Songs like When The Train Comes Along by Henry Thomas
Based on a tempo of (+/- 10%) and a similar genre
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Cannon's Jug Stompers
Minglewood Blues
114 bpm • G Maj • 03:40 • -11db
13% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 50% Positiveness
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Dock Boggs
Bright Sunny South
114 bpm • F min • 03:41 • -12.45db
20% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Blind Boy Fuller
Homesick and Lonesome Blues
114 bpm • G# Maj • 03:09 • -12.02db
16% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 65% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Henry Thomas
When the Train Comes Along
114 bpm • F# Maj • 02:56 • -10db
13% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Furry Lewis
Old Blue
114 bpm • B Maj • 03:00 • -19.42db
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blind Blake
Blind Arthur's Breakdown
115 bpm • G# Maj • 03:00 • -11db
17% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
17% Popularity • 55% Danceability • 58% Energy • 15% Liveness
89% Instrumentalness • 72% Positiveness
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Blind Lemon Jefferson
One Dime Blues
113 bpm • F Maj • 02:48 • -10db
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Fred Neil
Blues on the Ceiling
115 bpm • G Maj • 02:24 • -10.6db
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Riley Puckett
Ragged But Right
113 bpm • C# Maj • 02:57 • -14.28db
10% Popularity • 67% Danceability • 29% Energy • 45% Liveness
1% Instrumentalness • 93% Positiveness
10% Popularity • 67% Danceability • 29% Energy • 45% Liveness
1% Instrumentalness • 93% Positiveness
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Henry Thomas
Run, Mollie, Run
115 bpm • C Maj • 02:54 • -14.95db
1% Popularity • 62% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 62% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Furry Lewis
Falling Down Blues
113 bpm • D Maj • 02:48 • -14db
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 50% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmie Rodgers
Waiting for a Train
113 bpm • G Maj • 02:47 • -15.28db
10% Popularity • 57% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 57% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
30% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Slim Harpo
I'm A King Bee
113 bpm • A# min • 03:02 • -7db
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Pink Anderson
You Don't Know My Mind
113 bpm • C# Maj • 02:39 • -17db
22% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Ishman Bracey
Saturday Blues
112 bpm • A# Maj • 03:29 • -17db
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Henry Thomas
Run, Mollie, Run
112 bpm • C Maj • 02:51 • -11.46db
4% Popularity • 61% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 61% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Son House
Death Letter Blues
116 bpm • G min • 04:19 • -15.42db
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
40% Popularity • 80% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
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Mance Lipscomb
Buck Dance - Version; Instrumental; Rema...
116 bpm • G# Maj • 01:33 • -15db
32% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
32% Popularity • 60% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 83% Positiveness
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Bukka White
Poor Boy Long Ways From Home
116 bpm • F# Maj • 02:20 • -15db
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 60% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Doc & Merle Watson
Going Down The Road Feeling Bad
116 bpm • D Maj • 02:46 • -15db
35% Popularity • 73% Danceability • 31% Energy • 19% Liveness
4% Instrumentalness • 88% Positiveness
35% Popularity • 73% Danceability • 31% Energy • 19% Liveness
4% Instrumentalness • 88% Positiveness
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Henry Thomas
Bob McKinney
112 bpm • F# Maj • 02:55 • -11.84db
4% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Charley Patton
Screamin' and Hollerin' the Blues
116 bpm • G# Maj • 03:05 • -13db
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 14% Liveness
66% Instrumentalness • 40% Positiveness
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Blind Willie Johnson
Dark Was the Night, Cold Was the Ground
116 bpm • A Maj • 03:18 • -23.18db
45% Popularity • 39% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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David "Honeyboy" Edwards
Further Up on the Road
112 bpm • A Maj • 04:20 • -15db
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 73% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Dock Boggs
Wild Bill Jones
112 bpm • F# min • 02:14 • -12.22db
27% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
13% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmie Rodgers
Gambling Bar Room Blues
117 bpm • E Maj • 03:23 • -11.79db
18% Popularity • 80% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 80% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Roscoe Holcomb
Trouble in Mind
111 bpm • G min • 02:18 • -12.21db
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Bukka White
Bukka's Jitterbug Swing
117 bpm • F# Maj • 02:39 • -13db
22% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
22% Popularity • 67% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 54% Positiveness
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Furry Lewis
Good Morning Judge
111 bpm • A Maj • 05:31 • -7.3db
13% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1
117 bpm • B Maj • 03:08 • -11db
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 10% Liveness
52% Instrumentalness • 71% Positiveness
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Henry Thomas
Run Mollie Run
111 bpm • A min • 02:53 • -12.42db
1% Popularity • 66% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 66% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Roscoe Holcomb
Across the Rocky Mountain
111 bpm • F# Maj • 05:22 • -14.05db
13% Popularity • 58% Danceability • 32% Energy • 73% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 58% Danceability • 32% Energy • 73% Liveness
1% Instrumentalness • 22% Positiveness
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Jesse Fuller
Stackolee
117 bpm • B Maj • 03:46 • -6db
12% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 54% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Barbara Dane
Nine Hundred Miles
111 bpm • C min • 02:21 • -16db
33% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 66% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
32% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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The Holy Modal Rounders
Blues In The Bottle
111 bpm • G Maj • 03:24 • -8.89db
9% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 67% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Papa Charlie Jackson
Long Gone Lost John / Money Never Runs O...
