Songs like What Kind Of Fool I Am by Gustav Scheringer Duo
Based on a tempo of (+/- 10%) and a similar genre
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Gustav Scheringer Duo
What Kind Of Fool I Am
102 bpm • C min • 05:22 • -17.19db
19% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
19% Popularity • 56% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Long Island Quartet
Alfie
102 bpm • G Maj • 03:37 • -16.5db
32% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
32% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
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Grove Street Quartet
April In Paris
102 bpm • C Maj • 03:59 • -21.06db
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Rachel Silver
Shiny Stockings
102 bpm • G Maj • 04:17 • -13.75db
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
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Pearl Street Trio
Dreamsville
102 bpm • D min • 04:21 • -21.5db
46% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Holborns
Walking on Clouds
102 bpm • F Maj • 02:02 • -14.75db
48% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
48% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Paul Moretti Trio
You Go To My Head
102 bpm • D# Maj • 03:55 • -19.92db
39% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
39% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
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Long Island Quartet
Someone To Watch Over Me
101 bpm • D# Maj • 04:08 • -15.39db
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 33% Positiveness
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 33% Positiveness
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Daniel Rhodes Trio
Smile
103 bpm • C Maj • 04:19 • -20.86db
33% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
33% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Alan Perlman Band
Stolen Moments
101 bpm • C min • 03:14 • -11.5db
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
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LaSalle Street Trio
Everything Happens To Me
103 bpm • A# Maj • 02:41 • -22.27db
47% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
47% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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The Uptown Players
What about us?
103 bpm • D# Maj • 02:49 • -18.41db
54% Popularity • 51% Danceability • 16% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
54% Popularity • 51% Danceability • 16% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
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Lisa Gordan Trio
Stardust
101 bpm • C Maj • 06:24 • -18.96db
21% Popularity • 52% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
21% Popularity • 52% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Leslie Rossiter Band
Moonlight in Vermont
101 bpm • C min • 04:17 • -17.18db
30% Popularity • 40% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Long Island Quartet
Here´s That Rainy Day
101 bpm • F min • 03:54 • -16.78db
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
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Jeff Laine & Co
You Confuse Me
103 bpm • A Maj • 03:11 • -15.69db
34% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
34% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Ted Lightfoot
I've Never Been In Love Before
103 bpm • A# Maj • 04:26 • -20.92db
29% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
29% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Geeder
Waltz for Viggo
101 bpm • F min • 03:50 • -16.2db
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
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Henry Lindon
First Season
101 bpm • C min • 03:22 • -22.84db
38% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Burt Mitchell
A Certain Sadness
104 bpm • C# Maj • 05:15 • -23.38db
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
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Brandon's Three
the point above
100 bpm • D min • 02:48 • -22.48db
42% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
42% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
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Red Stairs Jazz Quartet
Easy Living
100 bpm • F Maj • 04:43 • -19.56db
22% Popularity • 42% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 9% Positiveness
22% Popularity • 42% Danceability • 11% Energy • 10% Liveness
29% Instrumentalness • 9% Positiveness
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Keanan Field Group
I Loves You, Porgy
104 bpm • G min • 03:30 • -22.36db
51% Popularity • 56% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
51% Popularity • 56% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Magnus Ringblom Quartet
Just For A While
104 bpm • A# Maj • 02:58 • -14.33db
27% Popularity • 72% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
27% Popularity • 72% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
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Ry Starky
My Funny Valentine
104 bpm • D# Maj • 03:07 • -17.98db
17% Popularity • 42% Danceability • 3% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
17% Popularity • 42% Danceability • 3% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Lauren Richardson
A Flower is a Lonesome Thing
100 bpm • F# Maj • 05:26 • -15.62db
16% Popularity • 44% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 44% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Gustav Scheringer Duo
I Thought About You
104 bpm • A min • 04:14 • -16.8db
1% Popularity • 63% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
1% Popularity • 63% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Red Rose Jazz Trio
Polka Dots and Moonbeams
104 bpm • F Maj • 05:03 • -15.7db
35% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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The Andy Love Band
In The Wee Small Hours of the Morning
100 bpm • C Maj • 04:22 • -21.78db
30% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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Chattanooga Trio
Jazzanooga
100 bpm • C# Maj • 02:47 • -20.4db
36% Popularity • 59% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 20% Positiveness
36% Popularity • 59% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 20% Positiveness
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Morris Valentin
Going Places
100 bpm • F min • 04:18 • -14.14db
23% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
42% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
42% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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Gustav Scheringer Duo
Ill Wind
104 bpm • D min • 05:26 • -14.9db
32% Popularity • 62% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
32% Popularity • 62% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Lia Riggs Trio
