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what would you do?
Songs like
what would you do?
by
Tate McRae
Based on a tempo of (+/- 10%) and a similar genre
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Tate McRae
slower
105 bpm • C# min • 03:07 • -8.08db
62% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Selena Gomez
Single Soon
105 bpm • D Maj • 02:51 • -5.65db
83% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Harlow
Lovin On Me
105 bpm • D Maj • 02:18 • -4.91db
97% Popularity • 94% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
100% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Chelsea Cutler
Your Bones
105 bpm • E Maj • 02:39 • -7.7db
69% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dove Cameron
We Go Down Together
105 bpm • A min • 03:04 • -9.79db
69% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tate McRae
what would you do?
105 bpm • A Maj • 02:46 • -6db
67% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Lauren Spencer Smith
Bigger Person
105 bpm • G Maj • 02:41 • -8.16db
73% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Alec Benjamin
Pick Me
104 bpm • A Maj • 02:58 • -8.54db
69% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
69% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Regard
You
106 bpm • C Maj • 03:53 • -5.6db
72% Popularity • 69% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
72% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
59% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
80% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Alec Benjamin
Different Kind Of Beautiful
106 bpm • C Maj • 03:21 • -7.42db
66% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sabrina Carpenter
Looking at Me
106 bpm • D Maj • 03:01 • -4.37db
78% Popularity • 68% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Ed Sheeran
Eyes Closed
107 bpm • B min • 03:14 • -7.46db
83% Popularity • 79% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Rema
Calm Down
107 bpm • B Maj • 03:59 • -5.2db
80% Popularity • 80% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
79% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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SAYGRACE
Boys Ain't Shit
103 bpm • C# min • 03:06 • -5.21db
57% Popularity • 80% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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The Kid LAROI
LOVE AGAIN
107 bpm • B min • 02:26 • -6.21db
70% Popularity • 58% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
82% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Chase Atlantic
Friends
107 bpm • B min • 03:50 • -6.37db
84% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Taylor Swift
You’re Losing Me
103 bpm • C Maj • 04:37 • -13.77db
88% Popularity • 75% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tate McRae
go away
106 bpm • A Maj • 03:33 • -9db
61% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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RAYE
Escapism. - Sped Up
108 bpm • F# min • 03:59 • -5.35db
77% Popularity • 44% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
70% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Kygo
Whatever
108 bpm • D# Maj • 02:58 • -5.68db
90% Popularity • 58% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
83% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
75% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tate McRae
what's your problem?
104 bpm • D min • 02:47 • -6.97db
63% Popularity • 72% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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James Arthur
Can I Be Him
108 bpm • B Maj • 04:06 • -6.16db
82% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
76% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
81% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
80% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Alexander Stewart
leave me in the dark
102 bpm • A Maj • 02:29 • -6.68db
64% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tate McRae
greedy acoustic
104 bpm • F min • 02:22 • -7.28db
57% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Ruth B.
Dandelions - slowed + reverb
102 bpm • G# min • 04:28 • -3.33db
68% Popularity • 33% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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cassö
Prada - Acoustic Version
109 bpm • F min • 02:13 • -9.14db
68% Popularity • 53% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
89% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Alan Walker
Who I Am
109 bpm • F min • 03:13 • -5.27db
78% Popularity • 53% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
88% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Tate McRae
stay done
106 bpm • E Maj • 02:51 • -9.47db
70% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Moodie
closure
110 bpm • G Maj • 03:03 • -5.68db
66% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
77% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
76% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Reneé Rapp
Pretty Girls
110 bpm • A# Maj • 02:26 • -9.04db
77% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
69% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
72% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
83% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
84% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
91% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
Now That We Don't Talk (Taylor's Version...
