Songs like When A Woman Says Yes by Peter Gallway
Based on a tempo of (+/- 10%) and a similar genre
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Peter Gallway
True
96 bpm • C# Maj • 04:12 • -12.7db
0% Popularity • 88% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
0% Popularity • 88% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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The High Llamas
To The Abbey
96 bpm • G Maj • 03:17 • -10.22db
12% Popularity • 67% Danceability • 47% Energy • 16% Liveness
14% Instrumentalness • 45% Positiveness
12% Popularity • 67% Danceability • 47% Energy • 16% Liveness
14% Instrumentalness • 45% Positiveness
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Geoff & Maria Muldaur
Catch It
96 bpm • D# Maj • 03:20 • -11.35db
12% Popularity • 51% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 51% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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The Sons Of Champlin
1982-A
96 bpm • F Maj • 03:56 • -9.46db
11% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Heartsfield
Just That Wind
96 bpm • G Maj • 05:35 • -11.88db
8% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Bob Lind
City Scenes
97 bpm • F# min • 03:32 • -9.54db
9% Popularity • 52% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 52% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Peter Gallway
Reach for It
96 bpm • F min • 03:43 • -11.61db
0% Popularity • 67% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 67% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The High Llamas
Theatreland
96 bpm • G min • 02:21 • -8.87db
13% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Country Joe McDonald
Breakfast For Two
95 bpm • B min • 04:45 • -19.34db
13% Popularity • 35% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 35% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Roger Nichols & The Small Circle of Friends
Cocoanut Grove
95 bpm • D Maj • 02:35 • -15db
9% Popularity • 29% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 29% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Bruce & Terry
Don't Run Away
97 bpm • E Maj • 02:46 • -9db
14% Popularity • 51% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 51% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Blue Plate Special
Talk to Me
95 bpm • D Maj • 03:10 • -12.65db
11% Popularity • 77% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 50% Positiveness
11% Popularity • 77% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 50% Positiveness
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Peter Gallway
Running, Walking, Kicking the Ball
97 bpm • A Maj • 03:19 • -9.21db
2% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 58% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Brian Protheroe
Money Love
97 bpm • B min • 03:29 • -15.82db
21% Popularity • 67% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 67% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Auger & Julie Tippetts
Rope Ladder to the Moon
97 bpm • C Maj • 03:03 • -8.88db
9% Popularity • 60% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
9% Popularity • 60% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Nick Decaro
Happier Than The Morning Sun
95 bpm • D Maj • 04:22 • -8.68db
10% Popularity • 46% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 46% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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The Gentle Soul
See My Love (Song for Greg)
95 bpm • F Maj • 03:56 • -13.67db
7% Popularity • 44% Danceability • 39% Energy • 28% Liveness
9% Instrumentalness • 58% Positiveness
7% Popularity • 44% Danceability • 39% Energy • 28% Liveness
9% Instrumentalness • 58% Positiveness
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Help Yourself
Look at the View
97 bpm • G Maj • 02:33 • -13db
18% Popularity • 75% Danceability • 49% Energy • 33% Liveness
18% Instrumentalness • 72% Positiveness
18% Popularity • 75% Danceability • 49% Energy • 33% Liveness
18% Instrumentalness • 72% Positiveness
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Nick Garrie
Stephanie City
95 bpm • E min • 02:45 • -8.47db
11% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sisterblues and the Blue Suede Dykeband
Sister Blues
97 bpm • D min • 04:57 • -11.54db
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Allan Wachs
Anna Lena
94 bpm • G Maj • 03:43 • -15.27db
10% Popularity • 51% Danceability • 54% Energy • 22% Liveness
12% Instrumentalness • 71% Positiveness
10% Popularity • 51% Danceability • 54% Energy • 22% Liveness
12% Instrumentalness • 71% Positiveness
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Emitt Rhodes
Isn't It So
94 bpm • A Maj • 02:25 • -9.78db
10% Popularity • 48% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 48% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Carole King
Raspberry Jam
94 bpm • D min • 04:34 • -17.28db
16% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Gallway
Up In The County - Solo
98 bpm • B Maj • 06:11 • -12.01db
0% Popularity • 67% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 23% Positiveness
0% Popularity • 67% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 23% Positiveness
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Shawn Phillips
Anello (Where Are You)
94 bpm • D Maj • 02:22 • -11.28db
9% Popularity • 80% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 80% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Nick Garrie
Bungle's Tours
98 bpm • C# min • 02:52 • -8.13db
9% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 62% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Roger Nichols & The Small Circle of Friends
Can I Go
98 bpm • F Maj • 02:13 • -9.56db
9% Popularity • 64% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 64% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Leon Russell
Bluebird
94 bpm • F Maj • 03:58 • -12.19db
24% Popularity • 58% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 58% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Jesse Ed Davis
Farther on Down the Road (You Will Accom...
