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Whatever Forever Is
Songs like
Whatever Forever Is
by
Devin Dawson
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
28% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Devin Dawson
Whatever Forever Is
154 bpm • G# Maj • 03:37 • -6.02db
36% Popularity • 64% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
49% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Waterloo Revival
Something You Ain't Ever Had - Acoustic
154 bpm • A Maj • 03:18 • -7.71db
15% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Melton
Letters
154 bpm • F# Maj • 03:20 • -7.19db
32% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Ross Ellis
Home to Me
154 bpm • D# Maj • 03:36 • -6.72db
41% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Dan + Shay
Lying
154 bpm • G# Maj • 02:26 • -5.25db
46% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Devin Dawson
Whatever Forever Is - LIVE
154 bpm • G# Maj • 03:47 • -6.61db
8% Popularity • 63% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Ray
Dancing Forever - Acoustic
154 bpm • A# Maj • 03:29 • -9.1db
31% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Dean Brody
Boys
156 bpm • D Maj • 03:15 • -4.72db
37% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
42% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jojo Mason
Get On
156 bpm • A# Maj • 02:46 • -5.61db
13% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
47% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Devin Dawson
Not On My Watch - LIVE
153 bpm • F# min • 03:38 • -4.84db
4% Popularity • 75% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Keith Urban
Live With
156 bpm • C# Maj • 03:18 • -5.92db
36% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
55% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Rich
Here With You
152 bpm • A# Maj • 02:48 • -4.05db
24% Popularity • 52% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Laine Hardy
Memorize You
156 bpm • F# Maj • 03:17 • -4db
39% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
37% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Devin Dawson
Dark Horse
152 bpm • F# min • 03:31 • -4.56db
40% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
33% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Russell Dickerson
Come To Jesus
152 bpm • G Maj • 03:11 • -6.11db
32% Popularity • 59% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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RaeLynn
Get That All The Time
156 bpm • C Maj • 02:58 • -4.05db
39% Popularity • 55% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Hurd
Coast
156 bpm • A# Maj • 03:50 • -6.66db
39% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Walker Hayes
I Hope You Miss Me
156 bpm • D Maj • 03:23 • -5.82db
38% Popularity • 59% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Bandi
Man Enough Now - Radio Edit
156 bpm • D Maj • 03:04 • -4.72db
33% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
63% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
47% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
44% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Lane
Summer Job Money
156 bpm • G Maj • 03:09 • -4.08db
32% Popularity • 46% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
51% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
31% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jimmie Allen
Best Shot (Acoustic)
156 bpm • E Maj • 03:13 • -9.21db
41% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Tucker Beathard
You Would Think
158 bpm • B Maj • 03:20 • -5.5db
25% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jordan Rager
Want Me to Want You
150 bpm • B Maj • 03:10 • -3.33db
22% Popularity • 44% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
34% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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LOCASH
Beach Boys
150 bpm • G# Maj • 03:00 • -3.58db
35% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Drew Green
Fine by Me
150 bpm • A# min • 02:59 • -5.83db
32% Popularity • 61% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmie Allen
Made For These
152 bpm • D# Maj • 03:45 • -6.16db
27% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Noah Schnacky
Meet The Man
150 bpm • A Maj • 03:50 • -5.91db
30% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
50% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
34% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jackson Michelson
Tip Jar
150 bpm • B Maj • 02:42 • -6.33db
27% Popularity • 72% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Thomas Rhett
Playing With Fire
150 bpm • B Maj • 03:26 • -4db
38% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Cassadee Pope
What the Stars See
158 bpm • G Maj • 03:07 • -2.29db
27% Popularity • 45% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
38% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
65% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
53% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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John Gurney
Get Around
158 bpm • D min • 03:18 • -5.11db
16% Popularity • 49% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Doleac
Another - Wedding Version
150 bpm • G Maj • 02:51 • -6.74db
40% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Hunt
2016
150 bpm • F# Maj • 03:55 • -8.17db
53% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Parmalee
Carolina
160 bpm • A# Maj • 03:21 • -3.53db
54% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Devin Dawson
Truck I Drove in High School
149 bpm • F Maj • 03:30 • -5.48db
19% Popularity • 60% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Jordan Rager
Somebody's Summer
160 bpm • B Maj • 03:21 • -3.65db
17% Popularity • 42% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
Everything Changes
160 bpm • C# Maj • 03:17 • -6.25db
34% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
30% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Niko Moon
GOOD AT LOVING YOU
160 bpm • B min • 03:05 • -7.07db
37% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Ryan Kinder
Hell Is
160 bpm • A# min • 03:16 • -6.22db
19% Popularity • 40% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
29% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Mitchell Tenpenny
Broken Up - Acoustic
160 bpm • C Maj • 03:09 • -5.51db
31% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Devin Dawson
Honest to God
148 bpm • C Maj • 03:14 • -8.91db
26% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
36% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
Drink A Little Whiskey Down
148 bpm • G Maj • 03:17 • -6.75db
32% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
64% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
40% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mitchell Tenpenny
Broken Up
160 bpm • D Maj • 03:05 • -4.48db
47% Popularity • 58% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Rascal Flatts
Looking Back
148 bpm • D Maj • 03:06 • -6.34db
26% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
43% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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LANCO
First Beer
148 bpm • G Maj • 04:01 • -6.2db
27% Popularity • 44% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
48% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
45% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Evans
Dance with Me
148 bpm • C# Maj • 03:19 • -9.85db
49% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Bandi
They Make Whiskey
148 bpm • C Maj • 03:36 • -4.28db
17% Popularity • 48% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Mitchell Tenpenny
I Can't Love You Any More
148 bpm • B Maj • 03:14 • -3.38db
41% Popularity • 53% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
62% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Ryan Hurd
Sunrise, Sunburn, Sunset
160 bpm • A# Maj • 03:31 • -4.51db
24% Popularity • 44% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmie Allen
Big In A Small Town
148 bpm • G Maj • 04:14 • -4.86db
32% Popularity • 60% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Russell Dickerson
Never Get Old
162 bpm • G Maj • 03:05 • -4.86db
30% Popularity • 49% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Niko Moon
NO SAD SONGS
147 bpm • B Maj • 02:52 • -6db
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Dylan Schneider
Fireworks
162 bpm • G Maj • 03:13 • -7db
36% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Seth Ennis
So Much
162 bpm • F Maj • 03:24 • -5.18db
13% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Darius Rucker
My Masterpiece
162 bpm • F# Maj • 03:30 • -4.7db
47% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
39% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Walker Hayes
Make You Cry
162 bpm • G Maj • 03:09 • -5.9db
31% Popularity • 50% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Russell Dickerson
All Yours, All Night
146 bpm • C Maj • 03:06 • -5db
40% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Hurd
Her Name Was Summer
146 bpm • E Maj • 03:24 • -6db
34% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
42% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
55% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Roman Alexander
Cocktail Conversations
146 bpm • G Maj • 03:24 • -6db
33% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
42% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Dickerson
Waiting For You
146 bpm • G Maj • 03:41 • -6db
43% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
62% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Smithfield
Something Sexy
146 bpm • C Maj • 03:14 • -4.08db
42% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Hurd
What Are You Drinking
146 bpm • C Maj • 03:24 • -6.22db
38% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
48% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
40% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Russell Dickerson
Waiting For You - Acoustic
146 bpm • C Maj • 03:05 • -9.28db
35% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Mitchell Tenpenny
Mixed Drinks
164 bpm • G Maj • 03:46 • -5db
37% Popularity • 48% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
69% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Whatever Forever Is