Songs like When You Love Somebody by Deniece Williams
Based on a tempo of (+/- 10%) and a similar genre
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Deniece Williams
When You Love Somebody
91 bpm • C min • 02:45 • -3db
27% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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After 7
I Want You
90 bpm • A min • 04:20 • -5db
31% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Babyface
I Want You
90 bpm • F Maj • 04:19 • -5.93db
35% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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El DeBarge
Starlight, Moonlight, Candlelight
91 bpm • B Maj • 03:46 • -8.81db
16% Popularity • 70% Danceability • 64% Energy • 4% Liveness
19% Instrumentalness • 63% Positiveness
16% Popularity • 70% Danceability • 64% Energy • 4% Liveness
19% Instrumentalness • 63% Positiveness
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The Stylistics
Mine All Mine
90 bpm • C Maj • 04:30 • -10db
45% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
45% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
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Barry White
I Found Love
92 bpm • C Maj • 07:01 • -10.89db
25% Popularity • 52% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
25% Popularity • 52% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Stephanie Mills
Starlight
90 bpm • E min • 03:38 • -8db
28% Popularity • 58% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
28% Popularity • 58% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Debra Debs
Blending Colours
90 bpm • F# min • 04:16 • -10.6db
17% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Robin Thicke
The Things You Do To Me
90 bpm • E min • 03:17 • -10.16db
32% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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El DeBarge
Love Always
90 bpm • F min • 05:30 • -16db
35% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tristan
I've Been Loving You Too Long
90 bpm • F min • 03:23 • -8db
15% Popularity • 59% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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Dennis Taylor
Let's Stay In Tonight
92 bpm • F min • 03:38 • -7.95db
20% Popularity • 67% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Con Funk Shun
More Than Love
90 bpm • C# min • 04:35 • -4.87db
17% Popularity • 71% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 71% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Kloud 9
21 Days
92 bpm • F# min • 04:00 • -7.56db
25% Popularity • 66% Danceability • 60% Energy • 25% Liveness
3% Instrumentalness • 63% Positiveness
25% Popularity • 66% Danceability • 60% Energy • 25% Liveness
3% Instrumentalness • 63% Positiveness
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Barry White
September When I First Met You - Single ...
92 bpm • C Maj • 03:59 • -11db
46% Popularity • 52% Danceability • 55% Energy • 40% Liveness
2% Instrumentalness • 66% Positiveness
46% Popularity • 52% Danceability • 55% Energy • 40% Liveness
2% Instrumentalness • 66% Positiveness
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Glenn Jones
You & Me
92 bpm • A# min • 03:53 • -7.41db
25% Popularity • 74% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Jarrod Lawson
Why Don't You Call Me Baby Anymore
92 bpm • C Maj • 03:31 • -7.97db
23% Popularity • 60% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 60% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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West Angeles Church of God in Christ Angelic Choir
Simple Words
89 bpm • D Maj • 03:34 • -12db
1% Popularity • 64% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 64% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Rippingtons
Till You Come Back To Me
90 bpm • C Maj • 03:59 • -6.44db
47% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 68% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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DeBarge
Dindi
93 bpm • D Maj • 04:57 • -11.59db
40% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
40% Popularity • 70% Danceability • 58% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Light Of The World
Summer Girl
89 bpm • G min • 05:03 • -6.59db
13% Popularity • 60% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 60% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Pete Belasco
All In My Mind
89 bpm • C# Maj • 04:53 • -9.34db
34% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 5% Liveness
49% Instrumentalness • 81% Positiveness
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Vesta Williams
Better Days
93 bpm • C# min • 04:24 • -12db
14% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 71% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Maze
Silky Soul
93 bpm • C# min • 06:45 • -14db
40% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Deni Hines
Delicious
89 bpm • B Maj • 06:05 • -10.46db
7% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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DeBarge
I Like It - Soul Synopsis Mix
93 bpm • C# min • 05:47 • -4db
37% Popularity • 89% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 89% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Meli'sa Morgan
Heart Breaking Decision
93 bpm • F# min • 04:32 • -14.97db
25% Popularity • 69% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 69% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Frank Mccomb
This Love of Ours
93 bpm • E min • 03:50 • -9db
18% Popularity • 63% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 63% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Claudia Campagnol
You Are On My Mind
89 bpm • A# Maj • 03:37 • -8.74db
23% Popularity • 62% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 62% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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El DeBarge
It's Got to Be Real
89 bpm • C# Maj • 03:58 • -6.19db
22% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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The Spinners
Down for the Count
89 bpm • E min • 03:31 • -8.99db
8% Popularity • 76% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 76% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Deniece Williams
Turn Around
89 bpm • D# Maj • 03:49 • -7.85db
5% Popularity • 58% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
5% Popularity • 58% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Freddie Jackson
Main Course
93 bpm • G# min • 04:54 • -11.78db
31% Popularity • 73% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 73% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Barry White
Practice What You Preach - Michael Angel...
