Songs like What The World Needs Now Is Love by Bill Frisell
Based on a tempo of (+/- 10%) and a similar genre
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Bobo Stenson Trio
Canción Y Danza VI
114 bpm • G# min • 05:14 • -24.35db
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Keith Jarrett Trio
Little Girl Blue
114 bpm • F Maj • 06:43 • -30.71db
27% Popularity • 35% Danceability • 13% Energy • 69% Liveness
40% Instrumentalness • 20% Positiveness
27% Popularity • 35% Danceability • 13% Energy • 69% Liveness
40% Instrumentalness • 20% Positiveness
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Bill Frisell
What The World Needs Now Is Love
114 bpm • E min • 05:55 • -14.99db
15% Popularity • 42% Danceability • 31% Energy • 14% Liveness
76% Instrumentalness • 21% Positiveness
15% Popularity • 42% Danceability • 31% Energy • 14% Liveness
76% Instrumentalness • 21% Positiveness
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Tord Gustavsen Trio
Tears Transforming
114 bpm • C Maj • 05:36 • -20db
31% Popularity • 43% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
31% Popularity • 43% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Calle Rasmusson
Här och Där
114 bpm • C Maj • 04:37 • -17db
16% Popularity • 21% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Louis Sclavis
L'heure Pasolini
114 bpm • A# Maj • 09:43 • -19.71db
10% Popularity • 42% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 42% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Kurt Rosenwinkel
You Go To My Head
113 bpm • D# Maj • 03:37 • -18.22db
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 16% Energy • 11% Liveness
63% Instrumentalness • 11% Positiveness
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Keith Jarrett Trio
My Back Pages
114 bpm • D min • 05:24 • -17db
31% Popularity • 45% Danceability • 37% Energy • 70% Liveness
81% Instrumentalness • 24% Positiveness
31% Popularity • 45% Danceability • 37% Energy • 70% Liveness
81% Instrumentalness • 24% Positiveness
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Bill Frisell
Goldfinger
113 bpm • G# Maj • 07:01 • -27db
12% Popularity • 49% Danceability • 7% Energy • 70% Liveness
93% Instrumentalness • 12% Positiveness
12% Popularity • 49% Danceability • 7% Energy • 70% Liveness
93% Instrumentalness • 12% Positiveness
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Marc Copland
Left Behind
113 bpm • F min • 06:06 • -19db
28% Popularity • 48% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Erik Söderlind
Places
113 bpm • F# Maj • 06:05 • -17db
20% Popularity • 45% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
20% Popularity • 45% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Tord Gustavsen Trio
The Other Side
115 bpm • F# Maj • 03:24 • -21db
39% Popularity • 49% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
39% Popularity • 49% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Paul Bley Trio
Ida Lupino
113 bpm • G# Maj • 02:57 • -28.64db
37% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
37% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
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Kamasi Washington
Detail
115 bpm • D Maj • 01:55 • -15.23db
26% Popularity • 64% Danceability • 46% Energy • 7% Liveness
79% Instrumentalness • 61% Positiveness
26% Popularity • 64% Danceability • 46% Energy • 7% Liveness
79% Instrumentalness • 61% Positiveness
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Bill Frisell
Rambler (Alternate Version) - Bonus Trac...
