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What The Hell?
Songs like
What The Hell?
by
Elvin Bishop & Charlie Musselwhite
Based on a tempo of (+/- 10%) and a similar genre
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Elvin Bishop & Charlie Musselwhite
What The Hell?
95 bpm • C Maj • 03:06 • -2.6db
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Nick Moss Band
Get Right Before You Get Left
95 bpm • F min • 03:51 • -2.42db
27% Popularity • 44% Danceability • 91% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Tutu Jones
Starting All Over
95 bpm • G min • 04:06 • -4.27db
31% Popularity • 74% Danceability • 83% Energy • 65% Liveness
0% Instrumentalness • 97% Positiveness
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Samantha Fish
Jim Lee Blues Pt. 1
95 bpm • A Maj • 03:53 • -7.75db
28% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Watermelon Slim
Get Out of My Life Woman
96 bpm • F# min • 03:09 • -8.09db
22% Popularity • 60% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 77% Positiveness
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Duane Allman
No Money Down
96 bpm • C Maj • 03:27 • -13.28db
26% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Elvin Bishop & Charlie Musselwhite
Old School
95 bpm • D Maj • 04:58 • -1.94db
13% Popularity • 54% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Smokin' Joe Kubek & Bnois King
RU4 Real?
96 bpm • A Maj • 06:08 • -3.7db
28% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Shemekia Copeland
No Heart At All
94 bpm • G min • 04:17 • -5.76db
19% Popularity • 71% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Duke Robillard
Do The Memphis Grind
94 bpm • D Maj • 04:54 • -6.73db
17% Popularity • 67% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 90% Positiveness
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Sugar Ray & The Bluetones
Too Far from the Bar
94 bpm • C Maj • 02:44 • -8.1db
10% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Joanne Shaw Taylor
Time Has Come
96 bpm • G# Maj • 05:51 • -7db
27% Popularity • 57% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 53% Positiveness
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Carolyn Wonderland
Fortunate Few
94 bpm • A Maj • 03:25 • -4.19db
25% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Altered Five Blues Band
Ten Thousand Watts
96 bpm • A min • 03:22 • -5.63db
31% Popularity • 61% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Shemekia Copeland
Barefoot In Heaven
96 bpm • F Maj • 03:30 • -6.78db
39% Popularity • 66% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Damon Fowler
Ain't Gonna Rock with You No More
94 bpm • D Maj • 03:23 • -6db
29% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Alvin
Peace
93 bpm • B min • 06:31 • -12db
14% Popularity • 48% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 48% Positiveness
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Blues Traveler
You Got Me Runnin'
97 bpm • A Maj • 03:22 • -6.49db
15% Popularity • 69% Danceability • 73% Energy • 11% Liveness
14% Instrumentalness • 68% Positiveness
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Lonnie Mack
Riding The Blinds
97 bpm • G Maj • 04:22 • -10.1db
33% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
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Guitar Shorty
Old School
93 bpm • G Maj • 03:59 • -4db
40% Popularity • 48% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mike Bloomfield
Blues Medley - Live
93 bpm • D Maj • 07:44 • -8.75db
31% Popularity • 42% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Cain
I Believe I Got Off Cheap
97 bpm • D Maj • 03:19 • -2.8db
37% Popularity • 57% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Steve Cropper
The Go-Getter Is Gone
97 bpm • D Maj • 03:10 • -5.06db
15% Popularity • 64% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Janiva Magness
Whoop And Holler
97 bpm • A Maj • 02:36 • -6.29db
21% Popularity • 64% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Carolyn Wonderland
What Good Can Drinkin' Do
93 bpm • G Maj • 04:02 • -8.84db
18% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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North Mississippi Allstars
Mean Old World
93 bpm • A Maj • 06:32 • -7.15db
21% Popularity • 67% Danceability • 69% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
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Elvin Bishop & Charlie Musselwhite
South Side Slide
93 bpm • A Maj • 03:13 • -3.47db
13% Popularity • 47% Danceability • 42% Energy • 21% Liveness
85% Instrumentalness • 69% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Margolin
Stick Out Your Can
97 bpm • D Maj • 03:35 • -8.77db
12% Popularity • 69% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Joanna Connor
Earthshaker
97 bpm • D Maj • 04:07 • -4.77db
19% Popularity • 45% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Lucky Peterson
Never Coming Back
93 bpm • G Maj • 03:16 • -12.61db
17% Popularity • 66% Danceability • 59% Energy • 20% Liveness
67% Instrumentalness • 72% Positiveness
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The Cash Box Kings
Holler & Stomp
93 bpm • D min • 03:47 • -4.18db
12% Popularity • 69% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Otis Grand
Holding You Up For Love
97 bpm • G Maj • 06:09 • -8db
21% Popularity • 55% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Frampton Band
