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Whatcha Know About That
Songs like
Whatcha Know About That
by
Lily Rose
Based on a tempo of (+/- 10%) and a similar genre
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Kyle Clark
Out of That Memory
116 bpm • B Maj • 03:14 • -6db
37% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kelsey Lamb
When I Remember You
116 bpm • B Maj • 03:15 • -5db
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
44% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Lily Rose
Whatcha Know About That
116 bpm • A Maj • 02:48 • -4db
36% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Take It Slow - Acoustic
116 bpm • F Maj • 02:33 • -7db
48% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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CHASE WRIGHT
Hangin' On
115 bpm • G Maj • 02:50 • -6db
33% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Alana Springsteen
caught up to me
115 bpm • F# Maj • 03:02 • -3.86db
35% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Presley & Taylor
Never Not a Good Time
117 bpm • D Maj • 03:34 • -6.01db
24% Popularity • 57% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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BRELAND
Good for You
115 bpm • D Maj • 03:02 • -7.44db
30% Popularity • 71% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kaylee Rose
Last Call Last
115 bpm • C# Maj • 03:04 • -4.93db
13% Popularity • 75% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Tyler Braden
What I See
115 bpm • E Maj • 03:52 • -6.88db
42% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Hunt
Walmart
118 bpm • F# Maj • 03:24 • -4db
50% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Alana Springsteen
Trust Issues
115 bpm • A# Maj • 02:45 • -6db
36% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Diplo
Sad in the Summer
114 bpm • G min • 03:21 • -5.61db
46% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Sean Stemaly
Love You Back To Me
118 bpm • C min • 02:56 • -4.7db
30% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Langley
If You Have To
118 bpm • F Maj • 03:19 • -6db
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Taylor Edwards
8 Months
118 bpm • D Maj • 02:40 • -3db
30% Popularity • 78% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
37% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Kerr
Have to Be My Hometown
118 bpm • G# Maj • 02:33 • -8db
37% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alana Springsteen
History of Breaking Up
113 bpm • F Maj • 03:28 • -5.42db
26% Popularity • 59% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 32% Positiveness
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Belles
Accidents Happen
113 bpm • A# Maj • 03:27 • -9db
19% Popularity • 75% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Adam Sanders
All Summer Long
113 bpm • G min • 03:28 • -3.29db
30% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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CHASE WRIGHT
Never Loved Before
120 bpm • A Maj • 03:03 • -7db
32% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Priscilla Block
Fake Names
120 bpm • C# min • 02:39 • -2.88db
49% Popularity • 61% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Smithfield
Like I Never Loved You
120 bpm • G min • 02:26 • -7.17db
26% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Jannakos
Gone Too Soon - Acoustic
120 bpm • G Maj • 02:47 • -5.31db
38% Popularity • 65% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Faren Rachels
Somebody's Gotta Do It
120 bpm • C Maj • 03:04 • -5.71db
14% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Blanco Brown
I'll Never
120 bpm • D Maj • 02:43 • -7.67db
37% Popularity • 44% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Steven Lee Olsen
Nashville Or Nothing
120 bpm • C Maj • 02:45 • -4.55db
31% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lily Rose
Someone New In Town
120 bpm • C# Maj • 03:41 • -4.99db
26% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Hannah Ellis
Someone Else's Heartbreak
120 bpm • E Maj • 03:35 • -6.8db
26% Popularity • 65% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -4.77db
38% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Renee Blair
Holy Cowboy
120 bpm • A# Maj • 02:39 • -6.32db
39% Popularity • 70% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Steven Lee Olsen
The Woods
120 bpm • C Maj • 02:36 • -5.48db
24% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mickey Guyton
Somethin' Bout You
112 bpm • E Maj • 02:36 • -3.41db
48% Popularity • 67% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Lily Rose
Breakin' In
112 bpm • E Maj • 02:40 • -6db
29% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Carter Faith
The Devil’s Still Down in Georgia
120 bpm • C# min • 03:13 • -5db
37% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Payton Smith
Need You to Not
120 bpm • D Maj • 03:05 • -4.15db
27% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Kelsey Lamb
Happy Hour Sad
112 bpm • G# Maj • 02:58 • -4.88db
34% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -5.08db
37% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Peytan Porter
Why We Broke Up
112 bpm • E Maj • 02:56 • -6.62db
26% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Willie Jones
Something To Dance To
112 bpm • F# Maj • 02:32 • -6.17db
38% Popularity • 67% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Tenille Arts
Last Time Last
111 bpm • A Maj • 03:03 • -3.54db
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Smithfield
I'll Never Stop
122 bpm • C# Maj • 03:32 • -6db
42% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Murphy Elmore
Talk You Into Stayin'
122 bpm • A# min • 03:27 • -5.59db
25% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Carter Faith
I Just Wanna Dance
122 bpm • C Maj • 03:02 • -4.97db
36% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Temecula Road
Heartbreak In Boots
112 bpm • C Maj • 02:49 • -5.37db
24% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Lily Rose
In My Drinks
122 bpm • C Maj • 03:23 • -4.11db
31% Popularity • 61% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Kelsey Hart
Drink About Me
122 bpm • C Maj • 03:12 • -4.65db
29% Popularity • 56% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Brooke Eden
Knock
110 bpm • F# Maj • 03:19 • -6.38db
18% Popularity • 60% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Todd Cameron
Small Talk
122 bpm • F# Maj • 03:33 • -5.31db
36% Popularity • 51% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Erin Kinsey
Reason For Leaving
110 bpm • C# min • 03:15 • -4db
33% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tim & The Glory Boys
Take Me Backroad
110 bpm • B Maj • 03:13 • -4.49db
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Melton
Close Enough
110 bpm • A# Maj • 02:56 • -5.36db
28% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Meghan Patrick
Ours
109 bpm • G# Maj • 02:50 • -4.42db
20% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Kassi Ashton
Drive You Out Of My Mind
123 bpm • C# min • 03:32 • -2.5db
59% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Noah Thompson
One Day Tonight (Duet)
109 bpm • C# Maj • 02:45 • -7.31db
34% Popularity • 62% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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BRELAND
Natural
124 bpm • F Maj • 02:41 • -4.21db
42% Popularity • 67% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Avery Anna
what made you think?
