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When It Rains
Songs like
When It Rains
by
Brad Mehldau
Based on a tempo of (+/- 10%) and a similar genre
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The Bad Plus
Everybody Wants To Rule The World
123 bpm • C# Maj • 05:38 • -18.51db
15% Popularity • 50% Danceability • 24% Energy • 32% Liveness
91% Instrumentalness • 20% Positiveness
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Brad Mehldau
John Boy
123 bpm • B Maj • 03:15 • -23.85db
25% Popularity • 36% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Bobo Stenson
Reflections In D
123 bpm • A Maj • 05:22 • -28.77db
13% Popularity • 34% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 3
124 bpm • G Maj • 05:03 • -27db
29% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Enrico Pieranunzi
Rêverie
124 bpm • G min • 07:45 • -19.44db
16% Popularity • 45% Danceability • 17% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
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Jason Moran
Lulu's Back In Town
124 bpm • G# Maj • 02:38 • -14.02db
25% Popularity • 46% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 85% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Brad Mehldau
When It Rains
123 bpm • E Maj • 06:36 • -10db
39% Popularity • 38% Danceability • 63% Energy • 20% Liveness
68% Instrumentalness • 13% Positiveness
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Manu Katché
Pieces Of Emotion
122 bpm • A# min • 04:13 • -16db
27% Popularity • 52% Danceability • 17% Energy • 10% Liveness
64% Instrumentalness • 20% Positiveness
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Chris Thile
The Watcher
124 bpm • D min • 05:27 • -14.4db
22% Popularity • 48% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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Tom Harrell
Journey to the Stars
122 bpm • F min • 06:34 • -17.6db
30% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
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Joshua Redman Quartet
How We Do
122 bpm • F min • 03:33 • -8.58db
25% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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Joshua Redman
Right Back Round Again
124 bpm • F# Maj • 06:00 • -10.17db
40% Popularity • 58% Danceability • 54% Energy • 5% Liveness
83% Instrumentalness • 56% Positiveness
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Bill Charlap
Chorinho
122 bpm • C Maj • 03:57 • -17.1db
24% Popularity • 54% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Joel Lyssarides
Stay Now
124 bpm • B Maj • 02:49 • -22.51db
45% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Brad Mehldau
The Falcon Will Fly Again
124 bpm • A Maj • 08:21 • -21.15db
19% Popularity • 40% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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Erroll Garner
Sunny
124 bpm • A# min • 03:19 • -13.06db
40% Popularity • 72% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 61% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
52% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Bad Plus
I Want To Feel Good Pt. 2
121 bpm • G# Maj • 03:56 • -8.37db
37% Popularity • 56% Danceability • 78% Energy • 18% Liveness
78% Instrumentalness • 86% Positiveness
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Joshua Redman Quartet
Circle of Life
121 bpm • F min • 06:54 • -11db
14% Popularity • 50% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Andy Sheppard
1974
121 bpm • D# Maj • 06:04 • -15.79db
18% Popularity • 73% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
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Brad Mehldau
Paris
122 bpm • G# Maj • 06:30 • -22.05db
9% Popularity • 35% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Neil Cowley Trio
Garden of Love
121 bpm • C Maj • 03:24 • -16.59db
33% Popularity • 89% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Shai Maestro
From One Soul to Another
125 bpm • B Maj • 05:20 • -15.16db
17% Popularity • 59% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Markus Stockhausen
Encoer
125 bpm • D min • 05:18 • -15db
13% Popularity • 60% Danceability • 27% Energy • 36% Liveness
90% Instrumentalness • 52% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
40% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Christian Scott aTunde Adjuah
The Eraser
121 bpm • G Maj • 05:25 • -11.09db
27% Popularity • 34% Danceability • 60% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Brad Mehldau
Crazy Quilt
121 bpm • G# Maj • 06:21 • -14db
11% Popularity • 42% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Dexter Gordon
I Guess I'll Hang My Tears Out To Dry - ...
