Songs like What More Can I Say? by Christian Borle
Based on a tempo of (+/- 10%) and a similar genre
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
34% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Mary Kate Wiles
Prisoner of My Past
77 bpm • A min • 01:59 • -19.25db
28% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
24% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Christian Borle
What More Can I Say?
77 bpm • C Maj • 04:15 • -16.78db
36% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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William Finn
Prologue: Frogs Have so Much Spring (The...
78 bpm • C# min • 04:59 • -6.97db
19% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Katie Rose Clarke
Not a Day Goes By - Reprise
78 bpm • G Maj • 02:19 • -11.16db
30% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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'Falsettos' 2016 Broadway Company
The Baseball Game
76 bpm • F# Maj • 04:44 • -7db
39% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Original StarKid Cast of The Trail To Oregon!
When the World's at Stake (Reprise)
76 bpm • D Maj • 01:53 • -7.21db
26% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Patrick Page
His Kiss, the Riot
78 bpm • A# Maj • 03:03 • -10.43db
25% Popularity • 22% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
25% Popularity • 22% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Adrianna Hicks
At The Old Majestic Nickel Matinee
78 bpm • E min • 04:26 • -13.33db
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
10% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
32% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Kelli O'Hara
Say It Somehow
75 bpm • C Maj • 04:14 • -13.63db
22% Popularity • 26% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 26% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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William Finn
And They're Off
79 bpm • C Maj • 03:32 • -3.89db
23% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
23% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Borle
Totally Safe
75 bpm • C# Maj • 01:33 • -4.75db
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Christian Borle
14 Dwight Ave., Natick, Massachusetts
75 bpm • D# Maj • 06:00 • -6.64db
6% Popularity • 46% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 46% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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William Finn
An Invitation to Sleep in My Arms
80 bpm • A# Maj • 04:38 • -6.85db
15% Popularity • 37% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 37% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Brian D'Arcy James
No More
80 bpm • A# Maj • 04:13 • -12.76db
31% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Thompson
Sweet Dreams
80 bpm • C Maj • 02:51 • -9.79db
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Borle
When I Was a Kid (Part One)
74 bpm • C Maj • 02:00 • -14.55db
7% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Original StarKid Cast of Twisted
A Thousand and One Nights
80 bpm • C# Maj • 04:04 • -13db
32% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
24% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Rosenthal
Year of the Child
80 bpm • G# Maj • 04:12 • -5.25db
36% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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William Finn
The Baseball Game
80 bpm • F# Maj • 04:46 • -14.89db
15% Popularity • 52% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 52% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Christian Borle
Show Me The Stage
80 bpm • C# min • 02:46 • -7.86db
12% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Kyle Selig
Stupid With Love (Reprise)
80 bpm • C Maj • 01:25 • -9.79db
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
31% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Christian Borle
Father to Son
80 bpm • F Maj • 04:01 • -20.26db
34% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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William Finn
What More Can I Say?
81 bpm • C Maj • 03:43 • -23.6db
14% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Colton Ryan
Another Room in Your Head
81 bpm • A Maj • 03:39 • -10db
34% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Brittain Ashford
Sonya Alone
73 bpm • D Maj • 04:07 • -10.24db
35% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Katie Ladner
Kindergarten Boyfriend
82 bpm • F Maj • 03:48 • -11.16db
48% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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'Falsettos' 2016 Broadway Company
Days Like This
81 bpm • D Maj • 03:18 • -7.33db
35% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Tammy Blanchard
Finale (Don't Feed the Plants)
82 bpm • A# min • 03:23 • -7.7db
28% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Christian Borle
Peggy Hewitt & Mysty Del Giorno
72 bpm • E Maj • 02:50 • -13db
8% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
33% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Original StarKid Cast of The Trail To Oregon!
When the World's at Stake
72 bpm • B Maj • 04:04 • -6.95db
29% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
35% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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William Finn
The Music Still Plays On
83 bpm • C Maj • 04:54 • -9.21db
13% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jonathan Groff
Sudden Changes
72 bpm • C Maj • 01:22 • -17.85db
28% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Katie Rose Clarke
Not a Day Goes By
83 bpm • F Maj • 02:04 • -10.22db
34% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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SMASH Cast
The Right Regrets (SMASH Cast Version)
72 bpm • B min • 02:34 • -17.43db
19% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
33% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lauren Lopez
What If?
83 bpm • B Maj • 01:48 • -10.81db
31% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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William Finn
I'd Rather Be Sailing
71 bpm • C# Maj • 03:02 • -8.03db
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Terrence Mann
In The Arms
83 bpm • C Maj • 02:25 • -8.25db
30% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
27% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Alison Fraser
My Boy
71 bpm • A min • 03:28 • -13.41db
5% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Original StarKid Cast of Twisted
The Golden Rule (Evil Reprise)
84 bpm • C min • 01:21 • -7.65db
34% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Alice Ripley
Why Stay? / A Promise
71 bpm • F Maj • 02:35 • -7db
28% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Caitlin Kinnunen
Dance with You
84 bpm • C# Maj • 03:07 • -7.27db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
35% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Reeve Carney
Doubt Comes In
84 bpm • G min • 04:51 • -9db
47% Popularity • 38% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
47% Popularity • 38% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
31% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
39% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into (Reprise)
84 bpm • A# Maj • 00:59 • -12.57db
23% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Christian Borle
I Never Wanted to Love You
84 bpm • G# Maj • 02:44 • -7db
37% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
31% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
33% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Lesli Margherita
Loud
84 bpm • A Maj • 04:01 • -8db
34% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
44% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Christian Borle
My Dogs
85 bpm • E Maj • 04:51 • -9.52db
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Original StarKid Cast of Twisted
Orphaned at Thirty-Three
70 bpm • D Maj • 03:18 • -9.83db
29% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Rannells
The Games I Play
85 bpm • A Maj • 02:45 • -9db
41% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lindsay Mendez
Pretty Funny
70 bpm • G Maj • 04:49 • -10db
38% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
28% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jennifer Damiano
Everything Else
69 bpm • C Maj • 01:49 • -12db
37% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Borle
I Won't Grow up (Reprise)
70 bpm • C# Maj • 01:50 • -9.84db
9% Popularity • 44% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
44% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