94 bpm • A Maj • 03:13 • -14db
7% Popularity • 47% Danceability • 35% Energy • 25% Liveness
6% Instrumentalness • 29% Positiveness
7% Popularity • 47% Danceability • 35% Energy • 25% Liveness
6% Instrumentalness • 29% Positiveness
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Peter Gallway
Nor'easter - Solo
94 bpm • F# Maj • 03:59 • -11.04db
0% Popularity • 75% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 75% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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J. Michael Henderson
Nite People
93 bpm • G Maj • 03:43 • -10.74db
9% Popularity • 63% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 63% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Browning Bryant
Liverpool Fool - 2007 Remaster
99 bpm • G# Maj • 02:33 • -5.56db
13% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Archie Whitewater
Don't Be Short
99 bpm • G# Maj • 02:09 • -7.94db
10% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmie Spheeris
In the Misty Woods
99 bpm • D Maj • 03:13 • -23.63db
11% Popularity • 28% Danceability • 13% Energy • 12% Liveness
57% Instrumentalness • 13% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 12% Liveness
57% Instrumentalness • 13% Positiveness
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Alan Hull
Wheel Of Fortune
99 bpm • E Maj • 01:51 • -10.06db
17% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Gallway
Under Those Trees - Solo
99 bpm • C# Maj • 03:31 • -15.08db
0% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 46% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Honeybus
Julie In My Heart
93 bpm • F Maj • 02:24 • -17.67db
16% Popularity • 77% Danceability • 26% Energy • 9% Liveness
41% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 26% Energy • 9% Liveness
41% Instrumentalness • 81% Positiveness
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Billy Preston
She Belongs To Me - 2010 Digital Remaste...
93 bpm • E Maj • 04:08 • -9.66db
8% Popularity • 38% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 38% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Kaz
Come with Me
93 bpm • E Maj • 03:23 • -11.54db
11% Popularity • 71% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
11% Popularity • 71% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Chuck Senrick
Bright Face
100 bpm • F Maj • 02:32 • -17db
12% Popularity • 74% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
12% Popularity • 74% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Danny O'Keefe
Islands
100 bpm • A Maj • 03:34 • -12db
12% Popularity • 62% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 40% Positiveness
12% Popularity • 62% Danceability • 36% Energy • 7% Liveness
6% Instrumentalness • 40% Positiveness
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Peter Gallway
Moonsong
99 bpm • E min • 03:06 • -19.03db
2% Popularity • 37% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
2% Popularity • 37% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Michael Nesmith
Thanx for the Ride
92 bpm • C Maj • 02:57 • -13.52db
14% Popularity • 43% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 43% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Joni Mitchell
People's Parties (Early Alternate Take) ...