Somewhere Over the Rainbow
99 bpm • F min • 02:57 • -23.53db
36% Popularity • 52% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
36% Popularity • 52% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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Norberg
Abisko
105 bpm • D Maj • 02:48 • -19.96db
38% Popularity • 55% Danceability • 6% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
38% Popularity • 55% Danceability • 6% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
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Astoria Three
On a rainy night
105 bpm • F# min • 02:54 • -20.36db
36% Popularity • 46% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
36% Popularity • 46% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Gustav Scheringer Duo
Old Folks
105 bpm • F Maj • 06:30 • -12.83db
19% Popularity • 52% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
19% Popularity • 52% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Lia Riggs Trio
Some Other Time
99 bpm • C Maj • 03:11 • -23db
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
43% Popularity • 56% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Carla Moses
Underbart är kort
99 bpm • D# Maj • 04:04 • -21db
11% Popularity • 46% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Old Town Trio
Day by Day
106 bpm • E min • 03:50 • -18.44db
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 20% Energy • 17% Liveness
85% Instrumentalness • 37% Positiveness
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Lydia Baskow Trio
Nuages ​​Creux
98 bpm • C Maj • 02:37 • -21.25db
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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The Uptown Players
Solitude
106 bpm • F min • 02:30 • -20.03db
50% Popularity • 43% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
50% Popularity • 43% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Gustav Scheringer Duo
Isfahan
98 bpm • F min • 04:08 • -19db
14% Popularity • 62% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
14% Popularity • 62% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Stephen Stevens Quartet
All Of Me
98 bpm • C Maj • 04:02 • -18.43db
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
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Eric Rowland
There Will Never Be Another You
107 bpm • C min • 03:55 • -17.41db
36% Popularity • 54% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Ennio Máno
A Stones Throw
98 bpm • A# Maj • 03:45 • -11db
33% Popularity • 44% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
33% Popularity • 44% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 12% Positiveness
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Brandon's Three
desire strongly
98 bpm • A min • 02:59 • -23.57db
42% Popularity • 38% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
42% Popularity • 38% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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The Red Robin Quartet
Come Rain or Come Shine
97 bpm • A min • 04:17 • -18.44db
36% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
36% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Gustav Scheringer Duo
Spring Can Really Hang You Up The Most
106 bpm • C Maj • 06:20 • -18db
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Stephen Stevens Quartet
Day Dream
98 bpm • F Maj • 04:23 • -18.82db
11% Popularity • 58% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
11% Popularity • 58% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Kuipers & Winter
Maybe We'll Meet Again
107 bpm • F Maj • 03:37 • -11.48db
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Alexis Cohen
Infant Eyes
97 bpm • F# Maj • 04:33 • -20.76db
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Paul Moretti Trio
Maybe We Should Dance
97 bpm • F# Maj • 03:26 • -17.01db
52% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 18% Positiveness
52% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 18% Positiveness
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Mitchell Jackson Quartet
Alfie
107 bpm • C Maj • 03:21 • -15.87db
32% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Gustav Scheringer Duo
Martin the Machine
107 bpm • D Maj • 04:24 • -18.73db
13% Popularity • 39% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 38% Positiveness
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Sonny Knight
Billie's Bounce
107 bpm • A# Maj • 02:41 • -14db
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
33% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 58% Positiveness
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Tom Lewis Band
Dream A Little Dream
107 bpm • G Maj • 03:44 • -14.2db
36% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
36% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Brandon's Three
turned or twisted
97 bpm • G# Maj • 02:27 • -22.94db
44% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
44% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
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South North
I've Never Been in Love Before
107 bpm • A# Maj • 03:46 • -21.36db
47% Popularity • 51% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
47% Popularity • 51% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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The Gold Lounge Band
Angel Eyes
107 bpm • C min • 05:37 • -15.03db
30% Popularity • 48% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 48% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Sara Florence
Blue In Green
97 bpm • D min • 02:47 • -18.37db
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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KTZ Players
Stillness
97 bpm • A Maj • 02:47 • -19.52db
45% Popularity • 53% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
45% Popularity • 53% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Fulton Street Players
Easy
107 bpm • A min • 02:19 • -17.75db
44% Popularity • 64% Danceability • 19% Energy • 12% Liveness
76% Instrumentalness • 29% Positiveness
44% Popularity • 64% Danceability • 19% Energy • 12% Liveness
76% Instrumentalness • 29% Positiveness
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Burt Mitchell
Fading Love
108 bpm • F Maj • 04:40 • -21.73db
34% Popularity • 35% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 20% Positiveness
34% Popularity • 35% Danceability • 7% Energy • 12% Liveness
57% Instrumentalness • 20% Positiveness
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Hector Milo Trio
Spring Waltz
97 bpm • C# Maj • 03:57 • -19.8db
25% Popularity • 32% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Joseph Lawrence
Skylark
108 bpm • C min • 07:18 • -13.5db
37% Popularity • 42% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
37% Popularity • 42% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
