Songs like What You Look Like by Everyday Process
Based on a tempo of (+/- 10%) and a similar genre
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Wrath and Grace
Greater Supreme
88 bpm • B min • 01:16 • -15.55db
18% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 58% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Hog Mob
2020 Hog Mob Cypher
88 bpm • D min • 07:11 • -6.35db
8% Popularity • 63% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 63% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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JGivens
They Said There'd Be Jetpacks
88 bpm • F# Maj • 05:12 • -5.28db
11% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Cross Movement
Think On These Things
88 bpm • A# min • 04:10 • -7.81db
9% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 81% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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H.U.R.T.
Abaddon
88 bpm • A Maj • 04:18 • -7.3db
8% Popularity • 47% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 47% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Knine
David and Goliath
88 bpm • D Maj • 06:22 • -6.32db
10% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Braille
48 Prisons (produced by Xperiment)
88 bpm • D Maj • 03:12 • -4.75db
11% Popularity • 68% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 68% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Believin Stephen
Brokenness
88 bpm • C# Maj • 03:50 • -6.41db
9% Popularity • 51% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 51% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Benjamin The Esquire
The Chief End
88 bpm • A# min • 04:00 • -6.29db
14% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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R-Swift
That Girl
88 bpm • C min • 03:39 • -6.66db
12% Popularity • 48% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 48% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Hill Perry
Ode to Lauryn
88 bpm • G# Maj • 04:35 • -5.26db
18% Popularity • 58% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 58% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Everyday Process
What You Look Like
88 bpm • E min • 03:52 • -3.58db
1% Popularity • 39% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 39% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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J.R.
With You
89 bpm • D Maj • 04:54 • -7.29db
9% Popularity • 36% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 36% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Sean Slaughter
Survivor
87 bpm • D Maj • 03:58 • -6.5db
12% Popularity • 51% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 51% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Braille
Feel It (produced by Evidence)
87 bpm • A# min • 03:03 • -3.42db
12% Popularity • 68% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 68% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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R-Swift
GLDN ERA
87 bpm • G# Maj • 02:24 • -9.26db
10% Popularity • 68% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 68% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
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Propaganda
Dig
89 bpm • D min • 03:15 • -5.4db
14% Popularity • 55% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 55% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Everyday Process
Build Up
87 bpm • F# min • 03:17 • -4.08db
2% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 54% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Ambassador
The Day I Met U
89 bpm • A# min • 03:42 • -5.41db
13% Popularity • 63% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 63% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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J.R.
Amazing
89 bpm • A min • 04:52 • -7.75db
8% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 67% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Andy Mineo
Every Word
87 bpm • E min • 03:35 • -4db
20% Popularity • 61% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 61% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Braille
Nightmare Walking (produced by Trox)
89 bpm • B Maj • 03:51 • -3.36db
8% Popularity • 55% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 55% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Willie Will
No Better News
87 bpm • G Maj • 04:17 • -4db
13% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Rhema Soul
Boom Box
89 bpm • B Maj • 04:21 • -3.79db
11% Popularity • 77% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 77% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Everyday Process
As Real As It Gets
89 bpm • F# Maj • 05:22 • -6.65db
2% Popularity • 66% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 66% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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The Ambassador
Psalm 23
87 bpm • C# Maj • 03:27 • -9db
12% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Andy Mineo
Still Bleeding
89 bpm • C min • 04:06 • -5.06db
21% Popularity • 64% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 74% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Cephas
Kngdm State of Mind, Pt. 1
89 bpm • A# min • 02:12 • -9.35db
19% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Angie Rose
24 Bars (Hold the Sugar)
87 bpm • B min • 01:20 • -5db
12% Popularity • 66% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 66% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
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Propaganda
I Ain't Gave up on You Yet
87 bpm • A min • 03:42 • -7.44db
11% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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JGivens
Make It.