94 bpm • G Maj • 04:27 • -10.76db
11% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 85% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Tristan
Risin' To The Top
94 bpm • F min • 04:35 • -8.85db
9% Popularity • 76% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 76% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Karyn White
Love Saw It
93 bpm • F# min • 05:20 • -14.55db
44% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 76% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Leavy
Inside You (B's Side)
88 bpm • G min • 04:36 • -3.95db
12% Popularity • 43% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 43% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Elliot
This Could Be Real
88 bpm • F# Maj • 04:55 • -5.51db
40% Popularity • 70% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 70% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Joslyn
Used To
94 bpm • F# min • 04:14 • -5.89db
35% Popularity • 83% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 83% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Kindred The Family Soul
The Best Things
88 bpm • B min • 03:16 • -9db
33% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 71% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Andreas Aleman
Helplessly in Love
88 bpm • G# Maj • 04:16 • -7db
39% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Kevin Flournoy
You're All I Need
88 bpm • G Maj • 04:17 • -6.34db
13% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Deniece Williams
We Have Love for You
88 bpm • C# min • 03:40 • -3.56db
9% Popularity • 58% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
9% Popularity • 58% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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Klymaxx
Divas Need Love Too
88 bpm • A# min • 05:16 • -13db
25% Popularity • 59% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 59% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Brenda Russell
The Tracks Of My Tears
88 bpm • G Maj • 04:46 • -6.48db
29% Popularity • 78% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 78% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Kashif
Send Me Your Love
87 bpm • A# min • 05:11 • -13.18db
25% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Con Funk Shun
Baby I'm Hooked (Right Into Your Love)
95 bpm • D Maj • 04:11 • -10db
36% Popularity • 74% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Nathan Mitchell
Do I Do
95 bpm • A# Maj • 04:40 • -7.7db
17% Popularity • 66% Danceability • 61% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 61% Energy • 14% Liveness
1% Instrumentalness • 60% Positiveness
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Jermaine Jackson
Don't Take It Personal
95 bpm • D# min • 04:31 • -8.63db
35% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 85% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Peabo Bryson
Looking For Sade - Remix
95 bpm • G# min • 04:42 • -12.48db
8% Popularity • 65% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 65% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Deniece Williams
Free - Dave Lee Re-Grooved Mix
95 bpm • F# Maj • 07:37 • -7.74db
14% Popularity • 66% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 66% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Omar Wilson
The Groove
95 bpm • F min • 04:12 • -8.25db
20% Popularity • 82% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 82% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Kool & The Gang
Cherish
95 bpm • C# Maj • 04:25 • -7.03db
22% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kem
Lie To Me
87 bpm • F Maj • 03:51 • -7.58db
49% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Castella
So Glad I Met You
95 bpm • G min • 03:45 • -3.72db
21% Popularity • 65% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 65% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Brenda Russell
Too Cool For The Room
87 bpm • B min • 04:07 • -7.74db
27% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The HamilTones
Never Gonna Let You Go
87 bpm • F min • 03:51 • -7.2db
22% Popularity • 74% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 74% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Dazz Band
Heartbeat
87 bpm • E min • 05:15 • -11db
25% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Phyllis Hyman
Ain't You Had Enough Love
95 bpm • A# min • 04:12 • -4.57db
26% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Frank Mccomb
Love Natural
87 bpm • B min • 06:55 • -7.95db
31% Popularity • 64% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
31% Popularity • 64% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 47% Positiveness
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Preston Glass
Orange U Ready - Cool Million Mix
96 bpm • A# min • 04:07 • -6.36db
15% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Teddy Pendergrass
You're My Choice Tonight (Choose Me)
86 bpm • G Maj • 04:49 • -17db
30% Popularity • 71% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 71% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Miki Howard
Until You Come Back to Me (That's What I...
96 bpm • G Maj • 04:07 • -7.78db
29% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 60% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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El DeBarge
Heart, Mind & Soul
96 bpm • F Maj • 04:36 • -8.31db
38% Popularity • 69% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
38% Popularity • 69% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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Tyra Levone
Keep Steppin'
96 bpm • C# Maj • 03:56 • -5.85db
11% Popularity • 64% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Ledisi
I Blame You
96 bpm • C# Maj • 04:14 • -5.98db
40% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Deniece Williams
It's Gonna Take a Miracle - Single Versi...