100 bpm • E min • 02:49 • -12.16db
11% Popularity • 75% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Danny Kortchmar
For Sentimental Reasons
100 bpm • E min • 03:08 • -12.95db
11% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Valerie Carter
Da Doo Rendezvous
101 bpm • E min • 04:35 • -15.93db
10% Popularity • 78% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 78% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Ronnie Lane & Slim Chance
Don't You Cry for Me
91 bpm • G Maj • 04:26 • -13.36db
12% Popularity • 63% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 63% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Gallway
On the Bandstand
100 bpm • B Maj • 04:34 • -10.94db
0% Popularity • 72% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
0% Popularity • 72% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Pete Dello and Friends
There Is Nothing That I Can Do for You
91 bpm • D# Maj • 02:36 • -6.57db
11% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Five Stairsteps
Pasado (2022 Remaster)
101 bpm • B min • 03:08 • -9.34db
8% Popularity • 61% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 68% Positiveness
8% Popularity • 61% Danceability • 68% Energy • 32% Liveness
1% Instrumentalness • 68% Positiveness
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James Taylor
Sunshine Sunshine - Remastered
102 bpm • C Maj • 02:49 • -12.2db
19% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Eef Poortinga
Comfort Zone
102 bpm • C Maj • 04:51 • -12.49db
21% Popularity • 49% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 49% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Judee Sill
Soldier of the Heart - Remastered
102 bpm • F min • 03:33 • -7.89db
23% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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NRBQ
Things To You
91 bpm • C# Maj • 03:29 • -7.34db
9% Popularity • 59% Danceability • 70% Energy • 19% Liveness
21% Instrumentalness • 48% Positiveness
9% Popularity • 59% Danceability • 70% Energy • 19% Liveness
21% Instrumentalness • 48% Positiveness
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Lesley Duncan
I Can See Where I'm Going
102 bpm • F Maj • 03:52 • -10.22db
8% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Brian Elliot
Summer Nights in Hollywood
102 bpm • C# Maj • 03:10 • -9.6db
7% Popularity • 78% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 78% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Peter Gallway
Deep Breathing
102 bpm • G Maj • 03:47 • -12.69db
0% Popularity • 74% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 74% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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The High Llamas
Talahomi Way
102 bpm • D Maj • 03:31 • -10.08db
15% Popularity • 76% Danceability • 43% Energy • 13% Liveness
26% Instrumentalness • 50% Positiveness
15% Popularity • 76% Danceability • 43% Energy • 13% Liveness
26% Instrumentalness • 50% Positiveness
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Bert Jansch
Life Depends On Love (2015 Remaster)
102 bpm • D# Maj • 01:48 • -10.13db
16% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The American Dream
I Ain't Searchin'
103 bpm • D Maj • 04:38 • -9.9db
9% Popularity • 58% Danceability • 57% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
9% Popularity • 58% Danceability • 57% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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West
Sad About the Times
90 bpm • E Maj • 02:36 • -17.69db
16% Popularity • 57% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
16% Popularity • 57% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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The Association
Birthday Morning
103 bpm • G Maj • 02:26 • -14.31db
9% Popularity • 32% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 32% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Gallway
Man Enough To Lie
102 bpm • E min • 04:33 • -9.05db
0% Popularity • 74% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 74% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Flo & Eddie
Burn The House
103 bpm • A min • 03:16 • -13.34db
8% Popularity • 51% Danceability • 34% Energy • 12% Liveness
22% Instrumentalness • 38% Positiveness
8% Popularity • 51% Danceability • 34% Energy • 12% Liveness
22% Instrumentalness • 38% Positiveness
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The High Llamas
Peppy
102 bpm • G Maj • 04:45 • -9.86db
8% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Fat Mattress
Leafy Lanes - 2009 Remaster
90 bpm • D Maj • 02:48 • -11.5db
12% Popularity • 55% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 55% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Ned Doheny
Postcards from Hollywood
103 bpm • A Maj • 05:16 • -17.87db
11% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Larry Sanders
Child of December
90 bpm • B min • 03:48 • -9.46db
10% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Gallway
Looking for the Blue Lights
102 bpm • G# min • 02:46 • -10.78db
0% Popularity • 79% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 79% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Joni Mitchell
