Songs like What They'll Say About Us by FINNEAS
Based on a tempo of (+/- 10%) and a similar genre
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
48% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Adele
When We Were Young
144 bpm • D# Maj • 04:50 • -5.94db
78% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
78% Popularity • 38% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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FINNEAS
What They'll Say About Us (Until The Rib...
145 bpm • C Maj • 03:32 • -4.43db
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
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Harry Styles
Girl Crush - Recorded at Metropolis Stud...
144 bpm • E Maj • 04:03 • -11.73db
67% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
60% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Adele
Easy On Me
142 bpm • F Maj • 03:44 • -7.52db
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
80% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
57% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
67% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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Julia Michaels
Anxiety
142 bpm • G Maj • 03:30 • -6.52db
53% Popularity • 80% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 80% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Adele
All I Ask
142 bpm • E Maj • 04:31 • -5.49db
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
73% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
54% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Isak Danielson
Broken
142 bpm • F min • 03:36 • -6.85db
69% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
69% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Cinematic Orchestra
To Build A Home
149 bpm • A Maj • 06:11 • -15.4db
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
75% Popularity • 26% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 7% Positiveness
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FINNEAS
A Little Closer (FINNEAS Version)
140 bpm • B Maj • 04:02 • -17.09db
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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FINNEAS
Naked
140 bpm • G Maj • 02:47 • -4.97db
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Taylor Swift
the 1
140 bpm • C Maj • 03:30 • -6.94db
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Zeph
my fault
138 bpm • G Maj • 01:00 • -14db
64% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jaymes Young
Feel Something
138 bpm • B min • 03:37 • -7.33db
59% Popularity • 61% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 61% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
American Cliché
138 bpm • B min • 03:23 • -7.6db
48% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
80% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
80% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bea Miller
feel something
136 bpm • C Maj • 03:00 • -8.91db
65% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
65% Popularity • 74% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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FINNEAS
The Kids Are All Dying
138 bpm • G Maj • 02:47 • -8.2db
52% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
72% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
72% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
70% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
The 90s
135 bpm • F Maj • 03:23 • -11.63db
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Benjamin
Water Fountain
134 bpm • G# Maj • 03:38 • -5.57db
75% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Sufjan Stevens
Mystery of Love
132 bpm • E min • 04:08 • -16.53db
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
71% Popularity • 36% Danceability • 27% Energy • 11% Liveness
43% Instrumentalness • 24% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Cavetown
Juliet
132 bpm • F# Maj • 04:38 • -8.49db
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
73% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
61% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Labrinth
I’m Tired - Bonus Track
132 bpm • C min • 03:07 • -10.62db
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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dodie
Would You Be So Kind
160 bpm • E Maj • 03:00 • -9.62db
58% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 66% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Coldplay
Let Somebody Go
131 bpm • C Maj • 04:01 • -8.93db
70% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Stephen Sanchez
Because Of You
130 bpm • E Maj • 03:51 • -10.94db
55% Popularity • 40% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 40% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bruno Major
Home
131 bpm • B Maj • 03:20 • -7db
57% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Oh Wonder
Don't You Worry
130 bpm • A Maj • 03:39 • -11.18db
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