110 bpm • C Maj • 02:26 • -9.32db
86% Popularity • 79% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
85% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
74% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Tate McRae
Shoulder to Shoulder
110 bpm • D min • 03:50 • -6.38db
53% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Mack
Forever and Ever and Always
110 bpm • C Maj • 02:20 • -10.56db
72% Popularity • 72% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Tove Lo
Habits (Stay High)
110 bpm • F Maj • 03:29 • -3.54db
78% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Beyoncé
TEXAS HOLD 'EM
110 bpm • D Maj • 03:55 • -6.51db
87% Popularity • 72% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Bella Poarch
Crush
110 bpm • B min • 02:55 • -3.54db
65% Popularity • 63% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Dua Lipa
Dance The Night
110 bpm • B min • 02:56 • -4.93db
91% Popularity • 67% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Taylor Swift
The Man
110 bpm • C Maj • 03:10 • -5.19db
87% Popularity • 78% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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James Arthur
Bitter Sweet Love
100 bpm • A# min • 02:45 • -6.81db
64% Popularity • 60% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Nessa Barrett
girl in new york
110 bpm • G Maj • 02:57 • -5.83db
67% Popularity • 55% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
77% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Doja Cat
Paint The Town Red
100 bpm • D min • 03:50 • -7.68db
85% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
86% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Swift
Is It Over Now? (Taylor's Version)
100 bpm • C Maj • 03:49 • -7.35db
91% Popularity • 60% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Halsey
You should be sad
111 bpm • D Maj • 03:25 • -6.35db
73% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tate McRae
greedy
111 bpm • F# min • 02:11 • -3.18db
98% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Reneé Rapp
Poison Poison
111 bpm • G Maj • 03:11 • -6.94db
75% Popularity • 82% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
83% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
77% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
Afterglow
111 bpm • A Maj • 03:43 • -8.75db
81% Popularity • 76% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
84% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Tate McRae
greedy slowed down
99 bpm • E min • 02:28 • -4.67db
47% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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JENNIE
You & Me
112 bpm • A Maj • 02:59 • -6.2db
78% Popularity • 79% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
87% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Kahan
Dial Drunk
112 bpm • G# Maj • 03:33 • -7.15db
86% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
77% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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James Arthur
Free Falling
112 bpm • F# Maj • 02:53 • -8.66db
71% Popularity • 32% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan
No Romeo
98 bpm • D Maj • 03:11 • -4.13db
61% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Hansen
something to remember
112 bpm • C# Maj • 02:42 • -6.9db
80% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lewis Capaldi
A Cure For Minds Unwell
112 bpm • D Maj • 03:24 • -3.95db
68% Popularity • 75% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Zara Larsson
Lush Life
98 bpm • G min • 03:21 • -3.92db
83% Popularity • 69% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Tate McRae
guilty conscience
98 bpm • G# Maj • 02:32 • -3.67db
73% Popularity • 76% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Ruel
GROWING UP IS _____
113 bpm • C Maj • 03:53 • -6db
60% Popularity • 67% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Dean Lewis
Trust Me Mate
98 bpm • C Maj • 02:58 • -4.22db
75% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
77% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Selena Gomez
Souvenir
113 bpm • C min • 02:41 • -5.84db
70% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
81% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Tate McRae
hurt my feelings
98 bpm • D Maj • 02:02 • -3.74db
77% Popularity • 67% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
66% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
73% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sabrina Carpenter
Already Over
114 bpm • E Maj • 02:50 • -7.11db
68% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Taylor Swift
Anti-Hero
97 bpm • E Maj • 03:20 • -6.57db
92% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Alessia Cara
Scars To Your Beautiful
97 bpm • C Maj • 03:50 • -5.74db
81% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tate McRae
we're not alike
113 bpm • G# Maj • 03:00 • -5db
75% Popularity • 71% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Zoe Wees
Control
114 bpm • E Maj • 03:50 • -4.98db
68% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Dylan Conrique
birthday cake - duet
113 bpm • D# Maj • 03:25 • -8.4db
53% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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what would you do?