Songs like When I Find Love Again - Apollo Edition Version by James Blunt
Based on a tempo of (+/- 10%) and a similar genre
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Imagine Dragons
It's Time
105 bpm • D Maj • 04:00 • -4.75db
75% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
75% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Catey Shaw
Family
105 bpm • C Maj • 03:44 • -5.9db
27% Popularity • 71% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 71% Danceability • 68% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Ella Henderson
Ghost
105 bpm • A Maj • 03:33 • -3.82db
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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James Blunt
When I Find Love Again - Apollo Edition ...
105 bpm • C# Maj • 03:04 • -5db
49% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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North.
A Picture of You
105 bpm • B Maj • 03:19 • -10.3db
17% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Frans
If I Were Sorry
105 bpm • F Maj • 03:04 • -6.77db
52% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Last Goodnight
Pictures Of You
104 bpm • D Maj • 03:09 • -3.98db
55% Popularity • 56% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 56% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kelvin Jones
I Wouldn't Change You
106 bpm • E Maj • 03:03 • -7.34db
14% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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James Morrison
I Won't Let You Go
106 bpm • C Maj • 03:49 • -6.43db
66% Popularity • 54% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 54% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Leona Lewis
Bleeding Love
104 bpm • F Maj • 04:22 • -5.89db
78% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Andrea Faustini
Give a Little Love
106 bpm • F# Maj • 03:11 • -6db
24% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin DeGraw
You Got Me
106 bpm • F# Maj • 03:47 • -8.9db
41% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 32% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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P!nk
Try
104 bpm • D Maj • 04:07 • -7.08db
79% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
79% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Snow Patrol
Chasing Cars
104 bpm • A Maj • 04:27 • -4.53db
83% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
83% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Walking On Cars
Don't Mind Me
106 bpm • B Maj • 04:06 • -6.32db
40% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Maroon 5
It Was Always You
104 bpm • B Maj • 03:59 • -6.58db
57% Popularity • 61% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 61% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Wanted
We Own The Night
104 bpm • B Maj • 03:26 • -4.05db
55% Popularity • 55% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 55% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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George Ezra
Blame It on Me
104 bpm • D# Maj • 03:16 • -3.37db
70% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
70% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Shane Filan
Everything To Me
107 bpm • C Maj • 03:23 • -6.58db
31% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Snow Patrol
Crack The Shutters
106 bpm • C Maj • 03:20 • -5.64db
53% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Dorn
A Better Part of Me
103 bpm • G Maj • 03:12 • -7.86db
29% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Simons
Lose Control
107 bpm • G# Maj • 03:13 • -4db
37% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Train
Bruises
103 bpm • D Maj • 03:51 • -4.5db
54% Popularity • 63% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 63% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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The Chainsmokers
Something Just Like This
103 bpm • B min • 04:07 • -6.77db
88% Popularity • 62% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 62% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Of Monsters and Men
Little Talks
103 bpm • C# Maj • 04:26 • -5.18db
82% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
82% Popularity • 46% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Flipsyde
Laserbeam
103 bpm • E Maj • 03:46 • -5.76db
39% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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fun.