124 bpm • F Maj • 03:41 • -5.65db
43% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Belles
Man Outta Me
124 bpm • C# Maj • 03:02 • -6.79db
35% Popularity • 61% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Smithfield
Reason for a Rita
108 bpm • G# Maj • 02:48 • -4.26db
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Priscilla Block
Me Pt. 2
125 bpm • F Maj • 03:40 • -6.36db
38% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sophia Scott
Drink Too Much Wine
125 bpm • F Maj • 03:51 • -3.89db
43% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Lily Rose
Villain - Band Mix
107 bpm • A min • 02:57 • -5.81db
19% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kane Brown
Dear Georgia
107 bpm • C# min • 03:10 • -6.12db
38% Popularity • 50% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Alexandra Kay
Skip This Part
107 bpm • D# Maj • 03:19 • -5.16db
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Roman Alexander
One Tequila
107 bpm • D Maj • 03:05 • -4.54db
26% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Kaylee Rose
Greenville
126 bpm • C# min • 02:41 • -5.96db
18% Popularity • 76% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jameson Rodgers
Built for Heartbreak
126 bpm • D Maj • 03:21 • -6db
28% Popularity • 59% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Lily Rose
Villain
107 bpm • C Maj • 02:56 • -7.95db
52% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kyle Clark
Hope It's Hot Out (Acoustic)
126 bpm • D# Maj • 02:47 • -5.55db
41% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Ashley Cooke
Gettin' Somewhere
126 bpm • E Maj • 03:16 • -6.63db
35% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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George Birge
Whiskey Side
126 bpm • G# Maj • 02:45 • -4.95db
30% Popularity • 62% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Griffin
Slow Down Sunrise
127 bpm • G Maj • 03:04 • -5.65db
27% Popularity • 53% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Alana Springsteen
Me Myself and Why
106 bpm • E Maj • 03:34 • -5.25db
48% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Lily Rose
Every Last One
126 bpm • A# Maj • 03:02 • -4db
34% Popularity • 61% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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CB30
Now We're Talkin'
106 bpm • G Maj • 02:34 • -4.23db
22% Popularity • 65% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sophia Scott
Her
127 bpm • C# Maj • 03:25 • -8db
42% Popularity • 54% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Brooke Eden
Left You For Me
106 bpm • D# min • 03:50 • -5.97db
34% Popularity • 60% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Rayne Johnson
Worse Than Gone
128 bpm • G# min • 03:32 • -7.55db
16% Popularity • 60% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Alana Springsteen
shoulder to cry on
128 bpm • D Maj • 03:06 • -4.11db
36% Popularity • 58% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Pillbox Patti
Suwannee
128 bpm • B Maj • 03:26 • -5.21db
24% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Lily Rose
Whole Lotta Hometowns
127 bpm • D Maj • 03:15 • -6db
28% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Kassi Ashton
I Don't Go Back
128 bpm • A# Maj • 03:20 • -4.32db
45% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Reklaws
People Don't Talk About
105 bpm • A Maj • 03:17 • -4.41db
25% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jordan Harvey
Along For The Ride
105 bpm • D# Maj • 02:51 • -4.14db
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Faren Rachels
Different Definitions
105 bpm • C Maj • 02:37 • -5.15db
32% Popularity • 68% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Troy Cartwright
Prettiest Girl I Don't Know
105 bpm • E Maj • 03:23 • -6.57db
45% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Tim Hicks
Buy You a Drink
129 bpm • G# Maj • 03:19 • -5.55db
26% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Griffen Palmer
25 To Life
129 bpm • E Maj • 03:26 • -5db
12% Popularity • 49% Danceability • 72% Energy • 25% Liveness
2% Instrumentalness • 37% Positiveness
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Elle King
Lucky
129 bpm • E Maj • 03:14 • -5db
51% Popularity • 54% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Ruediger
Say Less
104 bpm • B Maj • 02:58 • -5.32db
18% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Callista Clark
Wish You Wouldn’t
130 bpm • C# Maj • 03:15 • -5.72db
31% Popularity • 69% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Rich
Good Enough
130 bpm • F Maj • 03:19 • -5db
24% Popularity • 55% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Whatcha Know About That