Me And My Guitar
97 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sean Costello
Little Birds
98 bpm • G Maj • 04:51 • -8.89db
8% Popularity • 44% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Matt "Guitar" Murphy
Way Down South
98 bpm • A Maj • 04:34 • -13db
30% Popularity • 75% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 57% Positiveness
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Jimmy Johnson
Feel Like Breaking Up Someone's Home
98 bpm • D Maj • 04:47 • -11db
26% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Curtis Salgado
Hell In A Handbasket
92 bpm • G Maj • 04:12 • -14.89db
12% Popularity • 62% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 56% Positiveness
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Fruteland Jackson
Two Steps to Hell
98 bpm • G Maj • 04:26 • -8.05db
8% Popularity • 64% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Moreland & Arbuckle
Woman Down In Arkansas
98 bpm • D Maj • 04:13 • -8db
24% Popularity • 44% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Omar and The Howlers
Meaning of the Blues
98 bpm • D Maj • 03:12 • -8.7db
16% Popularity • 60% Danceability • 60% Energy • 16% Liveness
8% Instrumentalness • 64% Positiveness
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Selwyn Birchwood
Overworked And Underpaid
98 bpm • E Maj • 04:06 • -6.03db
10% Popularity • 54% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
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Roomful Of Blues
Phone Zombies
98 bpm • G min • 03:35 • -4.37db
35% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Mick Clarke
Break It Down
98 bpm • E Maj • 04:33 • -7.94db
8% Popularity • 49% Danceability • 66% Energy • 30% Liveness
15% Instrumentalness • 45% Positiveness
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Doyle Bramhall
Take Your Time, Son
98 bpm • C Maj • 06:57 • -6.72db
7% Popularity • 49% Danceability • 62% Energy • 12% Liveness
52% Instrumentalness • 84% Positiveness
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The Allman Betts Band
Down To The River
98 bpm • G min • 04:43 • -9.5db
39% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Lindsay Beaver
Too Cold To Cry
92 bpm • G Maj • 03:36 • -3.78db
13% Popularity • 33% Danceability • 71% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Curtis Salgado
I Can't Be Satisfied
99 bpm • D Maj • 03:49 • -8.65db
31% Popularity • 68% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Louisiana Red
Freight Train to Ride
99 bpm • G Maj • 03:28 • -15db
29% Popularity • 57% Danceability • 22% Energy • 6% Liveness
10% Instrumentalness • 36% Positiveness
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William Clarke
Lollipop Mama
91 bpm • G Maj • 03:50 • -12db
35% Popularity • 72% Danceability • 47% Energy • 30% Liveness
9% Instrumentalness • 71% Positiveness
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Guitar Shorty
A Little Less Conversation
99 bpm • B min • 04:04 • -5db
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Dave Hole
Take Me to Chicago
91 bpm • D Maj • 03:51 • -6.55db
29% Popularity • 58% Danceability • 82% Energy • 34% Liveness
2% Instrumentalness • 73% Positiveness
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Ronnie EarlThe Broadcasters
Puddin' Pie
99 bpm • D# Maj • 04:07 • -5db
14% Popularity • 47% Danceability • 82% Energy • 14% Liveness
8% Instrumentalness • 63% Positiveness
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Steve Cropper
Fire It Up
91 bpm • E Maj • 03:02 • -4.44db
21% Popularity • 63% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
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North Mississippi Allstars
What You Gonna Do?
91 bpm • C# Maj • 03:21 • -6.2db
25% Popularity • 74% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Curtis Salgado
A Woman Or The Blues
91 bpm • G min • 04:22 • -5.3db
15% Popularity • 52% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Lonnie Brooks
Two Headed Man
91 bpm • A Maj • 03:28 • -13db
28% Popularity • 62% Danceability • 51% Energy • 40% Liveness
6% Instrumentalness • 54% Positiveness
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Johnny Copeland
Rolling With The Punches
100 bpm • G# Maj • 06:34 • -8.25db
33% Popularity • 73% Danceability • 80% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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Elvin Bishop & Charlie Musselwhite
West Helena Blues
90 bpm • A Maj • 04:51 • -2.6db
15% Popularity • 50% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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Phantom Blues Band
Stop Runnin'
100 bpm • B min • 05:13 • -5db
20% Popularity • 75% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Danielle Nicole
Wolf Den
100 bpm • B min • 04:33 • -10db
31% Popularity • 83% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Big Daddy Wilson
Hard Times Done Come
90 bpm • F Maj • 03:05 • -14.19db
13% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Guitar Shorty
Let My Guitar Do The Talking
100 bpm • E min • 04:50 • -5db
35% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Fiona Boyes
Black Mountain Blues
90 bpm • F# min • 04:33 • -8.11db
11% Popularity • 70% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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John Németh
Shake Your Hips
90 bpm • G Maj • 03:53 • -5db
20% Popularity • 57% Danceability • 89% Energy • 38% Liveness