113 bpm • C Maj • 02:48 • -20.18db
12% Popularity • 42% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 63% Positiveness
12% Popularity • 42% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 63% Positiveness
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Ulf Wakenius, Carsten Dahl, Lars Danielsson, Morten Lund
Buenos Aires
115 bpm • A min • 07:01 • -18db
14% Popularity • 58% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 56% Positiveness
14% Popularity • 58% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 56% Positiveness
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Matthew Halsall
Salute to the Sun
113 bpm • G min • 11:01 • -14db
24% Popularity • 47% Danceability • 21% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 47% Danceability • 21% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Mulgrew Miller
Sophisticated Lady
115 bpm • C# Maj • 04:47 • -24.17db
29% Popularity • 39% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
29% Popularity • 39% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Nels Cline
Introduction / Diaphanous
113 bpm • C# Maj • 04:21 • -23.51db
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 7% Positiveness
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Will Vinson
Elli Yeled Tov
113 bpm • C Maj • 04:07 • -9.79db
23% Popularity • 84% Danceability • 70% Energy • 8% Liveness
86% Instrumentalness • 81% Positiveness
23% Popularity • 84% Danceability • 70% Energy • 8% Liveness
86% Instrumentalness • 81% Positiveness
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Bill Frisell
Wagon Wheels
113 bpm • D Maj • 04:14 • -15.33db
12% Popularity • 69% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 36% Positiveness
12% Popularity • 69% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 36% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
38% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Vincent Peirani
Temptation
115 bpm • C Maj • 06:06 • -14.73db
17% Popularity • 55% Danceability • 12% Energy • 8% Liveness
57% Instrumentalness • 29% Positiveness
17% Popularity • 55% Danceability • 12% Energy • 8% Liveness
57% Instrumentalness • 29% Positiveness
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Fred Hersch
In the Wee Small Hours of the Morning
113 bpm • C# Maj • 07:25 • -25db
25% Popularity • 34% Danceability • 5% Energy • 71% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 34% Danceability • 5% Energy • 71% Liveness
92% Instrumentalness • 4% Positiveness
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Kurt Rosenwinkel
East Coast Love Affair
116 bpm • D Maj • 09:54 • -18.78db
21% Popularity • 48% Danceability • 14% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 17% Liveness
82% Instrumentalness • 14% Positiveness
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Lee Ritenour
Dreamcatcher
112 bpm • G min • 04:22 • -16.09db
30% Popularity • 45% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
30% Popularity • 45% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
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Bill Frisell
Valentine
113 bpm • A# min • 06:27 • -13.34db
13% Popularity • 51% Danceability • 43% Energy • 12% Liveness
71% Instrumentalness • 27% Positiveness
13% Popularity • 51% Danceability • 43% Energy • 12% Liveness
71% Instrumentalness • 27% Positiveness
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Gilad Hekselman
Home E-minor
116 bpm • E min • 01:29 • -25.21db
36% Popularity • 56% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
36% Popularity • 56% Danceability • 1% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Thomas Darelid
In Agnes Eyes
112 bpm • F Maj • 03:59 • -23db
18% Popularity • 37% Danceability • 16% Energy • 29% Liveness
91% Instrumentalness • 12% Positiveness
18% Popularity • 37% Danceability • 16% Energy • 29% Liveness
91% Instrumentalness • 12% Positiveness
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Milt Jackson
Plenty, Plenty Soul
116 bpm • C Maj • 09:27 • -18.28db
21% Popularity • 56% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Kurt Rosenwinkel
You've Changed
112 bpm • C Maj • 03:15 • -19.12db
48% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
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Joel Ross
Gato's Gift
116 bpm • G Maj • 06:08 • -11db
22% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
22% Popularity • 45% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Charlie Hunter
Riverboat
116 bpm • B Maj • 04:38 • -10.76db
18% Popularity • 75% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
18% Popularity • 75% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Lee Ritenour
Charleston
112 bpm • F min • 04:16 • -21.69db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Bill Frisell
Reflections from the Moon
116 bpm • B Maj • 03:21 • -14.97db
17% Popularity • 30% Danceability • 25% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 30% Danceability • 25% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
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Ambrose Akinmusire
Grace
112 bpm • F# Maj • 06:26 • -18.74db
24% Popularity • 37% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 37% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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Abdullah Ibrahim
Joan - Cape Town Flower
116 bpm • A# Maj • 09:30 • -28.39db
14% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
14% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Snorre Kirk
Going Up
112 bpm • F# Maj • 04:35 • -14db
23% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 61% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Bernstein
Blood Wolf Moon Blues
116 bpm • C# Maj • 08:27 • -13.22db
12% Popularity • 46% Danceability • 42% Energy • 16% Liveness
76% Instrumentalness • 35% Positiveness
12% Popularity • 46% Danceability • 42% Energy • 16% Liveness
76% Instrumentalness • 35% Positiveness
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Ted Greene
They Can't Take That Away From Me
112 bpm • G# min • 03:35 • -22.44db
26% Popularity • 42% Danceability • 8% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 8% Energy • 18% Liveness
94% Instrumentalness • 15% Positiveness
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Bill Frisell
Winter Always Turns To Spring
112 bpm • F Maj • 05:10 • -18.72db
15% Popularity • 54% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
15% Popularity • 54% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
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Cyrus Chestnut
Gnossienne No. 1
116 bpm • A# min • 06:56 • -23.56db
33% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
33% Popularity • 55% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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Abdullah Ibrahim
Cape Town To Congo Square 1: African Str...