121 bpm • D# Maj • 05:22 • -8.97db
49% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Joona Toivanen Trio
At My Side
126 bpm • G# Maj • 04:47 • -20db
18% Popularity • 59% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Marcin Wasilewski Trio
Sudovian Dance
120 bpm • F min • 06:28 • -17.15db
25% Popularity • 45% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 22% Positiveness
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Pat Metheny
Make Peace
125 bpm • D Maj • 07:06 • -16.26db
19% Popularity • 33% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Mathias Eick
Girlfriend
126 bpm • B min • 05:13 • -16.63db
13% Popularity • 52% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Justin Kauflin
For Clark
120 bpm • F Maj • 04:41 • -16db
25% Popularity • 46% Danceability • 23% Energy • 18% Liveness
53% Instrumentalness • 9% Positiveness
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Abdullah Ibrahim
Maraba Blue
120 bpm • G Maj • 04:35 • -31.65db
37% Popularity • 61% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Brad Mehldau
Day Is Done
120 bpm • C min • 09:20 • -14.94db
12% Popularity • 45% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Mary Lou Williams
It Ain’t Necessarily So
126 bpm • E min • 04:45 • -22db
42% Popularity • 59% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Ari Hoenig
Arrows and Loops
126 bpm • D# min • 09:38 • -13.35db
17% Popularity • 41% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 69% Positiveness
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Pat Metheny
The Sound of Water
120 bpm • D# min • 03:53 • -16.58db
22% Popularity • 42% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Bill Laurance
Golden Hour
120 bpm • D# Maj • 04:41 • -9.73db
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
27% Instrumentalness • 26% Positiveness
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Wayne Shorter
Shorter: Ana Maria
126 bpm • C min • 06:09 • -9.13db
12% Popularity • 48% Danceability • 43% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
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Chris Thile
Don't Think Twice It's Alright
126 bpm • G Maj • 06:01 • -11db
35% Popularity • 53% Danceability • 40% Energy • 7% Liveness
20% Instrumentalness • 66% Positiveness
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Brad Mehldau
O Ephraim
126 bpm • C Maj • 05:21 • -11.83db
22% Popularity • 56% Danceability • 44% Energy • 14% Liveness
97% Instrumentalness • 18% Positiveness
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Kurt Rosenwinkel
Blue Line
120 bpm • F min • 06:11 • -7.98db
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 80% Positiveness
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Wolfgang Muthspiel
Rising Grace
126 bpm • C Maj • 05:56 • -18.31db
16% Popularity • 40% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Brian Blade & The Fellowship Band
Stoner Hill
120 bpm • A min • 03:19 • -12.58db
36% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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The Bad Plus
Pound For Pound
120 bpm • C Maj • 06:10 • -11db
28% Popularity • 65% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Marcin Wasilewski Trio
Austin
120 bpm • C min • 07:07 • -25db
35% Popularity • 42% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Mark Guiliana Jazz Quartet
Johnny Was
120 bpm • F# min • 06:08 • -21.85db
25% Popularity • 53% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Art Farmer
Petite Belle
120 bpm • G min • 09:44 • -14db
33% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
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Carla Bley
Lawns
120 bpm • G Maj • 07:04 • -24.35db
38% Popularity • 56% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Joe Zawinul
Sharon's Waltz
126 bpm • A min • 05:06 • -22.64db
13% Popularity • 54% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 17% Positiveness
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Manu Katché
February Sun
127 bpm • C Maj • 04:42 • -22.91db
37% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Christian McBride
Sister Rosa
127 bpm • D# min • 06:25 • -11.04db
22% Popularity • 45% Danceability • 47% Energy • 13% Liveness
9% Instrumentalness • 39% Positiveness
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Joel Lyssarides
Guadalquivir
127 bpm • C# Maj • 05:37 • -14.98db
13% Popularity • 36% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
15% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Nate Smith
Home Free (for Peter Joe)
119 bpm • F# Maj • 05:50 • -15.13db
21% Popularity • 32% Danceability • 20% Energy • 9% Liveness
55% Instrumentalness • 10% Positiveness
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Brad Mehldau
No Moon at All
119 bpm • A min • 05:47 • -16.23db
12% Popularity • 60% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 39% Positiveness
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Espen Eriksen Trio
Grounded
119 bpm • F Maj • 04:59 • -18.29db
24% Popularity • 62% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Jason Moran
Gentle Shifts South
119 bpm • F# Maj • 03:31 • -15.52db
17% Popularity • 53% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Horace Silver
Song For My Father
127 bpm • F min • 07:18 • -8.14db
56% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Brian Blade Fellowship
Evinrude-Fifty (Trembling)
119 bpm • E min • 07:56 • -13.51db
17% Popularity • 34% Danceability • 37% Energy • 38% Liveness
88% Instrumentalness • 15% Positiveness
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Joshua Redman Quartet
Stagger Bear
128 bpm • B min • 06:04 • -8.02db
15% Popularity • 61% Danceability • 60% Energy • 8% Liveness
75% Instrumentalness • 50% Positiveness
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Kendrick Scott
>>>>>>>>>>>Mocean
128 bpm • A Maj • 05:51 • -10.58db
28% Popularity • 56% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 36% Positiveness
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Omer Klein
Sleepwalkers
128 bpm • D Maj • 05:07 • -19.78db
13% Popularity • 42% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
