
102 bpm • G Maj • 03:08 • -12.28db
13% Popularity • 80% Danceability • 63% Energy • 4% Liveness
48% Instrumentalness • 87% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love
102 bpm • G Maj • 03:39 • -8.29db
21% Popularity • 70% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Lee Fields
I'm The Man
102 bpm • F min • 03:07 • -7.09db
15% Popularity • 85% Danceability • 88% Energy • 2% Liveness
38% Instrumentalness • 86% Positiveness
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Ruby Jones
Tight Rope
102 bpm • C Maj • 03:09 • -11.34db
7% Popularity • 50% Danceability • 64% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Oceanliners
Cutting Room (Hot Pants)
102 bpm • A Maj • 02:53 • -11.1db
12% Popularity • 81% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 97% Positiveness
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Sly Stone
Crossword Puzzle
102 bpm • F Maj • 02:55 • -8db
22% Popularity • 67% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 90% Positiveness
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The Highlighters
The Funky 16 Corners
111 bpm • G# Maj • 05:17 • -6db
15% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
I Got Love - Remastered Version
102 bpm • G Maj • 03:36 • -9.46db
9% Popularity • 70% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Little Beaver
Concrete Jungle
111 bpm • F# Maj • 04:50 • -5.89db
22% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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What Goes Around Comes Around