87 bpm • C# Maj • 03:25 • -8db
16% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Ambassador
I Love You Jesus
87 bpm • C# Maj • 04:24 • -8db
23% Popularity • 76% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 76% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Andy Mineo
Cocky
90 bpm • D Maj • 03:16 • -3.36db
20% Popularity • 52% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 52% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Braille
Death In Me (produced by DaveNotti)
86 bpm • G Maj • 03:39 • -3.63db
12% Popularity • 34% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 34% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Redeemed Thought
Philadelphia
90 bpm • G# Maj • 06:10 • -4.52db
4% Popularity • 58% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 58% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Brothatone
I Preach Christ
90 bpm • C# Maj • 03:14 • -3.54db
14% Popularity • 47% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 47% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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JGivens
JackPot
90 bpm • A Maj • 02:40 • -7.83db
19% Popularity • 59% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 59% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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The Cross Movement
Shock!
86 bpm • C# min • 05:33 • -4.62db
14% Popularity • 83% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 83% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rhema Soul
So Beautiful
90 bpm • A Maj • 03:43 • -6.92db
14% Popularity • 68% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 68% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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The Ambassador
It Was Love
86 bpm • E min • 04:49 • -7.96db
11% Popularity • 68% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 68% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Jackie Hill Perry
Where's Love?
86 bpm • A min • 03:19 • -10.48db
19% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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H.U.R.T.
Concrete
90 bpm • F min • 04:20 • -7.02db
8% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Armond Wakeup
The Hold
90 bpm • G Maj • 03:31 • -12.23db
18% Popularity • 77% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 77% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Everyday Process
Amazed
90 bpm • C# Maj • 04:17 • -5.93db
2% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 61% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Aha Gazelle
The Aha Show (Alternate Theme)
90 bpm • A# min • 03:19 • -5db
17% Popularity • 69% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 69% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 50% Positiveness
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The Ambassador
Hold Your Ground
90 bpm • D Maj • 03:44 • -7.93db
12% Popularity • 76% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 76% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Beautiful Eulogy
Entitlement
86 bpm • D Maj • 03:33 • -7.23db
20% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jackie Hill Perry
Suffering Servant
86 bpm • G# min • 01:33 • -10.08db
18% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen the Levite
Stained Glass Window
90 bpm • C# Maj • 03:49 • -4.4db
12% Popularity • 64% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 64% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Taelor Gray
Most High
86 bpm • A min • 03:44 • -10.68db
16% Popularity • 63% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 63% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Christcentric
The Reformation
90 bpm • C# Maj • 03:55 • -4.7db
16% Popularity • 64% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 64% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Propaganda
Crimson Cord
86 bpm • E min • 04:03 • -7.43db
13% Popularity • 58% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 58% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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H.U.R.T.
Devil Got Me Twisted
90 bpm • C# min • 03:04 • -6.39db
20% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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John Givez
Chapter 29
85 bpm • F# Maj • 03:31 • -12.46db
12% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Knine
For You
91 bpm • C Maj • 05:02 • -9.29db
9% Popularity • 61% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 61% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Mineo
Superhuman
91 bpm • C min • 05:00 • -5.94db
29% Popularity • 62% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 62% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Christcentric
James 1:19-27 Doers of the Word
91 bpm • B min • 03:33 • -8.06db
21% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Rhema Soul
War
91 bpm • A min • 03:39 • -4.91db
8% Popularity • 71% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 71% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Pyrexx
Imma Get There
91 bpm • A# min • 04:24 • -3.89db
26% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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The Ambassador
One Two
91 bpm • B min • 04:13 • -8.25db
15% Popularity • 74% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 74% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Odd Thomas
Television Evangelist
91 bpm • E Maj • 03:04 • -10db
10% Popularity • 89% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 89% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Emcee N.I.C.E.
New Money
91 bpm • F# min • 03:29 • -9.62db
27% Popularity • 81% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 81% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Taelor Gray
Famous
85 bpm • G Maj • 03:03 • -7.42db
19% Popularity • 88% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 88% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Everyday Process
All I Need
85 bpm • F# min • 04:34 • -6.25db
4% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
4% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Justus
Sola Gratia
91 bpm • A# min • 04:29 • -6.23db
14% Popularity • 65% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 65% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Cross Movement
Lord You Are
85 bpm • C# min • 05:35 • -4.88db
14% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 77% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Bumps Inf
Dei Gratia
91 bpm • C Maj • 02:47 • -9db
14% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Pro
Get It
85 bpm • C# Maj • 03:29 • -5.5db
16% Popularity • 82% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 82% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Taelor Gray
Radio
85 bpm • B Maj • 02:54 • -6.54db
25% Popularity • 70% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 70% Danceability • 75% Energy • 56% Liveness
0% Instrumentalness • 47% Positiveness
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Da' T.R.U.T.H.