Some Nights
108 bpm • C Maj • 04:37 • -7.05db
70% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Payne Band
B26
108 bpm • G Maj • 03:24 • -12.67db
20% Popularity • 76% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 76% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas David
Able
108 bpm • G Maj • 03:40 • -5.5db
16% Popularity • 60% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 60% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Aura Dione
Song For Sophie
102 bpm • A# Maj • 03:19 • -4.7db
35% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 64% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Train
Give It All
102 bpm • A Maj • 03:44 • -5.81db
25% Popularity • 57% Danceability • 80% Energy • 7% Liveness
24% Instrumentalness • 30% Positiveness
25% Popularity • 57% Danceability • 80% Energy • 7% Liveness
24% Instrumentalness • 30% Positiveness
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Edwina Hayes
Feels Like Home
108 bpm • D# Maj • 04:14 • -9db
44% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Kelvin Jones
Good Together
102 bpm • F# min • 03:27 • -6.64db
17% Popularity • 72% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 72% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Leona Lewis
Fire Under My Feet
101 bpm • F# Maj • 03:35 • -2.03db
36% Popularity • 63% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 63% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Thomas David
Sit on Top - Radio Edit
102 bpm • C Maj • 02:57 • -5.07db
18% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 75% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Stereolove
This Is It
109 bpm • D Maj • 05:13 • -6.28db
10% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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John Newman
Come And Get It
109 bpm • C# Maj • 03:04 • -4.86db
53% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Mrs. Greenbird
One Little Heart
109 bpm • D# Maj • 03:11 • -10.49db
13% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Alexander Cardinale
Made for You - Radio Edit
109 bpm • B Maj • 03:21 • -8.39db
35% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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James Blunt
Cold
109 bpm • D# Maj • 03:28 • -6.47db
47% Popularity • 59% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 59% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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A Great Big World
All I Want Is Love
101 bpm • C# Maj • 03:11 • -5db
28% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Woody Pitney
You Can Stay
110 bpm • D Maj • 03:19 • -5.04db
24% Popularity • 58% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas David
Sit on Top - Live
101 bpm • D min • 04:02 • -7.78db
16% Popularity • 60% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 60% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Madeline Juno
Error
110 bpm • D# min • 03:55 • -5.64db
34% Popularity • 44% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 44% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Kygo
Stole the Show
100 bpm • G# min • 03:43 • -7.57db
78% Popularity • 64% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
78% Popularity • 64% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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James Blunt
Love Under Pressure
110 bpm • F min • 02:45 • -6.05db
48% Popularity • 61% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 61% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Script
If You Could See Me Now
100 bpm • C Maj • 03:39 • -6.86db
61% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Imagine Dragons
On Top Of The World
100 bpm • C Maj • 03:12 • -5.59db
79% Popularity • 63% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
79% Popularity • 63% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Walking On Cars
Two Stones
100 bpm • G Maj • 03:08 • -5.52db
39% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ryan Keen
Old Scars
100 bpm • G Maj • 03:45 • -8.78db
11% Popularity • 62% Danceability • 53% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
11% Popularity • 62% Danceability • 53% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
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Kygo
It Ain't Me
100 bpm • C Maj • 03:40 • -6.6db
77% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
77% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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James Blunt
Postcards
100 bpm • B Maj • 04:46 • -8.31db
59% Popularity • 72% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 72% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Olly Murs
Heart Skips a Beat
111 bpm • A Maj • 03:22 • -3.95db
61% Popularity • 84% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 84% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Baba Shrimps
I Don't Wanna Hide
111 bpm • G# Maj • 03:16 • -3.49db
24% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 64% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rebecca Ferguson
Backtrack
99 bpm • A min • 03:07 • -3.67db
36% Popularity • 75% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 75% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Alle Farben
She Moves - Acoustic Guitar Version
99 bpm • G Maj • 04:03 • -10.76db
30% Popularity • 56% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kygo
Firestone - Fireworks Version
99 bpm • B min • 03:56 • -9db
36% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 37% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bryan Adams
Here I Am - End Title
99 bpm • G# Maj • 04:44 • -7.12db
59% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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James Morrison
Broken Strings
112 bpm • C# Maj • 04:10 • -4.91db
71% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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James Blunt
Someone Singing Along
98 bpm • E Maj • 03:33 • -8.68db
36% Popularity • 65% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 65% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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James Gruntz
Heart Keeps Dancing
112 bpm • C min • 03:42 • -11db
29% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Nicole Bernegger
The Fool
112 bpm • A# Maj • 03:13 • -5.75db
17% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Robbie Williams
Advertising Space
112 bpm • C Maj • 04:37 • -7db
58% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 55% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lighthouse Family
(I Wish I Knew How It Would Feel To Be) ...