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Three Four Trio
Turn Out the Stars
108 bpm • C Maj • 05:01 • -19.69db
24% Popularity • 43% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
24% Popularity • 43% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Brooklyn Smith
Beautiful Love
108 bpm • D min • 02:36 • -16.92db
36% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
36% Popularity • 54% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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Sonny Knight
Just Friends
108 bpm • G# Maj • 03:43 • -20db
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
30% Popularity • 50% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Purple Patch Band
Embraceable You
108 bpm • G Maj • 05:05 • -14.77db
31% Popularity • 40% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 10% Positiveness
31% Popularity • 40% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 10% Positiveness
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Carl Bagge Trio
Con Alma
96 bpm • F# Maj • 05:30 • -18.5db
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
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Soho Quartet
Moontrane
96 bpm • A# Maj • 02:22 • -12db
21% Popularity • 53% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
21% Popularity • 53% Danceability • 36% Energy • 16% Liveness
82% Instrumentalness • 40% Positiveness
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Hara Noda
The Beauty of Everyday Things
108 bpm • A# Maj • 03:23 • -14db
47% Popularity • 64% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
47% Popularity • 64% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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The Blue Green
Some Other Time
108 bpm • C Maj • 05:16 • -19db
23% Popularity • 56% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 56% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Magpie Jazz Trio
Blue Moon
108 bpm • F min • 04:54 • -19db
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
41% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Tyrone Coates & Friends
Turn Out the Stars
96 bpm • G Maj • 03:23 • -19.53db
37% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Brooklyn Smith
Peace
96 bpm • E Maj • 03:25 • -17.79db
11% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 44% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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James Jackson Jazz Trio
On a Clear Day (You Can See Forever)
109 bpm • G Maj • 03:25 • -15.68db
40% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
40% Popularity • 69% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Eric Rowland
Flamingo
109 bpm • G# Maj • 05:48 • -12db
20% Popularity • 52% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
20% Popularity • 52% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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CMC 3
Star Eyes
109 bpm • C Maj • 05:18 • -15db
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
21% Popularity • 32% Danceability • 44% Energy • 15% Liveness
74% Instrumentalness • 58% Positiveness
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The North Sea Trio
The More I See You
96 bpm • D# Maj • 04:22 • -17.6db
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
27% Popularity • 60% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
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Tannenbaum Trio
Met You At Midnight
109 bpm • D min • 04:43 • -13db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Charles Fleet
Detour Ahead
109 bpm • F Maj • 05:28 • -17db
18% Popularity • 60% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 60% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Martin Landström
Spring Is in the Air
109 bpm • A min • 04:48 • -18db
43% Popularity • 46% Danceability • 21% Energy • 27% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 46% Danceability • 21% Energy • 27% Liveness
86% Instrumentalness • 8% Positiveness
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Louis Silva Band
Pretty Ballad
95 bpm • D Maj • 03:26 • -15.43db
43% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
43% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Sweet Nothings Band
I Fall In Love Too Easily
95 bpm • G Maj • 04:47 • -17.7db
40% Popularity • 39% Danceability • 15% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
40% Popularity • 39% Danceability • 15% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
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MEGTARO
In Thoughtful
95 bpm • A# Maj • 04:02 • -23.33db
33% Popularity • 49% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
33% Popularity • 49% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 24% Positiveness
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Red Rose Jazz Trio
My Romance
95 bpm • A# Maj • 06:32 • -15.41db
39% Popularity • 43% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
39% Popularity • 43% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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James Jackson Jazz Trio
At A Glance
110 bpm • F Maj • 04:10 • -19.92db
49% Popularity • 46% Danceability • 12% Energy • 11% Liveness
45% Instrumentalness • 23% Positiveness
49% Popularity • 46% Danceability • 12% Energy • 11% Liveness
45% Instrumentalness • 23% Positiveness
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Burt Mitchell
My Mistake
95 bpm • F Maj • 04:57 • -21.55db
42% Popularity • 30% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 14% Positiveness
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Portraits in Jazz
Stay Around
95 bpm • F# Maj • 05:43 • -12.43db
26% Popularity • 40% Danceability • 29% Energy • 34% Liveness
8% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 29% Energy • 34% Liveness
8% Instrumentalness • 7% Positiveness
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Ollie Reiss Trio
Alone Together
110 bpm • D min • 03:52 • -19.36db
19% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
19% Popularity • 42% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Jacob Schwarz Trio
Lush Life
110 bpm • D# min • 03:26 • -18.7db
25% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 46% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Long Island Quartet
I Remember Clifford
110 bpm • C min • 03:03 • -18db
36% Popularity • 45% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
36% Popularity • 45% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 27% Positiveness
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The Golden Hour Quartet
There Will Never Be Another You
95 bpm • F min • 03:08 • -18.15db
29% Popularity • 56% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
29% Popularity • 56% Danceability • 14% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