111 bpm • G Maj • 08:05 • -11.86db
4% Popularity • 64% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 41% Positiveness
4% Popularity • 64% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 41% Positiveness
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Frank Proffitt
Satan, Your Kingdom Must Come Down
117 bpm • D Maj • 01:51 • -11db
30% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dock Boggs
Country Blues
111 bpm • C# Maj • 03:55 • -9.78db
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Lonnie Young
Chevrolet
118 bpm • F min • 04:04 • -12.95db
15% Popularity • 72% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 28% Positiveness
15% Popularity • 72% Danceability • 81% Energy • 4% Liveness
2% Instrumentalness • 28% Positiveness
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Henry Thomas
My dreams are clouded
118 bpm • C Maj • 04:25 • -12.04db
1% Popularity • 73% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 73% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
118 bpm • E min • 03:09 • -13.2db
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Bukka White
Bukka Jitterburg Swing
118 bpm • D Maj • 02:35 • -17db
35% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
35% Popularity • 68% Danceability • 26% Energy • 10% Liveness
20% Instrumentalness • 52% Positiveness
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Charley Patton
Down The Dirt Road Blues
118 bpm • C# Maj • 02:56 • -9.68db
9% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
9% Popularity • 50% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Skip James
I'm So Glad
110 bpm • A# Maj • 01:56 • -17db
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bo Carter
Let Me Roll Your Lemon
110 bpm • A Maj • 02:56 • -12.29db
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Dock Boggs
Sugar Baby
118 bpm • G# min • 02:57 • -13db
27% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Blind Roosevelt Graves
I'll Be Rested (When The Roll Is Called)
118 bpm • B Maj • 02:33 • -12db
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
33% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
33% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Henry Thomas
Shanty Blues
110 bpm • A# min • 02:53 • -13.49db
4% Popularity • 56% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 56% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Wilkins
Old Jim Canan's
118 bpm • A Maj • 02:58 • -12db
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
13% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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J.B. Lenoir
The Whale Has Swallowed Me
110 bpm • G Maj • 02:25 • -8db
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 86% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Furry Lewis
John Henry
119 bpm • C# Maj • 04:51 • -16db
17% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 46% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Whistler's Jug Band
Foldin' Bed
110 bpm • C Maj • 02:57 • -12.58db
7% Popularity • 77% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 77% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Washington Phillips
Mother's Last Word To Her Son
109 bpm • F# Maj • 02:52 • -12db
29% Popularity • 41% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 41% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Thomas
Bob McKinney
109 bpm • F# Maj • 02:53 • -14.32db
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 59% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Corey Harris
Take Me Back
119 bpm • C Maj • 02:19 • -14.99db
31% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Emmett Miller
Lovesick Blues
109 bpm • F Maj • 02:53 • -16db
15% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Roscoe Holcomb
Graveyard Blues
119 bpm • G Maj • 03:01 • -11db
15% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Blind Willie Johnson
Bye and Bye I'm Goin' to See the King
109 bpm • G Maj • 02:51 • -16.12db
18% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Pete Williams
Graveyard Blues
120 bpm • A# min • 02:46 • -11db
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 64% Energy • 34% Liveness
20% Instrumentalness • 39% Positiveness
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Bukka White
Fixin' to Die Blues
109 bpm • B Maj • 02:51 • -10db
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
19% Popularity • 59% Danceability • 29% Energy • 18% Liveness
44% Instrumentalness • 62% Positiveness
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Washington Phillips
Denomination Blues, Pt. 1
120 bpm • F Maj • 03:07 • -12.21db
12% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Charley Patton
Mississippi Boweavil Blues
109 bpm • F# Maj • 03:11 • -10.2db
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 15% Liveness
41% Instrumentalness • 17% Positiveness
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Uncle Dave Macon
Rock About My Sara Jane
108 bpm • G# Maj • 03:23 • -12.65db
20% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 59% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Blind Willie Johnson
Jesus Make Up My Dying Bed
120 bpm • D# Maj • 03:10 • -14db
24% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 63% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sylvester Weaver
Guitar Rag
108 bpm • D Maj • 03:06 • -13db
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
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Fred Neil
Sweet Cocaine
108 bpm • C Maj • 02:03 • -12.04db
34% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Cannon's Jug Stompers
Going to Germany
107 bpm • G Maj • 02:31 • -13db
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 15% Energy • 14% Liveness
7% Instrumentalness • 64% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
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Memphis Jug Band
He's In The Jail House Now
107 bpm • C Maj • 03:12 • -12.13db
12% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 77% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Etta Baker
Railroad Bill
107 bpm • C Maj • 02:41 • -18db
34% Popularity • 56% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
34% Popularity • 56% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Abner Jay
The Love Wheel
121 bpm • E Maj • 02:38 • -7.8db
10% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Precious Bryant
Georgia Buck
107 bpm • C Maj • 02:38 • -11.71db
12% Popularity • 58% Danceability • 41% Energy • 8% Liveness
81% Instrumentalness • 96% Positiveness
12% Popularity • 58% Danceability • 41% Energy • 8% Liveness
81% Instrumentalness • 96% Positiveness
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Bukka White
High Fever Blues
107 bpm • A Maj • 02:50 • -12db
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
22% Popularity • 76% Danceability • 25% Energy • 11% Liveness
29% Instrumentalness • 72% Positiveness
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Jim Jackson
Old Dog Blue
121 bpm • F# Maj • 02:58 • -11db
7% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 53% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Poole
White House Blues
121 bpm • G Maj • 03:31 • -8.64db
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 55% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Rodgers
Miss the Mississippi and You
107 bpm • D# Maj • 02:55 • -8db
13% Popularity • 61% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 61% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Pink Anderson
Greasy Greens
122 bpm • A# Maj • 04:38 • -15.42db
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 78% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Washington Phillips
I Had A Good Father And Mother
107 bpm • A# min • 03:00 • -13.86db
9% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Bill & Belle Reed
The Old lady & the devil
107 bpm • C Maj • 03:06 • -10.35db
7% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