98 bpm • C# Maj • 05:16 • -9.51db
50% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 67% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Emeli Sandé
Read All About It, Pt. III
98 bpm • D Maj • 04:43 • -7.19db
66% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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James Blunt
Paradise
112 bpm • C# Maj • 03:32 • -11.01db
33% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 71% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Gavin DeGraw
Annalee
98 bpm • A Maj • 03:06 • -4.31db
30% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Lena
Mr. Arrow Key
98 bpm • E Maj • 03:33 • -5.13db
32% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Marc Sway
I Can See the World
98 bpm • G Maj • 03:52 • -5.06db
13% Popularity • 72% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Anna Rossinelli
King Mustafa
98 bpm • A Maj • 03:10 • -6.48db
11% Popularity • 75% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 75% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Robbie Williams
Feel
98 bpm • F Maj • 04:23 • -6.84db
75% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 60% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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James Blunt
Working It Out - Apollo Edition Version
112 bpm • C# Maj • 04:21 • -6.41db
31% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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George Ezra
Cassy O'
98 bpm • D Maj • 03:04 • -4.8db
52% Popularity • 54% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 54% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Lena
Stardust
98 bpm • C Maj • 03:30 • -6db
40% Popularity • 67% Danceability • 84% Energy • 18% Liveness
3% Instrumentalness • 67% Positiveness
40% Popularity • 67% Danceability • 84% Energy • 18% Liveness
3% Instrumentalness • 67% Positiveness
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Jason Mraz
Love Someone
98 bpm • G Maj • 04:17 • -15db
58% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
58% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
82% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Thorsteinn Einarsson
Aurora
113 bpm • G Maj • 03:36 • -8.66db
16% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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James Blunt
Trail of Broken Hearts - Apollo Edition ...
112 bpm • C Maj • 04:26 • -6.79db
34% Popularity • 65% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 65% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Bublé
I Believe in You
113 bpm • G# Maj • 03:21 • -5.67db
54% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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P!nk
What About Us
114 bpm • C# Maj • 04:29 • -6.18db
77% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
77% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
86% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
86% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Adel Tawil
Zuhause
97 bpm • F# Maj • 03:41 • -4.64db
55% Popularity • 68% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 68% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Brandon Beal
Golden
97 bpm • F min • 03:24 • -5.42db
50% Popularity • 70% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 70% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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James Blunt
The Only One
98 bpm • E min • 03:41 • -6.26db
37% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Kygo
Firestone
114 bpm • B min • 04:31 • -7.37db
78% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
78% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Baba Shrimps
Wish You Luck
114 bpm • C# Maj • 03:45 • -5.24db
13% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Myers
March: Hills to Climb
114 bpm • F# Maj • 03:59 • -7db
31% Popularity • 47% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 23% Positiveness
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James Cottriall
So Nice
114 bpm • C Maj • 03:21 • -5.53db
20% Popularity • 80% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 80% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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MIKA
Happy Ending
96 bpm • C# Maj • 04:33 • -8.38db
65% Popularity • 56% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 56% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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James Blunt
I'll Be Your Man
97 bpm • F# min • 03:36 • -4.08db
50% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 66% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Mrs. Greenbird
Shooting Stars & Fairy Tales
96 bpm • B Maj • 03:35 • -7db
27% Popularity • 60% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 60% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Robbie Williams
Love My Life
96 bpm • A# Maj • 03:28 • -7.06db
60% Popularity • 54% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 54% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
49% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
49% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Luca Little
Autumn in May
96 bpm • F# Maj • 03:21 • -7.66db
10% Popularity • 52% Danceability • 58% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
10% Popularity • 52% Danceability • 58% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Ryan Corn
Wonderful Things
115 bpm • E min • 03:38 • -4.55db
19% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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James Blunt
Sun on Sunday
115 bpm • D Maj • 03:18 • -13.34db
28% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 51% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Olly Murs
Up
115 bpm • A Maj • 03:44 • -5.39db
69% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Axwell /\ Ingrosso
More Than You Know - Acoustic
115 bpm • G# Maj • 03:03 • -4.64db
46% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