Just Like This Train
103 bpm • C Maj • 04:24 • -12.85db
34% Popularity • 66% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Sidran
Chances Are
103 bpm • D Maj • 03:21 • -11.47db
12% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Dennis Wilson
Constant Companion
103 bpm • D Maj • 03:22 • -10.7db
12% Popularity • 57% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 57% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Gary Marks
Sailing
103 bpm • E min • 03:03 • -9.62db
8% Popularity • 56% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
8% Popularity • 56% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Ted Neeley
Spin Away
89 bpm • C Maj • 03:08 • -9.62db
8% Popularity • 48% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Peter Gallway
One Good Friend
90 bpm • F# min • 04:22 • -13.18db
0% Popularity • 74% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 74% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ronnie D'Addario
Take in a Show
89 bpm • C# Maj • 02:55 • -6.51db
8% Popularity • 69% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 69% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Leon Russell
Let's Get Started
89 bpm • G Maj • 04:14 • -7.01db
8% Popularity • 62% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 62% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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McGuinness Flint
Dream Darling Dream - Remastered
89 bpm • E Maj • 01:45 • -21.67db
24% Popularity • 55% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 55% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Hawaii
Lady Of My Heart
104 bpm • D Maj • 03:09 • -7.73db
13% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Starbuck
Drop a Little Rock - 2023 Remaster
104 bpm • C min • 02:54 • -10.17db
7% Popularity • 85% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 85% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Peter Gallway
Decidedly Fun
103 bpm • F# min • 03:48 • -14.92db
6% Popularity • 71% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 71% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ned Doheny
Fineline
89 bpm • D Maj • 04:49 • -16.42db
9% Popularity • 57% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
9% Popularity • 57% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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The Association
Bring Yourself Home
104 bpm • A Maj • 04:04 • -8.47db
8% Popularity • 51% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 51% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Brian Auger's Oblivion Express
All The Time There Is
104 bpm • D min • 03:34 • -12.2db
13% Popularity • 66% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 66% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Sam
Manic Pixie Fever Dream
88 bpm • G Maj • 02:09 • -9.88db
9% Popularity • 69% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 69% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Marc Benno
Good Year
105 bpm • D Maj • 03:03 • -13db
12% Popularity • 61% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
12% Popularity • 61% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 79% Positiveness
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The High Llamas
Woven And Rolled
105 bpm • F min • 03:08 • -10.93db
19% Popularity • 73% Danceability • 44% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
19% Popularity • 73% Danceability • 44% Energy • 12% Liveness
28% Instrumentalness • 59% Positiveness
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Ned Doheny
Before I Thrill Again
88 bpm • D Maj • 04:57 • -5.84db
13% Popularity • 69% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 69% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Crazy Horse
Love Don't Come Easy
105 bpm • A min • 03:09 • -13.95db
9% Popularity • 68% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 68% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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The Association
It's Gotta Be Real - Single Version
104 bpm • D Maj • 02:16 • -11.21db
14% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Gallway
Dance While You Can
105 bpm • F# min • 04:13 • -12.3db
0% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alzo
Don't Ask Me Why
105 bpm • B Maj • 03:54 • -7.55db
8% Popularity • 46% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 46% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Heron
Take Me Back Home
105 bpm • D Maj • 02:00 • -7.38db
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Odyssey
Home Of The Brave
105 bpm • A Maj • 03:33 • -7.03db
8% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Van Morrison
Wild Children
106 bpm • D Maj • 04:21 • -11.54db
25% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bert Keely
Mari's Song
106 bpm • D Maj • 05:19 • -9.41db
7% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Gallway
It's Deliberate - Solo
87 bpm • E Maj • 03:58 • -12.66db
0% Popularity • 86% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 86% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Harpers Bizarre
Mad - Remastered Version
87 bpm • A min • 02:44 • -16.36db
12% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
