Songs like When You Lose Someone by The Dip
Based on a tempo of (+/- 10%) and a similar genre
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Oh He Dead
California
112 bpm • B Maj • 03:28 • -6.04db
32% Popularity • 84% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 84% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Duncan
Somewhere in Between
112 bpm • G min • 03:49 • -11.05db
27% Popularity • 77% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
27% Popularity • 77% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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The Brook & The Bluff
Everything Is Just a Mess
112 bpm • D# Maj • 04:43 • -10.15db
55% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Fat Night
Sun Go Down
112 bpm • D Maj • 03:42 • -7.11db
48% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Sir Woman
Can't Stay Mad
112 bpm • B min • 02:59 • -8.18db
29% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Karen Lee Andrews
Digging up Graves
112 bpm • E min • 03:43 • -4.82db
20% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ripe
Settling
112 bpm • C# min • 03:08 • -5.44db
47% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Marcus King
Blood on the Tracks
112 bpm • D Maj • 03:58 • -5.35db
40% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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The Brook & The Bluff
Don't Go Slippin' Away
112 bpm • D Maj • 05:14 • -6.94db
37% Popularity • 77% Danceability • 46% Energy • 14% Liveness
21% Instrumentalness • 49% Positiveness
37% Popularity • 77% Danceability • 46% Energy • 14% Liveness
21% Instrumentalness • 49% Positiveness
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The Dip
When You Lose Someone
112 bpm • E Maj • 03:25 • -5.77db
46% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Marcus King Band
How Long
111 bpm • A# Maj • 05:21 • -8.27db
40% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
40% Popularity • 66% Danceability • 80% Energy • 34% Liveness
8% Instrumentalness • 72% Positiveness
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Nathaniel Rateliff
Something Beautiful
111 bpm • B min • 03:58 • -12db
48% Popularity • 73% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
48% Popularity • 73% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Jon Batiste
TELL THE TRUTH
111 bpm • A# Maj • 03:21 • -5db
44% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Eli "Paperboy" Reed
99 Cent Dreams
111 bpm • C Maj • 03:35 • -11db
34% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sammy Rae & The Friends
Talk It Up
113 bpm • G Maj • 03:58 • -4.67db
57% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Nigel Hall
Gimme a Sign
111 bpm • F# Maj • 03:23 • -8db
30% Popularity • 74% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 74% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Couch
Still Feeling You
113 bpm • A# min • 03:11 • -5.34db
51% Popularity • 81% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
51% Popularity • 81% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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North Mississippi Allstars
See the Moon
111 bpm • A# min • 03:21 • -10db
39% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nathaniel Rateliff & The Night Sweats
Babe I Know
113 bpm • A Maj • 03:04 • -8.81db
54% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Susto
Get Down
113 bpm • A Maj • 02:31 • -5.46db
52% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sonny Cleveland
You've Got Me Running in Circles
111 bpm • G Maj • 02:50 • -7.11db
57% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Marcus King Band
This Ol' Cowboy
113 bpm • D Maj • 05:57 • -7db
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lake Street Dive
What I'm Doing Here
111 bpm • G Maj • 03:26 • -14db
61% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
61% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Sir Woman
Overboard
114 bpm • C Maj • 05:00 • -6.62db
22% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Collin Miller & the Brother Nature
Everyday Lovers
110 bpm • F# min • 03:19 • -6.04db
12% Popularity • 71% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 71% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Don McCloskey
First In Flight
114 bpm • D# Maj • 03:41 • -5.68db
34% Popularity • 72% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 72% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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The Meltdown
Hold On To Hope
110 bpm • D min • 03:57 • -6.62db
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Sammy Rae & The Friends
Everybody Wants to Rule the World
110 bpm • F Maj • 05:07 • -6.73db
42% Popularity • 39% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 39% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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St. Paul & The Broken Bones
GotItBad
114 bpm • C# min • 04:50 • -6.16db
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
46% Popularity • 73% Danceability • 70% Energy • 20% Liveness
34% Instrumentalness • 72% Positiveness
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Jackie Venson
Keep On
110 bpm • B Maj • 03:59 • -5db
39% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
39% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
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Matt Duncan
Lighthouse
114 bpm • A# Maj • 03:11 • -10db
29% Popularity • 83% Danceability • 30% Energy • 8% Liveness
16% Instrumentalness • 51% Positiveness
29% Popularity • 83% Danceability • 30% Energy • 8% Liveness
16% Instrumentalness • 51% Positiveness
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Kowloon
The Sun
110 bpm • C Maj • 04:08 • -7db
47% Popularity • 80% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 48% Positiveness
47% Popularity • 80% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 48% Positiveness
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Brian Scartocci
Days of Glory
114 bpm • A Maj • 03:12 • -6.26db
13% Popularity • 83% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 83% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Sonny Cleveland
Our World
110 bpm • A Maj • 02:31 • -6.29db
25% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 81% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Hertler & The Rainbow Seekers
Old Love
110 bpm • A Maj • 04:17 • -5.6db
49% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Lake Street Dive
You're Still The One
114 bpm • F min • 04:23 • -7db
43% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 78% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Flat Land Soul Band
Here With Me
114 bpm • D# Maj • 03:26 • -4.71db
11% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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GoldFord
Ray of Sunshine
110 bpm • G Maj • 03:24 • -4.56db
35% Popularity • 66% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 66% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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The Meltdown
Crooked Country
114 bpm • G min • 03:36 • -10db
51% Popularity • 75% Danceability • 49% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
51% Popularity • 75% Danceability • 49% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
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Vulfpeck
Serve Somebody
109 bpm • A Maj • 04:22 • -8.3db
38% Popularity • 64% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 64% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Greyhounds
What's on Your Mind (OurVinyl Sessions)
109 bpm • F min • 04:07 • -8.09db
30% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Neal Francis
She's A Winner
109 bpm • C Maj • 05:06 • -6.53db
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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St. Paul & The Broken Bones
The Last Dance
115 bpm • D Maj • 03:24 • -6.17db
34% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
34% Popularity • 73% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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Sure Sure
This Must Be The Place
115 bpm • F Maj • 03:39 • -10.54db
60% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
60% Popularity • 89% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sir Woman
Making Love
109 bpm • B Maj • 03:21 • -8db
54% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Durand Jones & The Indications
The Way That I Do
115 bpm • G# Maj • 03:30 • -11.75db
53% Popularity • 71% Danceability • 53% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
53% Popularity • 71% Danceability • 53% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
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The Main Squeeze
The Search for Optimism
109 bpm • D min • 03:51 • -7.17db
17% Popularity • 64% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 64% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The Dip
Paddle to the Stars (Acoustic)
115 bpm • A Maj • 02:30 • -7.5db
22% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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St. Paul & The Broken Bones
LivWithoutU
115 bpm • D# Maj • 05:28 • -6db
39% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
39% Popularity • 80% Danceability • 75% Energy • 18% Liveness
58% Instrumentalness • 86% Positiveness
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Mackeson
Shinin
116 bpm • E min • 05:28 • -5db
36% Popularity • 58% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Son Little
belladonna
116 bpm • F# min • 03:15 • -11db
42% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Dr JOE
Good Days
116 bpm • F min • 03:46 • -8.62db
35% Popularity • 72% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 52% Positiveness
35% Popularity • 72% Danceability • 61% Energy • 32% Liveness
1% Instrumentalness • 52% Positiveness
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Devon Gilfillian
High
116 bpm • A# min • 03:07 • -4.29db
41% Popularity • 75% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 75% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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The Dip
Vacation
116 bpm • A min • 02:54 • -6db
33% Popularity • 73% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 73% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Sammy Rae & The Friends
Follow Me Like the Moon
108 bpm • B min • 04:21 • -5.04db
49% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 63% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Lake Street Dive
Nick Of Time
116 bpm • C Maj • 04:10 • -9db
47% Popularity • 82% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 82% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Free Union
Good Life
116 bpm • G Maj • 03:20 • -11.29db
23% Popularity • 79% Danceability • 50% Energy • 36% Liveness
7% Instrumentalness • 73% Positiveness
23% Popularity • 79% Danceability • 50% Energy • 36% Liveness
7% Instrumentalness • 73% Positiveness
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Stolen Gin
No Tonic
116 bpm • E min • 03:27 • -4.67db
25% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Vulfpeck
In Heaven
116 bpm • G# Maj • 03:36 • -11db
43% Popularity • 91% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 91% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Brook & The Bluff
Misnomer
116 bpm • A# Maj • 03:43 • -9.04db
51% Popularity • 47% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 47% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Teddy Grossman
Leave it on the Line
108 bpm • A# Maj • 03:52 • -8.65db
23% Popularity • 66% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 66% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Sammy Rae & The Friends
Whatever We Feel
107 bpm • D Maj • 03:28 • -8db
51% Popularity • 56% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
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The Dip
Chanterelle
107 bpm • F Maj • 03:21 • -5.92db
40% Popularity • 73% Danceability • 68% Energy • 3% Liveness
93% Instrumentalness • 79% Positiveness
40% Popularity • 73% Danceability • 68% Energy • 3% Liveness
93% Instrumentalness • 79% Positiveness
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Bay Ledges
In Water
117 bpm • A# Maj • 03:47 • -10db
43% Popularity • 83% Danceability • 70% Energy • 7% Liveness
3% Instrumentalness • 98% Positiveness
43% Popularity • 83% Danceability • 70% Energy • 7% Liveness
3% Instrumentalness • 98% Positiveness
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Los Coast
Summer Samaritan
117 bpm • A Maj • 02:49 • -6.74db
14% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Suffers
Nunya
117 bpm • B Maj • 03:39 • -6.85db
12% Popularity • 59% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
12% Popularity • 59% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 86% Positiveness
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Kyle Thornton & The Company
I Wanna' Be (Your Man)
107 bpm • C Maj • 03:34 • -6.94db
22% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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Gary Clark Jr.