6% Instrumentalness • 50% Positiveness
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Dave Hole
These Blues Are Here To Stay
101 bpm • A Maj • 06:22 • -6.48db
15% Popularity • 34% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Lonnie Mack
Hound Dog Man
101 bpm • C Maj • 04:08 • -7db
34% Popularity • 64% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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The Cash Box Kings
Down On The South Side
89 bpm • C Maj • 03:41 • -4.32db
31% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie 9V
She Got Some Money
101 bpm • D Maj • 03:02 • -6.53db
17% Popularity • 49% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Baker Brooks
Doing Too Much
89 bpm • A Maj • 04:18 • -7db
32% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
32% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Curtis Salgado
The Gift Of Robert Charles
101 bpm • D Maj • 03:53 • -13.91db
25% Popularity • 56% Danceability • 9% Energy • 11% Liveness
47% Instrumentalness • 36% Positiveness
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Clarence "Gatemouth" Brown
Blues Power
89 bpm • F Maj • 03:46 • -12.3db
19% Popularity • 71% Danceability • 59% Energy • 6% Liveness
29% Instrumentalness • 93% Positiveness
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Colin Linden
4 Cars
101 bpm • F min • 03:29 • -7.8db
10% Popularity • 61% Danceability • 83% Energy • 21% Liveness
5% Instrumentalness • 68% Positiveness
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Big Head Todd and The Monsters
All True Man
102 bpm • A min • 04:04 • -9.05db
32% Popularity • 72% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Cephas & Wiggins
No Ice In My Bourbon
89 bpm • D Maj • 03:20 • -10.87db
26% Popularity • 46% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Debbie Davies
Life Of The Party
102 bpm • B min • 03:51 • -8db
27% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Lonnie Brooks
A Man's Got To Do What A Man's Got To Do
103 bpm • B min • 04:03 • -12.5db
27% Popularity • 72% Danceability • 55% Energy • 13% Liveness
2% Instrumentalness • 83% Positiveness
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Jontavious Willis
Liquor
88 bpm • A Maj • 03:14 • -6.86db
11% Popularity • 90% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Denny Freeman
Gotta Serve Somebody
103 bpm • E min • 04:48 • -7.98db
31% Popularity • 71% Danceability • 66% Energy • 33% Liveness
93% Instrumentalness • 77% Positiveness
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Carolyn Wonderland
It Takes A Lot To Laugh, It Takes A Trai...
103 bpm • G Maj • 03:47 • -4.05db
14% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmy Thackery And The Drivers
Chained To The Blues Line
103 bpm • C Maj • 05:01 • -6.8db
22% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
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Albert Castiglia
Cadillac Assembly Line
104 bpm • A min • 05:01 • -5db
29% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Corey Stevens
Sad Blue Eyes
104 bpm • C# Maj • 03:25 • -9.24db
23% Popularity • 79% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Bernard Allison
Blues Party
104 bpm • E Maj • 04:48 • -6db
25% Popularity • 65% Danceability • 76% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Alexis Korner's Blues Incorporated
Rain Is Such a Lonesome Sound
104 bpm • F min • 02:51 • -8.03db
11% Popularity • 34% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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The Fabulous Thunderbirds
Full-Time Lover
104 bpm • E Maj • 04:43 • -6.72db
21% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Frank Bey
All My Dues Are Paid
104 bpm • C Maj • 04:11 • -5.13db
14% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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William Clarke
Must Be Jelly
104 bpm • C Maj • 07:03 • -15db
21% Popularity • 78% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Elvin Bishop & Charlie Musselwhite
Blues For Yesterday
104 bpm • G Maj • 05:53 • -2.66db
8% Popularity • 51% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Doyle Bramhall
Change It
104 bpm • F Maj • 03:02 • -8.24db
30% Popularity • 61% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Rory Block
Wayward Girl Blues
86 bpm • C# min • 04:41 • -7.53db
13% Popularity • 64% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Eddy Clearwater
Hypnotized
105 bpm • G min • 04:11 • -2.27db
11% Popularity • 53% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Koko Taylor
Piece Of Man
105 bpm • B min • 04:30 • -3.78db
17% Popularity • 66% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Trudy Lynn
Golden Girl Blues
105 bpm • C Maj • 05:07 • -6.19db
7% Popularity • 65% Danceability • 76% Energy • 21% Liveness
6% Instrumentalness • 81% Positiveness
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Peter Frampton Band
Going Down Slow
105 bpm • G Maj • 05:12 • -5.64db
23% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Matt "Guitar" Murphy
Thump Tyme
105 bpm • A Maj • 03:38 • -13.39db
19% Popularity • 55% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 84% Positiveness
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Christone "Kingfish" Ingram
Fresh Out
105 bpm • G Maj • 03:48 • -4db
43% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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What The Hell?