112 bpm • C# Maj • 07:36 • -17.02db
18% Popularity • 52% Danceability • 57% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
18% Popularity • 52% Danceability • 57% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
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Melissa Aldana
My Ship
112 bpm • C Maj • 03:04 • -22.72db
34% Popularity • 60% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
34% Popularity • 60% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Kurt Rosenwinkel
'Raindrop' Prélude in D-flat major (Op....
111 bpm • C# min • 05:26 • -10.44db
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 44% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Joel Ross
Dream
111 bpm • D# min • 03:32 • -11.76db
14% Popularity • 45% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
14% Popularity • 45% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Tim Garland
The Autumn Gate
117 bpm • A Maj • 04:21 • -13.77db
4% Popularity • 26% Danceability • 18% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
4% Popularity • 26% Danceability • 18% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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The Modern Jazz Quartet
Blues in C Minor
111 bpm • C min • 08:00 • -20db
31% Popularity • 54% Danceability • 14% Energy • 17% Liveness
19% Instrumentalness • 33% Positiveness
31% Popularity • 54% Danceability • 14% Energy • 17% Liveness
19% Instrumentalness • 33% Positiveness
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Bill Frisell
Moon River
117 bpm • F Maj • 06:26 • -20.24db
31% Popularity • 57% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
31% Popularity • 57% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Triosence
The Stars, The Sun & The Moon
117 bpm • D# Maj • 05:31 • -21.72db
21% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
21% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Gregoire Maret
Wichita Lineman
111 bpm • F Maj • 05:27 • -14.87db
24% Popularity • 51% Danceability • 12% Energy • 12% Liveness
30% Instrumentalness • 6% Positiveness
24% Popularity • 51% Danceability • 12% Energy • 12% Liveness
30% Instrumentalness • 6% Positiveness
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Brian Blade & The Fellowship Band
Traveling Mercies
111 bpm • E Maj • 04:32 • -13.1db
30% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
30% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Sam Fribush
Spanish Joint
111 bpm • A# min • 04:24 • -17.06db
32% Popularity • 56% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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Lee Konitz
Round Midnight
111 bpm • A# min • 05:19 • -21.43db
24% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
24% Popularity • 34% Danceability • 5% Energy • 9% Liveness
41% Instrumentalness • 19% Positiveness
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Kenny Wheeler
Kind Folk
117 bpm • A min • 08:36 • -16.78db
16% Popularity • 49% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
16% Popularity • 49% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Bill Frisell
Baba Drame
117 bpm • B min • 04:59 • -9.89db
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
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Lyambiko
Parakeet Prowl
111 bpm • D min • 06:48 • -11.86db
19% Popularity • 46% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
19% Popularity • 46% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Brad Mehldau Trio
Little Person
117 bpm • A# min • 03:53 • -19.36db
35% Popularity • 49% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
35% Popularity • 49% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Kurt Rosenwinkel
Zhivago
111 bpm • C# Maj • 08:45 • -11.37db
28% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
28% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
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Nels Cline
The Bed We Made
110 bpm • E min • 03:25 • -22.92db
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
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Lenny Breau
Batucada
118 bpm • A min • 03:23 • -13.16db
20% Popularity • 57% Danceability • 37% Energy • 9% Liveness
87% Instrumentalness • 45% Positiveness
20% Popularity • 57% Danceability • 37% Energy • 9% Liveness
87% Instrumentalness • 45% Positiveness
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Jakob Bro
Evening Song
118 bpm • E Maj • 04:40 • -19.16db
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
26% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
26% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Niclas Knudsen Trio
Times Revisited
110 bpm • F min • 05:25 • -19db
19% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
19% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
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Kansas Smitty's
Dreamlane
110 bpm • F# Maj • 04:46 • -12db
20% Popularity • 59% Danceability • 35% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
20% Popularity • 59% Danceability • 35% Energy • 11% Liveness
76% Instrumentalness • 28% Positiveness
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Dave Holland
Mashup
110 bpm • B min • 06:35 • -18.4db
10% Popularity • 46% Danceability • 42% Energy • 13% Liveness
80% Instrumentalness • 49% Positiveness
10% Popularity • 46% Danceability • 42% Energy • 13% Liveness
80% Instrumentalness • 49% Positiveness
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Cyrus Chestnut
Golliwog's Cakewalk
110 bpm • G min • 05:01 • -18.8db
12% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
12% Popularity • 52% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Esbjörn Svensson Trio
The Second Page - Live
110 bpm • A min • 06:10 • -28.51db
29% Popularity • 41% Danceability • 3% Energy • 68% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 41% Danceability • 3% Energy • 68% Liveness
90% Instrumentalness • 8% Positiveness
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Emily Remler
Daahound
118 bpm • F# Maj • 05:15 • -19.29db