96 bpm • G Maj • 03:18 • -8.52db
22% Popularity • 63% Danceability • 45% Energy • 19% Liveness
6% Instrumentalness • 58% Positiveness
22% Popularity • 63% Danceability • 45% Energy • 19% Liveness
6% Instrumentalness • 58% Positiveness
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James Day
Speak Love
96 bpm • D Maj • 03:43 • -6.71db
29% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 69% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Britt
You Sure Love to Ball
96 bpm • G min • 03:26 • -8.13db
29% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 71% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Ocean
Feel the Love
86 bpm • A# min • 04:40 • -5.84db
14% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Gwen Guthrie
(They Long To Be) Close To You
97 bpm • C Maj • 05:30 • -10db
34% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lukas Setto
What Turns You On
97 bpm • F# Maj • 04:08 • -6.31db
40% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Deniece Williams
Cause You Love Me Baby
96 bpm • G# Maj • 04:22 • -4.4db
8% Popularity • 61% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 61% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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James Day
Who Can Tell the Heart (Groove Ltd Mix)
86 bpm • A# min • 03:56 • -6db
34% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Darryl Anders Agapesoul
The Way That We Love (Boogie Back Remix)
97 bpm • A Maj • 04:14 • -10.9db
12% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Gary Barlow
Hang On in There Baby
97 bpm • C Maj • 03:37 • -10.08db
34% Popularity • 58% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 58% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Margot B.
Kiss of Life
97 bpm • F# min • 04:38 • -7.91db
29% Popularity • 73% Danceability • 59% Energy • 2% Liveness
3% Instrumentalness • 60% Positiveness
29% Popularity • 73% Danceability • 59% Energy • 2% Liveness
3% Instrumentalness • 60% Positiveness
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Dean's Production
Time of the Day
97 bpm • E min • 05:37 • -7.23db
16% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Deniece Williams
Waiting By the Hotline
96 bpm • D min • 03:38 • -11.34db
8% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 59% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Rachelle Ferrell
'Til You Come Back to Me
97 bpm • G# min • 04:38 • -14db
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 71% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Robin McKelle & The Flytones
Love's Work
97 bpm • G# Maj • 04:33 • -7.09db
39% Popularity • 71% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 71% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Teddy Pendergrass
When Somebody Loves You Back
97 bpm • A Maj • 04:52 • -8.84db
19% Popularity • 54% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 54% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Loose Ends
The Sweetest Pain
97 bpm • G# min • 05:57 • -15db
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Lukas Setto
Make It Rain
97 bpm • A Maj • 04:20 • -8.89db
18% Popularity • 71% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 71% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Steffen Morrison
Positivity
97 bpm • G# Maj • 03:19 • -6.12db
41% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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El DeBarge
Someone
85 bpm • C# min • 04:43 • -13db
48% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 61% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Sheila E.
Lemon Cake
85 bpm • A# min • 03:49 • -8.72db
21% Popularity • 76% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 76% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Gladys Knight
Next Time
97 bpm • C# min • 04:27 • -8.36db
28% Popularity • 84% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 84% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Richard Darbyshire
Wherever Love Is Found
97 bpm • A Maj • 03:55 • -8.57db
28% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Deele
Two Occasions
85 bpm • G Maj • 04:16 • -11.25db
38% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Henderson
Take Me I'm Yours
98 bpm • D Maj • 04:22 • -8db
22% Popularity • 64% Danceability • 70% Energy • 64% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 64% Danceability • 70% Energy • 64% Liveness
0% Instrumentalness • 88% Positiveness
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Steffen Morrison
Positivity - Denzel Chain Remix
98 bpm • F min • 03:21 • -7.03db
10% Popularity • 47% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 47% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Janet Jackson
That's The Way Love Goes - Macapella
98 bpm • G min • 06:23 • -12.33db
17% Popularity • 74% Danceability • 46% Energy • 8% Liveness
35% Instrumentalness • 38% Positiveness
17% Popularity • 74% Danceability • 46% Energy • 8% Liveness
35% Instrumentalness • 38% Positiveness
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Shirley Murdock
I Still Love You
85 bpm • C Maj • 05:14 • -12.1db
23% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 56% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Darbyshire
This I Swear
98 bpm • G# Maj • 04:18 • -10db
37% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Rose Royce
Ooh Boy
98 bpm • C Maj • 04:16 • -11.87db
43% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Steve Winwood
Plenty Lovin'
85 bpm • A# min • 05:57 • -5db
37% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie Jackson
Hey Lover
85 bpm • G min • 05:11 • -10.51db
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