The Jesus Anthem
85 bpm • B min • 04:57 • -3.96db
11% Popularity • 77% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 77% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Everyday Process
Against the Grain
91 bpm • E Maj • 04:27 • -4.16db
1% Popularity • 70% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 70% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Braille
Finally Arrive (produced by Odd Thomas &...
85 bpm • D# Maj • 04:07 • -7db
11% Popularity • 62% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 62% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Wrath and Grace
Sound Doctrine
85 bpm • G# Maj • 03:17 • -5db
15% Popularity • 57% Danceability • 86% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 57% Danceability • 86% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
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Andy Mineo
Ex Nihilo
91 bpm • C# Maj • 03:33 • -2.78db
26% Popularity • 53% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 53% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Taelor Gray
Precious Memories
85 bpm • G min • 02:34 • -12.76db
14% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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LuKiColeon
Long Way
85 bpm • A# min • 03:57 • -5.88db
8% Popularity • 38% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 38% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Young C
Perfection
91 bpm • C Maj • 03:09 • -6.99db
9% Popularity • 71% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 71% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Braille
The Blessed Are
91 bpm • C# Maj • 02:30 • -5.94db
18% Popularity • 70% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 70% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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The Cross Movement
Eternal Cypha
92 bpm • B min • 05:45 • -4.46db
14% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 72% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Willie Will
Christ Alone
85 bpm • C# Maj • 04:23 • -4db
8% Popularity • 45% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 45% Danceability • 80% Energy • 48% Liveness
0% Instrumentalness • 39% Positiveness
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Taelor Gray
Scapegoats
84 bpm • G Maj • 04:09 • -7.58db
8% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 68% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Knaladeus
Leap
84 bpm • C# min • 03:24 • -9db
11% Popularity • 64% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 64% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen the Levite
To Resist From Darkness
85 bpm • D Maj • 01:04 • -6.98db
23% Popularity • 64% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 64% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Braille
Set The Table
92 bpm • E min • 04:23 • -4.33db
20% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 49% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jackie Hill Perry
Hush
92 bpm • A Maj • 02:30 • -6.43db
28% Popularity • 81% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 81% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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big AL
Rest Of My Days
92 bpm • G# Maj • 04:12 • -8.52db
10% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Ambassador
Girl Named World
92 bpm • B min • 04:13 • -7.36db
15% Popularity • 81% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 81% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Pyrexx
Life On It
92 bpm • A# min • 05:07 • -4.33db
19% Popularity • 67% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 67% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Propaganda
Make
92 bpm • F min • 02:39 • -7.02db
10% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Willie Will
Total Depravity
84 bpm • A# min • 04:39 • -5.22db
10% Popularity • 80% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 80% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Plain James
Faith > Fear
92 bpm • F# min • 03:21 • -5.84db
9% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Mineo
Everyday Thing
84 bpm • A Maj • 03:05 • -2.29db
19% Popularity • 56% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 56% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Ambassador
JESUS
84 bpm • G# Maj • 04:10 • -4.08db
14% Popularity • 43% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 43% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Faith
95 Atlanta
84 bpm • A# min • 04:10 • -6.7db
10% Popularity • 52% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Taelor Gray
Bad Things Good
92 bpm • D# min • 02:41 • -9.14db
10% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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R-Swift
Dear Holy Hip-Hop Stephen the Levite, Sh...
84 bpm • B min • 05:31 • -5.64db
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 67% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Velle Crow
Frames Per Second (Spoken Word Intro)
84 bpm • F# Maj • 01:45 • -20.51db
15% Popularity • 74% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 74% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Beautiful Eulogy
King Kulture
93 bpm • F# Maj • 04:31 • -3.99db
23% Popularity • 56% Danceability • 93% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 56% Danceability • 93% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