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
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Snorre Kirk
Blues Arabesque
118 bpm • C# Maj • 04:40 • -17.56db
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
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Freddie Hubbard
Yesterday's Dreams
109 bpm • A min • 03:56 • -12.69db
27% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 34% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Gilad Hekselman
Samba Em Prelùdio
110 bpm • B min • 07:11 • -22.06db
32% Popularity • 52% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
32% Popularity • 52% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
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Bill Frisell
Hour Glass
109 bpm • D Maj • 02:58 • -15.25db
12% Popularity • 21% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
12% Popularity • 21% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Christian Sands
Samba de Vela
119 bpm • F# min • 05:40 • -13.97db
17% Popularity • 54% Danceability • 34% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
17% Popularity • 54% Danceability • 34% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
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Dominic Miller
Christiania
109 bpm • D# Maj • 04:29 • -24db
23% Popularity • 44% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 9% Positiveness
23% Popularity • 44% Danceability • 13% Energy • 11% Liveness
38% Instrumentalness • 9% Positiveness
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Charles Tolliver
Blue Soul
109 bpm • F min • 09:38 • -11.22db
9% Popularity • 59% Danceability • 45% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
9% Popularity • 59% Danceability • 45% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Kurt Rosenwinkel
Brooklyn Sometimes
109 bpm • A min • 08:22 • -11.68db
26% Popularity • 44% Danceability • 52% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
26% Popularity • 44% Danceability • 52% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
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Stan Getz Quartet
Blood Count
109 bpm • D Maj • 03:35 • -13.44db
15% Popularity • 37% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
15% Popularity • 37% Danceability • 12% Energy • 10% Liveness
28% Instrumentalness • 9% Positiveness
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Bill Frisell
Nature's Symphony
119 bpm • B Maj • 04:58 • -21.98db
7% Popularity • 44% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
7% Popularity • 44% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Pat Metheny Trio
Travels
109 bpm • G Maj • 05:43 • -16.28db
40% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
40% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
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Marcin Wasilewski Trio
Austin
120 bpm • C min • 07:07 • -25db
35% Popularity • 42% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
35% Popularity • 42% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Brian Blade & The Fellowship Band
Stoner Hill
120 bpm • A min • 03:19 • -12.58db
36% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
36% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Jacob Karlzon
Open Waters
120 bpm • F# min • 05:06 • -22db
18% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Kurt Rosenwinkel
Blue Line
120 bpm • F min • 06:11 • -7.98db
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
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Bobo Stenson Trio
Stilla
120 bpm • A# Maj • 04:27 • -21.31db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
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Matthew Halsall
Canopy & Stars
120 bpm • F min • 07:51 • -13db
31% Popularity • 66% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
31% Popularity • 66% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Abdullah Ibrahim
Maraba Blue
120 bpm • G Maj • 04:35 • -31.65db
37% Popularity • 61% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
37% Popularity • 61% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Ambrose Akinmusire
Roy
108 bpm • A# Maj • 02:40 • -20.63db
44% Popularity • 40% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 28% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 28% Positiveness
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Bill Frisell
Strange Meeting
120 bpm • C min • 05:26 • -15.16db
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Andrew Cyrille
Lebroba
120 bpm • F# Maj • 05:44 • -24.67db
13% Popularity • 58% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Wilson
The Geranium
108 bpm • C min • 06:28 • -12.56db
8% Popularity • 55% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 33% Energy • 8% Liveness
90% Instrumentalness • 42% Positiveness
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Alex Guilbert Trio
April Come She Will
121 bpm • G# Maj • 04:07 • -14.34db
8% Popularity • 42% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
8% Popularity • 42% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
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Brad Mehldau Trio
Great Day
108 bpm • E min • 05:54 • -15db
22% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
22% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Kurt Rosenwinkel
Ask Me Now
108 bpm • C# Maj • 05:23 • -20.76db
25% Popularity • 63% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
25% Popularity • 63% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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Bill Frisell
A Flower Is A Lovesome Thing
121 bpm • F# Maj • 07:23 • -17.98db
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Cuong Vu
It's Mostly Residual
108 bpm • F Maj • 08:58 • -9.67db
9% Popularity • 28% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 28% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Gilad Hekselman
Dreamers
108 bpm • C Maj • 05:49 • -18.04db
11% Popularity • 47% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 47% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