When I'm Gone
106 bpm • A# Maj • 03:48 • -1.75db
47% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Joey Dosik
Don’t Want It to Be Over
107 bpm • A# Maj • 03:36 • -6db
30% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 67% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Vulfpeck
What Did You Mean by Love?
118 bpm • G# min • 04:33 • -10.54db
38% Popularity • 73% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 73% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Dip
When You Lose Someone (Acoustic)
106 bpm • D Maj • 03:11 • -12.03db
29% Popularity • 77% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 77% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Alabama Shakes
Someday
118 bpm • A Maj • 03:19 • -6.4db
36% Popularity • 46% Danceability • 44% Energy • 11% Liveness
66% Instrumentalness • 22% Positiveness
36% Popularity • 46% Danceability • 44% Energy • 11% Liveness
66% Instrumentalness • 22% Positiveness
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Jason Collett
Crab Walking Home In The Rain
118 bpm • D Maj • 03:08 • -8.82db
30% Popularity • 88% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 88% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Scoundrels
One Minute Lover
106 bpm • G min • 02:13 • -3.69db
34% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sammy Rae & The Friends
Denim Jacket
118 bpm • F min • 04:07 • -10.01db
48% Popularity • 75% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 75% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Nathaniel Rateliff & The Night Sweats
Love Me Till I’m Gone
106 bpm • C Maj • 03:48 • -4.64db
36% Popularity • 51% Danceability • 79% Energy • 7% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 51% Danceability • 79% Energy • 7% Liveness
5% Instrumentalness • 39% Positiveness
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Dante Elephante
Find Somebody to Love
106 bpm • G# min • 03:12 • -6.54db
36% Popularity • 80% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 80% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sister Sparrow
Can't Get You off My Mind
106 bpm • E min • 03:06 • -3.78db
23% Popularity • 59% Danceability • 86% Energy • 9% Liveness
66% Instrumentalness • 38% Positiveness
23% Popularity • 59% Danceability • 86% Energy • 9% Liveness
66% Instrumentalness • 38% Positiveness
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Joey Dosik
In Heaven
118 bpm • G# Maj • 03:39 • -8db
43% Popularity • 80% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 80% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Ripe
All or Nothing
106 bpm • F# min • 02:36 • -4.89db
34% Popularity • 84% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 84% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Rae & The Friends
Saw It Coming
106 bpm • G Maj • 03:39 • -9db
42% Popularity • 76% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 76% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Matt Duncan
The Horn of Plenty
106 bpm • C Maj • 03:06 • -11.3db
26% Popularity • 73% Danceability • 31% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
26% Popularity • 73% Danceability • 31% Energy • 7% Liveness
3% Instrumentalness • 29% Positiveness
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The Dip
Best Believe
106 bpm • C Maj • 03:56 • -7.09db
35% Popularity • 73% Danceability • 80% Energy • 74% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 73% Danceability • 80% Energy • 74% Liveness
0% Instrumentalness • 92% Positiveness
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Sir Woman
Cape Town Plush
119 bpm • B min • 03:21 • -6db
33% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jesse Harper
Part of Me Believes
106 bpm • C Maj • 02:39 • -7.22db
34% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 52% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Yola
I Don't Wanna Lie
106 bpm • F Maj • 03:01 • -5.08db
44% Popularity • 56% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 56% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Kat Wright
Come Dance
119 bpm • F min • 04:02 • -4.92db
28% Popularity • 70% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 70% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Jesse Roper
Two Wolves
119 bpm • A min • 04:04 • -5.82db
37% Popularity • 71% Danceability • 78% Energy • 11% Liveness
11% Instrumentalness • 52% Positiveness
37% Popularity • 71% Danceability • 78% Energy • 11% Liveness
11% Instrumentalness • 52% Positiveness
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Sure Sure
Peaceful In My Mind
119 bpm • E Maj • 02:49 • -8db
48% Popularity • 85% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 85% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Tomar and the FCs
Innocence
119 bpm • C# min • 03:47 • -6db
18% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 72% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Har Mar Superstar
Late Night Morning Light
105 bpm • G Maj • 02:05 • -6.11db
44% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
44% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
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The Charities
Mistakes
119 bpm • C# Maj • 03:58 • -12.33db
31% Popularity • 48% Danceability • 48% Energy • 8% Liveness
14% Instrumentalness • 26% Positiveness
31% Popularity • 48% Danceability • 48% Energy • 8% Liveness
14% Instrumentalness • 26% Positiveness
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Greyhounds
Big Bend
105 bpm • D# Maj • 02:28 • -7.78db
29% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Lake Street Dive
I Want You Back
119 bpm • D Maj • 04:19 • -9db
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’m On Your Side
105 bpm • F# Maj • 03:18 • -5db
48% Popularity • 58% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 43% Positiveness
48% Popularity • 58% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 43% Positiveness