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Aaron Parks
Praise
128 bpm • F Maj • 04:43 • -19.24db
38% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
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Bill Charlap Trio
Uptown, Downtown
128 bpm • B min • 06:00 • -16db
27% Popularity • 54% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Kristjan Randalu
Stiller Beobachter
128 bpm • A min • 05:45 • -15.64db
14% Popularity • 35% Danceability • 26% Energy • 10% Liveness
78% Instrumentalness • 14% Positiveness
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Joshua Redman Quartet
Chill
118 bpm • G# Maj • 07:43 • -18db
26% Popularity • 69% Danceability • 19% Energy • 12% Liveness
31% Instrumentalness • 21% Positiveness
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Kenny Garrett
Before It's Time to Say Goodbye
118 bpm • C# Maj • 05:17 • -16.55db
38% Popularity • 36% Danceability • 11% Energy • 8% Liveness
64% Instrumentalness • 6% Positiveness
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Brad Mehldau
50 Ways to Leave Your Lover
118 bpm • C Maj • 08:30 • -14.47db
10% Popularity • 43% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Brian Blade
Red River Revel
129 bpm • A min • 09:31 • -15.83db
21% Popularity • 33% Danceability • 36% Energy • 10% Liveness
30% Instrumentalness • 19% Positiveness
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Jakob Bro
Evening Song
118 bpm • E Maj • 04:40 • -19.16db
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
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Brad Mehldau Trio
Little Person
117 bpm • A# min • 03:53 • -19.36db
35% Popularity • 49% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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John Scofield
After The Fact
117 bpm • C min • 05:26 • -15.37db
13% Popularity • 46% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Gwilym Simcock
These Are The Good Days
117 bpm • F# Maj • 06:12 • -13.95db
8% Popularity • 25% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Brad Mehldau
50 Ways to Leave Your Lover
129 bpm • E min • 06:30 • -19.98db
12% Popularity • 38% Danceability • 23% Energy • 70% Liveness
93% Instrumentalness • 16% Positiveness
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Kyle Eastwood
Song for You
129 bpm • B min • 03:24 • -13.5db
20% Popularity • 67% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Tommy Flanagan
Naima
117 bpm • A# min • 05:02 • -28.28db
30% Popularity • 44% Danceability • 4% Energy • 11% Liveness
69% Instrumentalness • 13% Positiveness
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Shai Maestro
Gal
129 bpm • G# min • 09:09 • -12.33db
14% Popularity • 46% Danceability • 46% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
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Fred Hersch
Black Is the Color / Theme from "Spartac...
129 bpm • E min • 08:07 • -22.25db
17% Popularity • 44% Danceability • 10% Energy • 95% Liveness
89% Instrumentalness • 20% Positiveness
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Allison Miller’s Boom Tic Boom
Otis Was a Polar Bear
129 bpm • G Maj • 07:25 • -13.69db
8% Popularity • 70% Danceability • 30% Energy • 8% Liveness
78% Instrumentalness • 45% Positiveness
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Brad Mehldau
River Man
117 bpm • G# Maj • 04:48 • -22.07db
29% Popularity • 44% Danceability • 16% Energy • 6% Liveness
90% Instrumentalness • 20% Positiveness
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Manu Katché
Swing Piece
129 bpm • A min • 04:54 • -14.61db
33% Popularity • 50% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 27% Positiveness
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Triosence
The Stars, The Sun & The Moon
117 bpm • D# Maj • 05:31 • -21.72db
21% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Aaron Parks
River Ways
117 bpm • C# Maj • 03:06 • -26.92db
36% Popularity • 43% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Roy Hargrove
Trust
117 bpm • C# Maj • 05:25 • -14.37db
49% Popularity • 40% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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Pat Martino
Both Sides Now
130 bpm • D Maj • 02:18 • -26.97db
49% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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John Coltrane Quartet
Wise One
130 bpm • E min • 09:03 • -12.77db
34% Popularity • 44% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Thelonious Monk
'Round Midnight
117 bpm • G# Maj • 03:13 • -9.98db
56% Popularity • 54% Danceability • 32% Energy • 6% Liveness
65% Instrumentalness • 21% Positiveness
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Ari Hoenig
Boplicity
117 bpm • C# Maj • 04:28 • -17.79db
20% Popularity • 52% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Chris Thile
Tabhair dom do Lámh
116 bpm • G Maj • 04:21 • -18.45db
37% Popularity • 63% Danceability • 11% Energy • 7% Liveness
76% Instrumentalness • 40% Positiveness
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Pat Metheny
A Night Away
130 bpm • G min • 07:59 • -9.01db
25% Popularity • 42% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 58% Positiveness
► Preview
Aaron Parks
Nemesis
130 bpm • F# Maj • 06:14 • -10.81db
30% Popularity • 51% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Emil Brandqvist
While We Are Here
116 bpm • A min • 05:05 • -14.94db
13% Popularity • 61% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Abdullah Ibrahim
Joan - Cape Town Flower
116 bpm • A# Maj • 09:30 • -28.39db
14% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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John Scofield
Simply Put
115 bpm • A Maj • 05:30 • -17.93db
15% Popularity • 66% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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Christian Scott aTunde Adjuah
Litany Against Fear
131 bpm • G# min • 05:51 • -6.78db
19% Popularity • 44% Danceability • 69% Energy • 32% Liveness
86% Instrumentalness • 15% Positiveness
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When It Rains