Songs like When by Shania Twain
Based on a tempo of (+/- 10%) and a similar genre
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Judds
Young Love (Strong Love)
120 bpm • B Maj • 04:22 • -8.34db
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 03:51 • -2.18db
40% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Anne-Marie
UNHEALTHY
120 bpm • B min • 02:29 • -6.21db
68% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
68% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Trick Pony
It's A Heartache
120 bpm • C Maj • 03:29 • -4db
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Céline Dion
Because You Loved Me (Theme from "Up Clo...
120 bpm • C# Maj • 04:33 • -9.88db
74% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sheryl Crow
All I Wanna Do
120 bpm • A Maj • 04:32 • -11.18db
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
72% Popularity • 82% Danceability • 53% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Cyndi Lauper
Girls Just Want to Have Fun
120 bpm • F# Maj • 03:58 • -4.9db
84% Popularity • 71% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
84% Popularity • 71% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 04:30 • -8db
52% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Whitney Houston
How Will I Know
119 bpm • F# Maj • 04:35 • -12.7db
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Journey
Don't Stop Believin' (2022 Remaster)
119 bpm • E Maj • 04:09 • -7.44db
84% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
84% Popularity • 50% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Shania Twain
When
120 bpm • E Maj • 03:38 • -4.84db
42% Popularity • 64% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 64% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Céline Dion
All By Myself
119 bpm • B min • 05:12 • -10.01db
68% Popularity • 34% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
68% Popularity • 34% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
73% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Whitney Houston
I Wanna Dance with Somebody (Who Loves M...
119 bpm • C# Maj • 04:51 • -8.82db
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Trisha Yearwood
That's What I Like About You
118 bpm • G# Maj • 02:40 • -7.41db
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Shania Twain
Whatever You Do! Don't!
121 bpm • B Maj • 03:48 • -6.29db
36% Popularity • 69% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 69% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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P!nk
Raise Your Glass
122 bpm • G Maj • 03:22 • -5.01db
79% Popularity • 70% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
79% Popularity • 70% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Shania Twain
Black Eyes, Blue Tears
119 bpm • G Maj • 03:39 • -4.91db
37% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Chesnutt
I Don't Want To Miss A Thing
122 bpm • A# Maj • 04:06 • -10db
42% Popularity • 50% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 50% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
68% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
68% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kip Moore
She's Mine
123 bpm • G Maj • 03:49 • -5.86db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
43% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Sarah McLachlan
Angel
117 bpm • C# Maj • 04:30 • -16.09db
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Cher
The Shoop Shoop Song (It's In His Kiss)
117 bpm • C Maj • 02:50 • -10.51db
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Toby Keith
Wish I Didn't Know Now
117 bpm • G Maj • 03:26 • -8.6db
66% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
66% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
66% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Shania Twain
Party For Two - Pop Version With Intro
122 bpm • B Maj • 03:32 • -3.96db
32% Popularity • 71% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 71% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Shania Twain
Don't Be Stupid (You Know I Love You)
122 bpm • D Maj • 03:34 • -4.95db
53% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Kelly Clarkson
Stronger (What Doesn't Kill You)
116 bpm • C Maj • 03:41 • -4.28db
76% Popularity • 56% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
76% Popularity • 56% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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George Strait
Blue Clear Sky
124 bpm • E Maj • 02:54 • -7db
64% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Cher
Strong Enough
125 bpm • C Maj • 03:44 • -6.19db
67% Popularity • 59% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
67% Popularity • 59% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Shania Twain
Love Gets Me Every Time
123 bpm • D Maj • 03:33 • -4.69db
48% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 74% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Toby Keith
I Love This Bar
115 bpm • D Maj • 05:35 • -6.3db
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
68% Popularity • 61% Danceability • 82% Energy • 35% Liveness
1% Instrumentalness • 45% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Shania Twain
The Woman In Me (Needs The Man In You)
124 bpm • A# Maj • 04:49 • -13db
46% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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SHeDAISY
Mine All Mine
115 bpm • F# Maj • 03:57 • -6.63db
29% Popularity • 65% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 65% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Brooks & Dunn
Cowgirls Don't Cry
115 bpm • A Maj • 03:39 • -5.25db
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Alanis Morissette
Ironic - 2015 Remaster
115 bpm • B Maj • 03:50 • -8.31db
74% Popularity • 41% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 41% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Bryan Adams
When You're Gone
125 bpm • C Maj • 03:24 • -6.34db
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Shania Twain
I'm Gonna Getcha Good! - Red Version
124 bpm • C# Maj • 04:29 • -4.5db
45% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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John Mellencamp
Hurts So Good
125 bpm • A Maj • 03:38 • -5.31db
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
63% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Anne Murray
You Needed Me
126 bpm • A Maj • 03:42 • -8db
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Shania Twain
I'm Gonna Getcha Good! - Red Single Edit...
124 bpm • C# Maj • 04:05 • -2.89db
47% Popularity • 70% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 70% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
49% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Lady A
I Run To You
114 bpm • D# Maj • 04:16 • -4.45db
58% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Trisha Yearwood
How Do I Live
126 bpm • D Maj • 04:02 • -7.37db
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Shania Twain
Up! - Red Version
126 bpm • F Maj • 02:52 • -4.07db
52% Popularity • 66% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 71% Positiveness
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The Corrs
Breathless
127 bpm • B Maj • 03:27 • -7.75db
71% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
71% Popularity • 61% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Trisha Yearwood
Walkaway Joe
114 bpm • C Maj • 04:20 • -10.37db
49% Popularity • 62% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 62% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Shania Twain
Thank You Baby! (For Makin' Someday Come...
114 bpm • F# Maj • 04:00 • -4.89db
42% Popularity • 60% Danceability • 81% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 60% Danceability • 81% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kellie Pickler
Best Days of Your Life
128 bpm • A Maj • 03:46 • -5db
49% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Shania Twain
I'm Gonna Getcha Good
124 bpm • C# Maj • 04:29 • -4.81db
59% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Miranda Lambert
Mama's Broken Heart
112 bpm • E min • 02:57 • -4.2db
68% Popularity • 77% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
68% Popularity • 77% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Shania Twain
Home Ain't Where His Heart Is (Anymore)
124 bpm • A Maj • 04:13 • -12.23db
42% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
66% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
72% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 03:28 • -8.51db
56% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Cher
Walking in Memphis
129 bpm • D Maj • 03:55 • -7.36db
57% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 70% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
